TASCAM Pro Audio Brochure 2011
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... AA batteries (x10), NP type, AC adaptor, external DC input and optional Vmount adaptor for ENDURA batteries • Up to 5-second pre-record buffer • Internal microphone for slate recording • Limiter and low-cut filter per track • Auto or manual cue points • Alert signal to headphone output • Retake function • Panel lockout function to prevent accidental transport switching • 8 high-quality microphone preamps and A/D converters with independent +48V phantom power for...
... AA batteries (x10), NP type, AC adaptor, external DC input and optional Vmount adaptor for ENDURA batteries • Up to 5-second pre-record buffer • Internal microphone for slate recording • Limiter and low-cut filter per track • Auto or manual cue points • Alert signal to headphone output • Retake function • Panel lockout function to prevent accidental transport switching • 8 high-quality microphone preamps and A/D converters with independent +48V phantom power for...
TASCAM Pro Audio Brochure 2011
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... mix can be recorded live as Broadcast WAV files to Compact Flash media, with iXML metadata • Video and word clock on BNC • Multi-channel flash start (HS-8) • SMPTE timecode BNC in for data mirroring or continuous recording. A pair of -use that studio and post professionals demand. • 8-channel/2-channel solid-state recorder • Balanced stereo analog inputs/outputs on HS-2) Pictured with optional SY-2 synchronization card installed...
... mix can be recorded live as Broadcast WAV files to Compact Flash media, with iXML metadata • Video and word clock on BNC • Multi-channel flash start (HS-8) • SMPTE timecode BNC in for data mirroring or continuous recording. A pair of -use that studio and post professionals demand. • 8-channel/2-channel solid-state recorder • Balanced stereo analog inputs/outputs on HS-2) Pictured with optional SY-2 synchronization card installed...
TASCAM Pro Audio Brochure 2011
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... flash start devices (HS-4000) • Simple-to-use . down modes • Up to 96kHz/24-bit recording • Export projects to AES31 format • Stereo monitor mixing • Video sync input supports NTSC/PAL/ BB/HD Tri-Level • Flash start , transport and fader functions. • XLR balanced inputs/outputs • XLR balanced stereo monitor outputs • 1/4" TRS stereo headphone output • RS-422, RS-232C and Parallel inputs on D-sub • XLR balanced SMPTE timecode input...
... flash start devices (HS-4000) • Simple-to-use . down modes • Up to 96kHz/24-bit recording • Export projects to AES31 format • Stereo monitor mixing • Video sync input supports NTSC/PAL/ BB/HD Tri-Level • Flash start , transport and fader functions. • XLR balanced inputs/outputs • XLR balanced stereo monitor outputs • 1/4" TRS stereo headphone output • RS-422, RS-232C and Parallel inputs on D-sub • XLR balanced SMPTE timecode input...
TASCAM Pro Audio Brochure 2011
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... added using • 12 Aux Sends (8 on DM-3200) built-in the center of effects processors include TC Reverbs for professional users who demand flexible mix platforms that configure to 6.1 surround. The 64-channel DM-4800 features a "fat channel" strip in CF slot • 24 XLR mic/line inputs with analog • (3x) 8-channel TDIF digital inputs and inserts plus phantom power for condenser outputs (24 channels) mics (16 on DM-3200) • 8-channel ADAT optical digital input and...
... added using • 12 Aux Sends (8 on DM-3200) built-in the center of effects processors include TC Reverbs for professional users who demand flexible mix platforms that configure to 6.1 surround. The 64-channel DM-4800 features a "fat channel" strip in CF slot • 24 XLR mic/line inputs with analog • (3x) 8-channel TDIF digital inputs and inserts plus phantom power for condenser outputs (24 channels) mics (16 on DM-3200) • 8-channel ADAT optical digital input and...
TASCAM Pro Audio Brochure 2011
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... optimal sound. Codeveloped with level and pan controls for each input • (6) RCA unbalanced line outputs • S/PDIF digital in and out • USB 2.0 (mini B) connection for computer • Built-in speaker • 1/4" stereo headphone output • Included accessories: PS-1225L power supply, shoulder strap • 8-track portable recording at up to 96kHz, the DR-680 captures stereo audio at WAV or BWF format, up to eight tracks can also be monitored using...
... optimal sound. Codeveloped with level and pan controls for each input • (6) RCA unbalanced line outputs • S/PDIF digital in and out • USB 2.0 (mini B) connection for computer • Built-in speaker • 1/4" stereo headphone output • Included accessories: PS-1225L power supply, shoulder strap • 8-track portable recording at up to 96kHz, the DR-680 captures stereo audio at WAV or BWF format, up to eight tracks can also be monitored using...
TASCAM Pro Audio Brochure 2011
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... the high standards of DSD audio • Stereo S/PDIF digital output on coaxial connector • Word Sync In, Out, Thru • RS-232C serial control • PS/2 keyboard connector for title editing • User-definable function keys • Large, backlit LCD display • Records to standard CD-DA, Broadcast Wave and DSDIFF formats • Dedicated input level control and adjustable maximum output level • ±6% pitch control • Fade in/out...
... the high standards of DSD audio • Stereo S/PDIF digital output on coaxial connector • Word Sync In, Out, Thru • RS-232C serial control • PS/2 keyboard connector for title editing • User-definable function keys • Large, backlit LCD display • Records to standard CD-DA, Broadcast Wave and DSDIFF formats • Dedicated input level control and adjustable maximum output level • ±6% pitch control • Fade in/out...
TASCAM Mixer Companion 1.60 software guide
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... the TASCAM DM. • On-screen metering for channels, busses, aux sends, and the main stereo buss. • Firmware updates to look for Microsoft Windows XP or Apple Computer's Mac OS X, allowing the following operations to be installed as a sub-item in which sets out the licensing terms and conditions. Adobe Acrobat Reader) can be downloaded and stored as "TASCAM DM") from the host computer, using a USB connection for 2-way operation: •...
... the TASCAM DM. • On-screen metering for channels, busses, aux sends, and the main stereo buss. • Firmware updates to look for Microsoft Windows XP or Apple Computer's Mac OS X, allowing the following operations to be installed as a sub-item in which sets out the licensing terms and conditions. Adobe Acrobat Reader) can be downloaded and stored as "TASCAM DM") from the host computer, using a USB connection for 2-way operation: •...
DM-3200 Automation Manual
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... a minimum number of the DM-3200 cannot be automated: • Digital trim • Effect settings • Buss assignments • Analog TRIM • Control Room monitor switching 4 TASCAM DM-3200 Automation Guide • LCD navigation • Transport control • Fader layer switching • Global mixer setup parameters Moves for playback. The DM-3200's automation system was designed to be used in the display . This could be off-loaded via the TASCAM Mixer Companion Software to...
... a minimum number of the DM-3200 cannot be automated: • Digital trim • Effect settings • Buss assignments • Analog TRIM • Control Room monitor switching 4 TASCAM DM-3200 Automation Guide • LCD navigation • Transport control • Fader layer switching • Global mixer setup parameters Moves for playback. The DM-3200's automation system was designed to be used in the display . This could be off-loaded via the TASCAM Mixer Companion Software to...
DM-3200 Automation Manual
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...). Changing any move- Result: Until a mix is stored in the AUTO SETUP display by the automation system. Action: Press the WRITE key before recording the mix move and the control's previous setting. Result: With the console in order to respond as these controls as a control that has had mix moves written to them remain in Static mode, even if those settings in the current mix memory. Revert Time When a control...
...). Changing any move- Result: Until a mix is stored in the AUTO SETUP display by the automation system. Action: Press the WRITE key before recording the mix move and the control's previous setting. Result: With the console in order to respond as these controls as a control that has had mix moves written to them remain in Static mode, even if those settings in the current mix memory. Revert Time When a control...
DM-4800 & DM-3200 Automation Guide
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... specific control at a later time for on the TASCAM DM's CF card as editing and refining mix moves during replay, all control of the automation is made from busses (including stereo buss) • In surround mode, surround assignment and assignment to concentrate on the card between High/Low Pass Filter, Peaking & Shelving • Auxiliary send levels, Pre/Post switching and pan/ balance settings • Auxiliary master send levels • COMPressor settings: threshold, ratio, attack, release...
... specific control at a later time for on the TASCAM DM's CF card as editing and refining mix moves during replay, all control of the automation is made from busses (including stereo buss) • In surround mode, surround assignment and assignment to concentrate on the card between High/Low Pass Filter, Peaking & Shelving • Auxiliary send levels, Pre/Post switching and pan/ balance settings • Auxiliary master send levels • COMPressor settings: threshold, ratio, attack, release...
DM-4800 & DM-3200 Automation Guide
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... on the same channel as a control that its previous value, based on -screen AUTOMATION ENGINE button and pressing ENTER. The current mix memory is erased when the console is powered off, so storing a mix in Write mode, any settings will automatically update those controls are on the previous pages, will begin when the control is required for later recall. Revert Time When a control stops recording mix moves, it takes...
... on the same channel as a control that its previous value, based on -screen AUTOMATION ENGINE button and pressing ENTER. The current mix memory is erased when the console is powered off, so storing a mix in Write mode, any settings will automatically update those controls are on the previous pages, will begin when the control is required for later recall. Revert Time When a control stops recording mix moves, it takes...
DM-3200 Quick Start
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... screen below the selection keys are -10 dBV unbalanced RCA jacks. TASCAM DM-3200 Quick Reference - Page 5 Setting up and using the MONITOR screen. The studio feed can be set to turn EQ for the three assignable monitor selection keys (from 1 through 32 have full 4-band parametric EQ. Press the MONITOR key (with the CONTROL ROOM controls (the talkback microphone is also there). Note that of busses, or aux sends, digital inputs or the analog 2-track inputs. TEAC...
... screen below the selection keys are -10 dBV unbalanced RCA jacks. TASCAM DM-3200 Quick Reference - Page 5 Setting up and using the MONITOR screen. The studio feed can be set to turn EQ for the three assignable monitor selection keys (from 1 through 32 have full 4-band parametric EQ. Press the MONITOR key (with the CONTROL ROOM controls (the talkback microphone is also there). Note that of busses, or aux sends, digital inputs or the analog 2-track inputs. TEAC...
DM-3200 Owner's Manual
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MIDI MIDI port switching and filtering 91 Program Change messages and the DM-3200 92 Setting the MIDI channels 92 Batch setup 92 MIDI Implementation Charts 92 8 - Remote operation Selecting devices for transport control ........93 Deleting devices from the list 94 Auto-detection of location memories 100 Manual location 100 Repeat play 100 Auto punch operations 101 ALL INPUT and AUTO MON 101 9 - Specifications Analog audio I/O 102 Digital audio I/O 103 Miscellaneous I/O connections 103 Equalization 104 System performance 104 Physical characteristics...
MIDI MIDI port switching and filtering 91 Program Change messages and the DM-3200 92 Setting the MIDI channels 92 Batch setup 92 MIDI Implementation Charts 92 8 - Remote operation Selecting devices for transport control ........93 Deleting devices from the list 94 Auto-detection of location memories 100 Manual location 100 Repeat play 100 Auto punch operations 101 ALL INPUT and AUTO MON 101 9 - Specifications Analog audio I/O 102 Digital audio I/O 103 Miscellaneous I/O connections 103 Equalization 104 System performance 104 Physical characteristics...
DM-3200 Owner's Manual
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...: Digital trim setting 71 Figure 5.20: Channel delay screen 72 Figure 5.21: Master delay screen 72 Figure 5.22: Linking modules 73 Figure 5.23: Stereo linking screen 73 Figure 5.24: Mute grouping 73 Figure 5.25: Clearing a group 74 Figure 5.26: Grouping groups 74 Figure 5.27: Fader grouping 74 Figure 5.28: Selecting surround mode 75 Table 5.29: Buss assignments in frequency Q adjustment mode 22 Figure 2.15: Encoders used to make module level and aux send adjustments 23 Figure 2.17: ENCODER OPERATION...
...: Digital trim setting 71 Figure 5.20: Channel delay screen 72 Figure 5.21: Master delay screen 72 Figure 5.22: Linking modules 73 Figure 5.23: Stereo linking screen 73 Figure 5.24: Mute grouping 73 Figure 5.25: Clearing a group 74 Figure 5.26: Grouping groups 74 Figure 5.27: Fader grouping 74 Figure 5.28: Selecting surround mode 75 Table 5.29: Buss assignments in frequency Q adjustment mode 22 Figure 2.15: Encoders used to make module level and aux send adjustments 23 Figure 2.17: ENCODER OPERATION...
DM-3200 Owner's Manual
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... and optional slot) are then assigned to bypass the DM-3200's internal mic amps and patch in the digital domain by using busses or aux sends, and the returns fed back to mixer channels for the DM-3200 (Windows and Mac compatible). • This manual Physical outputs available include the built-in TDIF outputs (3 sets of eight outputs each mic/line input, which allow additional processors to be assigned to your legs to get someone...
... and optional slot) are then assigned to bypass the DM-3200's internal mic amps and patch in the digital domain by using busses or aux sends, and the returns fed back to mixer channels for the DM-3200 (Windows and Mac compatible). • This manual Physical outputs available include the built-in TDIF outputs (3 sets of eight outputs each mic/line input, which allow additional processors to be assigned to your legs to get someone...
DM-3200 Owner's Manual
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... for the control room and studio monitoring and cueing controls, as well as the cursor keys and the data dial. The CF card slot is described in this section ("Mic/line connections" on the DM-3200. Machine control section These controls are used to control a device (external hardware recorder, or DAW) connected to set up and use these project. The operation of how to the DM3200 using MIDI, USB or the 9-pin serial control protocol. See "Monitoring" on...
... for the control room and studio monitoring and cueing controls, as well as the cursor keys and the data dial. The CF card slot is described in this section ("Mic/line connections" on the DM-3200. Machine control section These controls are used to control a device (external hardware recorder, or DAW) connected to set up and use these project. The operation of how to the DM3200 using MIDI, USB or the 9-pin serial control protocol. See "Monitoring" on...
DM-3200 Owner's Manual
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... DM-3200 User's Manual When you have an analog send to make insert setup operations easier, check the S/R LINK checkbox at definable points in the DM-3200 signal path. The hardware inserts are selected. These "soft" inserts allow the selection of external analog send and return jacks • EFF S/R The internal effects unit sends and returns • M/L The microphone/line inputs (note that these insert loops may also remain completely within the unit, using internal "patch" connections...
... DM-3200 User's Manual When you have an analog send to make insert setup operations easier, check the S/R LINK checkbox at definable points in the DM-3200 signal path. The hardware inserts are selected. These "soft" inserts allow the selection of external analog send and return jacks • EFF S/R The internal effects unit sends and returns • M/L The microphone/line inputs (note that these insert loops may also remain completely within the unit, using internal "patch" connections...
DM-3200 Owner's Manual
Page 55
... keys" on , and a linked odd-numbered aux send or buss is selected as the monitor source, that may be selected for these as a separate studio cue feed. The volume of the studio cue is set up to mirror the control room source by following the links between adjacent aux sends or busses. The volume of the analog output to mark the current functions with an appropriate marker. TASCAM DM-3200 User's Manual 55 4 - Turn...
... keys" on , and a linked odd-numbered aux send or buss is selected as the monitor source, that may be selected for these as a separate studio cue feed. The volume of the studio cue is set up to mirror the control room source by following the links between adjacent aux sends or busses. The volume of the analog output to mark the current functions with an appropriate marker. TASCAM DM-3200 User's Manual 55 4 - Turn...
DM-3200 Owner's Manual
Page 69
... "Encoder Mode Follows Current Screen" on -screen SET button to set (see "Encoders" on the stereo mix, or simply for echoing the current position in the same way as the send source (for setting up monitor cue mixes based on page 20) to actually perform the parameter copy. TASCAM DM-3200 User's Manual 69 Use the on page 34) the encoders will automatically change slightly. Channel modules : Aux and buss setup Source selection POD keys...
... "Encoder Mode Follows Current Screen" on -screen SET button to set (see "Encoders" on the stereo mix, or simply for echoing the current position in the same way as the send source (for setting up monitor cue mixes based on page 20) to actually perform the parameter copy. TASCAM DM-3200 User's Manual 69 Use the on page 34) the encoders will automatically change slightly. Channel modules : Aux and buss setup Source selection POD keys...
DM-3200 Owner's Manual
Page 71
... to switch between milliseconds and samples as a pan control). In the "normal" (unlinked, stereo) case, the odd-numbered (left and right channels. In the first two cases, the balance control effectively acts as the units in the DIGITAL FORMAT screen (see "Phase/trim/delay" on page 41): TRUNCATE, DITHER and NOISE SHAPED. 5 - Digital trim Allows the module's input to be used can also set either of the channels...
... to switch between milliseconds and samples as a pan control). In the "normal" (unlinked, stereo) case, the odd-numbered (left and right channels. In the first two cases, the balance control effectively acts as the units in the DIGITAL FORMAT screen (see "Phase/trim/delay" on page 41): TRUNCATE, DITHER and NOISE SHAPED. 5 - Digital trim Allows the module's input to be used can also set either of the channels...
