Functions Guide
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THE INVALUABLE GUIDE TO THE AG-HVX200 This guidebook provides a comprehensive description of the functions and features of the AG-HVX200, from detailed information on the HD multi-format system, variable frame rates, and P2 card recording, to a variety of application examples.
THE INVALUABLE GUIDE TO THE AG-HVX200 This guidebook provides a comprehensive description of the functions and features of the AG-HVX200, from detailed information on the HD multi-format system, variable frame rates, and P2 card recording, to a variety of application examples.
Functions Guide
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... frame rate lets you add speed effects with the AG-HVX200, a technique that only solidstate memory can offer. A Camera-Recorder Packed with Leading-Edge Technology and Know-How DVCPRO HD Image Quality and Performance The AG-HVX200 records in this advanced camerarecorder. The Variable Frame Rate of... new functions, such as the cam-driven manual zoom, manual operation, focus assist, scene file dial, and user buttons, have been further refined in all HD/SD formats, including 1080i, ...
... frame rate lets you add speed effects with the AG-HVX200, a technique that only solidstate memory can offer. A Camera-Recorder Packed with Leading-Edge Technology and Know-How DVCPRO HD Image Quality and Performance The AG-HVX200 records in this advanced camerarecorder. The Variable Frame Rate of... new functions, such as the cam-driven manual zoom, manual operation, focus assist, scene file dial, and user buttons, have been further refined in all HD/SD formats, including 1080i, ...
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...720/24pN and 720/30pN) for Special Effects Using only the Camera-Recorder 720p (over 60p) Mode Provides Extra Convenience for Professional Video Production Differences in Audio Recording Video Format and Codec Supported by AG-HVX200 9 11 13 15 16 3. 3-1 3-2 3-3 3-4 A... Revolution in Professional Media The New P2 Card Workflow P2 Card Recording Functions on the AG-HVX200 The P2 Workflow Following Acquisition 17 19 21 23...
...720/24pN and 720/30pN) for Special Effects Using only the Camera-Recorder 720p (over 60p) Mode Provides Extra Convenience for Professional Video Production Differences in Audio Recording Video Format and Codec Supported by AG-HVX200 9 11 13 15 16 3. 3-1 3-2 3-3 3-4 A... Revolution in Professional Media The New P2 Card Workflow P2 Card Recording Functions on the AG-HVX200 The P2 Workflow Following Acquisition 17 19 21 23...
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...DVCPRO50 DVCPRO DV P2 card 1080p processing DV New DSP with 16:9 aspect ratio and 24p/30p (over 60i) shooting. DVCPRO HD Recording onto a P2 Card The AG-HVX200 is the compact camera-recorder to Interlace) conversion, cross conversion and down conversion for SD (480i) recording. You can also select...DV camera-recorder with 14-bit A/D Conversion and 19-bit Processing Mini DV tape settings for a variety of image adjustments and handles P/I (Progressive to offer 1080/24p (over 60i) recording. 2 Built-in HD. The multi-codec lets you choose either DVCPRO 50, DVCPRO, or DV format for HD...
...DVCPRO50 DVCPRO DV P2 card 1080p processing DV New DSP with 16:9 aspect ratio and 24p/30p (over 60i) shooting. DVCPRO HD Recording onto a P2 Card The AG-HVX200 is the compact camera-recorder to Interlace) conversion, cross conversion and down conversion for SD (480i) recording. You can also select...DV camera-recorder with 14-bit A/D Conversion and 19-bit Processing Mini DV tape settings for a variety of image adjustments and handles P/I (Progressive to offer 1080/24p (over 60i) recording. 2 Built-in HD. The multi-codec lets you choose either DVCPRO 50, DVCPRO, or DV format for HD...
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Types and Differences of HD Video Formats 1-2 HD/SD Multi-Format Recording with the AG-HVX200 fie ld s 60 1080 lines 1080i 60 fra m es 720 lines 720p fie ld s 60 480 lines 480i 3 1.
Types and Differences of HD Video Formats 1-2 HD/SD Multi-Format Recording with the AG-HVX200 fie ld s 60 1080 lines 1080i 60 fra m es 720 lines 720p fie ld s 60 480 lines 480i 3 1.
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...usual over 60i) The 1080/24p format is another popular HD broadcast format. It also supports 30p and 24p progressive shooting, but it should be converted to record in this is a popular broadcast HD format. 1080/24p (over 60p mode, AG-HVX200 has the recording capability in Chapter 4 [What's ...a Variable Frame Rate?]. 480/60i Also called 525i, this format, but its fixed frame rate. See the...
...usual over 60i) The 1080/24p format is another popular HD broadcast format. It also supports 30p and 24p progressive shooting, but it should be converted to record in this is a popular broadcast HD format. 1080/24p (over 60p mode, AG-HVX200 has the recording capability in Chapter 4 [What's ...a Variable Frame Rate?]. 480/60i Also called 525i, this format, but its fixed frame rate. See the...
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... original (standarddefinition) DVCPRO format, introduced in 1996, has also seen wide use with DVCPRO HD VTRs, DVCPRO HD gives you more versatility in Broadcasting DVCPRO HD - 2. Moreover, because a wide range of DVCPRO HD 2-1 DVCPRO HD and the DVCPRO Family: A Proven Track Record in editing and other ... for use in 2000, its image and sound quality, reliability, and operating ease have earned the acclaim of the AG-HVX200 is that it uses DVCPRO HD (DVCPRO 50/DVCPRO/DV). Since this high-definition format was introduced in broadcasting and other post-production processes. 9
... original (standarddefinition) DVCPRO format, introduced in 1996, has also seen wide use with DVCPRO HD VTRs, DVCPRO HD gives you more versatility in Broadcasting DVCPRO HD - 2. Moreover, because a wide range of DVCPRO HD 2-1 DVCPRO HD and the DVCPRO Family: A Proven Track Record in editing and other ... for use in 2000, its image and sound quality, reliability, and operating ease have earned the acclaim of the AG-HVX200 is that it uses DVCPRO HD (DVCPRO 50/DVCPRO/DV). Since this high-definition format was introduced in broadcasting and other post-production processes. 9
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...with the new AG-HVX200, Panasonic introduces a P2 camera-recorder that offers a multi-codec capability, allowing you to continually develop new, cutting-edge products that meet emerging worldwide needs in news gathering. In 1998, DVCPRO 50 was developed as the recording format. remains one of... the central design concepts underlining Panasonic's development of digital equipment in broadcasting, production and other pro video applications. Since the first ...
...with the new AG-HVX200, Panasonic introduces a P2 camera-recorder that offers a multi-codec capability, allowing you to continually develop new, cutting-edge products that meet emerging worldwide needs in news gathering. In 1998, DVCPRO 50 was developed as the recording format. remains one of... the central design concepts underlining Panasonic's development of digital equipment in broadcasting, production and other pro video applications. Since the first ...
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In HDV, audio recorded in Audio Recording DVCPRO HD format supports professional-level audio specifications with AG-HVX200) 15 Comparison between HDV and DVCPRO HD in Audio Recording HDV DVCPRO HD Compression Compressed (MP2:MPEG-1 Audio Layer II) Compressed (MPEG-2 Audio Layer II) Uncompressed... 2 channels 4 channels 8 channels (4 channels with up to four channels of DVCPRO HD 2-4 Differences in MP2 format is compressed to eight channels of uncompressed 48-kHz, 16-bit digital sound. AG-HVX200 itself can record up to 384 kilobits per second. Advantages of audio. 2.
In HDV, audio recorded in Audio Recording DVCPRO HD format supports professional-level audio specifications with AG-HVX200) 15 Comparison between HDV and DVCPRO HD in Audio Recording HDV DVCPRO HD Compression Compressed (MP2:MPEG-1 Audio Layer II) Compressed (MPEG-2 Audio Layer II) Uncompressed... 2 channels 4 channels 8 channels (4 channels with up to four channels of DVCPRO HD 2-4 Differences in MP2 format is compressed to eight channels of uncompressed 48-kHz, 16-bit digital sound. AG-HVX200 itself can record up to 384 kilobits per second. Advantages of audio. 2.
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... Codec Supported by AG-HVX200 Recording Video Format*1 1080/60i 1080/24p(over 60i) 1080/24pA(over 60i) 1080/30p(over 60i) HD 720/60p 720/24p(over 60p) 720/30p(over 60p) ...) 480/24pA(over 60i) 480/30p(over 60i) *1 24p=23.98p, 30p=29.97p, 60p=59.94p and 60i=59.94i *2 In the Native mode, AG-HVX200 record only active flames. *3 P2: using two 8GB P2 cards. (half with a single card) DV: using a AY-DVM63 mini-DV tape Codec Media Rec Time...
... Codec Supported by AG-HVX200 Recording Video Format*1 1080/60i 1080/24p(over 60i) 1080/24pA(over 60i) 1080/30p(over 60i) HD 720/60p 720/24p(over 60p) 720/30p(over 60p) ...) 480/24pA(over 60i) 480/30p(over 60i) *1 24p=23.98p, 30p=29.97p, 60p=59.94p and 60i=59.94i *2 In the Native mode, AG-HVX200 record only active flames. *3 P2: using two 8GB P2 cards. (half with a single card) DV: using a AY-DVM63 mini-DV tape Codec Media Rec Time...
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... 50, or 8 minutes in Recording with the P2 Card 3-3 P2 Card Recording Functions on the same card. Or, using an AJ-PCS060G, the "P2 Store," external hard drive, you can download recorded files from a DVCPRO HD, DVCPRO 50, DVCPRO or DV codec, or mix formats on the AG-HVX200 Dual Card Slots and Multi...-Codec Recording The AG-HVX200 has two P2 card slots, so you 20 minutes of the most recent...
... 50, or 8 minutes in Recording with the P2 Card 3-3 P2 Card Recording Functions on the same card. Or, using an AJ-PCS060G, the "P2 Store," external hard drive, you can download recorded files from a DVCPRO HD, DVCPRO 50, DVCPRO or DV codec, or mix formats on the AG-HVX200 Dual Card Slots and Multi...-Codec Recording The AG-HVX200 has two P2 card slots, so you 20 minutes of the most recent...
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...EDIUS are trademarks registered in the United States of Apple Computer, Inc., registered in DVCPRO HD format has been supported by Apple, Avid, and Canopus. This lets you shoot, preview, and edit using only the AG-HVX200 and a notebook PC. P2 files in the U.S. Apple® Final Cut Pro®... Macintosh Capture on a Card, Then Link to Mac or Windows in the U.S. In PC mode, the AG-HVX200 connects directly via USB 2.0 to a Mac. and other countries. P2 drive P2 card (Recorded) USB 2.0 AG-HVX200 P2 card (Blank) P2 store P2 store NLE Capture on the P2 card. *Windows® is...
...EDIUS are trademarks registered in the United States of Apple Computer, Inc., registered in DVCPRO HD format has been supported by Apple, Avid, and Canopus. This lets you shoot, preview, and edit using only the AG-HVX200 and a notebook PC. P2 files in the U.S. Apple® Final Cut Pro®... Macintosh Capture on a Card, Then Link to Mac or Windows in the U.S. In PC mode, the AG-HVX200 connects directly via USB 2.0 to a Mac. and other countries. P2 drive P2 card (Recorded) USB 2.0 AG-HVX200 P2 card (Blank) P2 store P2 store NLE Capture on the P2 card. *Windows® is...
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.../DVCPRO), and the AG-DV2500 (DV). This allows recording in HD on a P2 card and copy it easy to create backup recordings. It also lets you down-convert an HD source (1080i/720p) recorded on the assumption of FOCUS Enhancements, Inc.. Certainly, 720p VFR recorded material can provide extendedtime recording in all codec formats, including DVCPRO HD...
.../DVCPRO), and the AG-DV2500 (DV). This allows recording in HD on a P2 card and copy it easy to create backup recordings. It also lets you down-convert an HD source (1080i/720p) recorded on the assumption of FOCUS Enhancements, Inc.. Certainly, 720p VFR recorded material can provide extendedtime recording in all codec formats, including DVCPRO HD...
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... film camera. Panasonic's revolutionary VariCam (AJ-HDC27F/H) HD camera changed all of the reasons why many image creators prefer film cameras. Using the 720p HD recording format, the VariCam achieved a rate of 24 fps. Special editing is able to do not allow the use of HD video recording systems in the ... in the rapid and widespread use of 24 fps. Like VariCam, the shutter opening angle can be equipped with its high mobility, the AG-HVX200 offers the VariCam's popular special effect functions at normal speed yields a slow-motion image, while an undercranked film shows the image in...
... film camera. Panasonic's revolutionary VariCam (AJ-HDC27F/H) HD camera changed all of the reasons why many image creators prefer film cameras. Using the 720p HD recording format, the VariCam achieved a rate of 24 fps. Special editing is able to do not allow the use of HD video recording systems in the ... in the rapid and widespread use of 24 fps. Like VariCam, the shutter opening angle can be equipped with its high mobility, the AG-HVX200 offers the VariCam's popular special effect functions at normal speed yields a slow-motion image, while an undercranked film shows the image in...
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... other hardware or software. Frame rate conversion with over 60p mode recording (Ex. 40-fps) 1/40 active frame Camera Shooting (40-fps) 1 2 3 4 5 6 7 8 9 Recording Format (over 60p mode) 1 2 2 1/60 s 3 4 4 5 6 6 7 8 8 9 Frame Rate Conversion (24-fps) 1 2 3 4 5 6 2/3x speed slow-motion AG-HVX200 native mode recording (Ex. 40-fps) Recording (native mode) 1 2 3 4 5 6 7 8 9 Playback (24-fps) 1 2 3 4 5 6 2/3x speed slow-motion 34...
... other hardware or software. Frame rate conversion with over 60p mode recording (Ex. 40-fps) 1/40 active frame Camera Shooting (40-fps) 1 2 3 4 5 6 7 8 9 Recording Format (over 60p mode) 1 2 2 1/60 s 3 4 4 5 6 6 7 8 8 9 Frame Rate Conversion (24-fps) 1 2 3 4 5 6 2/3x speed slow-motion AG-HVX200 native mode recording (Ex. 40-fps) Recording (native mode) 1 2 3 4 5 6 7 8 9 Playback (24-fps) 1 2 3 4 5 6 2/3x speed slow-motion 34...
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...(AVC) A/V Stream Output This mode offers another handy advantage. Because the data recorded in the same format as the AJ-HD1200A DVCPRO HD recorder or FOCUS FireStore FS-100 (available soon) can be connected for backup recording. 35 Since it can be incorporated directly into the VariCam production flow. What's ... Rate? 4-5 720p (over 60p) Mode Provides Extra Convenience for VariCam and Other Systems USB2.0 P2 card P2 drive P2 card (recorded) P2 store P2 card (blank) AG-HVX200 IEEE 1394 (AVC) FOCUS FS-100 USB2.0 IEEE 1394 (AVC/SBP2) NLE IEEE 1394 (AVC) DVCPRO HD Tape AJ-...
...(AVC) A/V Stream Output This mode offers another handy advantage. Because the data recorded in the same format as the AJ-HD1200A DVCPRO HD recorder or FOCUS FireStore FS-100 (available soon) can be connected for backup recording. 35 Since it can be incorporated directly into the VariCam production flow. What's ... Rate? 4-5 720p (over 60p) Mode Provides Extra Convenience for VariCam and Other Systems USB2.0 P2 card P2 drive P2 card (recorded) P2 store P2 card (blank) AG-HVX200 IEEE 1394 (AVC) FOCUS FS-100 USB2.0 IEEE 1394 (AVC/SBP2) NLE IEEE 1394 (AVC) DVCPRO HD Tape AJ-...
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...frame rate It is the first to achieve slow- Multi-camera shots Simultaneous HD multi-angle shots can enter. Multi-format shooting By selecting a different recording format for CG composites The 720 and 1080 progressive HD images of Functions Shooting with VariCam. HD progressive scanning for different... to capture scenes in composite images with comparatively low cost. Aerial shots from a third-party vendor). The AG-HVX200 is easy to provide 480, 720, and 1080 formats and both interlaced and progressive scanning in a single camera. Shots Employing a Variety of the...
...frame rate It is the first to achieve slow- Multi-camera shots Simultaneous HD multi-angle shots can enter. Multi-format shooting By selecting a different recording format for CG composites The 720 and 1080 progressive HD images of Functions Shooting with VariCam. HD progressive scanning for different... to capture scenes in composite images with comparatively low cost. Aerial shots from a third-party vendor). The AG-HVX200 is easy to provide 480, 720, and 1080 formats and both interlaced and progressive scanning in a single camera. Shots Employing a Variety of the...
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... of DV production. or fast-motion HD images in a single camera. 44 Versatile, Low-Cost Production The AG-HVX200 lets you can then dub it at low cost. Multi-format shooting By selecting a different recording format for editing. Lower-Budget Production with VariCam Expressivity and Image Quality Shooting with a DV camera, both interlaced and...
... of DV production. or fast-motion HD images in a single camera. 44 Versatile, Low-Cost Production The AG-HVX200 lets you can then dub it at low cost. Multi-format shooting By selecting a different recording format for editing. Lower-Budget Production with VariCam Expressivity and Image Quality Shooting with a DV camera, both interlaced and...
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...capture scenes at a low cost that only a toy helicopter can enter. The 16:9 native CCD in the AG-HVX200 ensures superb image quality in 480i, 720p, or 1080i format. This allows you perform HD editing with low-angle handheld shooting. Low-angle shots The action of following or..., and Canopus). More expansive images can be taken by using the PC mode of the compact, lightweight AG-HVX200 make it ideal for shooting in each. Low-budget HD nonlinear production Recording onto the P2 card and using a wideconversion lens (available soon from a radio-controlled helicopter A radio-...
...capture scenes at a low cost that only a toy helicopter can enter. The 16:9 native CCD in the AG-HVX200 ensures superb image quality in 480i, 720p, or 1080i format. This allows you perform HD editing with low-angle handheld shooting. Low-angle shots The action of following or..., and Canopus). More expansive images can be taken by using the PC mode of the compact, lightweight AG-HVX200 make it ideal for shooting in each. Low-budget HD nonlinear production Recording onto the P2 card and using a wideconversion lens (available soon from a radio-controlled helicopter A radio-...
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The AG-HVX200 initially scans at 1080/60p, and then, according to the recording mode, converts the video signal from -40 to interlaced, or down -conversion,...to 60°C, and enabling storage from progressive to 80°C. Codecs for various formats are combined to form a single frame showing movement, a certain amount of shift inevitably occurs between the two ...1080 and 720 formats of remarkable characteristics and superior reliability under harsh conditions that are converted into two interlaced fields in...
The AG-HVX200 initially scans at 1080/60p, and then, according to the recording mode, converts the video signal from -40 to interlaced, or down -conversion,...to 60°C, and enabling storage from progressive to 80°C. Codecs for various formats are combined to form a single frame showing movement, a certain amount of shift inevitably occurs between the two ...1080 and 720 formats of remarkable characteristics and superior reliability under harsh conditions that are converted into two interlaced fields in...