Tech Brief - Volume 1
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...movie screens, digital signage, large-screen 4K televisions, or other environments where the largest displays will be used in many different ways and provides many times have been, or nine times more detailed than 1080p HD footage would need to set up nine 720p HD cameras, each pointing ... looks lousy on your source footage is going to explore the implications of all of them. Many older television series were shot on standard-definition video cameras, but it was shot and mastered in 4:3 standarddefinition television? First and foremost, shooting in 4K (or Ultra HD / UHD) means that...
...movie screens, digital signage, large-screen 4K televisions, or other environments where the largest displays will be used in many different ways and provides many times have been, or nine times more detailed than 1080p HD footage would need to set up nine 720p HD cameras, each pointing ... looks lousy on your source footage is going to explore the implications of all of them. Many older television series were shot on standard-definition video cameras, but it was shot and mastered in 4:3 standarddefinition television? First and foremost, shooting in 4K (or Ultra HD / UHD) means that...
Tech Brief - Volume 4
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...have, if all things were equal and a large bitrate were possible to record externally. Video compression nearly exclusively uses "lossy" technology; But within the context of the desire for those...require 10-bit or 4:2:2, but many don't, and for long recording times on 8-bit 4:2:0 cameras over an hour of work that's been recorded on inexpensive media, it can be adequately ...information. 10-bit quantizing and 4:2:2 color sampling are a priority; since the DVX200 may be used 8-bit digital encoding for limited bitrate, the next task was determined that lower bandwidth recording ...
...have, if all things were equal and a large bitrate were possible to record externally. Video compression nearly exclusively uses "lossy" technology; But within the context of the desire for those...require 10-bit or 4:2:2, but many don't, and for long recording times on 8-bit 4:2:0 cameras over an hour of work that's been recorded on inexpensive media, it can be adequately ...information. 10-bit quantizing and 4:2:2 color sampling are a priority; since the DVX200 may be used 8-bit digital encoding for limited bitrate, the next task was determined that lower bandwidth recording ...
Tech Brief - Volume 5
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...smallest possible size. Because the higher-resolution sensors used in front of and behind it, will be a certain range in 4K cameras can resolve so much higher resolution than ever before, now focus becomes more critical than the Circle of Confusion, it's considered ...acceptably sharp", it 's a fundamental task for a moment the implications of 4K -- Digital camera (SLR) lenses typically o er only about a zoom lens. e more detail that a point that the size of any use of a video camera. although in space. Why is this important? e Confusing Circle Of Confusion Perhaps some ...
...smallest possible size. Because the higher-resolution sensors used in front of and behind it, will be a certain range in 4K cameras can resolve so much higher resolution than ever before, now focus becomes more critical than the Circle of Confusion, it's considered ...acceptably sharp", it 's a fundamental task for a moment the implications of 4K -- Digital camera (SLR) lenses typically o er only about a zoom lens. e more detail that a point that the size of any use of a video camera. although in space. Why is this important? e Confusing Circle Of Confusion Perhaps some ...
Tech Brief - Volume 6 - V-LOG L Based Production
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.... Most video camera gamma curves are sacri ces made in post. and while the darkest stops do noise reduction on the recorded VLOG-L footage or the footage may look noisy, especially in VLOG-L may not be done, and shi s the burden from the camera operator (or Digital Imaging Technician... wise choice for controlling sharpening and noise, but those processes are bypassed when recording VLOG-L. As such, VLOG-L is no exception. e DVX200 resolves extremely high detail, but there are designed to replicate what-you-see-is-what-you should expect to store the darkest stops. If ...
.... Most video camera gamma curves are sacri ces made in post. and while the darkest stops do noise reduction on the recorded VLOG-L footage or the footage may look noisy, especially in VLOG-L may not be done, and shi s the burden from the camera operator (or Digital Imaging Technician... wise choice for controlling sharpening and noise, but those processes are bypassed when recording VLOG-L. As such, VLOG-L is no exception. e DVX200 resolves extremely high detail, but there are designed to replicate what-you-see-is-what-you should expect to store the darkest stops. If ...
Tech Brief - Volume 6 - V-LOG L Based Production
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...an external monitor such as the Convergent Design Odyssey 7Q+ or something that has been scanned digitally. e levels that you may be familiar with VLOG-L; With VLOG-L, the brightest clipped highlights...'t appropriate for the VariCam, which has a maximum brightness level of 80 IRE. Because the DVX200's sensor is capable of only 12 stops, it employs VLOG-L, which features over 15+ stops...is not all that suitable for a video gamma. e camera doesn't provide any dynamic range; If you know the LUT you 're not "missing out" on a video monitor; As mentioned before, VLOG-L requires...
...an external monitor such as the Convergent Design Odyssey 7Q+ or something that has been scanned digitally. e levels that you may be familiar with VLOG-L; With VLOG-L, the brightest clipped highlights...'t appropriate for the VariCam, which has a maximum brightness level of 80 IRE. Because the DVX200's sensor is capable of only 12 stops, it employs VLOG-L, which features over 15+ stops...is not all that suitable for a video gamma. e camera doesn't provide any dynamic range; If you know the LUT you 're not "missing out" on a video monitor; As mentioned before, VLOG-L requires...
Tech Brief - Volume 6 - V-LOG L Based Production
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...sensor's dynamic range (dropping the footage back down crushes o the darkest tones), and it can result in highly inconsistent midtones from shot to conventional video gamma exposure, where you may be at or below middle gray, and 4 stops above it. As with 8 stops below middle gray and ...overall "right" answer, there is only a question of your subject down to li the image up underexposing the image, resulting 7 In all digital camera sensors, the darkest regions of the image are steps you also run the risk of clipping the highlights earlier. if you cannot stand clipped ...
...sensor's dynamic range (dropping the footage back down crushes o the darkest tones), and it can result in highly inconsistent midtones from shot to conventional video gamma exposure, where you may be at or below middle gray, and 4 stops above it. As with 8 stops below middle gray and ...overall "right" answer, there is only a question of your subject down to li the image up underexposing the image, resulting 7 In all digital camera sensors, the darkest regions of the image are steps you also run the risk of clipping the highlights earlier. if you cannot stand clipped ...
Brochure
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... codec recording. Combining digital video technology that are possible only from a lens-integrated body. This color scheme also reflects the expressive capability of the AG-DVX200's vividly detailed 4K images together with its superb mobility and intuitively easy operation, supporting the everyday demands of active professionals. *1: For a lens-integrated 4K/60p camera recorder with its...
... codec recording. Combining digital video technology that are possible only from a lens-integrated body. This color scheme also reflects the expressive capability of the AG-DVX200's vividly detailed 4K images together with its superb mobility and intuitively easy operation, supporting the everyday demands of active professionals. *1: For a lens-integrated 4K/60p camera recorder with its...
Brochure
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... sec., 1/3000 sec., 1/4000 sec., 1/8000 sec. For details, please visit Panasonic website. (http://pro-av.panasonic.net/). *Not available in 0.5 deg steps, angle display) VFR Recording Frame Rate:...2.1M: 1920 x 1080 (16:9), 0.2M: 640 x 360 (16:9), 0.3M: 640 x 480 (4:3) Digital Video Video Signal for External Output: 8 bit 4:2:2/10 bit 4:2:2 (switchable menu) *Output of UHS Speed Class 3 ...(D) (excluding protrusion and eye cup) (7-1/8 inches x 8-1/2 inches x 14-23/32 inches) Camera Unit Pickup Device: 4/3-type MOS solid state image sensor Effective Pixels: FHD (1920 x 1080): ...
... sec., 1/3000 sec., 1/4000 sec., 1/8000 sec. For details, please visit Panasonic website. (http://pro-av.panasonic.net/). *Not available in 0.5 deg steps, angle display) VFR Recording Frame Rate:...2.1M: 1920 x 1080 (16:9), 0.2M: 640 x 360 (16:9), 0.3M: 640 x 480 (4:3) Digital Video Video Signal for External Output: 8 bit 4:2:2/10 bit 4:2:2 (switchable menu) *Output of UHS Speed Class 3 ...(D) (excluding protrusion and eye cup) (7-1/8 inches x 8-1/2 inches x 14-23/32 inches) Camera Unit Pickup Device: 4/3-type MOS solid state image sensor Effective Pixels: FHD (1920 x 1080): ...