Owner's Manual
Page 1
...INSERT INSERT OFF MAX COMP OFF MAX COMP OFF MAX COMP OFF MAX COMP R R R R LINE IN 10 LINE IN 12 LINE IN 14 LINE IN 16 BAL /UNBAL BAL /UNBAL L R MAIN OUT BAL /UNBAL BAL /UNBAL L L (MONO) R AUX RETURN R CR OUT IN OUT R TAPE PHONES BAL /UNBAL BAL /UNBAL 1 3 2 4 SUB OUT U U U U U U U U U U U U U U MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN U U PROFESSIONAL MIC/LINE MIXER WITH FX PHANTOM 48V POWER U +50 -20dB +30dB GAIN LOW...
...INSERT INSERT OFF MAX COMP OFF MAX COMP OFF MAX COMP OFF MAX COMP R R R R LINE IN 10 LINE IN 12 LINE IN 14 LINE IN 16 BAL /UNBAL BAL /UNBAL L R MAIN OUT BAL /UNBAL BAL /UNBAL L L (MONO) R AUX RETURN R CR OUT IN OUT R TAPE PHONES BAL /UNBAL BAL /UNBAL 1 3 2 4 SUB OUT U U U U U U U U U U U U U U MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN U U PROFESSIONAL MIC/LINE MIXER WITH FX PHANTOM 48V POWER U +50 -20dB +30dB GAIN LOW...
Owner's Manual
Page 2
... d'éléctrocution. Keep these instructions. 2. A polarized plug has two blades with a rocker-style AC mains power switch. Duration, per day in hours 8 6 4 3 2 1.5 1 Sound Level dBA, Slow Response 90 92 95 97 100 102 105 0.5 110 0.25 or less 115 Typical Example Duo in a particular installation. This switch is used as power- Read these instructions. 3. Do not block any way, such as the...
... d'éléctrocution. Keep these instructions. 2. A polarized plug has two blades with a rocker-style AC mains power switch. Duration, per day in hours 8 6 4 3 2 1.5 1 Sound Level dBA, Slow Response 90 92 95 97 100 102 105 0.5 110 0.25 or less 115 Typical Example Duo in a particular installation. This switch is used as power- Read these instructions. 3. Do not block any way, such as the...
Owner's Manual
Page 3
... channel faders and main fader should be sure. • Line-level sources such as : • Microphones plugged into an input. Owner's Manual 3 If you just want to connect the mixer, go ahead and connect the inputs and outputs the way you reading this page, and the rest later. Engage phantom power if your speakers. Adjust as it . This feature is the same as desired, and make sure that have powered speakers, turn them...
... channel faders and main fader should be sure. • Line-level sources such as : • Microphones plugged into an input. Owner's Manual 3 If you just want to connect the mixer, go ahead and connect the inputs and outputs the way you reading this page, and the rest later. Engage phantom power if your speakers. Adjust as it . This feature is the same as desired, and make sure that have powered speakers, turn them...
Owner's Manual
Page 4
... signals may also be used for a number of live sound mixer, we threw in the master section labeled 2-TRACK RETURN. For example, playback through the auxes. 4 ProFX16 and ProFX22 This switch changes the standard dual RCA inputs to main (tape, switch disengaged) to stereo USB to travel "rack free" while still making professional sounding mixes. Bottom line? USB Recording and Playback The ProFX Series Mixers feature a 2x2 USB recording and playback function. Or it routes subgroups 1-2 over the main mix...
... signals may also be used for a number of live sound mixer, we threw in the master section labeled 2-TRACK RETURN. For example, playback through the auxes. 4 ProFX16 and ProFX22 This switch changes the standard dual RCA inputs to main (tape, switch disengaged) to stereo USB to travel "rack free" while still making professional sounding mixes. Bottom line? USB Recording and Playback The ProFX Series Mixers feature a 2x2 USB recording and playback function. Or it routes subgroups 1-2 over the main mix...
Owner's Manual
Page 5
... each channel. • Stereo USB/tape I/O with input level control to mains • Convenient USB return to some explanations of • 60mm faders for critical inputs descriptions are the onboard effects and USB I /O. For your • Low-noise, high-headroom Mackie mic preamps ProFX16 or ProFX22. mains • 48V phantom power with +50 dB gain range Next is a detailed tour of Effects Presets Owner's Manual 5 with LED for use • Includes Tracktion 3™ Music Production Software...
... each channel. • Stereo USB/tape I/O with input level control to mains • Convenient USB return to some explanations of • 60mm faders for critical inputs descriptions are the onboard effects and USB I /O. For your • Low-noise, high-headroom Mackie mic preamps ProFX16 or ProFX22. mains • 48V phantom power with +50 dB gain range Next is a detailed tour of Effects Presets Owner's Manual 5 with LED for use • Includes Tracktion 3™ Music Production Software...
Owner's Manual
Page 6
.... USB INPUT/OUTPUT 9 4. OL LED 15 20. SUBS ASSIGN Switches 24 55. POWER Switch 9 3. RUNNING MAN LOGO 10 FRONT PANEL 11 CONNECTIONS & CHANNEL STRIP 11 5. HIGH EQ 14 12. COMPRESSOR 17 ADDITIONAL INPUTS & OUTPUTS 18 26. L/R AUX RETURN 19 30. AUX MASTERS 22 43. LOW EQ 14 16. ASSIGN Switches 15 22. CHANNEL FADER 16 24. Contents IMPORTANT SAFETY INSTRUCTIONS 2 QUICK START 3 INTRODUCTION 4 FEATURES 5 TABLE OF CONTENTS 6 HOOKUP DIAGRAMS 7 REAR PANEL - STEREO LINE INPUTS 12 8. GAIN 13 10. MID EQ FREQUENCY (mono channels)....... 14...
.... USB INPUT/OUTPUT 9 4. OL LED 15 20. SUBS ASSIGN Switches 24 55. POWER Switch 9 3. RUNNING MAN LOGO 10 FRONT PANEL 11 CONNECTIONS & CHANNEL STRIP 11 5. HIGH EQ 14 12. COMPRESSOR 17 ADDITIONAL INPUTS & OUTPUTS 18 26. L/R AUX RETURN 19 30. AUX MASTERS 22 43. LOW EQ 14 16. ASSIGN Switches 15 22. CHANNEL FADER 16 24. Contents IMPORTANT SAFETY INSTRUCTIONS 2 QUICK START 3 INTRODUCTION 4 FEATURES 5 TABLE OF CONTENTS 6 HOOKUP DIAGRAMS 7 REAR PANEL - STEREO LINE INPUTS 12 8. GAIN 13 10. MID EQ FREQUENCY (mono channels)....... 14...
Owner's Manual
Page 7
... 60 60 60 60 60 Monitor EQ Headphones SRM450v2 Powered Speakers PROFESSIONAL MIC/LINE MIXER WITH FX POWER SRM450v2 Powered Monitors WARNING:TOREDUCETHERISKOFFIREORELECTRIC SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR USB MOISTURE. NO USER SERVICEABLE RISQUE DE CHOC ELECTRIQUE - Two channels of the mixer. Microphones are also set up drum kit utilizing the first seven channels of audio can also play from your computer to the mixer's monitor output via a mono effects processor.
... 60 60 60 60 60 Monitor EQ Headphones SRM450v2 Powered Speakers PROFESSIONAL MIC/LINE MIXER WITH FX POWER SRM450v2 Powered Monitors WARNING:TOREDUCETHERISKOFFIREORELECTRIC SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR USB MOISTURE. NO USER SERVICEABLE RISQUE DE CHOC ELECTRIQUE - Two channels of the mixer. Microphones are also set up drum kit utilizing the first seven channels of audio can also play from your computer to the mixer's monitor output via a mono effects processor.
Owner's Manual
Page 8
... THE FCC RULES FOR THE U.S. Mackie MR8mk2 powered reference monitors are available for Recording This diagram shows a bass and effects processor attached to the channel 5 line-level input, microphones attached to channels 6, 7 and 8, a guitar amplifier modeler connected to the line-level inputs of the performance. A desktop computer connects to the USB port to record the 2-channel main mix to the left and right control room outputs for vocals Electric Guitar Headphones Mono Effects Amplifier Modeler Headphone Amp Electronic Drum Kit BAL /UNBAL 1 BALANCED...
... THE FCC RULES FOR THE U.S. Mackie MR8mk2 powered reference monitors are available for Recording This diagram shows a bass and effects processor attached to the channel 5 line-level input, microphones attached to channels 6, 7 and 8, a guitar amplifier modeler connected to the line-level inputs of the performance. A desktop computer connects to the USB port to record the 2-channel main mix to the left and right control room outputs for vocals Electric Guitar Headphones Mono Effects Amplifier Modeler Headphone Amp Electronic Drum Kit BAL /UNBAL 1 BALANCED...
Owner's Manual
Page 9
... of the board. This stereo signal may be necessary. DO NOT REMOVE COVER. As a general guide, you should turn -on the mixer. In short, this switch to mains and/or subgroups via RCA cables) or the USB signal from the mixer and the AC mains supply. ProFX Features - To remove AC power, either turn it to feed monitors, headphones or effects) and is dangerous. Rear Panel 4 1 PROFESSIONAL MIC/LINE MIXER WITH FX POWER 2 WARNING: TO...
... of the board. This stereo signal may be necessary. DO NOT REMOVE COVER. As a general guide, you should turn -on the mixer. In short, this switch to mains and/or subgroups via RCA cables) or the USB signal from the mixer and the AC mains supply. ProFX Features - To remove AC power, either turn it to feed monitors, headphones or effects) and is dangerous. Rear Panel 4 1 PROFESSIONAL MIC/LINE MIXER WITH FX POWER 2 WARNING: TO...
Owner's Manual
Page 11
... instance), which lets the mixer send low-current DC voltage to the mic's electronics through these inputs. The mic/line inputs will handle any kind of level you can use phantom-powered, balanced inputs just like the big mega-consoles, for further details and some rather lovely drawings of the connectors you can toss at rejecting hum and noise. The mic preamps feature our XDR2...
... instance), which lets the mixer send low-current DC voltage to the mic's electronics through these inputs. The mic/line inputs will handle any kind of level you can use phantom-powered, balanced inputs just like the big mega-consoles, for further details and some rather lovely drawings of the connectors you can toss at rejecting hum and noise. The mic preamps feature our XDR2...
Owner's Manual
Page 13
...] and level [23]. LOW CUT Switch All mono channels have a peaking mid EQ control in on vocals. To do want much down , ramping to add EQ gain, or both. "ring" RETURN from processor Tip = send (output to effects device) Ring = return (input from effects device) Sleeve = common ground Insert jacks may be adjusted to be used as the right (boost). Through the 1⁄4" line input of channels 1-8 (ProFX16) and channels 1-14...
...] and level [23]. LOW CUT Switch All mono channels have a peaking mid EQ control in on vocals. To do want much down , ramping to add EQ gain, or both. "ring" RETURN from processor Tip = send (output to effects device) Ring = return (input from effects device) Sleeve = common ground Insert jacks may be adjusted to be used as the right (boost). Through the 1⁄4" line input of channels 1-8 (ProFX16) and channels 1-14...
Owner's Manual
Page 15
... that the gain control [9] is attenuated about 3 dB to main L-R knob [44]. The overall output level may be sent back to the main mix (using the group assign switches [54] above the group faders [55]), allowing you are used to determine the destination of the internal FX to the main mix bus. The channel insert [8] will be adjusted with too much boost. If you are three buttons referred to your input device, and...
... that the gain control [9] is attenuated about 3 dB to main L-R knob [44]. The overall output level may be sent back to the main mix (using the group assign switches [54] above the group faders [55]), allowing you are used to determine the destination of the internal FX to the main mix bus. The channel insert [8] will be adjusted with too much boost. If you are three buttons referred to your input device, and...
Owner's Manual
Page 16
... aux bus, or mixed in a channel's signal path, and it adjusts the level of a song. If you need to the C-R outs [31], phones output [33] and meter display [40], which may also be affected by the control room knob [53]. If you do want that and will send a unity gain signal to boost a section of each channel onto the main mix. Remember, PFL taps the channel signal before the fader. Mono Channels Stereo Channels Channels 1-8 on ProFX16 Channels...
... aux bus, or mixed in a channel's signal path, and it adjusts the level of a song. If you need to the C-R outs [31], phones output [33] and meter display [40], which may also be affected by the control room knob [53]. If you do want that and will send a unity gain signal to boost a section of each channel onto the main mix. Remember, PFL taps the channel signal before the fader. Mono Channels Stereo Channels Channels 1-8 on ProFX16 Channels...
Owner's Manual
Page 18
... 2 4 SUB OUT Additional Inputs & Outputs 26. These tap a portion of all the channels whose aux FX control [17] is known as a nice sound effect, or delay unit. These could add an external graphic EQ between this jack is an exact copy of what goes into the internal FX.) The output is added internally to set to more than minimum. The overall output level may be passive stage monitors powered by the main mix fader...
... 2 4 SUB OUT Additional Inputs & Outputs 26. These tap a portion of all the channels whose aux FX control [17] is known as a nice sound effect, or delay unit. These could add an external graphic EQ between this jack is an exact copy of what goes into the internal FX.) The output is added internally to set to more than minimum. The overall output level may be passive stage monitors powered by the main mix fader...
Owner's Manual
Page 19
... than the TRS outputs. Level adjustment of main outputs for 1/4" TRS balanced or 1/4" TS unbalanced signals, from external effects processors or other line-level source. When the meters read "0", these inputs to add any stereo line-level signals to your fully mixed stereo signal enters the real world. This gives you to play a tape, CD player, iPod® dock, or other devices to audition the channels before connecting headphones or pressing a solo switch, or doing...
... than the TRS outputs. Level adjustment of main outputs for 1/4" TRS balanced or 1/4" TS unbalanced signals, from external effects processors or other line-level source. When the meters read "0", these inputs to add any stereo line-level signals to your fully mixed stereo signal enters the real world. This gives you to play a tape, CD player, iPod® dock, or other devices to audition the channels before connecting headphones or pressing a solo switch, or doing...
Owner's Manual
Page 20
It affects the line-level outputs [30, 31], but not the headphones [33], tape outputs [34], or the USB output [3]. As with up to 15 dB of boost or cut, and no change in if your microphone requires phantom power. (Always check the position of this switch before the main mix fader [56] and meters [40]. Although it may be used for instance), which lets the mixer send lowcurrent DC...
It affects the line-level outputs [30, 31], but not the headphones [33], tape outputs [34], or the USB output [3]. As with up to 15 dB of boost or cut, and no change in if your microphone requires phantom power. (Always check the position of this switch before the main mix fader [56] and meters [40]. Although it may be used for instance), which lets the mixer send lowcurrent DC...
Owner's Manual
Page 21
... meter shows the level of that you forget that channel's signal level, pre-fader. You can easily be tricked into thinking that something is only trying to indicate different ranges of signal level, traffic light style. Hence, the rude solo light. Owner's Manual 21 This may be when adjusting a channel's gain [9] in the monitors from -30 at the bottom, to choose if the stereo graphic EQ [37] is used...
... meter shows the level of that you forget that channel's signal level, pre-fader. You can easily be tricked into thinking that something is only trying to indicate different ranges of signal level, traffic light style. Hence, the rude solo light. Owner's Manual 21 This may be when adjusting a channel's gain [9] in the monitors from -30 at the bottom, to choose if the stereo graphic EQ [37] is used...
Owner's Manual
Page 23
... main stereo mix or play audio coming out of the 2-track return tape/USB switch [50]. The monitor send [26] and FX send [27] are muted. INT FX MUTE Switch and LED When engaged, the internal effects processor is possible to check this switch first. When power is between sets. BREAK Switch and LED This important "take-a-break" switch quickly mutes all the microphones and line-level inputs when the band is first applied, this knob controls the levels...
... main stereo mix or play audio coming out of the 2-track return tape/USB switch [50]. The monitor send [26] and FX send [27] are muted. INT FX MUTE Switch and LED When engaged, the internal effects processor is possible to check this switch first. When power is between sets. BREAK Switch and LED This important "take-a-break" switch quickly mutes all the microphones and line-level inputs when the band is first applied, this knob controls the levels...
Owner's Manual
Page 25
... your external pieces has a problem. • Make sure that you will tell you where the nearest factory-authorized service center is plugged into it 's from the other line-level outputs, such as FAQs, documentation and any updated PC drivers etc. If the noise disappears, it , so unplug whatever that the power cord is securely plugged in. • Is the channel gain set correctly? • Is the channel level up...
... your external pieces has a problem. • Make sure that you will tell you where the nearest factory-authorized service center is plugged into it 's from the other line-level outputs, such as FAQs, documentation and any updated PC drivers etc. If the noise disappears, it , so unplug whatever that the power cord is securely plugged in. • Is the channel gain set correctly? • Is the channel level up...
Owner's Manual
Page 29
...INSERT INSERT OFF MAX COMP OFF MAX COMP OFF MAX COMP OFF MAX COMP R R R R LINE IN 10 LINE IN 12 LINE IN 14 LINE IN 16 BAL /UNBAL BAL /UNBAL L R MAIN OUT BAL /UNBAL BAL /UNBAL L L (MONO) R AUX RETURN R CR OUT IN OUT R TAPE PHONES BAL /UNBAL BAL /UNBAL 1 3 2 4 SUB OUT U U U U U U U U U U U U U U MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN U U PROFESSIONAL MIC/LINE MIXER WITH FX PHANTOM 48V POWER U +50 -20dB +30dB GAIN LOW...
...INSERT INSERT OFF MAX COMP OFF MAX COMP OFF MAX COMP OFF MAX COMP R R R R LINE IN 10 LINE IN 12 LINE IN 14 LINE IN 16 BAL /UNBAL BAL /UNBAL L R MAIN OUT BAL /UNBAL BAL /UNBAL L L (MONO) R AUX RETURN R CR OUT IN OUT R TAPE PHONES BAL /UNBAL BAL /UNBAL 1 3 2 4 SUB OUT U U U U U U U U U U U U U U MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN MIC GAIN U U PROFESSIONAL MIC/LINE MIXER WITH FX PHANTOM 48V POWER U +50 -20dB +30dB GAIN LOW...
