Owner's Manual
Page 1
...INSERT 3 U MIC GAIN INSERT 4 U MIC GAIN INSERT 5 U MIC GAIN INSERT 6 U MIC GAIN INSERT 7 U MIC GAIN INSERT R R INPUT 9/10 INPUT 11/12 8 U MIC GAIN 9/10 11/12 U U 0 -20dB +50 +30dB GAIN LOW CUT 100 Hz 0 -20dB +50 +30dB GAIN LOW CUT 100 Hz 0 -20dB +50 +30dB GAIN LOW CUT ... 60 60 60 60 60 60 60 60 OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO PPM1012 2 X 800W PROFESSIONAL POWERED MIXER POWER 12-Channel, 2 x SPEAKER OUT SPEAKER OUT A B 800 W Professional PIN PIN 1+ 1+ 1 1 CAUTION HOT SURFACE, AVOID CONTACT Powered Mixer AVIS:...
...INSERT 3 U MIC GAIN INSERT 4 U MIC GAIN INSERT 5 U MIC GAIN INSERT 6 U MIC GAIN INSERT 7 U MIC GAIN INSERT R R INPUT 9/10 INPUT 11/12 8 U MIC GAIN 9/10 11/12 U U 0 -20dB +50 +30dB GAIN LOW CUT 100 Hz 0 -20dB +50 +30dB GAIN LOW CUT 100 Hz 0 -20dB +50 +30dB GAIN LOW CUT ... 60 60 60 60 60 60 60 60 OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO PPM1012 2 X 800W PROFESSIONAL POWERED MIXER POWER 12-Channel, 2 x SPEAKER OUT SPEAKER OUT A B 800 W Professional PIN PIN 1+ 1+ 1 1 CAUTION HOT SURFACE, AVOID CONTACT Powered Mixer AVIS:...
Owner's Manual
Page 4
... for choosing a Mackie PPM1012 professional powered mixer. ing your head, especially when a 15-mile wide meteorite bursts through the earth's atmosphere, heading straight PPM1012 for your camp site at 800 watts peak into 4 ohms How To Use This Manual • 3 selectable amplifier modes (stereo main, mono-main/monitor 1, mon1/mon2) • 12 channels (8 mono, 2 stereo...
... for choosing a Mackie PPM1012 professional powered mixer. ing your head, especially when a 15-mile wide meteorite bursts through the earth's atmosphere, heading straight PPM1012 for your camp site at 800 watts peak into 4 ohms How To Use This Manual • 3 selectable amplifier modes (stereo main, mono-main/monitor 1, mon1/mon2) • 12 channels (8 mono, 2 stereo...
Owner's Manual
Page 5
... 4 HOOKUP DIAGRAMS 6 FEATURES 10 REAR PANEL 1. STEREO LINE INPUTS 11 9. FX SEND 1 AND FX SEND 2 12 12. MAIN OUTPUTS 13 17. LEVEL 14 20. LUNCH-TIME DECOUPLER 14 CHANNEL CONTROLS 23. MON 1 AUX SEND 19 34. MAIN EQ ASSIGN 22 47. MONITOR 1 AND MONITOR 2 FADER...... 25...SERVICE INFORMATION 28 APPENDIX B: CONNECTIONS 29 APPENDIX C: TECHNICAL INFORMATION 31 APPENDIX D: TABLE OF EFFECTS PRESETS 34 PPM1012 LIMITED WARRANTY 35 Need help with your new mixer? • Visit www.mackie.com and click Support to find: FAQs, manuals, addendums, and other documents. • Email us ...
... 4 HOOKUP DIAGRAMS 6 FEATURES 10 REAR PANEL 1. STEREO LINE INPUTS 11 9. FX SEND 1 AND FX SEND 2 12 12. MAIN OUTPUTS 13 17. LEVEL 14 20. LUNCH-TIME DECOUPLER 14 CHANNEL CONTROLS 23. MON 1 AUX SEND 19 34. MAIN EQ ASSIGN 22 47. MONITOR 1 AND MONITOR 2 FADER...... 25...SERVICE INFORMATION 28 APPENDIX B: CONNECTIONS 29 APPENDIX C: TECHNICAL INFORMATION 31 APPENDIX D: TABLE OF EFFECTS PRESETS 34 PPM1012 LIMITED WARRANTY 35 Need help with your new mixer? • Visit www.mackie.com and click Support to find: FAQs, manuals, addendums, and other documents. • Email us ...
Owner's Manual
Page 6
Mackie SRM450v2 powered monitors are connected to record the performance. For powered subwoofers ... you to your system. The mon 1 knobs of the main mix. Passive speakers are connected to the main mix mono out, to channels 9/10. PPM1012 Hookup Diagrams Microphones Portable Recorder L 1 1 L L MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 2 MON SEND 2... MIC GAIN 0 -20dB +50 +30dB GAIN LOW CUT 100 Hz COMP COMP COMP COMP COMP COMP R R INPUT 9/10 INPUT 11/12 9/10 11/12 U U -20 +20 GAIN -20 +20 GAIN OFF MAX U EQ -15 +15 U HI 12kHz MID OFF MAX U EQ...
Mackie SRM450v2 powered monitors are connected to record the performance. For powered subwoofers ... you to your system. The mon 1 knobs of the main mix. Passive speakers are connected to the main mix mono out, to channels 9/10. PPM1012 Hookup Diagrams Microphones Portable Recorder L 1 1 L L MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 2 MON SEND 2... MIC GAIN 0 -20dB +50 +30dB GAIN LOW CUT 100 Hz COMP COMP COMP COMP COMP COMP R R INPUT 9/10 INPUT 11/12 9/10 11/12 U U -20 +20 GAIN -20 +20 GAIN OFF MAX U EQ -15 +15 U HI 12kHz MID OFF MAX U EQ...
Owner's Manual
Page 7
... up a monitor mix that is connected to the monitor 2 send, and acts as a personal stage monitor to channels 11/12. A, and monitor 1 mix on ch. Passive speakers are connected to channel B speaker-level power output, and they play the main mono mix to play the stage monitor mix 1 to ...suit your subwoofers. The external amplifier will then only receive the low frequency range. A Mackie SRM150 powered monitor is ...
... up a monitor mix that is connected to the monitor 2 send, and acts as a personal stage monitor to channels 11/12. A, and monitor 1 mix on ch. Passive speakers are connected to channel B speaker-level power output, and they play the main mono mix to play the stage monitor mix 1 to ...suit your subwoofers. The external amplifier will then only receive the low frequency range. A Mackie SRM150 powered monitor is ...
Owner's Manual
Page 8
... HD1521 Powered Speaker SPEAKER OUT B PIN 1+ 1 2 X 800W PROFESSIONAL POWERED MIXER OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO Mackie d.2 Pro DJ Production Console MAIN OUT L R BOOTH LINE L L MIC FX SEND PGM 2 PGM 1 PHONO CD PHONO CD RL LL L ~100-240 VAC 50... main mix to get the best performance from your audience. PPM1012 DJ System Use the d.2 Pro's advanced DJ controls to your records. Two turntables are connected to 1/4" TS adaptors. The power amp mode switch is attached to channels 11/12, using RCA to the line-level main mix outputs, and also...
... HD1521 Powered Speaker SPEAKER OUT B PIN 1+ 1 2 X 800W PROFESSIONAL POWERED MIXER OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO Mackie d.2 Pro DJ Production Console MAIN OUT L R BOOTH LINE L L MIC FX SEND PGM 2 PGM 1 PHONO CD PHONO CD RL LL L ~100-240 VAC 50... main mix to get the best performance from your audience. PPM1012 DJ System Use the d.2 Pro's advanced DJ controls to your records. Two turntables are connected to 1/4" TS adaptors. The power amp mode switch is attached to channels 11/12, using RCA to the line-level main mix outputs, and also...
Owner's Manual
Page 9
... the stage monitor 2 mix to 4. Add vocal compression as required, by tweaking the compression knobs on channel B. These play the mid and top range. Mackie HD1531 powered speakers and powered subwoofers are connected to your performers. C200 passive stage monitors are connected to the... POWERED MIXER POWER AMP MODE MON 1 MAINS MON 2 MON 1 A (L) B(R) STEREO MAIN Mon1/Mon2 C200 Passive Stage Monitors (plays mon 2 output) 1 2 3 4 5 6 7 8 9/10 11/12 FX RTN 1 FX RTN 2 MON 1 MON 2 MAIN dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB 10 10 10...
... the stage monitor 2 mix to 4. Add vocal compression as required, by tweaking the compression knobs on channel B. These play the mid and top range. Mackie HD1531 powered speakers and powered subwoofers are connected to your performers. C200 passive stage monitors are connected to the... POWERED MIXER POWER AMP MODE MON 1 MAINS MON 2 MON 1 A (L) B(R) STEREO MAIN Mon1/Mon2 C200 Passive Stage Monitors (plays mon 2 output) 1 2 3 4 5 6 7 8 9/10 11/12 FX RTN 1 FX RTN 2 MON 1 MON 2 MAIN dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB 10 10 10...
Owner's Manual
Page 10
... mono main mix/monitor 1, or monitor 1/monitor 2. VENTILATION These holes in parallel, and 8 9/10 11/12 FX RTN 1 FX RTN 2 MON 1 MON 2 MAIN it is 4 oh20 ms per20 channel, and 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 SOLO SOLO SOLO... +15 AUX -15 +15 AUX -15 +15 AUX -15 +15 AUX -15 +15 AUX U SEND U SEND U SEND U SEND U SEND U SEND U SEND U SEND the mixer. PPM1012 PPM1012 Features 2 POWER 1 4 3 SPEAKER OUT A 3 SPEAKER OUT B PIN PIN 1+ 1+ 1 1 CAUTION HOT SURFACE, AVOID CONTACT OUTPUT POWER: @ 4 OHMS, 800 WATTS PEAK PER CH MINIMUM LOAD...
... mono main mix/monitor 1, or monitor 1/monitor 2. VENTILATION These holes in parallel, and 8 9/10 11/12 FX RTN 1 FX RTN 2 MON 1 MON 2 MAIN it is 4 oh20 ms per20 channel, and 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 SOLO SOLO SOLO... +15 AUX -15 +15 AUX -15 +15 AUX -15 +15 AUX -15 +15 AUX U SEND U SEND U SEND U SEND U SEND U SEND U SEND U SEND the mixer. PPM1012 PPM1012 Features 2 POWER 1 4 3 SPEAKER OUT A 3 SPEAKER OUT B PIN PIN 1+ 1+ 1 1 CAUTION HOT SURFACE, AVOID CONTACT OUTPUT POWER: @ 4 OHMS, 800 WATTS PEAK PER CH MINIMUM LOAD...
Owner's Manual
Page 11
...diagrams for further details and some connection ideas. Channels 1 to these inputs, use a 1⁄4" FX FX TAP DELAY TAP DELAY 2 2 MUTES CH 1-12 +20 TAPE IN 75Hz 200Hz the sa+15me... MID MID MID HI HI (The speaker-level outputs from the internal power instrument outputs into the left input channel PHANTOM POWER 9 or 11 (labeled left and right of the main Most modern professional condenser mics require mix... lets the mixer send low-cur- STEREO LINE INPUTS (Ch. 9/10 and 11/12) These channels have a mono source, plug it is optimized for a DI SOLO 40 SOLO 40...
...diagrams for further details and some connection ideas. Channels 1 to these inputs, use a 1⁄4" FX FX TAP DELAY TAP DELAY 2 2 MUTES CH 1-12 +20 TAPE IN 75Hz 200Hz the sa+15me... MID MID MID HI HI (The speaker-level outputs from the internal power instrument outputs into the left input channel PHANTOM POWER 9 or 11 (labeled left and right of the main Most modern professional condenser mics require mix... lets the mixer send low-cur- STEREO LINE INPUTS (Ch. 9/10 and 11/12) These channels have a mono source, plug it is optimized for a DI SOLO 40 SOLO 40...
Owner's Manual
Page 12
... 63 125 250 500 1K 2K 4K 8K 16K 01 PLATE REVERB 13 CHORUS POWER AMP MODE be adjusted with the monitor 1 graphic EQ [45]. 12 PPM1012 The insert not have it has its EQ tweaked with the mon 1 master level fader [58] and its own graphic EQ [45]. MID HI HI... METERS 5 0dB = 0dBu 0 OL 15 pressors, equalizers, de-essers, or filters. MON SEND 1 and MON SEND 2 Both FX outputs are fader [59], or the channel faders [40]. PPM1012 10 11 13 14 21 5 MIC 1 6 LINE (BAL/UNBAL) 9 INSERT MIC 2 LINE (BAL/UNBAL) INSERT MIC 3 LINE (BAL/UNBAL) INSERT MIC 4 LINE (BAL/UNBAL...
... 63 125 250 500 1K 2K 4K 8K 16K 01 PLATE REVERB 13 CHORUS POWER AMP MODE be adjusted with the monitor 1 graphic EQ [45]. 12 PPM1012 The insert not have it has its EQ tweaked with the mon 1 master level fader [58] and its own graphic EQ [45]. MID HI HI... METERS 5 0dB = 0dBu 0 OL 15 pressors, equalizers, de-essers, or filters. MON SEND 1 and MON SEND 2 Both FX outputs are fader [59], or the channel faders [40]. PPM1012 10 11 13 14 21 5 MIC 1 6 LINE (BAL/UNBAL) 9 INSERT MIC 2 LINE (BAL/UNBAL) INSERT MIC 3 LINE (BAL/UNBAL) INSERT MIC 4 LINE (BAL/UNBAL...
Owner's Manual
Page 13
... mode switch [53] appropriately. You can use the internal amplifiers to effects device) Ring = return (input from effects device) Sleeve = common ground Tip = Left channel Ring = Right channel Sleeve = Common ground Owner's Manual 13 The output here can also be loud.) The phones output follows standard conventions: Tip = send (output to... come back in on the same insert jack. Adjustment of the main mix summed together in the main loudspeakers. 14. HEADPHONE OUTPUT 15. Owner's Manual 12. Whenever a solo switch [41] is taking a break.
... mode switch [53] appropriately. You can use the internal amplifiers to effects device) Ring = return (input from effects device) Sleeve = common ground Tip = Left channel Ring = Right channel Sleeve = Common ground Owner's Manual 13 The output here can also be loud.) The phones output follows standard conventions: Tip = send (output to... come back in on the same insert jack. Adjustment of the main mix summed together in the main loudspeakers. 14. HEADPHONE OUTPUT 15. Owner's Manual 12. Whenever a solo switch [41] is taking a break.
Owner's Manual
Page 15
... PHONES "U" like Unity gain R FX RTN 1 R FX RTN 2 M MAIN OUT M OO MAX LEVEL Mackie mixers havePOWER a "U" PHANTOM symbol on the MAIN METERS 0dB = 0dBu controls are mono channels, and their controls affect signals coming into the inputs directly above it. It stands for a DI box. •... from120 the mic, or line inputs go 100 180 TAP TAP through the low-cut filter 1 2 3 4 5 6 7 8 9/10 11/12 (mono channels FXRTN1 FX RTN 2 MON 1 onMOlNy2) thMeAINcompressor circuit (ch. 1 to 6 each have an internal signal inline compressor circuit with 12V 0.5A shelving ...
... PHONES "U" like Unity gain R FX RTN 1 R FX RTN 2 M MAIN OUT M OO MAX LEVEL Mackie mixers havePOWER a "U" PHANTOM symbol on the MAIN METERS 0dB = 0dBu controls are mono channels, and their controls affect signals coming into the inputs directly above it. It stands for a DI box. •... from120 the mic, or line inputs go 100 180 TAP TAP through the low-cut filter 1 2 3 4 5 6 7 8 9/10 11/12 (mono channels FXRTN1 FX RTN 2 MON 1 onMOlNy2) thMeAINcompressor circuit (ch. 1 to 6 each have an internal signal inline compressor circuit with 12V 0.5A shelving ...
Owner's Manual
Page 16
...+10 +10 U U 0 U 0 U 0 U 0 U 0 0appUearan0ce oUf the d0 inoUsaurs0andU the a0ppeaUrance of gain with the knob fully down low. The mic and line inputs of channels 1-8 are inserting +15 U +15 U +15 U +15 U +15 U FX 1 SIG/OL U FX 2 SIG/OL U 05 WARM LOU 06 SMALL STA 07 WARM ... GAIN GAIN GAIN GAIN GAIN The gain knobs adjust the input sen- Many times, bass shelving EQ can no -20t. PPM1012 INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT R R INPUT 9/10 INPUT 11/12 R FX RTN 1 R FX RTN 2 MAIN 1 2 3 4 5 263. ThL eR audio sLigR nals reach a...
...+10 +10 U U 0 U 0 U 0 U 0 U 0 0appUearan0ce oUf the d0 inoUsaurs0andU the a0ppeaUrance of gain with the knob fully down low. The mic and line inputs of channels 1-8 are inserting +15 U +15 U +15 U +15 U +15 U FX 1 SIG/OL U FX 2 SIG/OL U 05 WARM LOU 06 SMALL STA 07 WARM ... GAIN GAIN GAIN GAIN GAIN The gain knobs adjust the input sen- Many times, bass shelving EQ can no -20t. PPM1012 INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT R R INPUT 9/10 INPUT 11/12 R FX RTN 1 R FX RTN 2 MAIN 1 2 3 4 5 263. ThL eR audio sLigR nals reach a...
Owner's Manual
Page 18
...channels have 3-band equalization: low shelving, mid peaking with adjustable frequency, and high shelving. We've designed a lot of mic, changing the strings, or gargling. Equalize subtly and use a DI box first, before connecting guitars directly. PPM1012 INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT R R INPUT 9/10 INPUT 11/12... good, particularly the high frequency response. CHANNEL EQUALIZATION (EQ) The PPM1012 mono channels have 4-band EQ: low shelving, low-mid and high-mid peaking, and high shelving. 18 PPM1012 Shelving EQ means that certain frequencies form ...
...channels have 3-band equalization: low shelving, mid peaking with adjustable frequency, and high shelving. We've designed a lot of mic, changing the strings, or gargling. Equalize subtly and use a DI box first, before connecting guitars directly. PPM1012 INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT R R INPUT 9/10 INPUT 11/12... good, particularly the high frequency response. CHANNEL EQUALIZATION (EQ) The PPM1012 mono channels have 4-band EQ: low shelving, low-mid and high-mid peaking, and high shelving. 18 PPM1012 Shelving EQ means that certain frequencies form ...
Owner's Manual
Page 19
...to 15 dB of boost or cut below 80 Hz. +5 The circuit is flat (no boost or 0 cut above 12 kHz, +5 and it is ef- -5 fectively bypassed at the center detent posi- -5 tion. The mid +10 ...100Hz 1kHz 10kHz 20kHz vocals, guitar and bacon frying. HIGH MID EQ LEVEL (Ch. 9/10 and 11/12) The high mid EQ provides up two independent mixes for running stage monitors. One or both of boost ... you do. The frequency at the center, and can be adjusted with these controls on the stereo channels. 33. Most of gain turned fully up two independent mixes for breakfast. 28. Sometimes. 30. This...
...to 15 dB of boost or cut below 80 Hz. +5 The circuit is flat (no boost or 0 cut above 12 kHz, +5 and it is ef- -5 fectively bypassed at the center detent posi- -5 tion. The mid +10 ...100Hz 1kHz 10kHz 20kHz vocals, guitar and bacon frying. HIGH MID EQ LEVEL (Ch. 9/10 and 11/12) The high mid EQ provides up two independent mixes for running stage monitors. One or both of boost ... you do. The frequency at the center, and can be adjusted with these controls on the stereo channels. 33. Most of gain turned fully up two independent mixes for breakfast. 28. Sometimes. 30. This...
Owner's Manual
Page 20
... are heard in full stereo. 38. If you the opportunity to set correctly. 20 PPM1012 The -20, 0, and +10 LEDs show the channel signal strength. 40. PAN 41. For the stereo channels (9/10 and 11/12), pan acts in the headphones. You can also use solo to audition the... channels before they are already taken, connect the source's left output into another. CHANNEL FADER The channel faders adjust the level of...
... are heard in full stereo. 38. If you the opportunity to set correctly. 20 PPM1012 The -20, 0, and +10 LEDs show the channel signal strength. 40. PAN 41. For the stereo channels (9/10 and 11/12), pan acts in the headphones. You can also use solo to audition the... channels before they are already taken, connect the source's left output into another. CHANNEL FADER The channel faders adjust the level of...
Owner's Manual
Page 21
...over the power station again, and all the XLR microphone inputs of boost and cut, with the channel EQ, just take the levels into the mic input jacks if phantom power is on the meters in...is often your extraordinarily-delicate sense of nature. Although it easy. Owner's Manual R R /10 INPUT 11/12 /10 11/12 R FX RTN 1 R FX RTN 2 M MAIN OUT 4M2 POWER OO MAX 43LEVEL PHANTOM EQ HI 12kHz...LOUNGE 06 SMALL STAGE 07 WARM THEATER 08 BRIGHT STAGE 09 WARM HALL 10 CONCERT HALL 11 CATHEDRAL 51 12 GATED REVERB BREAK 13 CHORUS 14 CHORUS + REVERB 15 DOUBLER 16 TAPE SLAP 17 DLY 1 BRIGHT (350ms...
...over the power station again, and all the XLR microphone inputs of boost and cut, with the channel EQ, just take the levels into the mic input jacks if phantom power is on the meters in...is often your extraordinarily-delicate sense of nature. Although it easy. Owner's Manual R R /10 INPUT 11/12 /10 11/12 R FX RTN 1 R FX RTN 2 M MAIN OUT 4M2 POWER OO MAX 43LEVEL PHANTOM EQ HI 12kHz...LOUNGE 06 SMALL STAGE 07 WARM THEATER 08 BRIGHT STAGE 09 WARM HALL 10 CONCERT HALL 11 CATHEDRAL 51 12 GATED REVERB BREAK 13 CHORUS 14 CHORUS + REVERB 15 DOUBLER 16 TAPE SLAP 17 DLY 1 BRIGHT (350ms...
Owner's Manual
Page 22
With non-constant types of EQ (on when power amplifier channel A or B is being used. Adjust the EQ carefully, in the flat position. ... or to release the limiter. The frequency bands are your main left and right mix. 47. As with the channel EQ, just take the stage monitor 1 levels into overload. You can often occur. The LED will then operate on... indication of the frequency response across the audio band. R R /10 INPUT 11/12 /10 11/12 R FX RTN 1 R FX RTN 2 M MAIN OUT 4M2 POWER OO MAX 43LEVEL PHANTOM PPM1012 EQ HI 12kHz HI MID 2.5kHz LOW MID 400Hz LOW 80Hz AUX END MON 1...
With non-constant types of EQ (on when power amplifier channel A or B is being used. Adjust the EQ carefully, in the flat position. ... or to release the limiter. The frequency bands are your main left and right mix. 47. As with the channel EQ, just take the stage monitor 1 levels into overload. You can often occur. The LED will then operate on... indication of the frequency response across the audio band. R R /10 INPUT 11/12 /10 11/12 R FX RTN 1 R FX RTN 2 M MAIN OUT 4M2 POWER OO MAX 43LEVEL PHANTOM PPM1012 EQ HI 12kHz HI MID 2.5kHz LOW MID 400Hz LOW 80Hz AUX END MON 1...
Owner's Manual
Page 25
...to make sure the phones knob [19] is added to the main left and right of signals coming into the FX 1 and FX 2 return inputs [12] from external processors (for example), being added to the main line-level outputs [16, 17], and the main speaker-level outputs [3] if the internal... solo. The fader comes after the EQ [44] and before you adjust the level of additional gain. The solo buttons [41] next to the other channels playing in the monitor 1 and 2 stage monitors. Adjust them .) 58. These faders have no effects are playing the main mix. These faders have no...
...to make sure the phones knob [19] is added to the main left and right of signals coming into the FX 1 and FX 2 return inputs [12] from external processors (for example), being added to the main line-level outputs [16, 17], and the main speaker-level outputs [3] if the internal... solo. The fader comes after the EQ [44] and before you adjust the level of additional gain. The solo buttons [41] next to the other channels playing in the monitor 1 and 2 stage monitors. Adjust them .) 58. These faders have no effects are playing the main mix. These faders have no...
Owner's Manual
Page 26
...inner magical eye on after you can also be added to judge the level going out. 26 PPM1012 The output from adjusting the FX1 aux send [35] and the FX2 aux send [36] on...channel gain [23], EQ [27-32], and channel faders [40]. Initially, they wanted to investigate "warm beach in Washington" instead. 60. Adjust them to mon 2 [56] controls. R R /10 INPUT 11/12 /10 11/12 R FX RTN 1 R FX RTN 2 M MAIN OUT 4M2 POWER OO MAX 43LEVEL PHANTOM PPM1012... to these effects processors come on each channel. They are two identical Mackie Running-Man 32-bit internal effects processors.
...inner magical eye on after you can also be added to judge the level going out. 26 PPM1012 The output from adjusting the FX1 aux send [35] and the FX2 aux send [36] on...channel gain [23], EQ [27-32], and channel faders [40]. Initially, they wanted to investigate "warm beach in Washington" instead. 60. Adjust them to mon 2 [56] controls. R R /10 INPUT 11/12 /10 11/12 R FX RTN 1 R FX RTN 2 M MAIN OUT 4M2 POWER OO MAX 43LEVEL PHANTOM PPM1012... to these effects processors come on each channel. They are two identical Mackie Running-Man 32-bit internal effects processors.