Owner's Manual
Page 1
... M LEVEL POWER PHANTOM 15 10 5 0 5 10 15 63 15 10 5 0 5 10 15 2 X 800W PROFESSIONAL POWERED MIXER MAIN EQUALIZER EQ ASSIGN MAIN MON 2 POWER AMP LIMITER A B 15 10 5 0 5 10 15 125 250 500 1K 2K 4K 8K 16K MON 1 EQUALIZER 15 10 5 0 5 10 15 MAIN METERS 0dB = 0dBu OL 15 10 6 3 0 2 4 7 10 20 30 L R LEVEL SET RUDE SOLO 63 125 FX 1 SIG/OL U +15 SEND MASTER OO TAP DELAY...
... M LEVEL POWER PHANTOM 15 10 5 0 5 10 15 63 15 10 5 0 5 10 15 2 X 800W PROFESSIONAL POWERED MIXER MAIN EQUALIZER EQ ASSIGN MAIN MON 2 POWER AMP LIMITER A B 15 10 5 0 5 10 15 125 250 500 1K 2K 4K 8K 16K MON 1 EQUALIZER 15 10 5 0 5 10 15 MAIN METERS 0dB = 0dBu OL 15 10 6 3 0 2 4 7 10 20 30 L R LEVEL SET RUDE SOLO 63 125 FX 1 SIG/OL U +15 SEND MASTER OO TAP DELAY...
Owner's Manual
Page 3
... stereo mains. 1. Adjust the channel faders to a line input jack using a TS or a TRS 1/4" plug. 4. Make sure there is set "). 5. Plug a balanced microphone into one channel, press the solo switch in the 48V phantom power button. 5. Part No. Owner's Manual Read This Page! But please read the safety instructions on the rear panel. If your performance, check that is off thumps in your new powered mixer. For now, set optimal levels. Play something into the phones output jack, then turn -on the rear panel...
... stereo mains. 1. Adjust the channel faders to a line input jack using a TS or a TRS 1/4" plug. 4. Make sure there is set "). 5. Plug a balanced microphone into one channel, press the solo switch in the 48V phantom power button. 5. Part No. Owner's Manual Read This Page! But please read the safety instructions on the rear panel. If your performance, check that is off thumps in your new powered mixer. For now, set optimal levels. Play something into the phones output jack, then turn -on the rear panel...
Owner's Manual
Page 4
...-frequency response with Mackie passive speakers • Headphones play main mix, or soloed channels • Two internal power amplifiers, each feature numbered and described in nearby on mono channels paragraphs. • 4-band EQ on the first 6 mono inputs Appendix D: Table of Presets (dedicated in • Connection Section • Insert jacks on mono channels • Channel Controls • Low cut switch on mono channels • Master Controls • Instrument switches on channels 7 and 8 allow • Stereo Effects Processors direct connection of guitars without...
...-frequency response with Mackie passive speakers • Headphones play main mix, or soloed channels • Two internal power amplifiers, each feature numbered and described in nearby on mono channels paragraphs. • 4-band EQ on the first 6 mono inputs Appendix D: Table of Presets (dedicated in • Connection Section • Insert jacks on mono channels • Channel Controls • Low cut switch on mono channels • Master Controls • Instrument switches on channels 7 and 8 allow • Stereo Effects Processors direct connection of guitars without...
Owner's Manual
Page 5
...-FILTER 24 55. MONITOR 1 AND MONITOR 2 FADER...... 25 59. LEVEL 14 20. GAIN CONTROL 16 24. TAPE OUTPUTS 13 15. PRECISION PASSIVE EQ 23 51. POWER CONNECTION 10 2. STEREO LINE INPUTS 11 9. MON SEND 1 AND MON SEND 2 12 11. BNC LAMP CONNECTION 14 22. PRESET SELECTOR, TAP DELAY AND LED... 27 64. FX1 AUX SEND 19 36. PRESET DISPLAY 27 63. POWER AMP MODE SWITCH 23 54. Owner's Manual Contents IMPORTANT SAFETY INSTRUCTIONS 2 READ THIS PAGE 3 INTRODUCTION 4 HOOKUP DIAGRAMS...
...-FILTER 24 55. MONITOR 1 AND MONITOR 2 FADER...... 25 59. LEVEL 14 20. GAIN CONTROL 16 24. TAPE OUTPUTS 13 15. PRECISION PASSIVE EQ 23 51. POWER CONNECTION 10 2. STEREO LINE INPUTS 11 9. MON SEND 1 AND MON SEND 2 12 11. BNC LAMP CONNECTION 14 22. PRESET SELECTOR, TAP DELAY AND LED... 27 64. FX1 AUX SEND 19 36. PRESET DISPLAY 27 63. POWER AMP MODE SWITCH 23 54. Owner's Manual Contents IMPORTANT SAFETY INSTRUCTIONS 2 READ THIS PAGE 3 INTRODUCTION 4 HOOKUP DIAGRAMS...
Owner's Manual
Page 6
... hi-z switch pressed in your audience. SWA1801z powered subwoofers are connected to the main mix mono out, to reinforce the low end in ), and a keyboard attached to channels 9/10. Passive speakers are connected to your system. Mackie SRM450v2 powered monitors are connected to the speaker-level power output of the powered mixer, and they play the main stereo mix to the monitor 1 send, and play as stage monitors. A portable recorder is attached to the stereo tape outputs to set up a stage monitor mix that...
... hi-z switch pressed in your audience. SWA1801z powered subwoofers are connected to the main mix mono out, to reinforce the low end in ), and a keyboard attached to channels 9/10. Passive speakers are connected to your system. Mackie SRM450v2 powered monitors are connected to the speaker-level power output of the powered mixer, and they play the main stereo mix to the monitor 1 send, and play as stage monitors. A portable recorder is attached to the stereo tape outputs to set up a stage monitor mix that...
Owner's Manual
Page 7
.... The external amplifier will then only receive the low frequency range. Passive subwoofers are connected to channel A speaker-level power output, and they play the stage monitor mix 1 to your main mix. C300z passive stage monitors are connected to channel B speaker-level power output, and they play the mono main mix on ch. A Mackie SRM150 powered monitor is independent of the main mix. Owner's Manual Microphones Acoustic Guitar and Mic L 1 1 L L MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 2 MON SEND 2 FX SEND R IN OUT TAPE R MAIN INSERT R LINE...
.... The external amplifier will then only receive the low frequency range. Passive subwoofers are connected to channel A speaker-level power output, and they play the stage monitor mix 1 to your main mix. C300z passive stage monitors are connected to channel B speaker-level power output, and they play the mono main mix on ch. A Mackie SRM150 powered monitor is independent of the main mix. Owner's Manual Microphones Acoustic Guitar and Mic L 1 1 L L MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 2 MON SEND 2 FX SEND R IN OUT TAPE R MAIN INSERT R LINE...
Owner's Manual
Page 8
... Speakers (play stereo main mix) Turntables with phono-level output This diagram shows microphones connected to the mic inputs of channels 1 and 2, a wireless microphone receiver connected to the mic input of channel 4, and a graphic EQ connected to channel 4's insert jack (to 1/4" TS adaptors. Use the d.2 Pro's advanced DJ controls to your records. Mackie HD1521 powered speakers and powered subwoofers are connected to a Mackie d.2 Pro DJ mixer, and its output connect to channel 9/10 stereo line inputs. Use the powered mixer to the speaker-level power outputs. The power amp mode switch...
... Speakers (play stereo main mix) Turntables with phono-level output This diagram shows microphones connected to the mic inputs of channels 1 and 2, a wireless microphone receiver connected to the mic input of channel 4, and a graphic EQ connected to channel 4's insert jack (to 1/4" TS adaptors. Use the d.2 Pro's advanced DJ controls to your records. Mackie HD1521 powered speakers and powered subwoofers are connected to a Mackie d.2 Pro DJ mixer, and its output connect to channel 9/10 stereo line inputs. Use the powered mixer to the speaker-level power outputs. The power amp mode switch...
Owner's Manual
Page 9
... (plays right main mix) C300z Passive Stage Monitors (plays mon 1 output) Powered Subwoofer (plays left main mix) This diagram shows microphones attached to the mic inputs of the powered mixer. C200 passive stage monitors are connected to the channel B speaker-level power output of channels 1 to 4, electric guitars connected directly to ch. 7 and 8 (with hi-z switch pressed in), a line-level effect connected to ch.7 insert, a keyboard attached to channels 9/10, and an electronic drum kit attached to play the mid and top range. The rear-panel power amp mode switch...
... (plays right main mix) C300z Passive Stage Monitors (plays mon 1 output) Powered Subwoofer (plays left main mix) This diagram shows microphones attached to the mic inputs of the powered mixer. C200 passive stage monitors are connected to the channel B speaker-level power output of channels 1 to 4, electric guitars connected directly to ch. 7 and 8 (with hi-z switch pressed in), a line-level effect connected to ch.7 insert, a keyboard attached to channels 9/10, and an electronic drum kit attached to play the mid and top range. The rear-panel power amp mode switch...
Owner's Manual
Page 10
DO NOT REMOVE COVER. POWER CONNECTION This jack acceMpIC 1ts thMeIC 2suppMICl3ied 3MI-Cp4 ronMgIC 5IEC AC MIC 6 poMwIC 7er cord. Use only the power cord supplied. MAIN MON 2 POWER AMP LIMITER A B GAIN GAIN 15 10 5 HOT 2+ 15 10 52- 1+ MAIN METERS 0dB = 0dBu 0 0 OL 15 5 5 10 10 10 6 • Speakon outputs are wired Tip positive, and FX 2 +15 TAP DELAY TAP DELAY MUTES CH 1-12 FX 1 +20 TAPE IN FX 1 75Hz...
DO NOT REMOVE COVER. POWER CONNECTION This jack acceMpIC 1ts thMeIC 2suppMICl3ied 3MI-Cp4 ronMgIC 5IEC AC MIC 6 poMwIC 7er cord. Use only the power cord supplied. MAIN MON 2 POWER AMP LIMITER A B GAIN GAIN 15 10 5 HOT 2+ 15 10 52- 1+ MAIN METERS 0dB = 0dBu 0 0 OL 15 5 5 10 10 10 6 • Speakon outputs are wired Tip positive, and FX 2 +15 TAP DELAY TAP DELAY MUTES CH 1-12 FX 1 +20 TAPE IN FX 1 75Hz...
Owner's Manual
Page 11
... 5 5 10 line-level instruments, guitars, and effects, a recorder, phones, or ribbon mics into the mic XLR input jacks with your vocals and help prevent distortion and overloading. 8. LINE/INSTRUMENT INPUTS (Ch. 7 and 8) Profes1sional r2ibbon,3dynam4ic, and 5conden6ser mic7s all channels is turned on . Channels 1 to 6) AUX U SEND AUX U SEND AUX U SEND AUX U SEND AUX U SEND AUX U SEND AUX U SEND AUX U SEND AUX U SEND AUX U SEND 63 125 250 500 1K 2K 4K 8K 16K 01 PLATE REVERB 13 CHORUS POWER AMP MODE +15 U MON...
... 5 5 10 line-level instruments, guitars, and effects, a recorder, phones, or ribbon mics into the mic XLR input jacks with your vocals and help prevent distortion and overloading. 8. LINE/INSTRUMENT INPUTS (Ch. 7 and 8) Profes1sional r2ibbon,3dynam4ic, and 5conden6ser mic7s all channels is turned on . Channels 1 to 6) AUX U SEND AUX U SEND AUX U SEND AUX U SEND AUX U SEND AUX U SEND AUX U SEND AUX U SEND AUX U SEND AUX U SEND 63 125 250 500 1K 2K 4K 8K 16K 01 PLATE REVERB 13 CHORUS POWER AMP MODE +15 U MON...
Owner's Manual
Page 12
... 10 10 10 10 10 page20 30 (fig20ure G)20 showin20 g three20 ways to20 use , the unprocessed (dry) mono FX sends would connect to stage monitors. The channel signal can be passive stage monitors powered by the channel level faders [40]. either be adjusted with their own amplifier built in on effects. 30 SOLO 40 30 SOLO 40 30 SOLO 40 30 SOLO 40 30 SOLO...
... 10 10 10 10 10 page20 30 (fig20ure G)20 showin20 g three20 ways to20 use , the unprocessed (dry) mono FX sends would connect to stage monitors. The channel signal can be passive stage monitors powered by the channel level faders [40]. either be adjusted with their own amplifier built in on effects. 30 SOLO 40 30 SOLO 40 30 SOLO 40 30 SOLO 40 30 SOLO...
Owner's Manual
Page 13
... use the mono output to run to the inputs of the mixer's Channel Insert jacks. This is useful if you need more power, or if you make a recording for connecting serial effects processors such as passive monitors, after setting the amp mode switch [53] appropriately. This allows you to use these outputs to the line-level inputs of external power amplifiers running a passive loudspeaker, or directly to the inputs of the FX 1 return can use the internal amplifiers to record the main stereo mix...
... use the mono output to run to the inputs of the mixer's Channel Insert jacks. This is useful if you need more power, or if you make a recording for connecting serial effects processors such as passive monitors, after setting the amp mode switch [53] appropriately. This allows you to use these outputs to the line-level inputs of external power amplifiers running a passive loudspeaker, or directly to the inputs of the FX 1 return can use the internal amplifiers to record the main stereo mix...
Owner's Manual
Page 15
...2 controls [36] tap the signal off just before (pre) the channel fader. Each chan- MAIN INSERT R FOOTSWITCH TIP: FX1 RING: FX2 R L (MONO) PHONES "U" like Unity gain R FX RTN 1 R FX RTN 2 M MAIN OUT M OO MAX LEVEL Mackie mixers havePOWER a "U" PHANTOM symbol on almost every level 2 X 800W PROFESSIONAL POWERED MIXER control. Owner's Manual 15 nel works independently, and just controls the signals plugged into the stereo line-level inputs 1 1 MIC 1 LINE (BAL/UNBAL) MIC 2 LINE (BAL/UNBAL) MIC 3 LINE (BAL/UNBAL) MIC 4 LINE (BAL/UNBAL) MIC 5 LINE (BAL/UNBAL) MIC 6 LINE (BAL...
...2 controls [36] tap the signal off just before (pre) the channel fader. Each chan- MAIN INSERT R FOOTSWITCH TIP: FX1 RING: FX2 R L (MONO) PHONES "U" like Unity gain R FX RTN 1 R FX RTN 2 M MAIN OUT M OO MAX LEVEL Mackie mixers havePOWER a "U" PHANTOM symbol on almost every level 2 X 800W PROFESSIONAL POWERED MIXER control. Owner's Manual 15 nel works independently, and just controls the signals plugged into the stereo line-level inputs 1 1 MIC 1 LINE (BAL/UNBAL) MIC 2 LINE (BAL/UNBAL) MIC 3 LINE (BAL/UNBAL) MIC 4 LINE (BAL/UNBAL) MIC 5 LINE (BAL/UNBAL) MIC 6 LINE (BAL...
Owner's Manual
Page 19
... works. Sounds silly, but channel EQ [27-32] and gain [23] will affect the feed going to the channel faders [40] or main mix fader [59] will not affect the monitor output, but it 's there if you do. Adjustments to the internal processors. Mon 1 and mon 2 send [10] are line-level outputs, and are off when turned fully down a little to reduce sibilance or to connect external effects processors. LOW MID EQ LEVEL...
... works. Sounds silly, but channel EQ [27-32] and gain [23] will affect the feed going to the channel faders [40] or main mix fader [59] will not affect the monitor output, but it 's there if you do. Adjustments to the internal processors. Mon 1 and mon 2 send [10] are line-level outputs, and are off when turned fully down a little to reduce sibilance or to connect external effects processors. LOW MID EQ LEVEL...
Owner's Manual
Page 20
... unity gain, meaning no effect on the aux, as soloed channels may be avoided, as a reminder of its on when the channel's input signal is too quiet or too loud with too much goes to set the gain of the channel signal goes to the left meter. Whenever a solo switch is split equally to a home stereo balance control. CHANNEL FADER The channel faders adjust the level of the main meters [48]. PPM1012 37. The mute switches...
... unity gain, meaning no effect on the aux, as soloed channels may be avoided, as a reminder of its on when the channel's input signal is too quiet or too loud with too much goes to set the gain of the channel signal goes to the left meter. Whenever a solo switch is split equally to a home stereo balance control. CHANNEL FADER The channel faders adjust the level of the main meters [48]. PPM1012 37. The mute switches...
Owner's Manual
Page 21
... ribbon mics into the mic input jacks with EQ it is on as the speakerlevel outputs [3] if the internal amplifiers are off, this EQ to reduce the level of the power cord are not careful, you know for instance), which lets the mixer send low-current DC voltage to do so. 44. As with 0 dB (no change in case you like a pack of nature. Owner's Manual...
... ribbon mics into the mic input jacks with EQ it is on as the speakerlevel outputs [3] if the internal amplifiers are off, this EQ to reduce the level of the power cord are not careful, you know for instance), which lets the mixer send low-current DC voltage to do so. 44. As with 0 dB (no change in case you like a pack of nature. Owner's Manual...
Owner's Manual
Page 22
... operate on your special touch. This is useful in cases where your monitor 2 mix is playing the monitor 1 mix. R R /10 INPUT 11/12 /10 11/12 R FX RTN 1 R FX RTN 2 M MAIN OUT 4M2 POWER OO MAX 43LEVEL PHANTOM PPM1012 EQ HI 12kHz HI MID 2.5kHz LOW MID 400Hz LOW 80Hz AUX END MON 1 MON 2 FX 1 FX 2 PAN OO OO OO OO U 2 X 800W PROFESSIONAL POWERED MIXER -20 +20 GAIN...
... operate on your special touch. This is useful in cases where your monitor 2 mix is playing the monitor 1 mix. R R /10 INPUT 11/12 /10 11/12 R FX RTN 1 R FX RTN 2 M MAIN OUT 4M2 POWER OO MAX 43LEVEL PHANTOM PPM1012 EQ HI 12kHz HI MID 2.5kHz LOW MID 400Hz LOW 80Hz AUX END MON 1 MON 2 FX 1 FX 2 PAN OO OO OO OO U 2 X 800W PROFESSIONAL POWERED MIXER -20 +20 GAIN...
Owner's Manual
Page 23
... this control fully down the monitor faders [58] if needed. Keep this switch in the main speakers. Any line-level source can be no upsetting microphone yells, noise, thumps or rumbles heard in for adjustment of the main mix, and the output from professional hamster drag-racing association (PHDRA) starting lights, these coming on the other. POWER AMP MODE SWITCH This three-position switch lets you choose which signal paths from playing in...
... this control fully down the monitor faders [58] if needed. Keep this switch in the main speakers. Any line-level source can be no upsetting microphone yells, noise, thumps or rumbles heard in for adjustment of the main mix, and the output from professional hamster drag-racing association (PHDRA) starting lights, these coming on the other. POWER AMP MODE SWITCH This three-position switch lets you choose which signal paths from playing in...
Owner's Manual
Page 24
... still good out to the amplifier's line-level input. The LPF frequency is engaged. LPF (Low-Pass-Filter) Press this mono out control will let you to balance the level compared to the line-level mono outputs [17]. Press the LPF switch in these cases. Most active subwoofers have to run an external power amplifier with 100 Hz straight up. The main outputs and the internal amplifiers still receive the full...
... still good out to the amplifier's line-level input. The LPF frequency is engaged. LPF (Low-Pass-Filter) Press this mono out control will let you to balance the level compared to the line-level mono outputs [17]. Press the LPF switch in these cases. Most active subwoofers have to run an external power amplifier with 100 Hz straight up. The main outputs and the internal amplifiers still receive the full...
Owner's Manual
Page 28
... connected to channels 7 and 8? • Try unplugging any speaker fuses. • Unplug anything from the main line-level outputs, main inserts, or other line-level outputs, such as FAQs, and documentation. Troubleshooting Bad Channel • Is the channel EQ set up nicely? • Is the channel gain set up ? • Check the power amp mode switch is located in sync with the same speaker, check the speaker wiring, or any insert devices from your nearest service center, visit www.mackie...
... connected to channels 7 and 8? • Try unplugging any speaker fuses. • Unplug anything from the main line-level outputs, main inserts, or other line-level outputs, such as FAQs, and documentation. Troubleshooting Bad Channel • Is the channel EQ set up nicely? • Is the channel gain set up ? • Check the power amp mode switch is located in sync with the same speaker, check the speaker wiring, or any insert devices from your nearest service center, visit www.mackie...
