Owner's Manual
Page 6
... choice for use of a highly efficient digital power amplifier in combination with a speaker simulator and effects loop for purchasing the Yamaha BBT500-115/BBT500-110 Bass Amplifier. Also, keep the manual in the studio or live performances. CONTENTS Panel Controls and Connections 7 Front Panel 7 Rear... 18 Error Messages 18 Troubleshooting 18 Specifications 19 MIDI Implementation Chart 95 6 It also offers MIDI compatibility and a bi-amp system (using two amplifiers to provide bassists with its sophisticated functions, please thoroughly read this Owner's Manual before using the...
... choice for use of a highly efficient digital power amplifier in combination with a speaker simulator and effects loop for purchasing the Yamaha BBT500-115/BBT500-110 Bass Amplifier. Also, keep the manual in the studio or live performances. CONTENTS Panel Controls and Connections 7 Front Panel 7 Rear... 18 Error Messages 18 Troubleshooting 18 Specifications 19 MIDI Implementation Chart 95 6 It also offers MIDI compatibility and a bi-amp system (using two amplifiers to provide bassists with its sophisticated functions, please thoroughly read this Owner's Manual before using the...
Owner's Manual
Page 7
... sound variation types. and Canadian models only To protect against electromagnetic waves, attach the supplied Clamp Filter to the cable connecting the bass guitar to the BBT500. r Sound Type Select Switch (SOUND TYPE) Select one of their corresponding tone control. (→ pg. 14) In the Compressor...power amplifier's output level. In the Equalizer Mode, these knobs are used to set to "0", no effect on your bass to this knob is used to select the unit's operating mode. • Amp Mode (→ pg. 13) • Equalizer Mode (→ pg. 14) • Compressor Mode (→ pg...
... sound variation types. and Canadian models only To protect against electromagnetic waves, attach the supplied Clamp Filter to the cable connecting the bass guitar to the BBT500. r Sound Type Select Switch (SOUND TYPE) Select one of their corresponding tone control. (→ pg. 14) In the Compressor...power amplifier's output level. In the Equalizer Mode, these knobs are used to set to "0", no effect on your bass to this knob is used to select the unit's operating mode. • Amp Mode (→ pg. 13) • Equalizer Mode (→ pg. 14) • Compressor Mode (→ pg...
Owner's Manual
Page 11
...'s compression ratio and output levels simultaneously. TUBE A clear and warm tube type sound. SOLID ......... Rock bass sound HEAVY ........ Overdrive bass sound DIST Distortion bass sound FUZZ Fuzz bass sound e COMP: Compression Ratio (1.0 to increase the amount of compression applied to signals that the red... indicator does not light. r GAIN: Pre-Amp Gain (0 to 10, 0.1 step) t MASTER: Master Volume (0 to 10, 0.1 step) y BASS: Bass Frequency (-15dB to +15dB, 0.2dB step) u LOW MID: Low Mid Frequency (-15dB to +15dB, ...
...'s compression ratio and output levels simultaneously. TUBE A clear and warm tube type sound. SOLID ......... Rock bass sound HEAVY ........ Overdrive bass sound DIST Distortion bass sound FUZZ Fuzz bass sound e COMP: Compression Ratio (1.0 to increase the amount of compression applied to signals that the red... indicator does not light. r GAIN: Pre-Amp Gain (0 to 10, 0.1 step) t MASTER: Master Volume (0 to 10, 0.1 step) y BASS: Bass Frequency (-15dB to +15dB, 0.2dB step) u LOW MID: Low Mid Frequency (-15dB to +15dB, ...
Owner's Manual
Page 13
... for each knob functions in the "Sound Setting" section (→ pg. 11). Enter the Amp Mode using one of the following methods. • The Amp Mode is the default mode when the BBT500's power is the same as described in the manner it is used to set the Compressor's... Level w SOUND TYPE: Selects the Sound Type (11 types) e COMP: Compression Ratio (1.0 to ∞, 16 steps) r GAIN: Pre-Amp Gain (0 to 10, 0.1 step) t MASTER: Master Volume (0 to 10, 0.1 step) y BASS: Bass Frequency (-15dB to +15dB, 0.2dB step) u LOW MID: Low Mid Frequency (-15dB to +15dB, 0.2dB step) i MIDDLE: Middle ...
... for each knob functions in the "Sound Setting" section (→ pg. 11). Enter the Amp Mode using one of the following methods. • The Amp Mode is the default mode when the BBT500's power is the same as described in the manner it is used to set the Compressor's... Level w SOUND TYPE: Selects the Sound Type (11 types) e COMP: Compression Ratio (1.0 to ∞, 16 steps) r GAIN: Pre-Amp Gain (0 to 10, 0.1 step) t MASTER: Master Volume (0 to 10, 0.1 step) y BASS: Bass Frequency (-15dB to +15dB, 0.2dB step) u LOW MID: Low Mid Frequency (-15dB to +15dB, 0.2dB step) i MIDDLE: Middle ...
Owner's Manual
Page 14
... 18dB, 0.1dB step) This parameter works in the bottom row of the panel's Tone Controls (BASS - y BASS (RELEASE): Compressor release time (5msec to 120msec, 1msec step). GAIN): Compressor gain (0dB to 0dB...In other words, gain is automatically adjusted along with the control knob. TREBLE) in the Amp Mode. Sets the amount of compression applied to 8.00kHz, 255 steps) !0 TREBLE (FREQ):...): Blend level between the effect loop's RETURN signal and the dry signal (the sound created in the BBT500) (0% (Return 0%, Dry 100%) to 100% (Return 100%, Dry 0%)). !1 OUTPUT: Sets the output...
... 18dB, 0.1dB step) This parameter works in the bottom row of the panel's Tone Controls (BASS - y BASS (RELEASE): Compressor release time (5msec to 120msec, 1msec step). GAIN): Compressor gain (0dB to 0dB...In other words, gain is automatically adjusted along with the control knob. TREBLE) in the Amp Mode. Sets the amount of compression applied to 8.00kHz, 255 steps) !0 TREBLE (FREQ):...): Blend level between the effect loop's RETURN signal and the dry signal (the sound created in the BBT500) (0% (Return 0%, Dry 100%) to 100% (Return 100%, Dry 0%)). !1 OUTPUT: Sets the output...