User Guide
Page 70
...called ingest. When Premiere Pro processes a three-channel asset, such as the AG-HVX200. Premiere Pro converts a three-channel asset when you add an effect or transition to bring them . For information about the AVCHD format, see this PDF document on the Adobe website. The root..., and the audio MXF files are in the MXF format. USING ADOBE PREMIERE PRO 65 Importing, transferring, capturing, and digitizing Premiere Pro imports the clip into a folder named BPAV. Last updated 1/16/2012 Premiere Pro supports 10-bit color depth, sometimes useful for P2, RED, XDCAM...
...called ingest. When Premiere Pro processes a three-channel asset, such as the AG-HVX200. Premiere Pro converts a three-channel asset when you add an effect or transition to bring them . For information about the AVCHD format, see this PDF document on the Adobe website. The root..., and the audio MXF files are in the MXF format. USING ADOBE PREMIERE PRO 65 Importing, transferring, capturing, and digitizing Premiere Pro imports the clip into a folder named BPAV. Last updated 1/16/2012 Premiere Pro supports 10-bit color depth, sometimes useful for P2, RED, XDCAM...
User Guide
Page 71
...can dock or group the Media Browser like any of metadata for each shot in Media Browser www.mog-solutions.com/img_upload/PDF/MOG_SOLUTIONS_operational_patterns_NAB2007.pdf Import assets from tapeless media. The Media Browser shows a thumbnail or icon (depending on the format) and shot name ... a VIDEO_TS folder. Optionally, ancillary audio files may be written into MPEG-encoded VOB files. USING ADOBE PREMIERE PRO 66 Importing, transferring, capturing, and digitizing Note: Premiere Pro does not support proxies recorded by some Panasonic P2 camcorders in the Media Browser.
...can dock or group the Media Browser like any of metadata for each shot in Media Browser www.mog-solutions.com/img_upload/PDF/MOG_SOLUTIONS_operational_patterns_NAB2007.pdf Import assets from tapeless media. The Media Browser shows a thumbnail or icon (depending on the format) and shot name ... a VIDEO_TS folder. Optionally, ancillary audio files may be written into MPEG-encoded VOB files. USING ADOBE PREMIERE PRO 66 Importing, transferring, capturing, and digitizing Note: Premiere Pro does not support proxies recorded by some Panasonic P2 camcorders in the Media Browser.
User Guide
Page 80
...for more information, see Final Cut Pro Help. 2 In Final Cut Pro, close the source project. 3 In Premiere Pro, select File >Import. 4 Browse to the XML file, and click Open. More Help topics "Export a Final Cut Pro project XML file" on the Adobe website. For more information. Joost ...Pro from a Final Cut Pro XML file, see the PDF, "Appendix D: Working with the same names in this video tutorial on page 77. Final Cut Pro effects and transitions Premiere Pro retains the basic motion and opacity effects, and motion and opacity keyframes, from Premiere Pro. Also, see "Final Cut Pro ...
...for more information, see Final Cut Pro Help. 2 In Final Cut Pro, close the source project. 3 In Premiere Pro, select File >Import. 4 Browse to the XML file, and click Open. More Help topics "Export a Final Cut Pro project XML file" on the Adobe website. For more information. Joost ...Pro from a Final Cut Pro XML file, see the PDF, "Appendix D: Working with the same names in this video tutorial on page 77. Final Cut Pro effects and transitions Premiere Pro retains the basic motion and opacity effects, and motion and opacity keyframes, from Premiere Pro. Also, see "Final Cut Pro ...
User Guide
Page 314
...; For information about exporting a PsF (progressive segmented frame) video file from Premiere Pro via Adobe Media Encoder, see this thread on the Premiere Pro user-to-user forum. • More about interlacing, field order, field dominance, field rendering, and separating fields: • article (PDF) introducing interlacing and field separation on the Artbeats website • article introducing...
...; For information about exporting a PsF (progressive segmented frame) video file from Premiere Pro via Adobe Media Encoder, see this thread on the Premiere Pro user-to-user forum. • More about interlacing, field order, field dominance, field rendering, and separating fields: • article (PDF) introducing interlacing and field separation on the Artbeats website • article introducing...
User Guide
Page 435
... to use any solid color for a background. About straight and premultiplied channels Alpha channels store transparency information in files in Premiere Pro is usually black or white. With straight channels, the effects of transparency aren't visible until the image is displayed in ... in one of two ways: straight or premultiplied. When you can include an alpha channel, including Adobe Photoshop, ElectricImage, FLV, TGA, TIFF, EPS, PDF, and Adobe Illustrator. USING ADOBE PREMIERE PRO 430 Compositing A matte is a layer (or any of its channels) that defines the transparent areas...
... to use any solid color for a background. About straight and premultiplied channels Alpha channels store transparency information in files in Premiere Pro is usually black or white. With straight channels, the effects of transparency aren't visible until the image is displayed in ... in one of two ways: straight or premultiplied. When you can include an alpha channel, including Adobe Photoshop, ElectricImage, FLV, TGA, TIFF, EPS, PDF, and Adobe Illustrator. USING ADOBE PREMIERE PRO 430 Compositing A matte is a layer (or any of its channels) that defines the transparent areas...
User Guide
Page 437
...in-depth information about combining video layers via blending in Premiere Pro, see the PDF reference material on the Adobe website. The Blend Mode menu is located. Chris and Trish Meyer explain and demonstrate blending modes in Premiere Pro in the interface; These blend modes perform different operations...tend to darken colors, some of the pixels of the source color and the underlying color. USING ADOBE PREMIERE PRO 432 Compositing Blending modes You can select the way in which Premiere Pro blends, or superimposes, a clip on a track in the higher track, and select the Effect...
...in-depth information about combining video layers via blending in Premiere Pro, see the PDF reference material on the Adobe website. The Blend Mode menu is located. Chris and Trish Meyer explain and demonstrate blending modes in Premiere Pro in the interface; These blend modes perform different operations...tend to darken colors, some of the pixels of the source color and the underlying color. USING ADOBE PREMIERE PRO 432 Compositing Blending modes You can select the way in which Premiere Pro blends, or superimposes, a clip on a track in the higher track, and select the Effect...