User Guide
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...a countdown. (See "About capturing and digitizing" on page 122.) Last updated 1/16/2012 Then use Adobe® Bridge to match the desired channel format. 3. Premiere Pro also imports Adobe® Illustrator® artwork or Photoshop® layered files, and it with its own panel, or you can also... use the Place command in Adobe Bridge to visualize or quickly assemble a sequence. In the ...
...a countdown. (See "About capturing and digitizing" on page 122.) Last updated 1/16/2012 Then use Adobe® Bridge to match the desired channel format. 3. Premiere Pro also imports Adobe® Illustrator® artwork or Photoshop® layered files, and it with its own panel, or you can also... use the Place command in Adobe Bridge to visualize or quickly assemble a sequence. In the ...
User Guide
Page 72
...the Still Image preferences. For P2 and XDCAM EX, Premiere Pro imports all the clips within a shot on where the missing clips fall within a single shot or take can be treated as whole clips. USING ADOBE PREMIERE PRO 67 Importing, transferring, capturing, and digitizing 5 Either select... File > Import From Browser, drag clips from the Media Browser into the Project panel, or drag clips from Adobe applications such as Photoshop and Illustrator. It will import ...
...the Still Image preferences. For P2 and XDCAM EX, Premiere Pro imports all the clips within a shot on where the missing clips fall within a single shot or take can be treated as whole clips. USING ADOBE PREMIERE PRO 67 Importing, transferring, capturing, and digitizing 5 Either select... File > Import From Browser, drag clips from the Media Browser into the Project panel, or drag clips from Adobe applications such as Photoshop and Illustrator. It will import ...
User Guide
Page 73
... results, create files with Photoshop and Premiere Pro" on page 28 "Create and edit Photoshop files" on page 309. • Save the file using thin horizontal lines (such as 1-pixel lines) for images or text. Note: Individual layers moved from Adobe Illustrator. Consider doing the following: •... Make sure that the file format is stored as an alpha channel. If you plan to scale the image over clips in other tracks with selected layers merged into Premiere Pro, because the transparency is ...
... results, create files with Photoshop and Premiere Pro" on page 28 "Create and edit Photoshop files" on page 309. • Save the file using thin horizontal lines (such as 1-pixel lines) for images or text. Note: Individual layers moved from Adobe Illustrator. Consider doing the following: •... Make sure that the file format is stored as an alpha channel. If you plan to scale the image over clips in other tracks with selected layers merged into Premiere Pro, because the transparency is ...
User Guide
Page 74
...Note: Some Photoshop layer attributes aren't supported, such as rasterization. Premiere Pro converts pathbased Illustrator art into their source layers in the Project panel consists of the Illustrator art. Adobe Premiere Pro does support most Photoshop blending modes. Merged Layers Merges only the...file that empty areas become transparent. Sequence Imports only the layers you select into a Premiere Pro project. You can import an Adobe Illustrator still-image file directly into Premiere Pro as a single clip. If you select a Photoshop file containing layers for ways to...
...Note: Some Photoshop layer attributes aren't supported, such as rasterization. Premiere Pro converts pathbased Illustrator art into their source layers in the Project panel consists of the Illustrator art. Adobe Premiere Pro does support most Photoshop blending modes. Merged Layers Merges only the...file that empty areas become transparent. Sequence Imports only the layers you select into a Premiere Pro project. You can import an Adobe Illustrator still-image file directly into Premiere Pro as a single clip. If you select a Photoshop file containing layers for ways to...
User Guide
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USING ADOBE PREMIERE PRO 70 Importing, transferring, capturing, and digitizing Even though the layers in Illustrator are compressed using a method that you own the copyrights or have licensed the copyrights to any audio tracks you use CD audio (...information on layers and flattening, see the application's documentation. 1 Set the framerate for animations exported as Adobe® Audition®. Click OK. 2 Make sure that each of the audio clip whenever possible. Premiere Pro does not support audio-only capture for some of numbered stills imported into a video clip. Last ...
USING ADOBE PREMIERE PRO 70 Importing, transferring, capturing, and digitizing Even though the layers in Illustrator are compressed using a method that you own the copyrights or have licensed the copyrights to any audio tracks you use CD audio (...information on layers and flattening, see the application's documentation. 1 Set the framerate for animations exported as Adobe® Audition®. Click OK. 2 Make sure that each of the audio clip whenever possible. Premiere Pro does not support audio-only capture for some of numbered stills imported into a video clip. Last ...
User Guide
Page 260
...In the Resource Central panel, click Templates. 3 Click the downward-pointing arrow to the lower-right of the title. USING ADOBE PREMIERE PRO 255 Titling and the Titler 2 Click the Templates menu button . Choose Import Current Title As Template. 3 Enter a name...Illustrator. it . The Titler displays the frame under the current-time indicator in the Titler. Moving the current-time indicator in the Program Monitor or Timeline panel changes the frame displayed in the active sequence. Creating and formatting text in titles Enter text in the active sequence. You can use in Premiere Pro...
...In the Resource Central panel, click Templates. 3 Click the downward-pointing arrow to the lower-right of the title. USING ADOBE PREMIERE PRO 255 Titling and the Titler 2 Click the Templates menu button . Choose Import Current Title As Template. 3 Enter a name...Illustrator. it . The Titler displays the frame under the current-time indicator in the Titler. Moving the current-time indicator in the Program Monitor or Timeline panel changes the frame displayed in the active sequence. Creating and formatting text in titles Enter text in the active sequence. You can use in Premiere Pro...
User Guide
Page 265
...or Option-drag (Mac OS) to draw from the center of a graphic object or a logo 1 Select one or more objects or logos in Illustrator and Photoshop. Change the shape of the shape. • Shift+Alt-drag (Windows) or Shift+Option-drag (Mac OS) to constrain the ... shape horizontally or vertically as rectangles, ellipses, and lines. Wedge E. Arc I Titler tools panel A. A B F C G D H E I . Last updated 1/16/2012 USING ADOBE PREMIERE PRO 260 Titling and the Titler Note: To make tab markers visible whenever selected (rather than only when the Tab Stops dialog box is open), choose...
...or Option-drag (Mac OS) to draw from the center of a graphic object or a logo 1 Select one or more objects or logos in Illustrator and Photoshop. Change the shape of the shape. • Shift+Alt-drag (Windows) or Shift+Option-drag (Mac OS) to constrain the ... shape horizontally or vertically as rectangles, ellipses, and lines. Wedge E. Arc I Titler tools panel A. A B F C G D H E I . Last updated 1/16/2012 USING ADOBE PREMIERE PRO 260 Titling and the Titler Note: To make tab markers visible whenever selected (rather than only when the Tab Stops dialog box is open), choose...
User Guide
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... at which the join type switches from miter to bevel when the length of the point is 4. USING ADOBE PREMIERE PRO 264 Titling and the Titler Miter Limit Specifies the point at its original size or aspect ratio ❖ ... adding a logo graphic. Last updated 1/16/2012 The default miter limit is four times the stroke weight. However, Premiere Pro rasterizes vector-based art, converting it . If necessary, you want to any shape or text box you want it....Title > Logo > Restore Logo Aspect Ratio. Bring Forward Switches the selected object with Adobe Illustrator).
... at which the join type switches from miter to bevel when the length of the point is 4. USING ADOBE PREMIERE PRO 264 Titling and the Titler Miter Limit Specifies the point at its original size or aspect ratio ❖ ... adding a logo graphic. Last updated 1/16/2012 The default miter limit is four times the stroke weight. However, Premiere Pro rasterizes vector-based art, converting it . If necessary, you want to any shape or text box you want it....Title > Logo > Restore Logo Aspect Ratio. Bring Forward Switches the selected object with Adobe Illustrator).
User Guide
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... Difference Matte, Blue Screen, or Non Red Key to any clip and then select the Mask Only option. • Use Adobe Illustrator or Adobe Photoshop to create a grayscale image and import it into Premiere Pro. 1 Add the background clip to a track in the position you want to superimpose to any track higher than the sequence... another (superimposed clip), using the track matte clip's alpha channel values. You can change the transparent area with the background and superimposed clips. USING ADOBE PREMIERE PRO 388 Effects and transitions Move or change over time. Because you want .
... Difference Matte, Blue Screen, or Non Red Key to any clip and then select the Mask Only option. • Use Adobe Illustrator or Adobe Photoshop to create a grayscale image and import it into Premiere Pro. 1 Add the background clip to a track in the position you want to superimpose to any track higher than the sequence... another (superimposed clip), using the track matte clip's alpha channel values. You can change the transparent area with the background and superimposed clips. USING ADOBE PREMIERE PRO 388 Effects and transitions Move or change over time. Because you want .
User Guide
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USING ADOBE PREMIERE PRO 401 Effects and transitions You can use as the gradient wipe. In a gradient wipe, image B fills the black area of the grayscale image and then ... the transition, drag the current-time indicator through image B. Transition Softness The degree to the right, image A increasingly shows through the transition in Photoshop or Illustrator. Invert Gradient Inverts the gradient layer's influence; lighter pixels in the Effect Controls panel. For example, at 90° the wipe travels from the Wipe...
USING ADOBE PREMIERE PRO 401 Effects and transitions You can use as the gradient wipe. In a gradient wipe, image B fills the black area of the grayscale image and then ... the transition, drag the current-time indicator through image B. Transition Softness The degree to the right, image A increasingly shows through the transition in Photoshop or Illustrator. Invert Gradient Inverts the gradient layer's influence; lighter pixels in the Effect Controls panel. For example, at 90° the wipe travels from the Wipe...
User Guide
Page 429
USING ADOBE PREMIERE PRO 424 Animation and keyframes Controlling effect changes...Premiere Pro. Changes created with each pair of temporal and spatial interpolation, see The Write-on the shape of many other visual and auditory elements. Interpolation between to move fifty pixels across a motion path. For a video tutorial illustrating... to animate movement, effects, audio levels, image adjustments, transparency, color changes, and many effects in Premiere Pro. You can directly change you can use Temporal Interpolation, for example, to determine whether corners should be...
USING ADOBE PREMIERE PRO 424 Animation and keyframes Controlling effect changes...Premiere Pro. Changes created with each pair of temporal and spatial interpolation, see The Write-on the shape of many other visual and auditory elements. Interpolation between to move fifty pixels across a motion path. For a video tutorial illustrating... to animate movement, effects, audio levels, image adjustments, transparency, color changes, and many effects in Premiere Pro. You can directly change you can use Temporal Interpolation, for example, to determine whether corners should be...
User Guide
Page 435
... is often called bluescreening or greenscreening, although you have to edit and composite. Premiere Pro and After Effects recognize both straight and premultiplied channels, but you can include an alpha channel, including Adobe Photoshop, ElectricImage, FLV, TGA, TIFF, EPS, PDF, and Adobe Illustrator. White defines opaque areas, and black defines transparent areas. Straight channels retain...
... is often called bluescreening or greenscreening, although you have to edit and composite. Premiere Pro and After Effects recognize both straight and premultiplied channels, but you can include an alpha channel, including Adobe Photoshop, ElectricImage, FLV, TGA, TIFF, EPS, PDF, and Adobe Illustrator. White defines opaque areas, and black defines transparent areas. Straight channels retain...
User Guide
Page 436
...can use the file as Adobe After Effects, Adobe Photoshop, and Adobe Illustrator can save clips with their original alpha channels, or add alpha channels, when the file is stored with the file, Premiere Pro preserves and displays the clip with its transparency in Premiere Pro, see this video by Learn... across the entire track. 3 In a Timeline panel, do one of the animation, change the keyframe interpolation from linear to 100%. USING ADOBE PREMIERE PRO 431 Compositing Blend clips with a matte using the Track Matte Key effect You can blend clips with a matte (typically, a black and white...
...can use the file as Adobe After Effects, Adobe Photoshop, and Adobe Illustrator can save clips with their original alpha channels, or add alpha channels, when the file is stored with the file, Premiere Pro preserves and displays the clip with its transparency in Premiere Pro, see this video by Learn... across the entire track. 3 In a Timeline panel, do one of the animation, change the keyframe interpolation from linear to 100%. USING ADOBE PREMIERE PRO 431 Compositing Blend clips with a matte using the Track Matte Key effect You can blend clips with a matte (typically, a black and white...