User Guide
Page 48
... background is dark, and gray for optimal focusing, subject brightness, and color. Sleeping - - - The background color of icons is light blue when the background is a blue sky, dark blue when the background is a blue sky, and gray for all other backgrounds. 49 Shooting in Smart Auto Mode Scene Icons In A mode, shooting scenes determined...
... background is dark, and gray for optimal focusing, subject brightness, and color. Sleeping - - - The background color of icons is light blue when the background is a blue sky, dark blue when the background is a blue sky, and gray for all other backgrounds. 49 Shooting in Smart Auto Mode Scene Icons In A mode, shooting scenes determined...
User Guide
Page 49
..., created by combining consecutive shots to twelve years old) is detected (p. 59). Shooting in Smart Auto Mode • The background color of , , , , and is dark blue, and the background color of is orange. • When shooting movies, only People, Other Subjects, and At Close Range icons will be displayed. • When...
..., created by combining consecutive shots to twelve years old) is detected (p. 59). Shooting in Smart Auto Mode • The background color of , , , , and is dark blue, and the background color of is orange. • When shooting movies, only People, Other Subjects, and At Close Range icons will be displayed. • When...
User Guide
Page 51
...-Screen Frames A variety of frames are displayed once the camera detects subjects you are pressing the shutter button halfway and the camera detects subject movement, a blue frame is displayed around the subject (or person's face) determined by the camera to keep them in G mode (p. 103) if no frames are displayed, if...
...-Screen Frames A variety of frames are displayed once the camera detects subjects you are pressing the shutter button halfway and the camera detects subject movement, a blue frame is displayed around the subject (or person's face) determined by the camera to keep them in G mode (p. 103) if no frames are displayed, if...
User Guide
Page 52
Blue range: digital zoom range where the image will change depending on the 4 tab, and then choose [Off]. 53 The color of the zoom bar will ... zoom alone) • To deactivate digital zoom, press the n button, choose [Digital Zoom] on the zoom range. - z Hold the lever until zooming stops. Because the blue range will not appear grainy. - X The camera zooms in even closer on Subjects (Digital Zoom) When distant subjects are combined is not noticeably grainy (ZoomPlus...
Blue range: digital zoom range where the image will change depending on the 4 tab, and then choose [Off]. 53 The color of the zoom bar will ... zoom alone) • To deactivate digital zoom, press the n button, choose [Digital Zoom] on the zoom range. - z Hold the lever until zooming stops. Because the blue range will not appear grainy. - X The camera zooms in even closer on Subjects (Digital Zoom) When distant subjects are combined is not noticeably grainy (ZoomPlus...
User Guide
Page 57
... o button to focus on. Common, Convenient Features Still Images Choosing Subjects to Focus On (Tracking AF) Shoot after choosing a subject to shoot. z Press the o button. X A blue frame is displayed, and the camera will keep the subject in the center of the background too closely. 58 z Press the shutter button all the...
... o button to focus on. Common, Convenient Features Still Images Choosing Subjects to Focus On (Tracking AF) Shoot after choosing a subject to shoot. z Press the o button. X A blue frame is displayed, and the camera will keep the subject in the center of the background too closely. 58 z Press the shutter button all the...
User Guide
Page 81
... the correction level for B and A, and then press the m button. • The camera will be reset if you record custom white balance data. • B represents blue and A, amber. • White balance can also be manually corrected by recording custom white balance data (p. 109) before following the preceding steps. 82
... the correction level for B and A, and then press the m button. • The camera will be reset if you record custom white balance data. • B represents blue and A, amber. • White balance can also be manually corrected by recording custom white balance data (p. 109) before following the preceding steps. 82
User Guide
Page 88
z Follow steps 1 - 2 on p. 80 and choose . X A preview is shown of how your shot will look with the effect applied. Sepia tone shots. z Press the p button, press the qr buttons to choose a color tone, and then press the m button. B/W Sepia Blue Black and white shots. Shoot. Movies Choose . Blue and white shots. 89 Applying Special Effects Still Images Shooting in Monochrome Shoot images in black and white, sepia, or blue and white. Choose a color tone.
z Follow steps 1 - 2 on p. 80 and choose . X A preview is shown of how your shot will look with the effect applied. Sepia tone shots. z Press the p button, press the qr buttons to choose a color tone, and then press the m button. B/W Sepia Blue Black and white shots. Shoot. Movies Choose . Blue and white shots. 89 Applying Special Effects Still Images Shooting in Monochrome Shoot images in black and white, sepia, or blue and white. Choose a color tone.
User Guide
Page 109
Creates sepia tone images. Combines the effects of Vivid Blue, Vivid Green, and Vivid Red to sepia or black and white. Lightens skin tones. Emphasizes greens in the menu, and choose the desired option (p. 39). z .... My Colors Off Vivid Neutral Sepia B/W Positive Film Lighter Skin Tone Darker Skin Tone Vivid Blue Vivid Green Vivid Red Custom Color - Makes mountains, foliage, and other blue subjects more vivid. These settings may be modified. Emphasizes blues in images. Emphasizes reds in images. Tones down contrast and color saturation for subdued images...
Creates sepia tone images. Combines the effects of Vivid Blue, Vivid Green, and Vivid Red to sepia or black and white. Lightens skin tones. Emphasizes greens in the menu, and choose the desired option (p. 39). z .... My Colors Off Vivid Neutral Sepia B/W Positive Film Lighter Skin Tone Darker Skin Tone Vivid Blue Vivid Green Vivid Red Custom Color - Makes mountains, foliage, and other blue subjects more vivid. These settings may be modified. Emphasizes blues in images. Emphasizes reds in images. Tones down contrast and color saturation for subdued images...
User Guide
Page 110
... value. Color and Continuous Shooting Custom Color Choose the desired level of 1 - 5. z Follow the steps in a range of image contrast, sharpness, color saturation, red, green, blue, and skin tones in "Changing Image Color Tones (My Colors)" (p. 110) to shoot continuously. Still Images Continuous Shooting Hold the shutter button all the way...
... value. Color and Continuous Shooting Custom Color Choose the desired level of 1 - 5. z Follow the steps in a range of image contrast, sharpness, color saturation, red, green, blue, and skin tones in "Changing Image Color Tones (My Colors)" (p. 110) to shoot continuously. Still Images Continuous Shooting Hold the shutter button all the way...
User Guide
Page 113
... Movies Digital Tele-Converter The focal length of L (p. 69) when you use a 2.3x digital tele-converter. In this case, the zoom factor is shown in blue. • The digital tele-converter cannot be used with digital zoom (p. 53) and AF-point zoom (p. 75). • The digital tele-converter is only available...
... Movies Digital Tele-Converter The focal length of L (p. 69) when you use a 2.3x digital tele-converter. In this case, the zoom factor is shown in blue. • The digital tele-converter cannot be used with digital zoom (p. 53) and AF-point zoom (p. 75). • The digital tele-converter is only available...
User Guide
Page 115
Choose [Tracking AF]. z Follow the steps in the center of the screen. changes to a blue , which follows the subject as follows. Shooting Range and Focusing Still Images Choosing Subjects to Focus On (Tracking AF) Shoot after your shot, is still ...
Choose [Tracking AF]. z Follow the steps in the center of the screen. changes to a blue , which follows the subject as follows. Shooting Range and Focusing Still Images Choosing Subjects to Focus On (Tracking AF) Shoot after your shot, is still ...
User Guide
Page 117
..., and then press the shutter button halfway. Focus. Recompose the shot. This feature is called Focus Lock. z The focus and exposure are maintained where the blue AF frame is displayed while you are locked. z Press the n button, choose [Servo AF] on the subject and adjust the exposure as long as needed...
..., and then press the shutter button halfway. Focus. Recompose the shot. This feature is called Focus Lock. z The focus and exposure are maintained where the blue AF frame is displayed while you are locked. z Press the n button, choose [Servo AF] on the subject and adjust the exposure as long as needed...
User Guide
Page 118
.... 119 z Press the n button, choose [Continuous AF] on subjects until you press the shutter button halfway. Shooting Range and Focusing • Focusing may not turn blue) when you press the shutter button halfway. Helps avoid missing sudden photo On opportunities, because the camera constantly focuses on the 4 tab, and then choose...
.... 119 z Press the n button, choose [Continuous AF] on subjects until you press the shutter button halfway. Shooting Range and Focusing • Focusing may not turn blue) when you press the shutter button halfway. Helps avoid missing sudden photo On opportunities, because the camera constantly focuses on the 4 tab, and then choose...
User Guide
Page 205
... Aspect Ratio (p. 68) W *6 Resolution (p. 69) Compression (p. 123) Movie Quality (p. 72) *1 White balance is not available. *2 Set in a range of 1 - 5: contrast, sharpness, color saturation, red, green, blue, and skin tone. *3 Not available in x or v. *4 Cannot be set to 0 seconds in modes without selection of the number of shots. *5 One shot (cannot be...
... Aspect Ratio (p. 68) W *6 Resolution (p. 69) Compression (p. 123) Movie Quality (p. 72) *1 White balance is not available. *2 Set in a range of 1 - 5: contrast, sharpness, color saturation, red, green, blue, and skin tone. *3 Not available in x or v. *4 Cannot be set to 0 seconds in modes without selection of the number of shots. *5 One shot (cannot be...