Getting Started Guide
Page 7
...multi-camera shoots with a consistent look in post. You can save up to 6). In-camera day for night may seem like Apple Color), so there's a good argument for shooting your footage as "clean" as you work in progress, because you can always go back to the defaults, but it... range (and without crushing your blacks) and creating a more the next time you shoot. • **NOTE that successful scene file sets can be tweaked using a good color correction tool (like a great idea while shooting, but you can't recall your selections if the camera gets turned off and back on subsequent shoots...
...multi-camera shoots with a consistent look in post. You can save up to 6). In-camera day for night may seem like Apple Color), so there's a good argument for shooting your footage as "clean" as you work in progress, because you can always go back to the defaults, but it... range (and without crushing your blacks) and creating a more the next time you shoot. • **NOTE that successful scene file sets can be tweaked using a good color correction tool (like a great idea while shooting, but you can't recall your selections if the camera gets turned off and back on subsequent shoots...
Getting Started Guide
Page 9
... black c)Higher setting (up to +15) = more washed out, milky black d) Be cautious about wanting this , since you should be setting exposure manually! e) -4 to -6 is good range for when to ignore detail enhancement (to avoid creating edge enhancement around video noise - Iris Level a) Lets you bias auto Iris reading to preserve...
... black c)Higher setting (up to +15) = more washed out, milky black d) Be cautious about wanting this , since you should be setting exposure manually! e) -4 to -6 is good range for when to ignore detail enhancement (to avoid creating edge enhancement around video noise - Iris Level a) Lets you bias auto Iris reading to preserve...
Getting Started Guide
Page 10
... to preserves shadow detail e) HIGH - gives most latitude, maximizes dynamic range (gives up to 1 stop down blacks (similar to Panasonic DVX camera; presses down highlights, has more natural than "LOW" but can make whites look too grey. gives best protection against ... image; raises blacks a bit, maintains highlights; optimal for transferring back to stop additional dynamic range) in post. b) HD NORM - good for manipulating image in image, gives flatter and less contrasty curve, suppresses lights and midtones; exaggerates light / dark distance, makes contrasty, sharp...
... to preserves shadow detail e) HIGH - gives most latitude, maximizes dynamic range (gives up to 1 stop down blacks (similar to Panasonic DVX camera; presses down highlights, has more natural than "LOW" but can make whites look too grey. gives best protection against ... image; raises blacks a bit, maintains highlights; optimal for transferring back to stop additional dynamic range) in post. b) HD NORM - good for manipulating image in image, gives flatter and less contrasty curve, suppresses lights and midtones; exaggerates light / dark distance, makes contrasty, sharp...
Getting Started Guide
Page 11
... detail settings c) OFF - boosts / saturates non-green colors to default settings i.e. most saturated matrix for richer, cinemalike colors (TIP: combine this with skin tone (reddish) - good for portion of colors a) Normal - renders normally d) ON - • MATRIX -
... detail settings c) OFF - boosts / saturates non-green colors to default settings i.e. most saturated matrix for richer, cinemalike colors (TIP: combine this with skin tone (reddish) - good for portion of colors a) Normal - renders normally d) ON - • MATRIX -
Getting Started Guide
Page 12
...24P is a frame-by-frame match with tapeless shooting in Video Cam mode • Prerec Mode (video cam only) - good to keep this on video. boosts audio, good for time lapse, interval, and looping; both interlaced; only works with film, but can also be saved to an SD card... overmodulating beyond threshold; sort of mic a) -60 - f) 24PN / 30 PN are native frame rates that you always get preroll before you actually hit record (good for sensitive / loud mic • 25 Megabit Rec Ch Sel - for less sensitive mic b) -50 - better for whale watching!) • Mic ALC -...
...24P is a frame-by-frame match with tapeless shooting in Video Cam mode • Prerec Mode (video cam only) - good to keep this on video. boosts audio, good for time lapse, interval, and looping; both interlaced; only works with film, but can also be saved to an SD card... overmodulating beyond threshold; sort of mic a) -60 - f) 24PN / 30 PN are native frame rates that you always get preroll before you actually hit record (good for sensitive / loud mic • 25 Megabit Rec Ch Sel - for less sensitive mic b) -50 - better for whale watching!) • Mic ALC -...
Getting Started Guide
Page 13
...option that you are recording) • TC Preset - controls which takes are a few useful items: a) Zebras - d) LCD / EVF Set - to "mark" a good take - e) EVF Color - make sure you like to sync footage from / write to another format • Display Setup - this can be switched to show 4:3 if...displays. recommended values are not shooting SD • SW(itch) MODE - do this if you put camera in feet (latter is displayed - good to do you want to optimize composition for remembering which functions of camera become automatic if you are 70 IRE and 105 IRE b) Safety zone...
...option that you are recording) • TC Preset - controls which takes are a few useful items: a) Zebras - d) LCD / EVF Set - to "mark" a good take - e) EVF Color - make sure you like to sync footage from / write to another format • Display Setup - this can be switched to show 4:3 if...displays. recommended values are not shooting SD • SW(itch) MODE - do this if you put camera in feet (latter is displayed - good to do you want to optimize composition for remembering which functions of camera become automatic if you are 70 IRE and 105 IRE b) Safety zone...