Owner's Manual
Page 13
...there will occasionally need that certain frequencies form a "hill" around the center frequency. See the connector section on page 3. This allows signals from ...a "U" symbol on e very microphone application except kick drum, bass guitar, or bassy synth patches. post-gain, and pre-EQ. The gain...the 1⁄4" line input of channels 1-8 (ProFX16) and channels 1-14 (ProFX22), there is after the gain control [9] and low cut filter [10],... or cuts all those problems, so you never heard. "U" like Unity gain Mackie mixers have a low-cut , you find yourself repeatedly using a lot of ...
...there will occasionally need that certain frequencies form a "hill" around the center frequency. See the connector section on page 3. This allows signals from ...a "U" symbol on e very microphone application except kick drum, bass guitar, or bassy synth patches. post-gain, and pre-EQ. The gain...the 1⁄4" line input of channels 1-8 (ProFX16) and channels 1-14 (ProFX22), there is after the gain control [9] and low cut filter [10],... or cuts all those problems, so you never heard. "U" like Unity gain Mackie mixers have a low-cut , you find yourself repeatedly using a lot of ...
Owner's Manual
Page 14
...20 L-R 30 PFL SOLO 40 50 60 L-R PFL SOLO OO Mono Channels Stereo Channels Channels 1-8 on ProFX16 Channels 9-16 on ProFX16 Channels 1-14 on ProFX22 Channels 15-22 on each channel's signal to set up a nice monitor mix feeding stage monitors, independent of +5 0 boost or cut above +10 ...a little to reduce sibilance or to 15 dB of boost or cut ) at +5 0 the center detent position. -5 This frequency represents the -10 punch in bass drums, bass -15 20Hz 100Hz 1kHz 10kHz 20kHz guitar, fat synth patches, and some really serious male singers who eat raw beef for "midrange," this...
...20 L-R 30 PFL SOLO 40 50 60 L-R PFL SOLO OO Mono Channels Stereo Channels Channels 1-8 on ProFX16 Channels 9-16 on ProFX16 Channels 1-14 on ProFX22 Channels 15-22 on each channel's signal to set up a nice monitor mix feeding stage monitors, independent of +5 0 boost or cut above +10 ...a little to reduce sibilance or to 15 dB of boost or cut ) at +5 0 the center detent position. -5 This frequency represents the -10 punch in bass drums, bass -15 20Hz 100Hz 1kHz 10kHz 20kHz guitar, fat synth patches, and some really serious male singers who eat raw beef for "midrange," this...
Owner's Manual
Page 26
...headphones, and rarely, stereo microphones and stereo line connections. Connect the signal to the center post and the ground (earth) or shield to handle speaker-level signals and could...Rooms and Tea Bar 26 ProFX16 and ProFX22 TIP Figure B: TRS Plug RING TIP SLEEVE • Balanced mono circuits. Mackie mixers do not directly accept 1-plug-type... stereo microphones. They must be separated into two mic preamps. See Figure C. Some examples: RING TIP • Unbalanced microphones SLEEVE • Electric guitars...
...headphones, and rarely, stereo microphones and stereo line connections. Connect the signal to the center post and the ground (earth) or shield to handle speaker-level signals and could...Rooms and Tea Bar 26 ProFX16 and ProFX22 TIP Figure B: TRS Plug RING TIP SLEEVE • Balanced mono circuits. Mackie mixers do not directly accept 1-plug-type... stereo microphones. They must be separated into two mic preamps. See Figure C. Some examples: RING TIP • Unbalanced microphones SLEEVE • Electric guitars...