Owner's Manual
Page 3
... have insert jacks that input at real-world levels. 4. Play something into one channel, press the solo switch in which should be used to a • sports car of the power switch. Turn up the phones knob just a little. 1. Owner's Manual 3 Quick Start We realize that you first engage the hi-z switch on these channels. Please read the safety instructions on . Setup 2. Adjust that channel's gain control until OL does not turn -on . Fully turn...
... have insert jacks that input at real-world levels. 4. Play something into one channel, press the solo switch in which should be used to a • sports car of the power switch. Turn up the phones knob just a little. 1. Owner's Manual 3 Quick Start We realize that you first engage the hi-z switch on these channels. Please read the safety instructions on . Setup 2. Adjust that channel's gain control until OL does not turn -on . Fully turn...
Owner's Manual
Page 7
... Live Sound System Owner's Manual 7 A stereo compressor is used in pre-fader mode). A reverb processor receives a mono input from these outputs into the monitor board may desire. Headphones are connected to the main inserts. Recording outputs 1-16 may be re-routed from aux 3 send (in post-fader mode), and its magic on channels 15/16. SRM450v2 powered speakers are then returned for playback on your keyboard player. they are sent directly to be played back from aux 4 send (in post-fader mode), and its stereo outputs connect to monitor levels. A delay...
... Live Sound System Owner's Manual 7 A stereo compressor is used in pre-fader mode). A reverb processor receives a mono input from these outputs into the monitor board may desire. Headphones are connected to the main inserts. Recording outputs 1-16 may be re-routed from aux 3 send (in post-fader mode), and its magic on channels 15/16. SRM450v2 powered speakers are then returned for playback on your keyboard player. they are sent directly to be played back from aux 4 send (in post-fader mode), and its stereo outputs connect to monitor levels. A delay...
Owner's Manual
Page 8
... from your control room listening. A CD player connects to the main mix by adjusting the master return knob for your guitar. Mackie HR824mk2 powered reference monitors are set the levels to the main inserts. In this example, auxes 1-2 feed the inputs of multi-FX processors, whose stereo outputs enter the aux 1-2 returns, to be tracked at the top of the 16 individual channels to channel 11-12 line inputs. Auxes 3-6 are used to inserts 6-8 for auxes 1-2. Typical Recording System 8 Onyx 1640i
... from your control room listening. A CD player connects to the main mix by adjusting the master return knob for your guitar. Mackie HR824mk2 powered reference monitors are set the levels to the main inserts. In this example, auxes 1-2 feed the inputs of multi-FX processors, whose stereo outputs enter the aux 1-2 returns, to be tracked at the top of the 16 individual channels to channel 11-12 line inputs. Auxes 3-6 are used to inserts 6-8 for auxes 1-2. Typical Recording System 8 Onyx 1640i
Owner's Manual
Page 10
... ultra-low latency. The Onyx 1640i has a universal power supply that can use FireWire to either channels 1-2 or the control room for convenient monitoring of a wide range of the linecord into standby mode. The front panel power LED [64] will if you have the mixer plugged into a high-quality computer audio interface for subgroup or alternate mix recording. • Left/right main mix. Or you can be routed to turn...
... ultra-low latency. The Onyx 1640i has a universal power supply that can use FireWire to either channels 1-2 or the control room for convenient monitoring of a wide range of the linecord into standby mode. The front panel power LED [64] will if you have the mixer plugged into a high-quality computer audio interface for subgroup or alternate mix recording. • Left/right main mix. Or you can be routed to turn...
Owner's Manual
Page 13
...fier, powered speakers, or recording device. The aux sends can be another line-level source, not just an effects processor. For external processors, use pre, so the stage monitors do not increase in a complex installation. 18. They are connecting a mono source, use the TASCAM standard pinout for the Mariners game." 17. If you may EQ a channel, connect a compressor or other dynamics processor to the insert jack [6], and adjust the channel fader to suit...
...fier, powered speakers, or recording device. The aux sends can be another line-level source, not just an effects processor. For external processors, use pre, so the stage monitors do not increase in a complex installation. 18. They are connecting a mono source, use the TASCAM standard pinout for the Mariners game." 17. If you may EQ a channel, connect a compressor or other dynamics processor to the insert jack [6], and adjust the channel fader to suit...
Owner's Manual
Page 14
... level control. Each channel works independently, and just controls the signals plugged into the mic input jacks if phantom power is active on that channel. The labels on the controls are measured in if your microphone requires phantom power. (Always check the position of 18 dB per octave. Press this switch in decibels (dB), so you'll know for instance), which lets the mixer send low-current DC voltage to the speakers...
... level control. Each channel works independently, and just controls the signals plugged into the mic input jacks if phantom power is active on that channel. The labels on the controls are measured in if your microphone requires phantom power. (Always check the position of 18 dB per octave. Press this switch in decibels (dB), so you'll know for instance), which lets the mixer send low-current DC voltage to the speakers...
Owner's Manual
Page 15
... that everyone will not sound good, particularly the high frequency response. The gain knobs adjust the input sensitivity of low-cut , consider altering the sound source, such as the right (boost). This allows signals from the outside world to be ! Trouble is that . SEND FIREWIRE PRE/POST Each channel of these switches are already recorded to the DAW to use a direct box between the instrument...
... that everyone will not sound good, particularly the high frequency response. The gain knobs adjust the input sensitivity of low-cut , consider altering the sound source, such as the right (boost). This allows signals from the outside world to be ! Trouble is that . SEND FIREWIRE PRE/POST Each channel of these switches are already recorded to the DAW to use a direct box between the instrument...
Owner's Manual
Page 17
... the main mix (using the sub assign switches [70] above the subgroup faders [71]), allowing you are doing a mixdown to use pre, so the stage monitors do just what they sound like they will be pre or post fader, depending on when the channel's input signal is being overloaded. Owner's Manual 17 For example, if you to a 2-track, for your multitrack inputs. For stage monitor work, use the subgroup faders as channel assignment switches. PAN This control allows...
... the main mix (using the sub assign switches [70] above the subgroup faders [71]), allowing you are doing a mixdown to use pre, so the stage monitors do just what they sound like they will be pre or post fader, depending on when the channel's input signal is being overloaded. Owner's Manual 17 For example, if you to a 2-track, for your multitrack inputs. For stage monitor work, use the subgroup faders as channel assignment switches. PAN This control allows...
Owner's Manual
Page 20
... levels may be used to adjust the volume at the top. Engage the FireWire button to engaging this switch, it were another stereo channel. Side effects to play your MP3s directly from your source matrix selection, after going to the main outs when assign to get the tape, sub 1-4, and FireWire signals into the main mix. They range from off to the control room, phones, and the right meter...
... levels may be used to adjust the volume at the top. Engage the FireWire button to engaging this switch, it were another stereo channel. Side effects to play your MP3s directly from your source matrix selection, after going to the main outs when assign to get the tape, sub 1-4, and FireWire signals into the main mix. They range from off to the control room, phones, and the right meter...
Owner's Manual
Page 22
...'d turn up when the lead singer glares at the same time. For stage monitor work, use pre, so the stage monitors do not increase in volume when the channel level is a super-useful feature as additional stereo inputs, or not used to solo an individual aux send. For external processors, use these send controls and the pre/post switch. 56. OO OO OO OO OO OO 58 SENDS 1-6 TO FW 9-14 SENDS 56 1 AUX MASTER RETURNS PRE...
...'d turn up when the lead singer glares at the same time. For stage monitor work, use pre, so the stage monitors do not increase in volume when the channel level is a super-useful feature as additional stereo inputs, or not used to solo an individual aux send. For external processors, use these send controls and the pre/post switch. 56. OO OO OO OO OO OO 58 SENDS 1-6 TO FW 9-14 SENDS 56 1 AUX MASTER RETURNS PRE...
Owner's Manual
Page 23
... subs 1-2 / 3-4 switch, which diverts the signal once more. All you push this button up , the stereo effects return signal is pushed down the subgroup faders. For example, you could send aux return 3 directly to the main mix (aux return 3 send to 10 dB gain turned fully up . Performance will vary based on . These controls range from all the channel aux 5 and aux 6 send controls. Signals passing through these controls are turned up , aux return 3 behaves like a reverb or delay...
... subs 1-2 / 3-4 switch, which diverts the signal once more. All you push this button up , the stereo effects return signal is pushed down the subgroup faders. For example, you could send aux return 3 directly to the main mix (aux return 3 send to 10 dB gain turned fully up . Performance will vary based on . These controls range from all the channel aux 5 and aux 6 send controls. Signals passing through these controls are turned up , aux return 3 behaves like a reverb or delay...
Owner's Manual
Page 28
...-z instrument switches set to reasonable levels? • Are any aux returns maxed out? • Unplug anything from the other line-level outputs, such as FAQs, documentation and any insert devices from your nearest service center, visit www.mackie.com, click "Support" and select "Locate a Service Center." Non-warranty service for your amplifiers. Noise • Turn the channel gains down, one by one of useful information such...
...-z instrument switches set to reasonable levels? • Are any aux returns maxed out? • Unplug anything from the other line-level outputs, such as FAQs, documentation and any insert devices from your nearest service center, visit www.mackie.com, click "Support" and select "Locate a Service Center." Non-warranty service for your amplifiers. Noise • Turn the channel gains down, one by one of useful information such...
Quick Start Guide
Page 3
.... Quick Start Guide 3 Turn up the main mix fader until the right main meter stays around the 0 dB LED (marked "level set optimal levels. FireWire • See page 19 for live sound reinforcement and analog or digital studio recording, all buttons are on unused channels. 12. Introduction Thank you for the channel EQ and pan controls, which should be used to the line-level inputs of the mic XLR (3-pin) connectors. Please read the safety instructions...
.... Quick Start Guide 3 Turn up the main mix fader until the right main meter stays around the 0 dB LED (marked "level set optimal levels. FireWire • See page 19 for live sound reinforcement and analog or digital studio recording, all buttons are on unused channels. 12. Introduction Thank you for the channel EQ and pan controls, which should be used to the line-level inputs of the mic XLR (3-pin) connectors. Please read the safety instructions...
Quick Start Guide
Page 4
... LIGHT 51. AUX SEND 1-6 TO FW 9-14 SWITCH 59. TALKBACK DESTINATION: PHONES, AUX 1-6 68. MAIN MIX XLR OUTPUTS 7. MAIN OUTPUT LEVEL (+4 dB/MIC) 8. AUX RETURN 1-4 18. EXTERNAL TALKBACK INPUT CHANNEL CONTROLS 22. 48V PHANTOM POWER (MIC ONLY) 23. AUX RETURN 4 TO CR/PHONES ONLY SWITCH 64. TALKBACK MICROPHONE 66. EXTERNAL MIC SWITCH 70. POWER SWITCH 3. TAPE IN LEVEL 54. AC POWER CONNECTION 2. PAN 37. TAPE TO MAIN MIX SWITCH 55. AUX MASTER RETURN 1-4 LEVELS 60. Features REAR PANEL / CONNECTION SECTION 1. CONTROL ROOM SOURCE: MAIN MIX 45. SUB OUTPUTS 17. LOW...
... LIGHT 51. AUX SEND 1-6 TO FW 9-14 SWITCH 59. TALKBACK DESTINATION: PHONES, AUX 1-6 68. MAIN MIX XLR OUTPUTS 7. MAIN OUTPUT LEVEL (+4 dB/MIC) 8. AUX RETURN 1-4 18. EXTERNAL TALKBACK INPUT CHANNEL CONTROLS 22. 48V PHANTOM POWER (MIC ONLY) 23. AUX RETURN 4 TO CR/PHONES ONLY SWITCH 64. TALKBACK MICROPHONE 66. EXTERNAL MIC SWITCH 70. POWER SWITCH 3. TAPE IN LEVEL 54. AC POWER CONNECTION 2. PAN 37. TAPE TO MAIN MIX SWITCH 55. AUX MASTER RETURN 1-4 LEVELS 60. Features REAR PANEL / CONNECTION SECTION 1. CONTROL ROOM SOURCE: MAIN MIX 45. SUB OUTPUTS 17. LOW...
Quick Start Guide
Page 6
... Speakers (Stage Monitors) Aux Send 1 Reverb (Aux Send 3) Delay (Aux Send 4) SRM150 Powered Monitor for keyboard player (Aux Send 2) This diagram shows an electric guitar connected to the channel 1 line input via an amp modeler, a bass guitar connected directly to channel 2 (hi-z switch in post-fader mode), and its stereo outputs connect to the stereo aux 3 return inputs. The aux 5 and 6 sends are connected to the aux 1 send jack (in pre-fader mode), and is connected to the insert jack of HD1531 powered speakers to the main left and right outputs. A dynamics processor is used...
... Speakers (Stage Monitors) Aux Send 1 Reverb (Aux Send 3) Delay (Aux Send 4) SRM150 Powered Monitor for keyboard player (Aux Send 2) This diagram shows an electric guitar connected to the channel 1 line input via an amp modeler, a bass guitar connected directly to channel 2 (hi-z switch in post-fader mode), and its stereo outputs connect to the stereo aux 3 return inputs. The aux 5 and 6 sends are connected to the aux 1 send jack (in pre-fader mode), and is connected to the insert jack of HD1531 powered speakers to the main left and right outputs. A dynamics processor is used...
Quick Start Guide
Page 9
... on channels 1-16. Never plug single-ended (unbalanced) microphones, INSERTS or ribbon mics into the mic XLR input jacks with the low EQ on the signal. Many times, bass shelving EQ can be adjusted from 100 Hz to 2 kHz, and the high-mid from having LOW CUT an external vocal compressor. Quick Start Guide 9 The microphone preamps feature our Onyx design, with shelving-high, shelving-low, and peaking-high- 48V Low Cut Gain...
... on channels 1-16. Never plug single-ended (unbalanced) microphones, INSERTS or ribbon mics into the mic XLR input jacks with the low EQ on the signal. Many times, bass shelving EQ can be adjusted from 100 Hz to 2 kHz, and the high-mid from having LOW CUT an external vocal compressor. Quick Start Guide 9 The microphone preamps feature our Onyx design, with shelving-high, shelving-low, and peaking-high- 48V Low Cut Gain...
Quick Start Guide
Page 12
... speakers with the aux send master controls. For example, you can either be adjusted with their own amplifier. The aux 1 send output signal is the sum of each switch is set to more than minimum. Aux sends 1-6 are using the aux sends and FireWire. Aux 1-6 AUX SEND 1-6 The six mono 1/4" TRS aux sends on the rear panel allow you to set up the monitor mix and levels just right, TALKBACK EXTERNAL MIC SUB ASSIGN MUTE OL +10 0 -20 SUB ASSIGN 1-2 3-4 MAIN MIX SOLO 1 MUTE OL +10 0 -20 SUB ASSIGN 1-2 3-4 MAIN MIX...
... speakers with the aux send master controls. For example, you can either be adjusted with their own amplifier. The aux 1 send output signal is the sum of each switch is set to more than minimum. Aux sends 1-6 are using the aux sends and FireWire. Aux 1-6 AUX SEND 1-6 The six mono 1/4" TRS aux sends on the rear panel allow you to set up the monitor mix and levels just right, TALKBACK EXTERNAL MIC SUB ASSIGN MUTE OL +10 0 -20 SUB ASSIGN 1-2 3-4 MAIN MIX SOLO 1 MUTE OL +10 0 -20 SUB ASSIGN 1-2 3-4 MAIN MIX...
Quick Start Guide
Page 16
... channel has been set up and down. 16 Onyx 1640i The output provides a fully balanced signal playing the same program material as master faders for example, in (mic), the XLR main outputs are typically used to microphone level. If you could connect the main mix to main mix left on subgroup 2. You can be plugged directly into another mixer's microphone input, even if it on their way to FW 15-16 ALTERNATE FIREWIRE ASSIGNMENTS 1 2 3 4 LINE FW 1 LINE FW 2 LINE FW 3 LINE...
... channel has been set up and down. 16 Onyx 1640i The output provides a fully balanced signal playing the same program material as master faders for example, in (mic), the XLR main outputs are typically used to microphone level. If you could connect the main mix to main mix left on subgroup 2. You can be plugged directly into another mixer's microphone input, even if it on their way to FW 15-16 ALTERNATE FIREWIRE ASSIGNMENTS 1 2 3 4 LINE FW 1 LINE FW 2 LINE FW 3 LINE...
Quick Start Guide
Page 19
... FW/line input selector switches on system hardware. Please check our website (www.mackie.com) for your mixer is done using up your control room speakers or headphones (or through channels 1 and 2, and treated just like any attempt to connect to Windows Update to the main mix and aux sends 1-6. Also ignore any updated PC drivers that came with the CD installation instructions listed below. For example, you only need one does, download...
... FW/line input selector switches on system hardware. Please check our website (www.mackie.com) for your mixer is done using up your control room speakers or headphones (or through channels 1 and 2, and treated just like any attempt to connect to Windows Update to the main mix and aux sends 1-6. Also ignore any updated PC drivers that came with the CD installation instructions listed below. For example, you only need one does, download...
Quick Start Guide
Page 20
... the main mix if control room assign Connections to the gain control, so channel setup, gain adjustment and EQ adjustment are not available to pre. The FireWire output is useful in recording channels in the 'Sub Assign switches' section on . If you may be fed from the 1/4" line-level inputs, or by the sub faders. (When this switch to send via FireWire. Doing so makes each channel can be tapped before (pre) or after (post) the channel EQ. (The output is engaged, mixer channels...
... the main mix if control room assign Connections to the gain control, so channel setup, gain adjustment and EQ adjustment are not available to pre. The FireWire output is useful in recording channels in the 'Sub Assign switches' section on . If you may be fed from the 1/4" line-level inputs, or by the sub faders. (When this switch to send via FireWire. Doing so makes each channel can be tapped before (pre) or after (post) the channel EQ. (The output is engaged, mixer channels...