Spec Sheet
Page 1
... Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±15 dB @ 2.5 kHz Low ±15 dB @ 80 Hz Mixer Rated Output Main, Aux, Control Room: Maximum Rated Output: +4 dBu +22 dBu Maximum Input Levels Mic Input: Line Input: Tape Input...
... Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±15 dB @ 2.5 kHz Low ±15 dB @ 80 Hz Mixer Rated Output Main, Aux, Control Room: Maximum Rated Output: +4 dBu +22 dBu Maximum Input Levels Mic Input: Line Input: Tape Input...
Spec Sheet
Page 2
... LINE LINE 1 2/3 4/5 MAIN OUT PHONES 1 TAPE MAIN GAIN 0 +50 U EQ HIGH 12kHz -15 +15 U LOW 80Hz -15 +15 PAN L TAPE TO PHONES R IN OUT CD/TAPE INPUT/OUTPUT TAPE TO MIX 2/3 4/5 BAL BAL POWER OL +6 0 -20 L R PHONES PEAK L R U LEVEL L R U LEVEL L R U LEVEL MAX MAIN MIX +15 +15 +15 +15 7.4 in/188 mm MONO L R MIC INPUT BAL/UNBAL MIC INPUT BAL/UNBAL MONO L MONO L STEREO AUX RETURN L L LINE LINE BAL/UNBAL R BAL...
... LINE LINE 1 2/3 4/5 MAIN OUT PHONES 1 TAPE MAIN GAIN 0 +50 U EQ HIGH 12kHz -15 +15 U LOW 80Hz -15 +15 PAN L TAPE TO PHONES R IN OUT CD/TAPE INPUT/OUTPUT TAPE TO MIX 2/3 4/5 BAL BAL POWER OL +6 0 -20 L R PHONES PEAK L R U LEVEL L R U LEVEL L R U LEVEL MAX MAIN MIX +15 +15 +15 +15 7.4 in/188 mm MONO L R MIC INPUT BAL/UNBAL MIC INPUT BAL/UNBAL MONO L MONO L STEREO AUX RETURN L L LINE LINE BAL/UNBAL R BAL...
Hook-up Diagram
Page 1
... U -15 +15 U -15 +15 U -15 +15 U TAPE TO MIX LOW 80Hz LOW 80Hz LOW 80Hz LOW 80Hz MAIN L R IN OUT CD/TAPE INPUT/OUTPUT Keyboard Computer set-up to listen to the sound card output in the control room speakers and headphones. Leave it up Drum Machine CD Player DAT Recorder Sound Card Microphone MONO L R MIC INPUT BAL/UNBAL MIC INPUT BAL/UNBAL MONO L MONO L STEREO AUX RETURN L L LINE LINE BAL/UNBAL R BAL...
... U -15 +15 U -15 +15 U -15 +15 U TAPE TO MIX LOW 80Hz LOW 80Hz LOW 80Hz LOW 80Hz MAIN L R IN OUT CD/TAPE INPUT/OUTPUT Keyboard Computer set-up to listen to the sound card output in the control room speakers and headphones. Leave it up Drum Machine CD Player DAT Recorder Sound Card Microphone MONO L R MIC INPUT BAL/UNBAL MIC INPUT BAL/UNBAL MONO L MONO L STEREO AUX RETURN L L LINE LINE BAL/UNBAL R BAL...
Owners Manual
Page 2
... power-supply cord or plug has been damaged, liquid has been spilled or objects have fallen into your safety. Install in the following chart. A Component and cart combination should remain readily accessible to equipment capable of time. 14. This apparatus shall not be worn when operating the equipment in order to a mains socket outlet with the manufacturer's instructions...
... power-supply cord or plug has been damaged, liquid has been spilled or objects have fallen into your safety. Install in the following chart. A Component and cart combination should remain readily accessible to equipment capable of time. 14. This apparatus shall not be worn when operating the equipment in order to a mains socket outlet with the manufacturer's instructions...
Owners Manual
Page 3
... directions when lost, but maybe you read a manual? All Rights Reserved. 3 A 5/05 ©2005 LOUD Technologies Inc. CONTENTS SAFETY INSTRUCTIONS 2 GETTING STARTED 4 INTRODUCTION 6 HOOKUP DIAGRAMS 7 MIX SERIES FEATURES 8 CHANNEL INPUTS 8 CHANNEL CONTROLS 8 AUX RETURN SECTION 10 TAPE SECTION 10 MAIN SECTION 12 OUTPUT CONNECTIONS 13 REAR PANEL FEATURES 14 APPENDIX A: SERVICE INFORMATION 15 APPENDIX B: CONNECTIONS 16 APPENDIX C: MIX SERIES SPECIFICATIONS .. 17 Block Diagram Mix.50 19 Block Diagram Mix.60 20 Block Diagram Mix.100 21 Block Diagram Mix...
... directions when lost, but maybe you read a manual? All Rights Reserved. 3 A 5/05 ©2005 LOUD Technologies Inc. CONTENTS SAFETY INSTRUCTIONS 2 GETTING STARTED 4 INTRODUCTION 6 HOOKUP DIAGRAMS 7 MIX SERIES FEATURES 8 CHANNEL INPUTS 8 CHANNEL CONTROLS 8 AUX RETURN SECTION 10 TAPE SECTION 10 MAIN SECTION 12 OUTPUT CONNECTIONS 13 REAR PANEL FEATURES 14 APPENDIX A: SERVICE INFORMATION 15 APPENDIX B: CONNECTIONS 16 APPENDIX C: MIX SERIES SPECIFICATIONS .. 17 Block Diagram Mix.50 19 Block Diagram Mix.60 20 Block Diagram Mix.100 21 Block Diagram Mix...
Owners Manual
Page 4
... remaining stereo channels. 4 We'll crank it 's a microphone, sing at the source. 3. If necessary, apply channel EQ changes. (You may need to the LINE IN jacks on its normal output level. 2. Make some noise. Connect your amplifier's outputs (unless, of delivering adequate current. 8. Note: The Mix.50 does not have powered speakers). 3. If the signal sounds distorted (and not on the MIX Series mixers. Turn down the input signal...
... remaining stereo channels. 4 We'll crank it 's a microphone, sing at the source. 3. If necessary, apply channel EQ changes. (You may need to the LINE IN jacks on its normal output level. 2. Make some noise. Connect your amplifier's outputs (unless, of delivering adequate current. 8. Note: The Mix.50 does not have powered speakers). 3. If the signal sounds distorted (and not on the MIX Series mixers. Turn down the input signal...
Owners Manual
Page 5
... hearing protection. • Never plug amplifier speaker-level outputs into a unique hat, lunch box, or handbag to an external amplifier, or reconfiguring an amp's routing, turn the amp's level (gain) controls down your mixer. 5 The box can also be turned into anything except speakers. • Never use guitar cables to connect amplifiers to speakers. • Before making connections to...
... hearing protection. • Never plug amplifier speaker-level outputs into a unique hat, lunch box, or handbag to an external amplifier, or reconfiguring an amp's routing, turn the amp's level (gain) controls down your mixer. 5 The box can also be turned into anything except speakers. • Never use guitar cables to connect amplifiers to speakers. • Before making connections to...
Owners Manual
Page 6
... level control Stereo line channels: • Left and right 1/4" TRS line input jacks • +4/-10 input level switch (Mix.100/Mix.120 only) • Post-fader aux send (except Mix.50) • 3-band EQ (Mix.60 only) • Balance control • Rotary level control • Stereo RCA tape out and tape in • Master +48V phantom power switch with LED indicator (except Mix.50) • Left and Right 1/4" TRS Control Room outputs and stereo 1/4" Phones output with rotary level control (Phones only on Mix.50...
... level control Stereo line channels: • Left and right 1/4" TRS line input jacks • +4/-10 input level switch (Mix.100/Mix.120 only) • Post-fader aux send (except Mix.50) • 3-band EQ (Mix.60 only) • Balance control • Rotary level control • Stereo RCA tape out and tape in • Master +48V phantom power switch with LED indicator (except Mix.50) • Left and Right 1/4" TRS Control Room outputs and stereo 1/4" Phones output with rotary level control (Phones only on Mix.50...
Owners Manual
Page 7
... LOW 80Hz MAIN L R IN OUT CD/TAPE INPUT/OUTPUT Drum Machine Mackie HR824 or other Active Studio Monitors LINE IN LINE OUT MIC IN Headphones Note: Push down the TAPE TO CTRL RM/PHONES (18) switch to listen to the main mix. Do not press the TAPE TO MIX (21) switch, or there will be feedback. 7 HOOKUP DIAGRAMS Small Club Gig Mono in the control room speakers...
... LOW 80Hz MAIN L R IN OUT CD/TAPE INPUT/OUTPUT Drum Machine Mackie HR824 or other Active Studio Monitors LINE IN LINE OUT MIC IN Headphones Note: Push down the TAPE TO CTRL RM/PHONES (18) switch to listen to the main mix. Do not press the TAPE TO MIX (21) switch, or there will be feedback. 7 HOOKUP DIAGRAMS Small Club Gig Mono in the control room speakers...
Owners Manual
Page 8
... weak to a MIC input with tube or ribbon microphones, as this handy LED flickers just occasionally. When connecting a stereo device (two cords), use phantom power with the phantom power switched on XLR connectors. This allows signals from each mixer. The output from the outside world to be lost in almost any line-level instrument, effects device, or tape player. 1 1 MONO L R MIC INPUT MIC INPUT BAL/UNBAL BAL...
... weak to a MIC input with tube or ribbon microphones, as this handy LED flickers just occasionally. When connecting a stereo device (two cords), use phantom power with the phantom power switched on XLR connectors. This allows signals from each mixer. The output from the outside world to be lost in almost any line-level instrument, effects device, or tape player. 1 1 MONO L R MIC INPUT MIC INPUT BAL/UNBAL BAL...
Owners Manual
Page 9
...) jack. So equalize subtly; LOW EQ Turning this wisely to add sizzle to parallel effects processors or stage monitors. 4 U TAPE EQ The AUX 5 L SEND knobs adjust how much -15 +15 HIGH U 12kHz of all models. These aside, there isn't much more volume. If you have EQ controls on the stereo channels. U LEVEL U LEVEL 12 12 +15 +15 9 Mix.120 Mono and Stereo Channels The mic/line channels have adjusted the input signal...
...) jack. So equalize subtly; LOW EQ Turning this wisely to add sizzle to parallel effects processors or stage monitors. 4 U TAPE EQ The AUX 5 L SEND knobs adjust how much -15 +15 HIGH U 12kHz of all models. These aside, there isn't much more volume. If you have EQ controls on the stereo channels. U LEVEL U LEVEL 12 12 +15 +15 9 Mix.120 Mono and Stereo Channels The mic/line channels have adjusted the input signal...
Owners Manual
Page 10
.... If you connect the outputs of a rotary one cord), always use to adjust the signal being returned to the main mix. CD/TAPE INPUTS This is pushed in the left and right of providing a level control for your GAIN is set all except Mix.50) The AUX SEND is in the center position, the mono signal appears equally in via the AUX SEND (27) output jack. For stereo channels, the BAL control works like a home stereo balance control, by...
.... If you connect the outputs of a rotary one cord), always use to adjust the signal being returned to the main mix. CD/TAPE INPUTS This is pushed in the left and right of providing a level control for your GAIN is set all except Mix.50) The AUX SEND is in the center position, the mono signal appears equally in via the AUX SEND (27) output jack. For stereo channels, the BAL control works like a home stereo balance control, by...
Owners Manual
Page 11
.... Use the MAIN MIX control to adjust the volume level. * We do not mean to monitor the aux send signal in record mode. 15. When connecting a mono device (just one cord), you have a CD or Tape Deck connected to the CD/TAPE inputs, push down the CTRL ROOM/ PHONES (21) control (just PHONES on the Mix.50). This adapter is up, they all receive the main mix signal tapped after the MAIN MIX control. TAPE TO MIX Switch...
.... Use the MAIN MIX control to adjust the volume level. * We do not mean to monitor the aux send signal in record mode. 15. When connecting a mono device (just one cord), you have a CD or Tape Deck connected to the CD/TAPE inputs, push down the CTRL ROOM/ PHONES (21) control (just PHONES on the Mix.50). This adapter is up, they all receive the main mix signal tapped after the MAIN MIX control. TAPE TO MIX Switch...
Owners Manual
Page 12
... signal-to the MIC (1) input XLR jacks. Phantom power will get a good mix with tube or ribbon microphones, as this switch to provide phantom power to -noise will suffer. For best real-world results, try to AC power. 19. Caution: Turn all output levels down before actual clipping distortion occurs, but you 're not sure. POWER LED This LED turns on . Normally, the meters display...
... signal-to the MIC (1) input XLR jacks. Phantom power will get a good mix with tube or ribbon microphones, as this switch to provide phantom power to -noise will suffer. For best real-world results, try to AC power. 19. Caution: Turn all output levels down before actual clipping distortion occurs, but you 're not sure. POWER LED This LED turns on . Normally, the meters display...
Owners Manual
Page 13
... STEREO AUX RETURN (13) (Mix.60), and CD/TAPE IN (14) when TAPE TO MIX (15) is controlled by the same CTRL ROOM/PHONES level control knob (21). Connect these jacks to capture the entire performance to more than the minimum position. Each channel strip has an AUX SEND control knob that adjusts how much of that are not turned down to this 1/4" TRS output to the inputs...
... STEREO AUX RETURN (13) (Mix.60), and CD/TAPE IN (14) when TAPE TO MIX (15) is controlled by the same CTRL ROOM/PHONES level control knob (21). Connect these jacks to capture the entire performance to more than the minimum position. Each channel strip has an AUX SEND control knob that adjusts how much of that are not turned down to this 1/4" TRS output to the inputs...
Owners Manual
Page 14
... (17) switch. Please see page 2 for information about 1/4" TRS stereo connectors. Connect the external power supply to very loud levels. Note: Be very careful because the PHONES jack can drive any standard headphones to the MIX Series mixer first, then plug the power supply into a suitable and properly rated AC outlet. See Appendix B for information on hearing protection. upon...
... (17) switch. Please see page 2 for information about 1/4" TRS stereo connectors. Connect the external power supply to very loud levels. Note: Be very careful because the PHONES jack can drive any standard headphones to the MIX Series mixer first, then plug the power supply into a suitable and properly rated AC outlet. See Appendix B for information on hearing protection. upon...
Owners Manual
Page 15
... owner's manual. TAPCO is no P.O. We'll try switching them around times when you call for the latest turn-around . Lonely? Make sure the power to the power strip is still dead, it 's a stereo pair, try to explain the problem and obtain a Service Request Number. Service for any damage that occurs due to repair the mixer. 4. Review the preceding troubleshooting suggestions. You must have a Service Request Number...
... owner's manual. TAPCO is no P.O. We'll try switching them around times when you call for the latest turn-around . Lonely? Make sure the power to the power strip is still dead, it 's a stereo pair, try to explain the problem and obtain a Service Request Number. Service for any damage that occurs due to repair the mixer. 4. Review the preceding troubleshooting suggestions. You must have a Service Request Number...
Owners Manual
Page 17
... Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±15 dB @ 2.5 kHz Low ±15 dB @ 80 Hz Mixer Rated Output Main, Aux, Control Room: Maximum Rated Output: +4 dBu +22 dBu Maximum Input Levels Mic Input: Line Input: Tape Input...
... Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±15 dB @ 2.5 kHz Low ±15 dB @ 80 Hz Mixer Rated Output Main, Aux, Control Room: Maximum Rated Output: +4 dBu +22 dBu Maximum Input Levels Mic Input: Line Input: Tape Input...
Owners Manual
Page 18
...TAPE MAIN GAIN L 0 +50 U EQ TAPE TO PHONES HIGH 12kHz -15 +15 U LOW 80Hz -15 +15 PAN R IN OUT CD/TAPE INPUT/OUTPUT TAPE TO MIX 2/3 4/5 BAL BAL POWER OL +6 0 -20 L R PHONES PEAK L R U LEVEL L R U LEVEL L R U LEVEL MAX MAIN MIX +15 +15 +15 +15 7.4 in/188 mm MONO L R MIC INPUT BAL/UNBAL MIC INPUT BAL/UNBAL MONO L MONO L STEREO AUX...the right to change these specifications at any time without notice. 1.6 in/ 41 mm 8.0 in/203 mm 9.9 in /259 mm 18 NO USER SERVICEABLE PARTS INSIDE. DO NOT REMOVE COVER. REFER SERVICING TO QUALIFIED ...
...TAPE MAIN GAIN L 0 +50 U EQ TAPE TO PHONES HIGH 12kHz -15 +15 U LOW 80Hz -15 +15 PAN R IN OUT CD/TAPE INPUT/OUTPUT TAPE TO MIX 2/3 4/5 BAL BAL POWER OL +6 0 -20 L R PHONES PEAK L R U LEVEL L R U LEVEL L R U LEVEL MAX MAIN MIX +15 +15 +15 +15 7.4 in/188 mm MONO L R MIC INPUT BAL/UNBAL MIC INPUT BAL/UNBAL MONO L MONO L STEREO AUX...the right to change these specifications at any time without notice. 1.6 in/ 41 mm 8.0 in/203 mm 9.9 in /259 mm 18 NO USER SERVICEABLE PARTS INSIDE. DO NOT REMOVE COVER. REFER SERVICING TO QUALIFIED ...
Owners Manual
Page 23
... use refurbished parts for LOUD Technologies Inc. Products returned to LOUD Technologies that the Service Request Number is required to you purchased the product. LOUD Technologies warrants all materials, workmanship and proper operation of the LOUD Technologies factory-authorized service centers and deemed eligible for service time. 3. H. LOUD Technologies assumes no P.O. Also include a note explaining exactly how to duplicate the problem...
... use refurbished parts for LOUD Technologies Inc. Products returned to LOUD Technologies that the Service Request Number is required to you purchased the product. LOUD Technologies warrants all materials, workmanship and proper operation of the LOUD Technologies factory-authorized service centers and deemed eligible for service time. 3. H. LOUD Technologies assumes no P.O. Also include a note explaining exactly how to duplicate the problem...