Instruction Manual
Page 5
...dynamic range. terminals (A 41) are just some of the many features that will let you may want . Highlights of the EOS C500/C500 PL The Canon Digital Cinema Camera EOS C500/C500 PL has been designed with a Super 35mm CMOS sensor that captures video at an ISO level of 20,0002 - It ...live monitoring during shoots. In addition, you record the same clip simultaneously to match your creative vision into reality. 5 4K Recording System with Cinema Quality Advanced 4K-compatible Super 35mm CMOS sensor The camera is equipped with the discerning professional in MXF mode, you use over 60 high...
...dynamic range. terminals (A 41) are just some of the many features that will let you may want . Highlights of the EOS C500/C500 PL The Canon Digital Cinema Camera EOS C500/C500 PL has been designed with a Super 35mm CMOS sensor that captures video at an ISO level of 20,0002 - It ...live monitoring during shoots. In addition, you record the same clip simultaneously to match your creative vision into reality. 5 4K Recording System with Cinema Quality Advanced 4K-compatible Super 35mm CMOS sensor The camera is equipped with the discerning professional in MXF mode, you use over 60 high...
Instruction Manual
Page 6
... for stop motion animation). Other Features Special recording modes The special recording modes (A 105) give you even more creative control over your local Canon Web site, can output YCC 4:2:2 10-bit (8-bit effective) HD/SD video as well as 2-channel linear PCM audio (16-bit/48... kHz). Software for aiding the production workflow The Cinema RAW Development software, which allows multiple C500 / C500 PL cameras to the 3G-SDI terminals mentioned previously, the HD/SD SDI terminal can develop the 4K RAW data recorded with the press of the image using the vectorscope...
... for stop motion animation). Other Features Special recording modes The special recording modes (A 105) give you even more creative control over your local Canon Web site, can output YCC 4:2:2 10-bit (8-bit effective) HD/SD video as well as 2-channel linear PCM audio (16-bit/48... kHz). Software for aiding the production workflow The Cinema RAW Development software, which allows multiple C500 / C500 PL cameras to the 3G-SDI terminals mentioned previously, the HD/SD SDI terminal can develop the 4K RAW data recorded with the press of the image using the vectorscope...
Instruction Manual
Page 7
...7 Preparing Recording Media 43 Inserting a CF Card 43 Checking the Status of Recording, Resolution and Frame Rate 60 Selecting the Video Configuration for 4K and 2K Modes 60 Selecting the Video Configuration for Wi-Fi Remote 50 3. Button 66 Using the Direct Setting Mode 66 Shutter Speed 67 ...Connecting to Record 51 Recording 51 Remote Operation Using Wi-Fi Remote 54 Onscreen Displays 55 Rear Panel Displays 57 Canon Log Gamma and CINEMA Preset 58 Checking Clips Recorded with Canon Log Gamma (View Assistance) 58 Using the Internal Cooling Fan 59 Video Configuration: Type of the CF Card Slots...
...7 Preparing Recording Media 43 Inserting a CF Card 43 Checking the Status of Recording, Resolution and Frame Rate 60 Selecting the Video Configuration for 4K and 2K Modes 60 Selecting the Video Configuration for Wi-Fi Remote 50 3. Button 66 Using the Direct Setting Mode 66 Shutter Speed 67 ...Connecting to Record 51 Recording 51 Remote Operation Using Wi-Fi Remote 54 Onscreen Displays 55 Rear Panel Displays 57 Canon Log Gamma and CINEMA Preset 58 Checking Clips Recorded with Canon Log Gamma (View Assistance) 58 Using the Internal Cooling Fan 59 Video Configuration: Type of the CF Card Slots...
Instruction Manual
Page 9
... 199 External Connections 141 Video Output Configuration 141 Video Configuration and Video Output Configuration for 4K and 2K Modes 141 Video Output Configuration for MXF Mode 143 Selecting the Color Space ...on an External Monitor 151 Developing RAW Clips 152 Installing and Uninstalling Cinema RAW Development (Windows) 152 Installing and Uninstalling Cinema RAW Development (Mac OS) 152 Viewing the Software Instruction Manual 153...Camera Settings to a Computer 154 Installing Canon XF Utility (Windows) 154 Installing Canon XF Utility (Mac OS) 155 Viewing the Software Instruction Manuals 156 7.
... 199 External Connections 141 Video Output Configuration 141 Video Configuration and Video Output Configuration for 4K and 2K Modes 141 Video Output Configuration for MXF Mode 143 Selecting the Color Space ...on an External Monitor 151 Developing RAW Clips 152 Installing and Uninstalling Cinema RAW Development (Windows) 152 Installing and Uninstalling Cinema RAW Development (Mac OS) 152 Viewing the Software Instruction Manual 153...Camera Settings to a Computer 154 Installing Canon XF Utility (Windows) 154 Installing Canon XF Utility (Mac OS) 155 Viewing the Software Instruction Manuals 156 7.
Instruction Manual
Page 21
... 3G-SDI connection RAW data ᕡ External 4K recorder RAW recording Full-quality data ᕣ Cinema RAW Development ᕥ Color grading ᕤ EDL Proxy data NLE MXF data Associated plugin ᕡ Shoot in 4K mode (A 60) and record 4K RAW data using an external recorder connected to ... terminals (A 41). ᕢ Insert a CF card into the camera to record an MXF clip simultaneously with the 4K RAW data (A 63). ᕣ Develop the RAW data using the Cinema RAW Development software (A 152) to generate fullquality data. • You can also generate proxy data with the software...
... 3G-SDI connection RAW data ᕡ External 4K recorder RAW recording Full-quality data ᕣ Cinema RAW Development ᕥ Color grading ᕤ EDL Proxy data NLE MXF data Associated plugin ᕡ Shoot in 4K mode (A 60) and record 4K RAW data using an external recorder connected to ... terminals (A 41). ᕢ Insert a CF card into the camera to record an MXF clip simultaneously with the 4K RAW data (A 63). ᕣ Develop the RAW data using the Cinema RAW Development software (A 152) to generate fullquality data. • You can also generate proxy data with the software...
Instruction Manual
Page 22
...2] > [ACESPX10] setting to the list that is output from ACES color space to the color information of the ideal display device. 4K Workflow Overview Color Grading with ASC-CDL. Refers to the table used for converting color information of the ideal display device. This step requires... equipment compatible with the ACES Workflow Post-production 22 RAW Open EXR 3G-SDI output External 4K data Cinema RAW Development (ACES) recorder Color grading RAW recording ASC- ASC-CDL: Refers to enable ACESproxy10 output. Refers to the ...
...2] > [ACESPX10] setting to the list that is output from ACES color space to the color information of the ideal display device. 4K Workflow Overview Color Grading with ASC-CDL. Refers to the table used for converting color information of the ideal display device. This step requires... equipment compatible with the ACES Workflow Post-production 22 RAW Open EXR 3G-SDI output External 4K data Cinema RAW Development (ACES) recorder Color grading RAW recording ASC- ASC-CDL: Refers to enable ACESproxy10 output. Refers to the ...
Instruction Manual
Page 41
... camera and then pulling it after you do not intend to use this camera to make 4K recordings, the external recorder must connect the camera to Canon's Web site for details on compatible recorders. When checking the output, you must be compatible... with each color space. terminals to a 4K- Refer also to the external recorder's instruction manual for the latest information on how to conserve the camera's power. or 2K-Compatible External Recorder Connecting to DCI-P3+, Cinema...
... camera and then pulling it after you do not intend to use this camera to make 4K recordings, the external recorder must connect the camera to Canon's Web site for details on compatible recorders. When checking the output, you must be compatible... with each color space. terminals to a 4K- Refer also to the external recorder's instruction manual for the latest information on how to conserve the camera's power. or 2K-Compatible External Recorder Connecting to DCI-P3+, Cinema...
Instruction Manual
Page 53
...consisting of the CF card slot being changed due to lock the application's controls; In 4K and 2K modes, the clip name is limited only to use the software Cinema RAW Development to another device using the [ 4K/2K/MXF Setup] > [Clip Name] > [Title Prefix] and [Number Setting]... settings. If you can set to Custom Picture Settings (A 114) and Using Metadata (A 97). - IMPORTANT • Observe the following apply. - Canon shall not be ...
...consisting of the CF card slot being changed due to lock the application's controls; In 4K and 2K modes, the clip name is limited only to use the software Cinema RAW Development to another device using the [ 4K/2K/MXF Setup] > [Clip Name] > [Title Prefix] and [Number Setting]... settings. If you can set to Custom Picture Settings (A 114) and Using Metadata (A 97). - IMPORTANT • Observe the following apply. - Canon shall not be ...
Instruction Manual
Page 58
... not be available. [~ Camera Setup] [/ CINEMA Locked] [On] System priority 4K 2K MXF Output terminal/ Recording destination 3G-SDI terminals MON. terminals CF card CF card [/ CINEMA Locked] setting - - [On] [Off] [On] [Off] Picture setting Canon Log gamma Canon Log gamma with or without a LUT applied CINEMA preset settings with Canon Log gamma Based on custom picture...
... not be available. [~ Camera Setup] [/ CINEMA Locked] [On] System priority 4K 2K MXF Output terminal/ Recording destination 3G-SDI terminals MON. terminals CF card CF card [/ CINEMA Locked] setting - - [On] [Off] [On] [Off] Picture setting Canon Log gamma Canon Log gamma with or without a LUT applied CINEMA preset settings with Canon Log gamma Based on custom picture...
Instruction Manual
Page 61
... mode for use the RGB color space, 4:4:4 color sampling, and have a 12-bit or 10-bit bit depth. When you develop the clip using the Cinema RAW Development software (A 152), you can set the shooting frame rate from 62 to 120P (for 59.94 recordings) or 52 to 100P (for 50... recordings), we recommend you want to set the shooting frame rate from 62 to 120P (for 59.94 Hz recordings) or 52 to 100P (for 4K 50.00 Hz recordings). High image quality than 10-bit mode. 2K Recording mode for use with slow & 4K1K RAW fast motion recording. Available recording...
... mode for use the RGB color space, 4:4:4 color sampling, and have a 12-bit or 10-bit bit depth. When you develop the clip using the Cinema RAW Development software (A 152), you can set the shooting frame rate from 62 to 120P (for 59.94 recordings) or 52 to 100P (for 50... recordings), we recommend you want to set the shooting frame rate from 62 to 120P (for 59.94 Hz recordings) or 52 to 100P (for 4K 50.00 Hz recordings). High image quality than 10-bit mode. 2K Recording mode for use with slow & 4K1K RAW fast motion recording. Available recording...
Instruction Manual
Page 144
...display device that of BT. 709, you can use it for ultra-high-definition television (4K/8K). [~ Camera Setup] [Color Space] [BT. 709] Visual range BT. 709 DCI-P3 DCI-P3+ Cinema Gamut BT. 2020 Cinema Gamut. Color space that meets ITU-R BT.2020 standards, which is a color space ...whose guidelines were established by Canon and based on the specific characteristics of the camera's sensor. Selecting the Color Space ...
...display device that of BT. 709, you can use it for ultra-high-definition television (4K/8K). [~ Camera Setup] [Color Space] [BT. 709] Visual range BT. 709 DCI-P3 DCI-P3+ Cinema Gamut BT. 2020 Cinema Gamut. Color space that meets ITU-R BT.2020 standards, which is a color space ...whose guidelines were established by Canon and based on the specific characteristics of the camera's sensor. Selecting the Color Space ...
Instruction Manual
Page 167
... a reference page are explained after the tables. For details about how to select an item, refer to the page of a specific menu: [~ Camera Setup] menu [ 4K/2K/MXF Setup] menu [¢ Video Setup] menu [¡ Audio Setup] menu [£ LCD/VF Setup] menu [¤ TC/UB Setup] menu [¤ User Bit... Increment] [1/2 stop], [1/3 stop], [Fine] 74 [Zoom-Iris Correct.] [On], [Off] [Shutter] [Mode] [Speed], [Angle], [Clear Scan], [Slow], [Off] 67 [Shutter Increment] [1/3 stop], [1/4 stop] [Color Space] [/ CINEMA Locked] [BT. 709], [DCI-P3+], [C.
... a reference page are explained after the tables. For details about how to select an item, refer to the page of a specific menu: [~ Camera Setup] menu [ 4K/2K/MXF Setup] menu [¢ Video Setup] menu [¡ Audio Setup] menu [£ LCD/VF Setup] menu [¤ TC/UB Setup] menu [¤ User Bit... Increment] [1/2 stop], [1/3 stop], [Fine] 74 [Zoom-Iris Correct.] [On], [Off] [Shutter] [Mode] [Speed], [Angle], [Clear Scan], [Slow], [Off] 67 [Shutter Increment] [1/3 stop], [1/4 stop] [Color Space] [/ CINEMA Locked] [BT. 709], [DCI-P3+], [C.
Instruction Manual
Page 207
Index 2K mode 60 3G-SDI 1/2 terminals 41 4K mode 60 4K1K RAW 60 A ABB (automatic black balance 48 ...pack 23 Bit rate 60 Black balance 48 Built-in backup battery 195 C C. Gamut 144 Camera settings 125 Canon Log gamma 58 CF card Inserting 43 Recording method 46 Recovering data 47 Removing 44 Switching CF card slots 46..., 128 Check marks 103, 134 CINEMA (preset custom picture 58 Cinema Gamut 144 Clips, MXF Adding an $ mark/% mark . . . .103, 134 Adding/Deleting shot marks . ...
Index 2K mode 60 3G-SDI 1/2 terminals 41 4K mode 60 4K1K RAW 60 A ABB (automatic black balance 48 ...pack 23 Bit rate 60 Black balance 48 Built-in backup battery 195 C C. Gamut 144 Camera settings 125 Canon Log gamma 58 CF card Inserting 43 Recording method 46 Recovering data 47 Removing 44 Switching CF card slots 46..., 128 Check marks 103, 134 CINEMA (preset custom picture 58 Cinema Gamut 144 Clips, MXF Adding an $ mark/% mark . . . .103, 134 Adding/Deleting shot marks . ...