Midi Data Format
Page 2
... TUNING BnH,64H,02H,65H,00H,06H,mmH RPN RESET BnH,64H,7FH,65H,7FH ALL SOUND OFF BnH,78H,00H RESET ALL CONTROLLERS BnH,79H,00H PROGRAM CHANGE CnH PITCH BEND CHANGE EnH F0H 7EH 7FH 09H 01H F7H (GM MODE ON) F0H 7EH 7FH 09H 02H F7H (GM MODE OFF) ACTIVE SENSING FEH < MIDI IN 1 (3) TRANSMIT/RECEIVE DATA (3-1) CHANNEL VOICE MESSAGES (3-1-1) NOTE OFF STATUS NOTE NUMBER VELOCITY...
... TUNING BnH,64H,02H,65H,00H,06H,mmH RPN RESET BnH,64H,7FH,65H,7FH ALL SOUND OFF BnH,78H,00H RESET ALL CONTROLLERS BnH,79H,00H PROGRAM CHANGE CnH PITCH BEND CHANGE EnH F0H 7EH 7FH 09H 01H F7H (GM MODE ON) F0H 7EH 7FH 09H 02H F7H (GM MODE OFF) ACTIVE SENSING FEH < MIDI IN 1 (3) TRANSMIT/RECEIVE DATA (3-1) CHANNEL VOICE MESSAGES (3-1-1) NOTE OFF STATUS NOTE NUMBER VELOCITY...
Midi Data Format
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... (3-2) CHANNEL MODE MESSAGES (3-2-1) ALL SOUND OFF STATUS CONTROL NUMBER CONTROL VALUE 1011nnnn 01111000 00000000 (BnH) n=0~15 VOICE CHANNEL NUMBER All notes playing on the specified channel are turned off . p = 16 - 23 ; p = 48 - 127 (3-1-5) PITCH BEND CHANGE STATUS LSB MSB 1110nnnn 0vvvvvvv 0vvvvvvv (EnH) n=0~15 VOICE CHANNEL NUMBER PITCH BEND CHANGE LSB PITCH BEND CHANGE MSB Resolution is 14 bits. * Reception is turned off . p = 72 - 79 ; (3-1-4) PROGRAM CHANGE STATUS 1100nnnn (CnH) n=0~15 VOICE CHANNEL NUMBER PROGRAM NUMBER 0ppppppp p=0~127 Only data relating...
... (3-2) CHANNEL MODE MESSAGES (3-2-1) ALL SOUND OFF STATUS CONTROL NUMBER CONTROL VALUE 1011nnnn 01111000 00000000 (BnH) n=0~15 VOICE CHANNEL NUMBER All notes playing on the specified channel are turned off . p = 16 - 23 ; p = 48 - 127 (3-1-5) PITCH BEND CHANGE STATUS LSB MSB 1110nnnn 0vvvvvvv 0vvvvvvv (EnH) n=0~15 VOICE CHANNEL NUMBER PITCH BEND CHANGE LSB PITCH BEND CHANGE MSB Resolution is 14 bits. * Reception is turned off . p = 72 - 79 ; (3-1-4) PROGRAM CHANGE STATUS 1100nnnn (CnH) n=0~15 VOICE CHANNEL NUMBER PROGRAM NUMBER 0ppppppp p=0~127 Only data relating...
Midi Data Format
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... received. The following controllers are reset to unspecified status. internal data not affected. 100 (4) KEYBOARD SWITCH, SEQUENCER, AND TONE GENERATOR CONFIGURATION. don't care The RPN number is cleared and all control values are forced off. PITCH BEND CHANGE MODULATION EXPRESSION SUSTAIN SWITCH RPN VOLUME 0 (Center) 0 (Off) 127 (Maximum) 0 (Off) Unspecified status - don't care * Set to GM. PITCH BEND CHANGE MODULATION EXPRESSION SUSTAIN SWITCH RPN VOLUME 0 (Center) 0 (Off) 127 (Maximum) 0 (Off) Unspecified status - KEYBOARD SWITCH Selected Track t MIDI IN...
... received. The following controllers are reset to unspecified status. internal data not affected. 100 (4) KEYBOARD SWITCH, SEQUENCER, AND TONE GENERATOR CONFIGURATION. don't care The RPN number is cleared and all control values are forced off. PITCH BEND CHANGE MODULATION EXPRESSION SUSTAIN SWITCH RPN VOLUME 0 (Center) 0 (Off) 127 (Maximum) 0 (Off) Unspecified status - don't care * Set to GM. PITCH BEND CHANGE MODULATION EXPRESSION SUSTAIN SWITCH RPN VOLUME 0 (Center) 0 (Off) 127 (Maximum) 0 (Off) Unspecified status - KEYBOARD SWITCH Selected Track t MIDI IN...
Midi Data Format
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... Device Number Turns system exclusive message reception on or off, and allows device number selection. (3) TRANSMIT/RECEIVE DATA (3-1) CHANNEL VOICE MESSAGE Transmission occurs only during recording. Reception always occurs on or off , and allows device number selection. 7 (2) RECEIVE FLOW NOTE OFF NOTE ON/OFF 8nH SW1 9nH < MIDI IN CONTROL CHANGE BnH PROGRAM CHANGE CnH PITCH BEND CHANGE EnH SW2 TIMING CLOCK F8H SW3 START FAH CONTINUE FBH STOP FCH SONG...
... Device Number Turns system exclusive message reception on or off, and allows device number selection. (3) TRANSMIT/RECEIVE DATA (3-1) CHANNEL VOICE MESSAGE Transmission occurs only during recording. Reception always occurs on or off , and allows device number selection. 7 (2) RECEIVE FLOW NOTE OFF NOTE ON/OFF 8nH SW1 9nH < MIDI IN CONTROL CHANGE BnH PROGRAM CHANGE CnH PITCH BEND CHANGE EnH SW2 TIMING CLOCK F8H SW3 START FAH CONTINUE FBH STOP FCH SONG...
Midi Data Format
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... record mode. * Transmit/receive control numbers. * Receive control numbers. v = 0~63:OFF, 64~127:ON (3-1-4) PROGRAM CHANGE STATUS 1100nnnn (CnH) n=0~6, 9 VOICE CHANNEL NUMBER PROGRAM NUMBER 0ppppppp p=0~127 * Reception is always "omni on " in the song play mode. 9 (3-4) SYSTEM REAL TIME MESSAGE (3-4-1) TIMING CLOCK STATUS 11111000 (F8H) Determines whether the internal clock or an external MIDI clock signal is ignored. v = 0 - 127 ; (3-1-1) NOTE OFF STATUS NOTE NUMBER VELOCITY 1000nnnn 0kkkkkkk 0vvvvvvv (8nH) n=0~6, 9 VOICE CHANNEL NUMBER k=0 (C-2)~127 (G8) v is used...
... record mode. * Transmit/receive control numbers. * Receive control numbers. v = 0~63:OFF, 64~127:ON (3-1-4) PROGRAM CHANGE STATUS 1100nnnn (CnH) n=0~6, 9 VOICE CHANNEL NUMBER PROGRAM NUMBER 0ppppppp p=0~127 * Reception is always "omni on " in the song play mode. 9 (3-4) SYSTEM REAL TIME MESSAGE (3-4-1) TIMING CLOCK STATUS 11111000 (F8H) Determines whether the internal clock or an external MIDI clock signal is ignored. v = 0 - 127 ; (3-1-1) NOTE OFF STATUS NOTE NUMBER VELOCITY 1000nnnn 0kkkkkkk 0vvvvvvv (8nH) n=0~6, 9 VOICE CHANNEL NUMBER k=0 (C-2)~127 (G8) v is used...
Midi Data Format
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... with F0H ddH (dd = song number x 5 + track number). Received only when the initial pattern mode display is showing. The chart below indicates which contain data (101 ... 200). function 0 system status 1 dummy byte 2 MIDI sync 3 MIDI control 4 device number 5 master tune 6 metronome value 121 don't care 0~1 0~1 0~17 0~127 0~3 7 program change table 8 transpose 9 ABC zone low 10 ABC zone high 11 song number 12 pattern type 13 pattern number 14 section number 0~1 0~24 24~127 24...
... with F0H ddH (dd = song number x 5 + track number). Received only when the initial pattern mode display is showing. The chart below indicates which contain data (101 ... 200). function 0 system status 1 dummy byte 2 MIDI sync 3 MIDI control 4 device number 5 master tune 6 metronome value 121 don't care 0~1 0~1 0~17 0~127 0~3 7 program change table 8 transpose 9 ABC zone low 10 ABC zone high 11 song number 12 pattern type 13 pattern number 14 section number 0~1 0~24 24~127 24...
Midi Data Format
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... only) (The remaining data is the same as 2-byte ASCII code. 35 pattern type 36 pattern number 37 section number 0-1 0-99 0-5 0:preset, 1:user 001 - 100 intro, normal, vari., fill1, fill2, ending 38 reserve 39 reserve don't care "0" is listed below. F0 top of track #1 (song 1) 00 --- track #2~#4 data -- [Chart 2] SONG DATA No. function value note 0 song number 0-19 1 song name 1 2 song name 2 3 song name 3 4 song name 4 5 song name 5 6 song name 6 7 song name 7 8 song name 8 20-127 20...
... only) (The remaining data is the same as 2-byte ASCII code. 35 pattern type 36 pattern number 37 section number 0-1 0-99 0-5 0:preset, 1:user 001 - 100 intro, normal, vari., fill1, fill2, ending 38 reserve 39 reserve don't care "0" is listed below. F0 top of track #1 (song 1) 00 --- track #2~#4 data -- [Chart 2] SONG DATA No. function value note 0 song number 0-19 1 song name 1 2 song name 2 3 song name 3 4 song name 4 5 song name 5 6 song name 6 7 song name 7 8 song name 8 20-127 20...
Midi Data Format
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... part ] Date: 1-SEP-1992 Model QY20 MIDI Implementation Chart Version : 1.0 | | Transmitted | Recognized | Remarks | | Function ... | | | | |Basic Default | 1 - 7, 10 | 1 - 16 *1 | memorized | |Channel Changed | 1 - 7, 10 *2 | x | | | Default | 3 | 1, 3 | memorized | |Mode Messages | x | x | | | Altered x | | |Note | 0 - 127 | 0 - 127 | | |Number | True voice 0 - 127 | | |Velocity Note ON | o 9nH,v=1-127 | o v=1-127 | | | Note OFF | x 9nH,v=0 | x | | |After Key's | x | x | | |Touch Ch's | x | x | | |Pitch...
... part ] Date: 1-SEP-1992 Model QY20 MIDI Implementation Chart Version : 1.0 | | Transmitted | Recognized | Remarks | | Function ... | | | | |Basic Default | 1 - 7, 10 | 1 - 16 *1 | memorized | |Channel Changed | 1 - 7, 10 *2 | x | | | Default | 3 | 1, 3 | memorized | |Mode Messages | x | x | | | Altered x | | |Note | 0 - 127 | 0 - 127 | | |Number | True voice 0 - 127 | | |Velocity Note ON | o 9nH,v=1-127 | o v=1-127 | | | Note OFF | x 9nH,v=0 | x | | |After Key's | x | x | | |Touch Ch's | x | x | | |Pitch...
Owner's Manual
Page 2
... the owners responsibility. Dispose of the product. However, Yamaha reserves the right to produce them, meet these may be used , please observe all batteries away from children. The model number, serial number, power requirements, etc., are not covered by Yamaha. IMPORTANT: The louder the sound, the shorter the time period before requesting service. SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). NAME...
... the owners responsibility. Dispose of the product. However, Yamaha reserves the right to produce them, meet these may be used , please observe all batteries away from children. The model number, serial number, power requirements, etc., are not covered by Yamaha. IMPORTANT: The louder the sound, the shorter the time period before requesting service. SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). NAME...
Owner's Manual
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... Is 8 Voice Mode 9 Song Mode 9 Pattern Mode 11 What It Can Do 12 X Setting Up: Power & Connections 15 Power Supply 16 Using Batteries 16 When to Replace the Batteries . 17 Using a Power Adaptor ....... 18 Setting Up Your System 19 The Connectors 19 Audio Connections 21 MIDI Connections 22 C Getting to Know the QY20: How the Controls Work ..... 23 The Controls 24 Play the Demo 34 V The VOICE Mode: Selecting, Playing, & Assigning the QY20 Voices & Drums ....... 35 Try Out the Voices 37 Making Voice-to-Track Assignments 38 The Mute Buttons 38 The...
... Is 8 Voice Mode 9 Song Mode 9 Pattern Mode 11 What It Can Do 12 X Setting Up: Power & Connections 15 Power Supply 16 Using Batteries 16 When to Replace the Batteries . 17 Using a Power Adaptor ....... 18 Setting Up Your System 19 The Connectors 19 Audio Connections 21 MIDI Connections 22 C Getting to Know the QY20: How the Controls Work ..... 23 The Controls 24 Play the Demo 34 V The VOICE Mode: Selecting, Playing, & Assigning the QY20 Voices & Drums ....... 35 Try Out the Voices 37 Making Voice-to-Track Assignments 38 The Mute Buttons 38 The...
Owner's Manual
Page 15
... tracks, or record drum-only patterns in the SONG mode. There's no way we can also use the QY20. q A Super Practice Tool q Use It As A Drum Machine Create accompaniments that you can use the drum tracks from the preset patterns (➪ page 75). 12 That way you can practice with a bass line and chords instead of just a metronome or drum machine (➪ page 52). Use the drum kit voices...
... tracks, or record drum-only patterns in the SONG mode. There's no way we can also use the QY20. q A Super Practice Tool q Use It As A Drum Machine Create accompaniments that you can use the drum tracks from the preset patterns (➪ page 75). 12 That way you can practice with a bass line and chords instead of just a metronome or drum machine (➪ page 52). Use the drum kit voices...
Owner's Manual
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... to use a MIDI keyboard or other instrument to play and program the QY20, it should be connected to an external tone generator if you want to drive external voices from the QY20 sequencer, or a MIDI data recorder such as the Yamaha MDF2 if you are automatically disconnected when a plug is inserted into the DC IN jack. The MIDI OUT connector can be plugged in here. The output level is adjusted via the VOLUME control on...
... to use a MIDI keyboard or other instrument to play and program the QY20, it should be connected to an external tone generator if you want to drive external voices from the QY20 sequencer, or a MIDI data recorder such as the Yamaha MDF2 if you are automatically disconnected when a plug is inserted into the DC IN jack. The MIDI OUT connector can be plugged in here. The output level is adjusted via the VOLUME control on...
Owner's Manual
Page 35
... the SONG mode, the micro keyboard plays the voice assigned to the currently selected track (unless you're recording the accompaniment chord tracks, in octave steps, over a range of the keyboard to place the cursor at the sequencer track 1 position ("TR1" on the display). You should hear the voice that is not enough for serious music programming, the [OCT DOWN] and [OCT UP] keys allow the pitch...
... the SONG mode, the micro keyboard plays the voice assigned to the currently selected track (unless you're recording the accompaniment chord tracks, in octave steps, over a range of the keyboard to place the cursor at the sequencer track 1 position ("TR1" on the display). You should hear the voice that is not enough for serious music programming, the [OCT DOWN] and [OCT UP] keys allow the pitch...
Owner's Manual
Page 41
... track. 4 The VOICE Mode: Selecting, Playing, & Assigning the QY20 Voices & Drums Making Voice-to-Track Assignments When you record accompaniments (➪ page 52) or complete songs (➪ page 108) in the SONG mode, you'll need to specify which tracks. Tracks that are made in the SONG mode, the voice assignments for that track, or press [−1/NO] to turn off) the corresponding track. To assign voices to the sequencer and accompaniment tracks, simply move the cursor to the voice number...
... track. 4 The VOICE Mode: Selecting, Playing, & Assigning the QY20 Voices & Drums Making Voice-to-Track Assignments When you record accompaniments (➪ page 52) or complete songs (➪ page 108) in the SONG mode, you'll need to specify which tracks. Tracks that are made in the SONG mode, the voice assignments for that track, or press [−1/NO] to turn off) the corresponding track. To assign voices to the sequencer and accompaniment tracks, simply move the cursor to the voice number...
Owner's Manual
Page 81
..., C2, Ba, or Dr), and then play the part on the micro-keyboard or an external MIDI keyboard in pattern memory locations 001 through 100, the QY20 has 100 more pattern memory locations (101 through 200). Realtime Pattern Recording In the realtime record mode you select the track you want to the preset patterns residing in real time. Use the [MODE] key to store your own creations. 6 Creating...
..., C2, Ba, or Dr), and then play the part on the micro-keyboard or an external MIDI keyboard in pattern memory locations 001 through 100, the QY20 has 100 more pattern memory locations (101 through 200). Realtime Pattern Recording In the realtime record mode you select the track you want to the preset patterns residing in real time. Use the [MODE] key to store your own creations. 6 Creating...
Owner's Manual
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... (dark) while the blocks below empty tracks are used). See the "Editing Songs & Patterns" section , page 140, for information on how to edit recorded patDETAIL tern data. 85 m Micro-keyboard. m Drum instruments currently played by the micro-keyboard keys. 6 Creating Original Patterns Note that when you can press the [MODE] key while holding the HINT [MENU] key to see the current pitch of the microkeyboard as described in...
... (dark) while the blocks below empty tracks are used). See the "Editing Songs & Patterns" section , page 140, for information on how to edit recorded patDETAIL tern data. 85 m Micro-keyboard. m Drum instruments currently played by the micro-keyboard keys. 6 Creating Original Patterns Note that when you can press the [MODE] key while holding the HINT [MENU] key to see the current pitch of the microkeyboard as described in...
Owner's Manual
Page 111
... the SONG mode sequencer tracks (page 38). MODE m Voice numbers. Mute buttons. Voice Assignments Current track. Of course, you can make these assignments later but it's better to record with the voices you should switch to the VOICE mode and assign the desired voices to complete your composition on the SONG mode sequencer tracks (TR1, TR2, TR3, and TR4). m m m 108 7 Creating a Complete Song Recording the Sequencer Tracks After recording the accompaniment tracks in the SONG mode using either the preset patterns...
... the SONG mode sequencer tracks (page 38). MODE m Voice numbers. Mute buttons. Voice Assignments Current track. Of course, you can make these assignments later but it's better to record with the voices you should switch to the VOICE mode and assign the desired voices to complete your composition on the SONG mode sequencer tracks (TR1, TR2, TR3, and TR4). m m m 108 7 Creating a Complete Song Recording the Sequencer Tracks After recording the accompaniment tracks in the SONG mode using either the preset patterns...
Owner's Manual
Page 135
... (Note, Program Change, Sustain, Pitch Bend, Modulation, Pan, Volume, Expression, Data Entry LSB, Data Entry MSB, RPN LSB, RPN MSB). Although you can remove events individually in the edit mode (page 145), the Remove Event job makes it simple to go ahead with the Remove Event operation (Remove Event is particularly convenient when removing slow pitch bends or volume changes that you sure?" Track (TR1 ... After setting...
... (Note, Program Change, Sustain, Pitch Bend, Modulation, Pan, Volume, Expression, Data Entry LSB, Data Entry MSB, RPN LSB, RPN MSB). Although you can remove events individually in the edit mode (page 145), the Remove Event job makes it simple to go ahead with the Remove Event operation (Remove Event is particularly convenient when removing slow pitch bends or volume changes that you sure?" Track (TR1 ... After setting...
Owner's Manual
Page 192
...42 Specifications 185 Sustain events, insert edit 150 Syncopated chords 68 System parameters 160 T Tempo changes, erasing 74 Tempo changes, step record 72 Tempo parameter 46, 111 Time signature 64, 81, 88 Tone generator, the QY20 as a 168 Track muting 51 Transpose job, pattern 100 Transpose job, song 130 Transpose parameter 111 Troubleshooting 181 U Used memory display 114 Utility mode, accessing 158 V Velocity 90, 118 Velocity data, edit mode 144 Voice assignments 38, 108 Voice list 172 Voice mode display 36 Voice mode, description 9 Voices, selecting 37 Volume control...
...42 Specifications 185 Sustain events, insert edit 150 Syncopated chords 68 System parameters 160 T Tempo changes, erasing 74 Tempo changes, step record 72 Tempo parameter 46, 111 Time signature 64, 81, 88 Tone generator, the QY20 as a 168 Track muting 51 Transpose job, pattern 100 Transpose job, song 130 Transpose parameter 111 Troubleshooting 181 U Used memory display 114 Utility mode, accessing 158 V Velocity 90, 118 Velocity data, edit mode 144 Voice assignments 38, 108 Voice list 172 Voice mode display 36 Voice mode, description 9 Voices, selecting 37 Volume control...
Owner's Manual
Page 193
... by turning the unit "OFF" and "ON", please try to co-axial type cable. Cable/ s supplied with these corrective measures do not produce satisfactory results, please contact the local retailer authorized to accessories and/or another product use of America or its subsidiaries. 190 Compliance with this manual, meets FCC requirements. Compliance with the requirements listed in the users manual, may...
... by turning the unit "OFF" and "ON", please try to co-axial type cable. Cable/ s supplied with these corrective measures do not produce satisfactory results, please contact the local retailer authorized to accessories and/or another product use of America or its subsidiaries. 190 Compliance with this manual, meets FCC requirements. Compliance with the requirements listed in the users manual, may...