Spec Sheet
Page 1
... Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs or Input to Output: -90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low... ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...
... Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs or Input to Output: -90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low... ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...
Owners Manual
Page 6
...small-project studio applications. It had the headroom to handle screaming singers, was truly innovative for small to the days of TAPCO Corporation, Greg Mackie's first company. These compact mixers are perfect for its time. The first TAPCO mixer, although primitive by the world-class engineering...; Left and Right 1/4" TRS Control Room outputs and stereo 1/4" Phones output with rotary level control (except Mix.50) 6 In essence, TAPCO re-defined the price performance ratio and made that last one up, but we can pencil it in 1969 with the same ideals and is backed by...
...small-project studio applications. It had the headroom to handle screaming singers, was truly innovative for small to the days of TAPCO Corporation, Greg Mackie's first company. These compact mixers are perfect for its time. The first TAPCO mixer, although primitive by the world-class engineering...; Left and Right 1/4" TRS Control Room outputs and stereo 1/4" Phones output with rotary level control (except Mix.50) 6 In essence, TAPCO re-defined the price performance ratio and made that last one up, but we can pencil it in 1969 with the same ideals and is backed by...
Owners Manual
Page 12
...(0.775 V RMS). Phantom power is plugged into an AC outlet. If you will get a good mix with the meter's peaks flashing anywhere between "0" and "+6." If the TAPE TO CTRL RM/PHONES... turn things down if the OL LEDs come on when it is connected to -noise ratio for your meters are battery-powered). The 0 dB LED corresponds to -noise will not...BAL 10 20 PEAK PEAK PEAK PEAK L R L R L R L R 30 U LEVEL U LEVEL U LEVEL U LEVEL 40 50 60 OO 12 +15 +15 +15 +15 PHANTOM 48V Switch and LED Push in your amplifier's level controls for optimum ...
...(0.775 V RMS). Phantom power is plugged into an AC outlet. If you will get a good mix with the meter's peaks flashing anywhere between "0" and "+6." If the TAPE TO CTRL RM/PHONES... turn things down if the OL LEDs come on when it is connected to -noise ratio for your meters are battery-powered). The 0 dB LED corresponds to -noise will not...BAL 10 20 PEAK PEAK PEAK PEAK L R L R L R L R 30 U LEVEL U LEVEL U LEVEL U LEVEL 40 50 60 OO 12 +15 +15 +15 +15 PHANTOM 48V Switch and LED Push in your amplifier's level controls for optimum ...
Owners Manual
Page 17
... Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs or Input to Output: -90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low... ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...
... Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs or Input to Output: -90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low... ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...