Spec Sheet
Page 1
... @ +4 dBu output Noise 20 Hz to 20 kHz BW (150Ω source impedance) Equivalent Input Noise (EIN): -129 dBu Residual Output Noise: Channel and Main Mix levels off Main, Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs ...90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...
... @ +4 dBu output Noise 20 Hz to 20 kHz BW (150Ω source impedance) Equivalent Input Noise (EIN): -129 dBu Residual Output Noise: Channel and Main Mix levels off Main, Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs ...90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...
Spec Sheet
Page 2
... RM OUT MAIN OUT PHONES WEIGHT 1.6 lb/ 0.7 kg WEIGHT 2.7 lb/ 1.2 kg Physical Dimensions and Weight Mix.50 Height: Width: Depth: Weight: 1.6 in/41 mm 5.2 in/133 mm 8.0 in/203 mm 1.6 lb/0.7 kg Mix.60 Height: Width: Depth: Weight: 1.6 in/41 mm 7.4 in/188 mm 9.9 in/252 mm 2.7 lb...SEND 9/10 75Hz AUX U SEND 75Hz AUX U SEND +4 -10 AUX U SEND +4 -10 U AUX SEND +4 -10 AUX U SEND +4 -10 AUX U SEND OL +6 0 -20 L R MAIN MIX 10 5 U +15 +15 +15 +15 +15 +15 5 PAN PAN BAL BAL BAL BAL 10 20 PEAK PEAK PEAK PEAK PEAK PEAK L R L R L R L R L R L R 30 ...
... RM OUT MAIN OUT PHONES WEIGHT 1.6 lb/ 0.7 kg WEIGHT 2.7 lb/ 1.2 kg Physical Dimensions and Weight Mix.50 Height: Width: Depth: Weight: 1.6 in/41 mm 5.2 in/133 mm 8.0 in/203 mm 1.6 lb/0.7 kg Mix.60 Height: Width: Depth: Weight: 1.6 in/41 mm 7.4 in/188 mm 9.9 in/252 mm 2.7 lb...SEND 9/10 75Hz AUX U SEND 75Hz AUX U SEND +4 -10 AUX U SEND +4 -10 U AUX SEND +4 -10 AUX U SEND +4 -10 AUX U SEND OL +6 0 -20 L R MAIN MIX 10 5 U +15 +15 +15 +15 +15 +15 5 PAN PAN BAL BAL BAL BAL 10 20 PEAK PEAK PEAK PEAK PEAK PEAK L R L R L R L R L R L R 30 ...
Hook-up Diagram
Page 1
...L STEREO AUX RETURN L L LINE LINE BAL/UNBAL R BAL/UNBAL R AUX SEND R R 0 1 GAIN 0 2 GAIN LINE 3/4 LINE 5/6 CTRL RM OUT MAIN OUT PHONES Headphones Active Speakers (Mackie SRM450s) 1 U 2 EQ U 3/4 5/6 EQ U EQ U EQ HIGH 12kHz HIGH 12kHz HIGH 12kHz HIGH 12kHz -15 +15 U -15 +15 U -15 +15 U -15 +15 U...2.5kHz -15 +15 U -15 +15 U -15 +15 U -15 +15 U TAPE TO MIX LOW 80Hz LOW 80Hz LOW 80Hz LOW 80Hz MAIN L R IN OUT CD/TAPE INPUT/OUTPUT Drum Machine Mackie HR824 or other Active Studio Monitors LINE IN LINE OUT MIC IN Headphones Note: Push down the...
...L STEREO AUX RETURN L L LINE LINE BAL/UNBAL R BAL/UNBAL R AUX SEND R R 0 1 GAIN 0 2 GAIN LINE 3/4 LINE 5/6 CTRL RM OUT MAIN OUT PHONES Headphones Active Speakers (Mackie SRM450s) 1 U 2 EQ U 3/4 5/6 EQ U EQ U EQ HIGH 12kHz HIGH 12kHz HIGH 12kHz HIGH 12kHz -15 +15 U -15 +15 U -15 +15 U -15 +15 U...2.5kHz -15 +15 U -15 +15 U -15 +15 U -15 +15 U TAPE TO MIX LOW 80Hz LOW 80Hz LOW 80Hz LOW 80Hz MAIN L R IN OUT CD/TAPE INPUT/OUTPUT Drum Machine Mackie HR824 or other Active Studio Monitors LINE IN LINE OUT MIC IN Headphones Note: Push down the...
Owners Manual
Page 3
...manual, along with asking for future reference (i.e., insurance claims, tech support, return authorization, etc.). Your new TAPCO® MIX Series mixer is designed to set up quickly and operate easily. All Rights Reserved. 3 CONTENTS SAFETY INSTRUCTIONS 2 GETTING STARTED 4 INTRODUCTION 6...PANEL FEATURES 14 APPENDIX A: SERVICE INFORMATION 15 APPENDIX B: CONNECTIONS 16 APPENDIX C: MIX SERIES SPECIFICATIONS .. 17 Block Diagram Mix.50 19 Block Diagram Mix.60 20 Block Diagram Mix.100 21 Block Diagram Mix.120 22 TAPCO LIMITED WARRANTY 23 Don't forget to visit our website at :...
...manual, along with asking for future reference (i.e., insurance claims, tech support, return authorization, etc.). Your new TAPCO® MIX Series mixer is designed to set up quickly and operate easily. All Rights Reserved. 3 CONTENTS SAFETY INSTRUCTIONS 2 GETTING STARTED 4 INTRODUCTION 6...PANEL FEATURES 14 APPENDIX A: SERVICE INFORMATION 15 APPENDIX B: CONNECTIONS 16 APPENDIX C: MIX SERIES SPECIFICATIONS .. 17 Block Diagram Mix.50 19 Block Diagram Mix.60 20 Block Diagram Mix.100 21 Block Diagram Mix.120 22 TAPCO LIMITED WARRANTY 23 Don't forget to visit our website at :...
Owners Manual
Page 4
...LEVEL to the PAN control) starts blinking. 3. Leave the POWER cord disconnected from your mixer's MAIN OUT to the POWER connection on the Mix.50.) Connect line-level signal sources to channels 1 and 2. 4. Turn down the input signal at your mixer, and get the levels and ... as described above. 6. You should be hearing your model. 7. Stop making music. 7. Everyone: start making noise. Make some noise. Note: The Mix.50 does not have powered speakers). 3. In that channel's LEVEL control until the PEAK LED (next to unity gain (U label). Raise that case, set...
...LEVEL to the PAN control) starts blinking. 3. Leave the POWER cord disconnected from your mixer's MAIN OUT to the POWER connection on the Mix.50.) Connect line-level signal sources to channels 1 and 2. 4. Turn down the input signal at your mixer, and get the levels and ... as described above. 6. You should be hearing your model. 7. Stop making music. 7. Everyone: start making noise. Make some noise. Note: The Mix.50 does not have powered speakers). 3. In that channel's LEVEL control until the PEAK LED (next to unity gain (U label). Raise that case, set...
Owners Manual
Page 5
... SEND 9/10 75Hz AUX U SEND 75Hz AUX U SEND +4 -10 AUX U SEND +4 -10 AUX U SEND +4 -10 AUX U SEND +4 -10 AUX U SEND -20 L R MAIN MIX dB 10 5 U +15 +15 +15 +15 +15 +15 5 PAN PAN BAL BAL BAL BAL 10 20 PEAK PEAK PEAK PEAK PEAK PEAK L R L R L R L R L... R L R 30 U LEVEL U LEVEL U LEVEL U LEVEL U LEVEL U LEVEL 40 50 60 OO +15 +15 +15 +15 +15 +15 A FEW PRECAUTIONS: • Never listen to accessorize your equipment, turn off any external amplifiers fi...
... SEND 9/10 75Hz AUX U SEND 75Hz AUX U SEND +4 -10 AUX U SEND +4 -10 AUX U SEND +4 -10 AUX U SEND +4 -10 AUX U SEND -20 L R MAIN MIX dB 10 5 U +15 +15 +15 +15 +15 +15 5 PAN PAN BAL BAL BAL BAL 10 20 PEAK PEAK PEAK PEAK PEAK PEAK L R L R L R L R L... R L R 30 U LEVEL U LEVEL U LEVEL U LEVEL U LEVEL U LEVEL 40 50 60 OO +15 +15 +15 +15 +15 +15 A FEW PRECAUTIONS: • Never listen to accessorize your equipment, turn off any external amplifiers fi...
Owners Manual
Page 6
...FEATURES PACKED INTO THESE MIXERS: Mono mic/line channels: • Variable input trim (0 to withstand mammoth levels of TAPCO Corporation, Greg Mackie's first company. The first TAPCO mixer, although primitive by the world-class engineering and manufacturing horsepower of LOUD Technologies. ...line channels: • Left and right 1/4" TRS line input jacks • +4/-10 input level switch (Mix.100/Mix.120 only) • Post-fader aux send (except Mix.50) • 3-band EQ (Mix.60 only) • Balance control • Rotary level control • Stereo RCA tape out and tape...
...FEATURES PACKED INTO THESE MIXERS: Mono mic/line channels: • Variable input trim (0 to withstand mammoth levels of TAPCO Corporation, Greg Mackie's first company. The first TAPCO mixer, although primitive by the world-class engineering and manufacturing horsepower of LOUD Technologies. ...line channels: • Left and right 1/4" TRS line input jacks • +4/-10 input level switch (Mix.100/Mix.120 only) • Post-fader aux send (except Mix.50) • 3-band EQ (Mix.60 only) • Balance control • Rotary level control • Stereo RCA tape out and tape...
Owners Manual
Page 7
.../UNBAL R AUX SEND R R 0 1 GAIN 0 2 GAIN LINE 3/4 LINE 5/6 CTRL RM OUT MAIN OUT PHONES Headphones Active Speakers (Mackie SRM450s) 1 U 2 EQ U 3/4 5/6 TAPE EQ U EQ U EQ HIGH 12kHz -15 +15 U HIGH 12kHz -15 +15...U -15 +15 U TAPE TO MIX LOW 80Hz LOW 80Hz LOW 80Hz LOW 80Hz MAIN L R IN OUT CD/TAPE INPUT/OUTPUT Drum Machine Mackie HR824 or other Active Studio Monitors LINE... IN LINE OUT MIC IN Headphones Note: Push down the TAPE TO CTRL RM/PHONES (18) switch to listen to the main mix. Do not press the TAPE TO MIX...
.../UNBAL R AUX SEND R R 0 1 GAIN 0 2 GAIN LINE 3/4 LINE 5/6 CTRL RM OUT MAIN OUT PHONES Headphones Active Speakers (Mackie SRM450s) 1 U 2 EQ U 3/4 5/6 TAPE EQ U EQ U EQ HIGH 12kHz -15 +15 U HIGH 12kHz -15 +15...U -15 +15 U TAPE TO MIX LOW 80Hz LOW 80Hz LOW 80Hz LOW 80Hz MAIN L R IN OUT CD/TAPE INPUT/OUTPUT Drum Machine Mackie HR824 or other Active Studio Monitors LINE... IN LINE OUT MIC IN Headphones Note: Push down the TAPE TO CTRL RM/PHONES (18) switch to listen to the main mix. Do not press the TAPE TO MIX...
Owners Manual
Page 8
...from the outside world to the left and a right. An auxiliary signal can be adjusted to monitors or processors (except Mix.50). MIC (MICROPHONE) INPUTS The MIX Series is glowing constantly, turn it is equipped with tube or ribbon microphones, as this handy LED flickers just ... stereo device (two cords), use both sides. 3. The GAIN control adjusts the input sensitivity of the mono channels' XLR MIC inputs (except Mix.50). GAIN CONTROL If you connect a microphone or line-level component to appear on XLR connectors. After you haven't already, please read "SET THE...
...from the outside world to the left and a right. An auxiliary signal can be adjusted to monitors or processors (except Mix.50). MIC (MICROPHONE) INPUTS The MIX Series is glowing constantly, turn it is equipped with tube or ribbon microphones, as this handy LED flickers just ... stereo device (two cords), use both sides. 3. The GAIN control adjusts the input sensitivity of the mono channels' XLR MIC inputs (except Mix.50). GAIN CONTROL If you connect a microphone or line-level component to appear on XLR connectors. After you haven't already, please read "SET THE...
Owners Manual
Page 9
...;ltering it out makes the low stuff you have EQ controls on all except Mix.50) In addition to the main mix output, the mixer provides an auxiliary mix, which you can set every control at U, and your mix levels near or beyond clipping. The mic/line channels have adjusted the input signal to... application except kick drum, bass guitar, bassy synth patches, or recordings of the channel to get mix mush, not to the aux mix, and sent out via the AUX SEND (26) jack. MID EQ (all except Mix.50) Turning this clockwise boosts the level of 80 Hz and below represent the punch in signal...
...;ltering it out makes the low stuff you have EQ controls on all except Mix.50) In addition to the main mix output, the mixer provides an auxiliary mix, which you can set every control at U, and your mix levels near or beyond clipping. The mic/line channels have adjusted the input signal to... application except kick drum, bass guitar, bassy synth patches, or recordings of the channel to get mix mush, not to the aux mix, and sent out via the AUX SEND (26) jack. MID EQ (all except Mix.50) Turning this clockwise boosts the level of 80 Hz and below represent the punch in signal...
Owners Manual
Page 10
... you can use the left , the right channel is tapped off after the LEVEL control. For the Mix.50, Mix.100, and Mix.120, connect the aux return signal to a finely-tuned mix. TAPE SECTION 14. AUX SEND (all the way up even a little, it 's usually a sign that your speakers and for the... This has the added benefit of providing a level control for the aux return signal, but most external processors have the LEVEL set all except Mix.50) The AUX SEND is the key to the inputs of a stage monitor amplifier via the STEREO AUX RETURN (13) inputs (on the...
... you can use the left , the right channel is tapped off after the LEVEL control. For the Mix.50, Mix.100, and Mix.120, connect the aux return signal to a finely-tuned mix. TAPE SECTION 14. AUX SEND (all the way up even a little, it 's usually a sign that your speakers and for the... This has the added benefit of providing a level control for the aux return signal, but most external processors have the LEVEL set all except Mix.50) The AUX SEND is the key to the inputs of a stage monitor amplifier via the STEREO AUX RETURN (13) inputs (on the...
Owners Manual
Page 11
...U SEND U SEND 5 U +15 +15 +15 +15 5 BAL BAL BAL BAL 10 20 PEAK PEAK PEAK PEAK L R L R L R L R 30 U LEVEL U LEVEL U LEVEL U LEVEL 40 50 60 OO +15 +15 +15 +15 Mix.120 Main Section 11 the CONTROL ROOM/PHONES (25/28) outputs when the TAPE TO CTRL RM/PHONES (16) switch is a chance...need a "Y-splitter" RCA adapter. Turn down this switch to the CD/TAPE inputs, push down the CTRL ROOM/ PHONES (21) control (just PHONES on the Mix.50) before engaging. 17. It turns a mono output cord into two cords, so both the right and left tape input jacks can be used.
...U SEND U SEND 5 U +15 +15 +15 +15 5 BAL BAL BAL BAL 10 20 PEAK PEAK PEAK PEAK L R L R L R L R 30 U LEVEL U LEVEL U LEVEL U LEVEL 40 50 60 OO +15 +15 +15 +15 Mix.120 Main Section 11 the CONTROL ROOM/PHONES (25/28) outputs when the TAPE TO CTRL RM/PHONES (16) switch is a chance...need a "Y-splitter" RCA adapter. Turn down this switch to the CD/TAPE inputs, push down the CTRL ROOM/ PHONES (21) control (just PHONES on the Mix.50) before engaging. 17. It turns a mono output cord into two cords, so both the right and left tape input jacks can be used.
Owners Manual
Page 12
... CTRL RM / CD/TAPE PHONES INPUT/OUTPUT FX TO CTRL ROOM 5/6 7/8 MAX CTRL ROOM/ PHONES 9/10 +15 AUX SEND 11/12 OL +6 20 0 -20 L R MAIN MIX dB 10 +4 -10 AUX +4 -10 AUX +4 -10 AUX +4 -10 AUX U SEND U SEND U SEND U SEND 5 23 U +15 +15 +15 +15 5 BAL BAL BAL ...BAL 10 20 PEAK PEAK PEAK PEAK L R L R L R L R 30 U LEVEL U LEVEL U LEVEL U LEVEL 40 50 60 OO 12 +15 +15 +15 +15 POWER LED This LED turns on . If you have four LEDs each, with tube or ribbon microphones, as...
... CTRL RM / CD/TAPE PHONES INPUT/OUTPUT FX TO CTRL ROOM 5/6 7/8 MAX CTRL ROOM/ PHONES 9/10 +15 AUX SEND 11/12 OL +6 20 0 -20 L R MAIN MIX dB 10 +4 -10 AUX +4 -10 AUX +4 -10 AUX +4 -10 AUX U SEND U SEND U SEND U SEND 5 23 U +15 +15 +15 +15 5 BAL BAL BAL ...BAL 10 20 PEAK PEAK PEAK PEAK L R L R L R L R 30 U LEVEL U LEVEL U LEVEL U LEVEL 40 50 60 OO 12 +15 +15 +15 +15 POWER LED This LED turns on . If you have four LEDs each, with tube or ribbon microphones, as...
Owners Manual
Page 13
...you've put on the headphones. CTRL ROOM OUT These 1/4" TRS jacks can be painfully loud with the CTRL ROOM/PHONE knob turned all except Mix.50) The Master AUX SEND knob provides overall control for example). Connect these jacks to capture the entire performance to the CONTROL ROOM (25) and ...that channel's signal appears at this 1/4" TRS output to the inputs of an external effects processor. On the Mix.50 and Mix.60, this jack is not used to provide another main mix output, or to monitor the CD/Tape Inputs (TAPE TO CTRL RM/PHONES switch pushed in ). The signal at ...
...you've put on the headphones. CTRL ROOM OUT These 1/4" TRS jacks can be painfully loud with the CTRL ROOM/PHONE knob turned all except Mix.50) The Master AUX SEND knob provides overall control for example). Connect these jacks to capture the entire performance to the CONTROL ROOM (25) and ...that channel's signal appears at this 1/4" TRS output to the inputs of an external effects processor. On the Mix.50 and Mix.60, this jack is not used to provide another main mix output, or to monitor the CD/Tape Inputs (TAPE TO CTRL RM/PHONES switch pushed in ). The signal at ...
Owners Manual
Page 14
.... A variety of models are available from their website at 150 milliamps. 30. Kensington Security Slot To help prevent theft, all the MIX Series mixers have a security slot designed to the MIX Series mixer first, then plug the power supply into a suitable and properly rated AC outlet. Please see page 2 for information...
.... A variety of models are available from their website at 150 milliamps. 30. Kensington Security Slot To help prevent theft, all the MIX Series mixers have a security slot designed to the MIX Series mixer first, then plug the power supply into a suitable and properly rated AC outlet. Please see page 2 for information...
Owners Manual
Page 15
...your name, shipping address (no POWER switch. • Is the external power supply securely plugged into the POWER connector on the back of the Mix Series mixer? • Is the external power supply plugged into it 's either that is plugged into an AC power strip? This paragraph does ...Tech Support will be refused. 7. We'll try switching them around times when you call for a warranty repair. Bad Output • IS the MAIN MIX control turned up exactly like the suspect channel. If the left and right cords, at a factoryauthorized service center. Have your TAPCO Mixer? We don't ...
...your name, shipping address (no POWER switch. • Is the external power supply securely plugged into the POWER connector on the back of the Mix Series mixer? • Is the external power supply plugged into it 's either that is plugged into an AC power strip? This paragraph does ...Tech Support will be refused. 7. We'll try switching them around times when you call for a warranty repair. Bad Output • IS the MAIN MIX control turned up exactly like the suspect channel. If the left and right cords, at a factoryauthorized service center. Have your TAPCO Mixer? We don't ...
Owners Manual
Page 17
... @ +4 dBu output Noise 20 Hz to 20 kHz BW (150Ω source impedance) Equivalent Input Noise (EIN): -129 dBu Residual Output Noise: Channel and Main Mix levels off Main, Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs ...90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...
... @ +4 dBu output Noise 20 Hz to 20 kHz BW (150Ω source impedance) Equivalent Input Noise (EIN): -129 dBu Residual Output Noise: Channel and Main Mix levels off Main, Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs ...90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...
Owners Manual
Page 18
... RM OUT MAIN OUT PHONES WEIGHT 1.6 lb/ 0.7 kg WEIGHT 2.7 lb/ 1.2 kg Physical Dimensions and Weight Mix.50 Height: Width: Depth: Weight: 1.6 in/41 mm 5.2 in/133 mm 8.0 in/203 mm 1.6 lb/0.7 kg Mix.60 Height: Width: Depth: Weight: 1.6 in/41 mm 7.4 in/188 mm 9.9 in/252 mm 2.7 lb...PARTS INSIDE. 1.6 in/ 41 mm 8.0 in/203 mm 9.9 in the "Quadruple Planetary Mixers" category. All Rights Reserved. The TAPCO Mix mixers were recently accidentally awarded first prize by incorporating new and improved materials, components, and manufacturing methods, we are hereby acknowledged. ...
... RM OUT MAIN OUT PHONES WEIGHT 1.6 lb/ 0.7 kg WEIGHT 2.7 lb/ 1.2 kg Physical Dimensions and Weight Mix.50 Height: Width: Depth: Weight: 1.6 in/41 mm 5.2 in/133 mm 8.0 in/203 mm 1.6 lb/0.7 kg Mix.60 Height: Width: Depth: Weight: 1.6 in/41 mm 7.4 in/188 mm 9.9 in/252 mm 2.7 lb...PARTS INSIDE. 1.6 in/ 41 mm 8.0 in/203 mm 9.9 in the "Quadruple Planetary Mixers" category. All Rights Reserved. The TAPCO Mix mixers were recently accidentally awarded first prize by incorporating new and improved materials, components, and manufacturing methods, we are hereby acknowledged. ...
Owners Manual
Page 19
LEFT MAIN BUS RIGHT MAIN BUS Block Diagram Mix.50 19 MONO CHANNEL MIC IN LINE IN GAIN LOW HIGH PEAK LEVEL 80 12K SHELVING EQ PAN L R STEREO CHANNELS 2/3 and 4/5 LINE IN LEFT (MONO) LINE IN RIGHT TAPCO MIX.50 BLOCK DIAGRAM 05.09.05 LEVEL PAN L R L MAIN MIX R METERS AND PATENTED HAMPSTER HYPNOTIZER TAPE TO PHONES TAPE TO MIX PHONES LEFT MAIN MIX OUT RIGHT MAIN MIX OUT LEFT CD/TAPE OUT RIGHT LEFT CD/TAPE IN RIGHT HEADPHONE OUTPUT
LEFT MAIN BUS RIGHT MAIN BUS Block Diagram Mix.50 19 MONO CHANNEL MIC IN LINE IN GAIN LOW HIGH PEAK LEVEL 80 12K SHELVING EQ PAN L R STEREO CHANNELS 2/3 and 4/5 LINE IN LEFT (MONO) LINE IN RIGHT TAPCO MIX.50 BLOCK DIAGRAM 05.09.05 LEVEL PAN L R L MAIN MIX R METERS AND PATENTED HAMPSTER HYPNOTIZER TAPE TO PHONES TAPE TO MIX PHONES LEFT MAIN MIX OUT RIGHT MAIN MIX OUT LEFT CD/TAPE OUT RIGHT LEFT CD/TAPE IN RIGHT HEADPHONE OUTPUT
Owners Manual
Page 20
LEFT MAIN BUS RIGHT MAIN BUS AUX BUS Block Diagram Mix.60 20 MONO CHANNELS 1 and 2 PHANTOM +48 VDC GAIN LOW MID HIGH PEAK LEVEL MIC IN LINE IN 80 2.5K 12K EQ PAN L R AUX STEREO ... LEFT (MONO) AUX RETURN RIGHT AUX RETURN TO MAIN MIX PAN L R AUX L R TAPCO MIX.60 BLOCK DIAGRAM 05.09.05 L MAIN MIX R METERS AND PATENTED HAMPSTER HYPNOTIZER TAPE TO CTRL RM/ PHONES TAPE TO MIX CONTROL ROOM/ PHONES LEVEL LEFT MAIN MIX OUT RIGHT MAIN MIX OUT LEFT CD/TAPE OUT RIGHT LEFT CD/TAPE IN...
LEFT MAIN BUS RIGHT MAIN BUS AUX BUS Block Diagram Mix.60 20 MONO CHANNELS 1 and 2 PHANTOM +48 VDC GAIN LOW MID HIGH PEAK LEVEL MIC IN LINE IN 80 2.5K 12K EQ PAN L R AUX STEREO ... LEFT (MONO) AUX RETURN RIGHT AUX RETURN TO MAIN MIX PAN L R AUX L R TAPCO MIX.60 BLOCK DIAGRAM 05.09.05 L MAIN MIX R METERS AND PATENTED HAMPSTER HYPNOTIZER TAPE TO CTRL RM/ PHONES TAPE TO MIX CONTROL ROOM/ PHONES LEVEL LEFT MAIN MIX OUT RIGHT MAIN MIX OUT LEFT CD/TAPE OUT RIGHT LEFT CD/TAPE IN...