Spec Sheet
Page 1
... Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs or Input to Output: -90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low... ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...
... Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs or Input to Output: -90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low... ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...
Owners Manual
Page 6
... small-project studio applications. It had the headroom to virtually anyone. In essence, TAPCO re-defined the price performance ratio and made that last one up, but we made high-quality professional audio mixers accessible to handle screaming singers, was truly innovative...TAPCO Corporation, Greg Mackie's first company. These compact mixers are perfect for its time. HERE'S A QUICK GLANCE AT ALL THE FEATURES PACKED INTO THESE MIXERS: Mono mic/line channels: • Variable input trim (0 to +50 dB) • Phantom power, globally switched (except Mix.50) • ...
... small-project studio applications. It had the headroom to virtually anyone. In essence, TAPCO re-defined the price performance ratio and made that last one up, but we made high-quality professional audio mixers accessible to handle screaming singers, was truly innovative...TAPCO Corporation, Greg Mackie's first company. These compact mixers are perfect for its time. HERE'S A QUICK GLANCE AT ALL THE FEATURES PACKED INTO THESE MIXERS: Mono mic/line channels: • Variable input trim (0 to +50 dB) • Phantom power, globally switched (except Mix.50) • ...
Owners Manual
Page 12
... occurs, but you the best overall signal-to keep your speakers. For best real-world results, try to -noise ratio for your meters are battery-powered). TAPE MAIN L 15 TAPE TO MIX 14 27 16 17 19 PHANTOM 48V 21 18 POWER U 22 R TAPE TO IN OUT CTRL RM / CD/... U SEND U SEND U SEND 5 23 U +15 +15 +15 +15 5 BAL BAL BAL BAL 10 20 PEAK PEAK PEAK PEAK L R L R L R L R 30 U LEVEL U LEVEL U LEVEL U LEVEL 40 50 60 OO 12 +15 +15 +15 +15 Phantom power is pushed in your peaks between -20 and +6 dB. METERS These left and right meters have...
... occurs, but you the best overall signal-to keep your speakers. For best real-world results, try to -noise ratio for your meters are battery-powered). TAPE MAIN L 15 TAPE TO MIX 14 27 16 17 19 PHANTOM 48V 21 18 POWER U 22 R TAPE TO IN OUT CTRL RM / CD/... U SEND U SEND U SEND 5 23 U +15 +15 +15 +15 5 BAL BAL BAL BAL 10 20 PEAK PEAK PEAK PEAK L R L R L R L R 30 U LEVEL U LEVEL U LEVEL U LEVEL 40 50 60 OO 12 +15 +15 +15 +15 Phantom power is pushed in your peaks between -20 and +6 dB. METERS These left and right meters have...
Owners Manual
Page 17
... Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs or Input to Output: -90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low... ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...
... Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs or Input to Output: -90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low... ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...