Spec Sheet
Page 1
... Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs or Input to Output: -90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low... ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...
... Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs or Input to Output: -90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low... ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...
Owners Manual
Page 6
... horsepower of TAPCO Corporation, Greg Mackie's first company. INTRODUCTION Thank you for keyboards and rock 'N' roll PA. These compact mixers are perfect for next time Master section: • Rotary stereo Main Mix control (Mix.50/Mix.60) • 60mm fader Main Mix control (Mix.100/Mix.120) • Balanced 1/4" TRS... • 4-segment stereo LED VU metering • 1/4" TRS Aux Send with rotary level control (except Mix.50) 6 In essence, TAPCO re-defined the price performance ratio and made that last one up, but we can pencil it in for small to the days of LOUD...
... horsepower of TAPCO Corporation, Greg Mackie's first company. INTRODUCTION Thank you for keyboards and rock 'N' roll PA. These compact mixers are perfect for next time Master section: • Rotary stereo Main Mix control (Mix.50/Mix.60) • 60mm fader Main Mix control (Mix.100/Mix.120) • Balanced 1/4" TRS... • 4-segment stereo LED VU metering • 1/4" TRS Aux Send with rotary level control (except Mix.50) 6 In essence, TAPCO re-defined the price performance ratio and made that last one up, but we can pencil it in for small to the days of LOUD...
Owners Manual
Page 12
... CTRL ROOM 5/6 7/8 MAX CTRL ROOM/ PHONES 9/10 +15 AUX SEND 11/12 OL +6 20 0 -20 L R MAIN MIX dB 10 +4 -10 AUX +4 -10 AUX +4 -10 AUX +4 -10 AUX U SEND U SEND U SEND U SEND ...10 20 PEAK PEAK PEAK PEAK L R L R L R L R 30 U LEVEL U LEVEL U LEVEL U LEVEL 40 50 60 OO 12 +15 +15 +15 +15 Phantom power is required to help you should turn on when the mixer's power ...10 dB, and some condenser microphones are too low, then your signal-to -noise ratio for your amplifier's level controls for optimum performance without distortion or noise. Then...
... CTRL ROOM 5/6 7/8 MAX CTRL ROOM/ PHONES 9/10 +15 AUX SEND 11/12 OL +6 20 0 -20 L R MAIN MIX dB 10 +4 -10 AUX +4 -10 AUX +4 -10 AUX +4 -10 AUX U SEND U SEND U SEND U SEND ...10 20 PEAK PEAK PEAK PEAK L R L R L R L R 30 U LEVEL U LEVEL U LEVEL U LEVEL 40 50 60 OO 12 +15 +15 +15 +15 Phantom power is required to help you should turn on when the mixer's power ...10 dB, and some condenser microphones are too low, then your signal-to -noise ratio for your amplifier's level controls for optimum performance without distortion or noise. Then...
Owners Manual
Page 17
... Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs or Input to Output: -90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low... ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...
... Ctrl Room, Phones: -106 dBu Common Mode Rejection Ratio (CMRR) Mic In: 60 dB @ 1 kHz Gain @ maximum Crosstalk Adjacent Inputs or Input to Output: -90 dB @ 1 kHz Input Gain Control Range 0 dB to +50 dB Phantom Power +48 VDC Equalization Mono Channel EQ (Mix.50 only): High ±15 dB @ 12 kHz Low... ±15 dB @ 80 Hz Mono Channel EQ (Mix.60, Mix.100, Mix.120) Stereo Channel EQ (Mix.60): High ±15 dB @ 12 kHz Mid ±...