Owner's Manual (image)
Page 5
... 3-2 PW4000 Power Supply Specifications 3-3 PM4000 Input Characteristics 3-3 PM4000 Output Characteristics 3-4 Dimensional Drawings 3-7 Block Diagrams Section 4. or Post-ON Switch 6-8 6.7 Stereo Input Channel Insert In/Out Jacks: Pre-EQ or Post-EQ 6-9 6.8 Stereo Input Channel Aux Sends: Pre Fader & EQ or Pre Fader/Post EQ 6-10 6.9 Stereo Input Channel Aux Sends 1-8: L+R Blend or Stereo Pairs 6-11 6.10 Stereo Input Channel Stereo Aux Sends 1 & 2: L+R Blend or Stereo Pairs 6-12 6.11 Stereo Input Channel Feed to Monitor Module ST IN 3 or ST IN 4 6-13 6.12 Phase Switch Function: Change Polarity of...
... 3-2 PW4000 Power Supply Specifications 3-3 PM4000 Input Characteristics 3-3 PM4000 Output Characteristics 3-4 Dimensional Drawings 3-7 Block Diagrams Section 4. or Post-ON Switch 6-8 6.7 Stereo Input Channel Insert In/Out Jacks: Pre-EQ or Post-EQ 6-9 6.8 Stereo Input Channel Aux Sends: Pre Fader & EQ or Pre Fader/Post EQ 6-10 6.9 Stereo Input Channel Aux Sends 1-8: L+R Blend or Stereo Pairs 6-11 6.10 Stereo Input Channel Stereo Aux Sends 1 & 2: L+R Blend or Stereo Pairs 6-12 6.11 Stereo Input Channel Feed to Monitor Module ST IN 3 or ST IN 4 6-13 6.12 Phase Switch Function: Change Polarity of...
Owner's Manual (image)
Page 6
... Pre-Mix Scenes 7-10 7.2.5 Understanding and Use of 16 Subgroups 8-7 8.2.5 Using More Than One VCA Master to Control the Same Input Channels In Order To Handle Overlapping Scenes Section 9. Maintenance 9-l 9.1 Cleaning The Console 9-1 9.1.1 The Console and Power Supply Exterior 9-1 9.1.2 Power Supply Air Filters 9-1 9.1.3 Pots And Faders 9-1 9.1.4 The Console Interior 9-2 9.2 Meter Lamp Replacement 9-2 9.3 Where To Check If There Is No Output 9-3 9.4 What To Do In Case of the VCA Masters and Mute Groups Section 7. Title Section 8. Operating...
... Pre-Mix Scenes 7-10 7.2.5 Understanding and Use of 16 Subgroups 8-7 8.2.5 Using More Than One VCA Master to Control the Same Input Channels In Order To Handle Overlapping Scenes Section 9. Maintenance 9-l 9.1 Cleaning The Console 9-1 9.1.1 The Console and Power Supply Exterior 9-1 9.1.2 Power Supply Air Filters 9-1 9.1.3 Pots And Faders 9-1 9.1.4 The Console Interior 9-2 9.2 Meter Lamp Replacement 9-2 9.3 Where To Check If There Is No Output 9-3 9.4 What To Do In Case of the VCA Masters and Mute Groups Section 7. Title Section 8. Operating...
Owner's Manual (image)
Page 8
... mono or stereo mixes can be used ... Metering can be raised or lowered by means of clipping. Optional input transformers may be switched to dual mono busses, for a total of foldback send (stage monitor), effects send and remote mixes. with channel faders set controls. There are available in a subgrouped mode with level detection at nominal level. rectly set at several stages. The PM4000 Mix Matrix is available with independent stereo and multi-channel output mixes. Input channel signals may be installed internally...
... mono or stereo mixes can be used ... Metering can be raised or lowered by means of clipping. Optional input transformers may be switched to dual mono busses, for a total of foldback send (stage monitor), effects send and remote mixes. with channel faders set controls. There are available in a subgrouped mode with level detection at nominal level. rectly set at several stages. The PM4000 Mix Matrix is available with independent stereo and multi-channel output mixes. Input channel signals may be installed internally...
Owner's Manual (image)
Page 9
... different functions at different times without patching cables. An excellent feature of the PM4000 is a CUE/SOLO switch on every input channel and on the aux returns, and a CUE switch on every auxiliary send, the group outputs, the matrix outputs and the Figure 1-1. The MASTER MUTE function facilitates scene changes and complex cues. Because the VCA Master levels are via a rear panel connector, so automation here, too, is possible. For added flexibility, the INSERT in console), Stereo Input (at...
... different functions at different times without patching cables. An excellent feature of the PM4000 is a CUE/SOLO switch on every input channel and on the aux returns, and a CUE switch on every auxiliary send, the group outputs, the matrix outputs and the Figure 1-1. The MASTER MUTE function facilitates scene changes and complex cues. Because the VCA Master levels are via a rear panel connector, so automation here, too, is possible. For added flexibility, the INSERT in console), Stereo Input (at...
Owner's Manual (image)
Page 10
... phantom power) can be muted and any of them. In this top quality mixing console. Annunciator lights signal the operator whether the console is in this manual, and you are used the PM3000, or even a PM2000, should immediately feel comfortable with the TALKBACK switch. Pink noise may at first intimidate the casual console operator, the PM4000 is adjustable. The specifications are engaged. Multiple rear-mounted cooling fans reduce internal temperatures...
... phantom power) can be muted and any of them. In this top quality mixing console. Annunciator lights signal the operator whether the console is in this manual, and you are used the PM3000, or even a PM2000, should immediately feel comfortable with the TALKBACK switch. Pink noise may at first intimidate the casual console operator, the PM4000 is adjustable. The specifications are engaged. Multiple rear-mounted cooling fans reduce internal temperatures...
Owner's Manual (image)
Page 13
... non-phantom powered microphones or line-level devices, connection of the channel's XLR input connector. An LED in use. HIGH (Peak/Shelf) This locking switch selects peaking type EQ (switch out) or shelving type EQ (switch engaged). A setting of -70 (full clockwise rotation) provides maximum gain for low-level mic inputs, whereas a setting of 15 dB boost and 15 dB cut in creating electroacoustic special effects by mixing together out-ofphase signals from...
... non-phantom powered microphones or line-level devices, connection of the channel's XLR input connector. An LED in use. HIGH (Peak/Shelf) This locking switch selects peaking type EQ (switch out) or shelving type EQ (switch engaged). A setting of -70 (full clockwise rotation) provides maximum gain for low-level mic inputs, whereas a setting of 15 dB boost and 15 dB cut in creating electroacoustic special effects by mixing together out-ofphase signals from...
Owner's Manual (image)
Page 17
... console operator may , therefore, also be replaced by the input cue signal(s). pressing it further locks it is affected by pressing the corresponding CUE switches. Engaging this switch ensures the channel will depend on so long as one or more group busses by means of 27 output mixes (Group 1-8, Matrix 1-8, Aux Send 1-8, Aux Stereo 1 and 2, or Stereo L & R) by the Input PAD, GAIN control, Filter, channel EQ, and anything connected between the channel's INSERT IN and OUT jacks (if the INSERT switch...
... console operator may , therefore, also be replaced by the input cue signal(s). pressing it further locks it is affected by pressing the corresponding CUE switches. Engaging this switch ensures the channel will depend on so long as one or more group busses by means of 27 output mixes (Group 1-8, Matrix 1-8, Aux Send 1-8, Aux Stereo 1 and 2, or Stereo L & R) by the Input PAD, GAIN control, Filter, channel EQ, and anything connected between the channel's INSERT IN and OUT jacks (if the INSERT switch...
Owner's Manual (image)
Page 23
... other channels. Engag- Solo Mute Defeat Switch When the console is engaged, muting relays in SOLO mode and any auxiliary feeds which means the channel output is used for the stereo module. The Fader does not pass audio, but the soloed channel(s) turn off the other input channels, and only the input channel(s) whose CUE/ SOLO switch is engaged will always be controlled remotely from -20 dB u to the 8 group mixing busses, the stereo bus...
... other channels. Engag- Solo Mute Defeat Switch When the console is engaged, muting relays in SOLO mode and any auxiliary feeds which means the channel output is used for the stereo module. The Fader does not pass audio, but the soloed channel(s) turn off the other input channels, and only the input channel(s) whose CUE/ SOLO switch is engaged will always be controlled remotely from -20 dB u to the 8 group mixing busses, the stereo bus...
Owner's Manual (image)
Page 39
... channel mainframes, and four on to change is +4 dBu (1.23 V). 106. There are supplied with the console. Nominal output and input level is not to be used , pin 3 is the 12 volt supply, and pin 4 is a split control, the sensitivity of the channel input gain control and 30 dB pad switch. Refer to +4 dBu depending on mainframe size, distributed across the rear panel. INSERT R OUT, INSERT R IN (Jacks) These phone jacks...
... channel mainframes, and four on to change is +4 dBu (1.23 V). 106. There are supplied with the console. Nominal output and input level is not to be used , pin 3 is the 12 volt supply, and pin 4 is a split control, the sensitivity of the channel input gain control and 30 dB pad switch. Refer to +4 dBu depending on mainframe size, distributed across the rear panel. INSERT R OUT, INSERT R IN (Jacks) These phone jacks...
Owner's Manual (image)
Page 44
... program audio input or some other console's operator. 135. Assuming the TB OUT switch is on, this output is on [67], and the OSC LEVEL control [69] must be used for echo/effects sends, for stage foldback (stage monitors), for Pin ID) Page 2-33 MONITOR OUTPUT A (L, R) This pair of XLR connectors output the Monitor B selected signal. OSC OUT This male XLR connector outputs signal from the console's external power supply (Model PW4000). DC POWER INPUT This multi-pin, locking...
... program audio input or some other console's operator. 135. Assuming the TB OUT switch is on, this output is on [67], and the OSC LEVEL control [69] must be used for echo/effects sends, for stage foldback (stage monitors), for Pin ID) Page 2-33 MONITOR OUTPUT A (L, R) This pair of XLR connectors output the Monitor B selected signal. OSC OUT This male XLR connector outputs signal from the console's external power supply (Model PW4000). DC POWER INPUT This multi-pin, locking...
Owner's Manual (image)
Page 84
... use only the controls on the equalizer so that its marked "nominal" setting, and adjust the channel Gain so that the channel's LED meter read zero. in level without exceeding the maximum level capability of the program to the Post-Fader mode (MTR PRE switch [20] disengaged. NOTE: If the graphic equalizer is placed in the console's group or stereo INSERT IN/OUT loop, the nominal sensitivity of the input...
... use only the controls on the equalizer so that its marked "nominal" setting, and adjust the channel Gain so that the channel's LED meter read zero. in level without exceeding the maximum level capability of the program to the Post-Fader mode (MTR PRE switch [20] disengaged. NOTE: If the graphic equalizer is placed in the console's group or stereo INSERT IN/OUT loop, the nominal sensitivity of the input...
Owner's Manual (image)
Page 107
... nominal input level ranges from -90 dBu (0.025 mV) minimum to correct this manual, we feel require special attention, or where a better understanding of the meter LEDs are optimum, is too high in level (too "hot") at a very low level during an actual program mix, as the nominal level. Sometimes a group or master fader can be increased by residual noise. Section 7. According to the console...
... nominal input level ranges from -90 dBu (0.025 mV) minimum to correct this manual, we feel require special attention, or where a better understanding of the meter LEDs are optimum, is too high in level (too "hot") at a very low level during an actual program mix, as the nominal level. Sometimes a group or master fader can be increased by residual noise. Section 7. According to the console...
Owner's Manual (image)
Page 108
... Aux Send Master Settings It is at the nominal position will adjust all Group Master Faders (if the Group-to-Stereo switches are to be applied directly to the channel Fader, depending instead only on excessively. Lower all the inputs that the PEAK LED does not flash on the AUX control setting. Lower the GAIN only enough so that feed a given aux bus to either reduce the EQ boost setting in the mix. Monitor that bus mix...
... Aux Send Master Settings It is at the nominal position will adjust all Group Master Faders (if the Group-to-Stereo switches are to be applied directly to the channel Fader, depending instead only on excessively. Lower all the inputs that the PEAK LED does not flash on the AUX control setting. Lower the GAIN only enough so that feed a given aux bus to either reduce the EQ boost setting in the mix. Monitor that bus mix...
Owner's Manual (image)
Page 110
... VCA Master Fader(s) combine with one VCA in all Group Master levels or minor adjustments of "submaster" control, more input channel VCA Assign switches are added to use the VCA system. With this VCA approach over a longer, more opportunity for the fixed insertion loss of these voltages determine the channel's VCA gain. The audio signal in a conventional console configuration. Page 7-4 If the signal path becomes complex, with the channel fader output voltage...
... VCA Master Fader(s) combine with one VCA in all Group Master levels or minor adjustments of "submaster" control, more input channel VCA Assign switches are added to use the VCA system. With this VCA approach over a longer, more opportunity for the fixed insertion loss of these voltages determine the channel's VCA gain. The audio signal in a conventional console configuration. Page 7-4 If the signal path becomes complex, with the channel fader output voltage...
Owner's Manual (image)
Page 111
..." is assigned directly to the stereo bus using conventional Group Master Faders, VCA Master Faders were used to the same drum microphones, plus any percussion and guitar mics. say the backup vocal mics. If the several group mixing busses. VCA Master Fader grouping is controlling the post-fader AUX SEND levels from groups of signals must be assigned to combine those channels are assigned will act like a Group-to-Stereo fader. Whether one were to use conventional groups to control scenes, sets or songs, a given input channel might also...
..." is assigned directly to the stereo bus using conventional Group Master Faders, VCA Master Faders were used to the same drum microphones, plus any percussion and guitar mics. say the backup vocal mics. If the several group mixing busses. VCA Master Fader grouping is controlling the post-fader AUX SEND levels from groups of signals must be assigned to combine those channels are assigned will act like a Group-to-Stereo fader. Whether one were to use conventional groups to control scenes, sets or songs, a given input channel might also...
Owner's Manual (image)
Page 115
... house speakers. Instead, the tape recorder outputs can be used . 7.2.4.2 Using The Matrix Sub Inputs For Effects The eight MTRX SUB IN connectors [110] on the rear panel apply signal directly to feed a multitrack tape recorder. Or you can always use up the MTRX MASTER controls. If the PM4000 internal slide switches are reset so that is too high in all outputs, only one matrix mix level control, corresponding to use the MTRX MASTER controls, in re-establishing program levels...
... house speakers. Instead, the tape recorder outputs can be used . 7.2.4.2 Using The Matrix Sub Inputs For Effects The eight MTRX SUB IN connectors [110] on the rear panel apply signal directly to feed a multitrack tape recorder. Or you can always use up the MTRX MASTER controls. If the PM4000 internal slide switches are reset so that is too high in all outputs, only one matrix mix level control, corresponding to use the MTRX MASTER controls, in re-establishing program levels...
Owner's Manual (image)
Page 116
... pink noise into the mix "on a given input channel, that channel becomes subject to control by the correspondingly numbered MUTE MASTER switch [76]. When one pair of the Stereo mix, blending these switches is likely that any assortment of The Master Mute Function. Specifically, when the MUTE MASTER switch is engaged, then the assigned input channel(s) turn , feed the matrix, it , is driven by releasing the MUTE MASTER switch. You can use an external distribution amplifier (D.A.) which provides separate, buffered outputs from...
... pink noise into the mix "on a given input channel, that channel becomes subject to control by the correspondingly numbered MUTE MASTER switch [76]. When one pair of the Stereo mix, blending these switches is likely that any assortment of The Master Mute Function. Specifically, when the MUTE MASTER switch is engaged, then the assigned input channel(s) turn , feed the matrix, it , is driven by releasing the MUTE MASTER switch. You can use an external distribution amplifier (D.A.) which provides separate, buffered outputs from...
Owner's Manual (image)
Page 120
... output mixes can be fed to those stereo input channels. All inputs and bus outputs are balanced, low impedance circuits so long lines can used for theatrical sound reinforcement. Eight group masters, eight separate VCA groups, and eight Master Mute groups together enable the console operator to monitor the console outputs while working in "mixer within a console." Speaking of a single switch. If a simultaneous recording is the 11x8 mix matrix, a built-in an isolated booth - An important feature of the PM4000...
... output mixes can be fed to those stereo input channels. All inputs and bus outputs are balanced, low impedance circuits so long lines can used for theatrical sound reinforcement. Eight group masters, eight separate VCA groups, and eight Master Mute groups together enable the console operator to monitor the console outputs while working in "mixer within a console." Speaking of a single switch. If a simultaneous recording is the 11x8 mix matrix, a built-in an isolated booth - An important feature of the PM4000...
Owner's Manual (image)
Page 121
... uses more live mixes of mics, instruments and pre-recorded sources for recording. With its matrix sub inputs can create live music, more pre-recorded sources, and more tracks must be used to augment the group masters. The stereo bus can be assigned to some of headphone outputs, make monitoring more "listenable" reference monitoring or foldback. Its many video sound production requirements. In film work, for many inputs can be switched to handle virtually any case, the PM4000...
... uses more live mixes of mics, instruments and pre-recorded sources for recording. With its matrix sub inputs can create live music, more pre-recorded sources, and more tracks must be used to augment the group masters. The stereo bus can be assigned to some of headphone outputs, make monitoring more "listenable" reference monitoring or foldback. Its many video sound production requirements. In film work, for many inputs can be switched to handle virtually any case, the PM4000...
Owner's Manual (image)
Page 129
... INSERT IN jack A phantom powered condenser microphone or direct box is connected to B and vice-versa) or not connected. Turn On the channel. Power is set to minimum level (down ). tions work at the Group, Stereo, Aux or Matrix and GAIN controls are set to mute mode. These techniques should not require replacement. its umbilical cables both are properly connected. Disengage the MASTER MUTE switch, or the affected input channel MUTE switch(es). The affected input channel(s) have VCA assign switches engaged, and the remote VCA/MUTE connection...
... INSERT IN jack A phantom powered condenser microphone or direct box is connected to B and vice-versa) or not connected. Turn On the channel. Power is set to minimum level (down ). tions work at the Group, Stereo, Aux or Matrix and GAIN controls are set to mute mode. These techniques should not require replacement. its umbilical cables both are properly connected. Disengage the MASTER MUTE switch, or the affected input channel MUTE switch(es). The affected input channel(s) have VCA assign switches engaged, and the remote VCA/MUTE connection...