Owner's Manual
Page 5
...information and a glossary. Even more importantly, you can mixdown into stereo using the MT50's flexible mixer, with EQ, pan, and an aux send for choosing the Yamaha MT50 Multitrack Cassette Recorder. The MT50 uses only one side of recording time. Approx. 22.5 min. 60 min. ... speed of Carillon Electronics Corporation.. "Chapter 3: Basic Recording" explains basic setup and the power-on a patent license from THAT Corporation. MT50 User's Guide A standard hi-fi cassette recorder uses only two tracks (i.e., left and right) and both tracks are recorded simultaneously. ...
...information and a glossary. Even more importantly, you can mixdown into stereo using the MT50's flexible mixer, with EQ, pan, and an aux send for choosing the Yamaha MT50 Multitrack Cassette Recorder. The MT50 uses only one side of recording time. Approx. 22.5 min. 60 min. ... speed of Carillon Electronics Corporation.. "Chapter 3: Basic Recording" explains basic setup and the power-on a patent license from THAT Corporation. MT50 User's Guide A standard hi-fi cassette recorder uses only two tracks (i.e., left and right) and both tracks are recorded simultaneously. ...
Owner's Manual
Page 6
... so you can record over the initial tracks, and perhaps repeat the process. Are Four Tracks Enough? The MT50 is a physical strip on a tape. These modules control four separate mixer channels with the placement of identical controls. Using this incredible capability in a compact, portable unit that sounds good...unit is no need to record input module 1 to track 1 on a tape and mix them together later, making adjustments to the entire mix MT50 User's Guide input 1 can also transfer recorded takes from any input to any track on the tape. (In other words, an appropriate acoustic...
... so you can record over the initial tracks, and perhaps repeat the process. Are Four Tracks Enough? The MT50 is a physical strip on a tape. These modules control four separate mixer channels with the placement of identical controls. Using this incredible capability in a compact, portable unit that sounds good...unit is no need to record input module 1 to track 1 on a tape and mix them together later, making adjustments to the entire mix MT50 User's Guide input 1 can also transfer recorded takes from any input to any track on the tape. (In other words, an appropriate acoustic...
Owner's Manual
Page 33
input level: -56 dB (gain control MIC, fader max) Max. MT50 User's Guide All specifications subject to STEREO OUT: 70 dB, IHF-A (GAIN: LINE) LOW: ±12 dB, 80 Hz, shelving HIGH: ±12 dB, 12 ...fications General Specifications Tape Transport Tape Type Track Format Head System Motor Tape Speed Pitch Control Wow & Flutter Rewind Time Frequency Response Mixer Specs S/N Ratio Recorder Specs EQ Frequency Response S/N Ratio (@3% THD) Distortion Erasure Ratio Noise Reduction MIC/LINE Connections General AUX RETURN L/R STEREO OUT L/R AUX SEND MONITOR...
input level: -56 dB (gain control MIC, fader max) Max. MT50 User's Guide All specifications subject to STEREO OUT: 70 dB, IHF-A (GAIN: LINE) LOW: ±12 dB, 80 Hz, shelving HIGH: ±12 dB, 12 ...fications General Specifications Tape Transport Tape Type Track Format Head System Motor Tape Speed Pitch Control Wow & Flutter Rewind Time Frequency Response Mixer Specs S/N Ratio Recorder Specs EQ Frequency Response S/N Ratio (@3% THD) Distortion Erasure Ratio Noise Reduction MIC/LINE Connections General AUX RETURN L/R STEREO OUT L/R AUX SEND MONITOR...
