Owner's Manual
Page 1
MIXER MELANGEUR MISCHPULTE MEZCLA Operation Manual Manuel d'instructions Bedienungsanleitung Manual de Operación MIC IN 1 2 3 4 5 6 LINE IN 1 2 3 4 5 6 7L MONO 8R LINE IN 9L MONO 10R 11L MONO 12R SUB IN +4dB TAPE IN -10dBV REC OUT -10dBV ST OUT +4dB L L L L R R AUX RETURN -10dB R R AUX SEND +4dB MONI OUT +4dB 13L 1L 2L 1 L MONO MONO MONO 14R 1R 2R 2 R -14 +10 GAIN -60 -36 -14 +10 GAIN -60 -36 -14 +10 GAIN -60 -36...
MIXER MELANGEUR MISCHPULTE MEZCLA Operation Manual Manuel d'instructions Bedienungsanleitung Manual de Operación MIC IN 1 2 3 4 5 6 LINE IN 1 2 3 4 5 6 7L MONO 8R LINE IN 9L MONO 10R 11L MONO 12R SUB IN +4dB TAPE IN -10dBV REC OUT -10dBV ST OUT +4dB L L L L R R AUX RETURN -10dB R R AUX SEND +4dB MONI OUT +4dB 13L 1L 2L 1 L MONO MONO MONO 14R 1R 2R 2 R -14 +10 GAIN -60 -36 -14 +10 GAIN -60 -36 -14 +10 GAIN -60 -36...
Owner's Manual
Page 2
... E or by YAMAHA CANADA MUSIC LTD. NOTE: This product has been tested and found to be connected to products distributed by the interference Utilize power outlets that interference will not result in your use only high quality shielded cables. CANADA THIS DIGITAL APPARATUS DOES NOT EXCEED THE "CLASS B" LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE...
... E or by YAMAHA CANADA MUSIC LTD. NOTE: This product has been tested and found to be connected to products distributed by the interference Utilize power outlets that interference will not result in your use only high quality shielded cables. CANADA THIS DIGITAL APPARATUS DOES NOT EXCEED THE "CLASS B" LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE...
Owner's Manual
Page 4
... und/ oder 87/308/EWG. YAMAHA CORPORATION IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT: The wires in this mains lead are coloured in accordance with the following code: BLUE BROWN : NEUTRAL : LIVE...YAMAHA KEMBLE MUSIC (U.K.) LTD. Dit produkt is gefabriceerd in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the coloured markings identifying the terminals in overeenstemming met de radiostoringsvoorschriften van de Richtlijn van de Raad (82/499/ EEG). Cet appareil est conforme aux...
... und/ oder 87/308/EWG. YAMAHA CORPORATION IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT: The wires in this mains lead are coloured in accordance with the following code: BLUE BROWN : NEUTRAL : LIVE...YAMAHA KEMBLE MUSIC (U.K.) LTD. Dit produkt is gefabriceerd in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the coloured markings identifying the terminals in overeenstemming met de radiostoringsvoorschriften van de Richtlijn van de Raad (82/499/ EEG). Cet appareil est conforme aux...
Owner's Manual
Page 5
... 1 Control panel 2 Channel control section (mono input section 2 (Stereo input section 3 Master control section 4 Panel 6 Application Example 7 Specifications 8 General Specifications 8 Input Specifications 9 Output Specifications 9 Dimensions 9 Block and Level Diagrams 10 Introduction Thank you to provide +48 V phantom power for condenser mics. TAPE IN and REC OUT jacks are provided for use as effect unit returns or stereo source inputs. The MM1402 is a console-type stereo mixer suitable for a wide variety of the 14 inputs provide a PFL (pre fader listen) switch...
... 1 Control panel 2 Channel control section (mono input section 2 (Stereo input section 3 Master control section 4 Panel 6 Application Example 7 Specifications 8 General Specifications 8 Input Specifications 9 Output Specifications 9 Dimensions 9 Block and Level Diagrams 10 Introduction Thank you to provide +48 V phantom power for condenser mics. TAPE IN and REC OUT jacks are provided for use as effect unit returns or stereo source inputs. The MM1402 is a console-type stereo mixer suitable for a wide variety of the 14 inputs provide a PFL (pre fader listen) switch...
Owner's Manual
Page 6
... rear panel matches your system. 1 Avoid Physical Shocks Strong physical shocks to high temperatures or humidity - Always power off before making connections Always turn the power OFF before connecting or disconnecting cables. Do not block these vents. 3. Do Not Open the Case or Attempt Repairs or Modifications Yourself This product contains no user-serviceable parts. Always Use the Correct Power Supply Make sure that the AC mains supply...
... rear panel matches your system. 1 Avoid Physical Shocks Strong physical shocks to high temperatures or humidity - Always power off before making connections Always turn the power OFF before connecting or disconnecting cables. Do not block these vents. 3. Do Not Open the Case or Attempt Repairs or Modifications Yourself This product contains no user-serviceable parts. Always Use the Correct Power Supply Make sure that the AC mains supply...
Owner's Manual
Page 7
... LOW: 80Hz, maximum effect ±15dB When the knob is in use should be unaffected by the channel fader level. You can also use headphones or MONI OUT to conveniently check the input signal of a specific channel, or trouble-shoot a channel that the signal is approaching clipping level. 6 PFL switch (input channel) This switch allows you can use these as supplementary outputs. 4 PAN control (panpot) This knob assigns the signal of the channel fader. For mic inputs connected to monitor the signal...
... LOW: 80Hz, maximum effect ±15dB When the knob is in use should be unaffected by the channel fader level. You can also use headphones or MONI OUT to conveniently check the input signal of a specific channel, or trouble-shoot a channel that the signal is approaching clipping level. 6 PFL switch (input channel) This switch allows you can use these as supplementary outputs. 4 PAN control (panpot) This knob assigns the signal of the channel fader. For mic inputs connected to monitor the signal...
Owner's Manual
Page 8
... output to the AUX bus. PFL CTRL STEREO PFL AUX L R 1 2 L R L/MONO LINE IN 7-14 R HA EQ +4dB -10dB -20dB HA EQ LOW HIGH PEAK BA BALANCE BA AUX 1 (+V) PFL 3 A Balance control This knob adjusts the left/right location of the channel fader. C PFL switch (input channel) This switch allows you can use headphones or MONI OUT to conveniently check the input signal of a specific channel, or trouble-shoot a channel that the peak indicator B lights occasionally. 9 HIGH, LOW...
... output to the AUX bus. PFL CTRL STEREO PFL AUX L R 1 2 L R L/MONO LINE IN 7-14 R HA EQ +4dB -10dB -20dB HA EQ LOW HIGH PEAK BA BALANCE BA AUX 1 (+V) PFL 3 A Balance control This knob adjusts the left/right location of the channel fader. C PFL switch (input channel) This switch allows you can use headphones or MONI OUT to conveniently check the input signal of a specific channel, or trouble-shoot a channel that the peak indicator B lights occasionally. 9 HIGH, LOW...
Owner's Manual
Page 9
HA L/MONO AUX RETURN 1,2 -10dB HA R AUX RETURN 1,2 G AUX SEND 1, 2 controls These knobs adjust the level of the signals that are then output from the ST OUT jacks, AUX RETURN can be used not only to prevent feedback. K OUTPUT LEVEL L, R meters These meters indicate the output level to AUX SEND 1 and 2. OFF: sent to the stereo bus ON: sent to MONI OUT (L, R) N MONITOR control This knob adjusts the output level from effect units but also as supplementary inputs. connected to the TAPE...
HA L/MONO AUX RETURN 1,2 -10dB HA R AUX RETURN 1,2 G AUX SEND 1, 2 controls These knobs adjust the level of the signals that are then output from the ST OUT jacks, AUX RETURN can be used not only to prevent feedback. K OUTPUT LEVEL L, R meters These meters indicate the output level to AUX SEND 1 and 2. OFF: sent to the stereo bus ON: sent to MONI OUT (L, R) N MONITOR control This knob adjusts the output level from effect units but also as supplementary inputs. connected to the TAPE...
Owner's Manual
Page 10
... AUX SEND 1 AUX SEND 2 PFL METER (MONI) METER L ST OUT +4dB (MONI) R L REC OUT -10dBV R 1 AUX SEND +4dB 2 (ST R) MONITOR L MONI OUT +4dB R SUM INV SUM INV PHONES 5 When the M TAPE input select switch is turned on , the signal input to this jack. P PHONE jack A set of the input channel after the equalizer will be monitored. When a 8 PFL switch is turned on , the signal of stereo headphones can also be connected to the TAPE IN jacks will monitor...
... AUX SEND 1 AUX SEND 2 PFL METER (MONI) METER L ST OUT +4dB (MONI) R L REC OUT -10dBV R 1 AUX SEND +4dB 2 (ST R) MONITOR L MONI OUT +4dB R SUM INV SUM INV PHONES 5 When the M TAPE input select switch is turned on , the signal input to this jack. P PHONE jack A set of the input channel after the equalizer will be monitored. When a 8 PFL switch is turned on , the signal of stereo headphones can also be connected to the TAPE IN jacks will monitor...
Owner's Manual
Page 11
... cables that conform to the IEC288-15A standard. 8 REC OUT (L, R) These jacks output the signal from before the ST OUT (L, R) faders. 9 TAPE IN (L, R) These jacks are used as the PHONE jack located on the control panel. 7 ST OUT (L, R) These are unbalanced phone jacks to which the power amp driving your monitor speakers can be connected. The signal input here is sent to connect balanced dynamic microphones or line level devices when the PHANTOM switch...
... cables that conform to the IEC288-15A standard. 8 REC OUT (L, R) These jacks output the signal from before the ST OUT (L, R) faders. 9 TAPE IN (L, R) These jacks are used as the PHONE jack located on the control panel. 7 ST OUT (L, R) These are unbalanced phone jacks to which the power amp driving your monitor speakers can be connected. The signal input here is sent to connect balanced dynamic microphones or line level devices when the PHANTOM switch...
Owner's Manual
Page 12
Application Example Stage Monitors Power Amp Graphic EQ Front of House Main Speakers Power Amp Effects Processor AUX SEND1 AUX SEND2 AUX RETURN L/R STEREO OUT REC OUT L/R Cassette Recorder TAPE IN L/R CD Player MIXER MIC IN LINE IN L/R LINE IN L/R HEAD PHONES Headphones Mics Line Level Sources Guitar Effect Processor 7
Application Example Stage Monitors Power Amp Graphic EQ Front of House Main Speakers Power Amp Effects Processor AUX SEND1 AUX SEND2 AUX RETURN L/R STEREO OUT REC OUT L/R Cassette Recorder TAPE IN L/R CD Player MIXER MIC IN LINE IN L/R LINE IN L/R HEAD PHONES Headphones Mics Line Level Sources Guitar Effect Processor 7
Owner's Manual
Page 13
...150Ω) (20Hz-20kHz) -127dB* Equivalent input noise (INPUT 1-6) -95dB* Residual output noise (ST OUT L/R @600Ω, AUX SEND 1-2 @600Ω) -78dB*(ST OUT L/R) Master fader: All channel fader: nominal minimum -63dB*(67dB S/N)(ST OUT L/R) Master fader: One channel fader: nominal nominal -78dB*(AUX SEND 1-2) Master level control: nominal All channel AUX level control: minimum -63dB*(67dB S/N)(AUX SEND 1-2) Master level control: One channel fader: One channel AUX control: nominal nominal Maximum voltage gain 84dB INPUT (1-6) → ST OUT 44dB INPUT (7L-14R) → ST OUT...
...150Ω) (20Hz-20kHz) -127dB* Equivalent input noise (INPUT 1-6) -95dB* Residual output noise (ST OUT L/R @600Ω, AUX SEND 1-2 @600Ω) -78dB*(ST OUT L/R) Master fader: All channel fader: nominal minimum -63dB*(67dB S/N)(ST OUT L/R) Master fader: One channel fader: nominal nominal -78dB*(AUX SEND 1-2) Master level control: nominal All channel AUX level control: minimum -63dB*(67dB S/N)(AUX SEND 1-2) Master level control: One channel fader: One channel AUX control: nominal nominal Maximum voltage gain 84dB INPUT (1-6) → ST OUT 44dB INPUT (7L-14R) → ST OUT...
Owner's Manual
Page 14
...) +24dB (12.3V) +18dBV (7.75V) Output Output impedance ST OUT (L/R) 75Ω AUX SEND (1-2) 75Ω MONITOR OUT (L/R) 75Ω REC OUT (L/R) 600Ω HEAD PHONE 100Ω 0dB=0.775Vrms., 0dBV=1Vrms Outputs are unbalanced s Dimensions Nominal impedance 600Ω Lines 600Ω Lines 600Ω Lines 10Ω Lines 40Ω Phones Output level Nominal level Maximum nonclipping level +4dB (1.23V) +20dB (7.75V) +4dB...
...) +24dB (12.3V) +18dBV (7.75V) Output Output impedance ST OUT (L/R) 75Ω AUX SEND (1-2) 75Ω MONITOR OUT (L/R) 75Ω REC OUT (L/R) 600Ω HEAD PHONE 100Ω 0dB=0.775Vrms., 0dBV=1Vrms Outputs are unbalanced s Dimensions Nominal impedance 600Ω Lines 600Ω Lines 600Ω Lines 10Ω Lines 40Ω Phones Output level Nominal level Maximum nonclipping level +4dB (1.23V) +20dB (7.75V) +4dB...
Owner's Manual
Page 15
s Block and Level Diagrams MIC IN 1-6 LINE IN 1-6 PHANTOM OFF (MIC IN) (PHANTOM) ON PHANTOM (+48V) PEAK HA EQ PAD GAIN LOW MID HIGH BA PAN AUX 2 AUX 1 (+V) PFL L MONO LINE IN 7-14 R HA EQ +4dB -10dB -20dB HA EQ LOW HIGH PEAK BA BALANCE BA AUX 1 L HA TAPE IN -10dBV R HA HA L/MONO AUX RETURN 1,2 -10dB HA R L SUB IN +4dB R [dB] +10 0 LINE IN 1-6[+10] LINE IN 7-14[+4] -10 LINE IN 7-14[-10...
s Block and Level Diagrams MIC IN 1-6 LINE IN 1-6 PHANTOM OFF (MIC IN) (PHANTOM) ON PHANTOM (+48V) PEAK HA EQ PAD GAIN LOW MID HIGH BA PAN AUX 2 AUX 1 (+V) PFL L MONO LINE IN 7-14 R HA EQ +4dB -10dB -20dB HA EQ LOW HIGH PEAK BA BALANCE BA AUX 1 L HA TAPE IN -10dBV R HA HA L/MONO AUX RETURN 1,2 -10dB HA R L SUB IN +4dB R [dB] +10 0 LINE IN 1-6[+10] LINE IN 7-14[+4] -10 LINE IN 7-14[-10...
Owner's Manual
Page 27
... LINE IN 7-14[-20] -30 LINE IN 1-6[-36] -40 -50 -60 MIC IN[-60] (+V) PFL BA TAPE IN BA TO MONI AUX RETURN 1,2 ST AUX L R STEREO 1 2 AUX L R PFL PFL CTRL 100 400 1k 5k 10k SUM GEQ SUM GEQ SUM SUM (ST L) INV INV PAD PAD AUX SEND 1 AUX SEND 2 PFL METER (MONI) METER L ST OUT +4dB (MONI) R L REC OUT -10dBV R 1 AUX SEND +4dB 2 (ST R) MONITOR...
... LINE IN 7-14[-20] -30 LINE IN 1-6[-36] -40 -50 -60 MIC IN[-60] (+V) PFL BA TAPE IN BA TO MONI AUX RETURN 1,2 ST AUX L R STEREO 1 2 AUX L R PFL PFL CTRL 100 400 1k 5k 10k SUM GEQ SUM GEQ SUM SUM (ST L) INV INV PAD PAD AUX SEND 1 AUX SEND 2 PFL METER (MONI) METER L ST OUT +4dB (MONI) R L REC OUT -10dBV R 1 AUX SEND +4dB 2 (ST R) MONITOR...
Owner's Manual
Page 39
... LINE IN 7-14[-20] -30 LINE IN 1-6[-36] -40 -50 -60 MIC IN[-60] (+V) PFL BA TAPE IN BA TO MONI AUX RETURN 1,2 ST AUX L R STEREO 1 2 AUX L R PFL PFL CTRL 100 400 1k 5k 10k SUM GEQ SUM GEQ SUM SUM (ST L) INV INV PAD PAD AUX SEND 1 AUX SEND 2 PFL METER (MONI) METER L ST OUT +4dB (MONI) R L REC OUT -10dBV R 1 AUX SEND +4dB 2 (ST R) MONITOR...
... LINE IN 7-14[-20] -30 LINE IN 1-6[-36] -40 -50 -60 MIC IN[-60] (+V) PFL BA TAPE IN BA TO MONI AUX RETURN 1,2 ST AUX L R STEREO 1 2 AUX L R PFL PFL CTRL 100 400 1k 5k 10k SUM GEQ SUM GEQ SUM SUM (ST L) INV INV PAD PAD AUX SEND 1 AUX SEND 2 PFL METER (MONI) METER L ST OUT +4dB (MONI) R L REC OUT -10dBV R 1 AUX SEND +4dB 2 (ST R) MONITOR...
Owner's Manual
Page 51
... LINE IN 7-14[-20] -30 LINE IN 1-6[-36] -40 -50 -60 MIC IN[-60] (+V) PFL BA TAPE IN BA TO MONI AUX RETURN 1,2 ST AUX L R STEREO 1 2 AUX L R PFL PFL CTRL 100 400 1k 5k 10k SUM GEQ SUM GEQ SUM SUM (ST L) INV INV PAD PAD AUX SEND 1 AUX SEND 2 PFL METER (MONI) METER L ST OUT +4dB (MONI) R L REC OUT -10dBV R 1 AUX SEND +4dB 2 (ST R) MONITOR...
... LINE IN 7-14[-20] -30 LINE IN 1-6[-36] -40 -50 -60 MIC IN[-60] (+V) PFL BA TAPE IN BA TO MONI AUX RETURN 1,2 ST AUX L R STEREO 1 2 AUX L R PFL PFL CTRL 100 400 1k 5k 10k SUM GEQ SUM GEQ SUM SUM (ST L) INV INV PAD PAD AUX SEND 1 AUX SEND 2 PFL METER (MONI) METER L ST OUT +4dB (MONI) R L REC OUT -10dBV R 1 AUX SEND +4dB 2 (ST R) MONITOR...
Owner's Manual
Page 52
R0 1 IP Printed in Korea YAMAHA CORPORATION P.O.Box 1, Hamamatsu, Japan
R0 1 IP Printed in Korea YAMAHA CORPORATION P.O.Box 1, Hamamatsu, Japan
