Ls9 Editor Owner's Manual
Page 77
B [OPEN/CLOSE] Click here to change the value. C [Reverb Time] Duration of reverberation. Drag the icon to change the value. NOTE The range is from 0.3s through 125.0ms. E [Decay] Shape of reverberation. D [Initial ... the value. Higher values extend the reverberation. However, the range varies depending on the Room Size setting. NOTE The range is from 0 through 53. 77 LS9 Editor Owner's Manual Higher values delay the start of time until the reverberation attenuates and stops. Appendix REV-X HALL/REV-X ROOM/REV-X PLATE ❏ Part...
B [OPEN/CLOSE] Click here to change the value. C [Reverb Time] Duration of reverberation. Drag the icon to change the value. NOTE The range is from 0.3s through 125.0ms. E [Decay] Shape of reverberation. D [Initial ... the value. Higher values extend the reverberation. However, the range varies depending on the Room Size setting. NOTE The range is from 0 through 53. 77 LS9 Editor Owner's Manual Higher values delay the start of time until the reverberation attenuates and stops. Appendix REV-X HALL/REV-X ROOM/REV-X PLATE ❏ Part...
Ls9 Editor Owner's Manual
Page 78
... of reverberation in the low frequency range. The frequency band below the frequency specified by this value is expressed as a ratio relative to Reverb Time. NOTE The range is from 0 through 1.0. G [Diffusion] Density and spread of the reverberation. This filter does not affect the ... spread. The range above the frequency specified by this value, the Reverb Time value changes. Drag the icon to change the value. NOTE The range is from 0.1 through 18.0kHz. 78 LS9 Editor Owner's Manual Drag the icon to change the value. NOTE The range...
... of reverberation in the low frequency range. The frequency band below the frequency specified by this value is expressed as a ratio relative to Reverb Time. NOTE The range is from 0 through 1.0. G [Diffusion] Density and spread of the reverberation. This filter does not affect the ... spread. The range above the frequency specified by this value, the Reverb Time value changes. Drag the icon to change the value. NOTE The range is from 0.1 through 18.0kHz. 78 LS9 Editor Owner's Manual Drag the icon to change the value. NOTE The range...
Ls9 Editor Owner's Manual
Page 79
...U RS U [MIX] slider These controls enable you to adjust the mix balance of the effect. NOTE The range is output. the horizontal axis represents reverb time; Q Time Axis Set button Use this button to decrease the time value (in on the horizontal axis. 6 T T [OUTPUT] meter This indicates...the time axis (horizontal axis). When the balance is 100%, only the wet sound is from 0 through 100%. 79 LS9 Editor Owner's Manual As a result, the display zooms out on the Reverb Time, Hi Ratio, and Lo Ratio parameter values. S [ ] (Zoom In) button Click this button to automatically...
...U RS U [MIX] slider These controls enable you to adjust the mix balance of the effect. NOTE The range is output. the horizontal axis represents reverb time; Q Time Axis Set button Use this button to decrease the time value (in on the horizontal axis. 6 T T [OUTPUT] meter This indicates...the time axis (horizontal axis). When the balance is 100%, only the wet sound is from 0 through 100%. 79 LS9 Editor Owner's Manual As a result, the display zooms out on the Reverb Time, Hi Ratio, and Lo Ratio parameter values. S [ ] (Zoom In) button Click this button to automatically...
Owner's Manual
Page 10
... slots to each user (user level, system settings, and user-defined key settings) can be stored on USB memory as the Yamaha M7CL or PM5D connected via an internal bus, or inserted into the desired channel or output. Information specific to each non-administrator user...and MP3, WMA (Windows Media Audio), and MPEG-4 AAC (Advanced Audio Coding) for any fifteen of the thirty-one slot (LS9-16) or two slots (LS9-32) in which include reverb, delay, multi-band compressor, and various modulation-type effects. Of the MIX buses, MATRIX buses, STEREO (L/R) bus, MONO buses, and ...
... slots to each user (user level, system settings, and user-defined key settings) can be stored on USB memory as the Yamaha M7CL or PM5D connected via an internal bus, or inserted into the desired channel or output. Information specific to each non-administrator user...and MP3, WMA (Windows Media Audio), and MPEG-4 AAC (Advanced Audio Coding) for any fifteen of the thirty-one slot (LS9-16) or two slots (LS9-32) in which include reverb, delay, multi-band compressor, and various modulation-type effects. Of the MIX buses, MATRIX buses, STEREO (L/R) bus, MONO buses, and ...
Owner's Manual
Page 232
... center, right) delay Stereo delay with crossed left/ right feedback Chorus Flanger Proprietary Yamaha effect that enhances the original sound. REV→SYMPHO. REV-X HALL, REV-X ROOM, and REV-X PLATE. 232 LS9-16/32 Owner's Manual Delay and early reflections in parallel Rev→Sympho. ... M.Band Comp M.BAND COMP Multi-band compressor REV-X Hall REV-X HALL REV-X Room REV-X ROOM REV-X Plate REV-X PLATE New reverb algorithm that delivers dense and rich reverberation, smooth decay, and provides a spaciousness and depth that produces a richer and more complex modulation than...
... center, right) delay Stereo delay with crossed left/ right feedback Chorus Flanger Proprietary Yamaha effect that enhances the original sound. REV→SYMPHO. REV-X HALL, REV-X ROOM, and REV-X PLATE. 232 LS9-16/32 Owner's Manual Delay and early reflections in parallel Rev→Sympho. ... M.Band Comp M.BAND COMP Multi-band compressor REV-X Hall REV-X HALL REV-X Room REV-X ROOM REV-X Plate REV-X PLATE New reverb algorithm that delivers dense and rich reverberation, smooth decay, and provides a spaciousness and depth that produces a richer and more complex modulation than...
Owner's Manual
Page 233
...RATIO ER NUM. Parameter DELAY L DELAY R FB. RATIO LO. Effects Parameters Effects Parameters ■ REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE One input, two output hall, room, stage, and plate reverb simulations, all early reflections) High-pass filter cutoff frequency Low-pass filter ... delay. Parameter REV TIME INI. DLY 0.0-500.0 ms DIFF. 0-10 DENSITY ER NUM. Parameter DELAY FB. value depends on the tempo setting) Appendices LS9-16/32 Owner's Manual 233 RATIO HPF LPF SYNC NOTE L NOTE R Range 0.0-1350.0 ms 0.0-1350.0 ms -99 to +99% -99 to +99%...
...RATIO ER NUM. Parameter DELAY L DELAY R FB. RATIO LO. Effects Parameters Effects Parameters ■ REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE One input, two output hall, room, stage, and plate reverb simulations, all early reflections) High-pass filter cutoff frequency Low-pass filter ... delay. Parameter REV TIME INI. DLY 0.0-500.0 ms DIFF. 0-10 DENSITY ER NUM. Parameter DELAY FB. value depends on the tempo setting) Appendices LS9-16/32 Owner's Manual 233 RATIO HPF LPF SYNC NOTE L NOTE R Range 0.0-1350.0 ms 0.0-1350.0 ms -99 to +99% -99 to +99%...
Owner's Manual
Page 238
...ms -99 to +99% Sine, Tri OFF/ON *1 Description Reverb time Initial delay before reverb begins High-frequency reverb time ratio Spread Reverb density Reverb and chorused reverb balance (0% = all chorused reverb, 100% = all reverb) High-pass filter cutoff frequency Low-pass filter ...12.0 to determine FREQ. *1. 238 LS9-16/32 Owner's Manual DLY 0.0-500.0 ms WAVE Sine, Tri SYNC OFF/ON NOTE *1 Description Reverb time Initial delay before reverb begins High-frequency reverb time ratio Spread Reverb density Reverb and chorus balance (0% = all reverb, 100% = all flange...
...ms -99 to +99% Sine, Tri OFF/ON *1 Description Reverb time Initial delay before reverb begins High-frequency reverb time ratio Spread Reverb density Reverb and chorused reverb balance (0% = all chorused reverb, 100% = all reverb) High-pass filter cutoff frequency Low-pass filter ...12.0 to determine FREQ. *1. 238 LS9-16/32 Owner's Manual DLY 0.0-500.0 ms WAVE Sine, Tri SYNC OFF/ON NOTE *1 Description Reverb time Initial delay before reverb begins High-frequency reverb time ratio Spread Reverb density Reverb and chorus balance (0% = all reverb, 100% = all flange...
Owner's Manual
Page 239
... Modulation waveform Tempo parameter sync on /off Used in series. RATIO DIFF. L↔R, L→R, L←R, Turn L, Turn R *2. RATIO DIFF. Appendices LS9-16/32 Owner's Manual 239 RATIO DIFF. One input, two output reverb and symphonic effects in conjunction with TEMPO to determine FREQ. *1. ■ REV→SYMPHO. DLY HI. DENSITY REV.BAL HPF...
... Modulation waveform Tempo parameter sync on /off Used in series. RATIO DIFF. L↔R, L→R, L←R, Turn L, Turn R *2. RATIO DIFF. Appendices LS9-16/32 Owner's Manual 239 RATIO DIFF. One input, two output reverb and symphonic effects in conjunction with TEMPO to determine FREQ. *1. ■ REV→SYMPHO. DLY HI. DENSITY REV.BAL HPF...
Owner's Manual
Page 240
... DIFF. Parameter DELAY L DELAY R FB. RATIO DLY/ER HPF LPF TYPE ROOMSIZE LIVENESS INI. DLY *1. (Maximum value depends on the tempo setting) 240 LS9-16/32 Owner's Manual SYNC NOTE L NOTE R NOTE FB Range 0.0-1000.0 ms 0.0-1000.0 ms 0.0-1000.0 ms -99 to +99% 0.1-1.0 0-100% THRU, 21.2...64258;ection simulation Reflection spacing Early reflections decay characteristics (0 = dead, 10 = live ) Initial delay before reverb begins Spread Reverb density Number of early reflections Tempo parameter sync on /off Used in conjunction with TEMPO to determine left channel DELAY L...
... DIFF. Parameter DELAY L DELAY R FB. RATIO DLY/ER HPF LPF TYPE ROOMSIZE LIVENESS INI. DLY *1. (Maximum value depends on the tempo setting) 240 LS9-16/32 Owner's Manual SYNC NOTE L NOTE R NOTE FB Range 0.0-1000.0 ms 0.0-1000.0 ms 0.0-1000.0 ms -99 to +99% 0.1-1.0 0-100% THRU, 21.2...64258;ection simulation Reflection spacing Early reflections decay characteristics (0 = dead, 10 = live ) Initial delay before reverb begins Spread Reverb density Number of early reflections Tempo parameter sync on /off Used in conjunction with TEMPO to determine left channel DELAY L...
Owner's Manual
Page 241
...Reverb density Tempo parameter sync on the tempo setting) ■ DIST→DELAY One input, two output distortion and delay effects in parallel. RATIO FREQ. DEPTH DLY.BAL Range DST1, DST2, OVD1, OVD2, CRUNCH 0-100 0-100 -10 to +10 0-20 OFF/ON *1 *2 0.0-2725.0 ms -99 to determine FB. Appendices LS9-16/32... time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Delay high-frequency feedback ratio Delay and reverb balance (0% = all delay, 100% = all delayed distortion) *1. (Maximum value depends on /off Used in conjunction with TEMPO to...
...Reverb density Tempo parameter sync on the tempo setting) ■ DIST→DELAY One input, two output distortion and delay effects in parallel. RATIO FREQ. DEPTH DLY.BAL Range DST1, DST2, OVD1, OVD2, CRUNCH 0-100 0-100 -10 to +10 0-20 OFF/ON *1 *2 0.0-2725.0 ms -99 to determine FB. Appendices LS9-16/32... time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Delay high-frequency feedback ratio Delay and reverb balance (0% = all delay, 100% = all delayed distortion) *1. (Maximum value depends on /off Used in conjunction with TEMPO to...
Owner's Manual
Page 242
...input, two output 3-band dynamics processor, with individual solo and gain reduction metering for the duration of early reflections and reverb (0% = all reverb, 100% = all three bands are ignored for each band. RAT 1:1 to ∞:1 Expander ratio EXP. BYP OFF/ON ...fs=44.1 kHz), 5.0 ms-42.3 s (fs=48 kHz) 242 LS9-16/32 Owner's Manual For minus values, recording starts before reverb begins High-frequency reverb time ratio Low-frequency reverb time ratio Reverb diffusion (left-right reverb spread) Reverb density Balance of the TRG MASK time. Playback start point in samples ...
...input, two output 3-band dynamics processor, with individual solo and gain reduction metering for the duration of early reflections and reverb (0% = all reverb, 100% = all three bands are ignored for each band. RAT 1:1 to ∞:1 Expander ratio EXP. BYP OFF/ON ...fs=44.1 kHz), 5.0 ms-42.3 s (fs=48 kHz) 242 LS9-16/32 Owner's Manual For minus values, recording starts before reverb begins High-frequency reverb time ratio Low-frequency reverb time ratio Reverb diffusion (left-right reverb spread) Reverb density Balance of the TRG MASK time. Playback start point in samples ...
Owner's Manual
Page 243
... are for each band. GAIN L-M XOVR M-H XOVR SLOPE CEILING LOOKUP LOW THRE MID THRE HI. DLY HI. RATIO LO. Effects Parameters Appendices LS9-16/32 Owner's Manual 243 Parameter LOW GAIN MID GAIN HI. Parameter REV TIME INI. RATIO Range 0.28-27.94 s*1 0.0-120.0 ms 0.1-1.0 0.1-2.4 ...22.0 Hz- 8.00 kHz 1.00 kHz- 18.0 kHz, THRU Description Reverb time Initial delay before reverb begins High-frequency reverb time ratio Low-frequency reverb time ratio Frequency point for LO.RATIO setting Reverb diffusion (left-right reverb spread) Size of room Gate closing speed High-pass filter cutoff ...
... are for each band. GAIN L-M XOVR M-H XOVR SLOPE CEILING LOOKUP LOW THRE MID THRE HI. DLY HI. RATIO LO. Effects Parameters Appendices LS9-16/32 Owner's Manual 243 Parameter LOW GAIN MID GAIN HI. Parameter REV TIME INI. RATIO Range 0.28-27.94 s*1 0.0-120.0 ms 0.1-1.0 0.1-2.4 ...22.0 Hz- 8.00 kHz 1.00 kHz- 18.0 kHz, THRU Description Reverb time Initial delay before reverb begins High-frequency reverb time ratio Low-frequency reverb time ratio Frequency point for LO.RATIO setting Reverb diffusion (left-right reverb spread) Size of room Gate closing speed High-pass filter cutoff ...