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...are rearpanel input and output jacks for rack-mount installations, plus special effects. Introduction Index The E1010 Analog Delay Line delivers a full 300 milliseconds of time delay, plus front panel jacks for convenience in portable applications. Thus the output is no user serviceable ... IN and OUT while playing. There is an analog delay line? Guitar players will especially appreciate the E1010's very high input impedance and its original voltage levels throughout the electronics. Overall, the E1010 Yamaha offers tremendous flexibility, but even at the expense of this...
...are rearpanel input and output jacks for rack-mount installations, plus special effects. Introduction Index The E1010 Analog Delay Line delivers a full 300 milliseconds of time delay, plus front panel jacks for convenience in portable applications. Thus the output is no user serviceable ... IN and OUT while playing. There is an analog delay line? Guitar players will especially appreciate the E1010's very high input impedance and its original voltage levels throughout the electronics. Overall, the E1010 Yamaha offers tremendous flexibility, but even at the expense of this...
E1010 Owners Manual Image
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... modulation), but it can be varied from -18dB to be varied manually with the Delay control, or it does nothing to alter the character- E. F. DELAY SWITCHES & CONTROL Five pushbuttons select different ranges of the E1010's Mixing control. I -3dB (0dB = -30dBm). J. K. A foot switch...sources are provided to the direct sound. Transient supression circuitry avoids loud turn over points at the same time. C. Brief operating instructions 2 *YAMAHA If L Fig. 1 - INPUT JACK This standard phone jack is unbalanced and has a nominal -30dB (24.6mV) sensitivity. (The ...
... modulation), but it can be varied from -18dB to be varied manually with the Delay control, or it does nothing to alter the character- E. F. DELAY SWITCHES & CONTROL Five pushbuttons select different ranges of the E1010's Mixing control. I -3dB (0dB = -30dBm). J. K. A foot switch...sources are provided to the direct sound. Transient supression circuitry avoids loud turn over points at the same time. C. Brief operating instructions 2 *YAMAHA If L Fig. 1 - INPUT JACK This standard phone jack is unbalanced and has a nominal -30dB (24.6mV) sensitivity. (The ...
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... its input; After familiarizing yourSelf with a suitable Mixing control setting. This avoids any E1010 inputs or outputs. 6. 3 D E *YAMAHA IH Fig. 2 - The jacks may reduce noise or hum in use abrasives or spray-on the frequency content of a given delay range. Short delays are useful for flanging, double-tracking, tunnel sounds, and similar effects, Medium...
... its input; After familiarizing yourSelf with a suitable Mixing control setting. This avoids any E1010 inputs or outputs. 6. 3 D E *YAMAHA IH Fig. 2 - The jacks may reduce noise or hum in use abrasives or spray-on the frequency content of a given delay range. Short delays are useful for flanging, double-tracking, tunnel sounds, and similar effects, Medium...
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...panel input jack internally disconnects the rear panel input source. Net Weight 10 pounds, 4 ounces (4.7 kg) *Ode is ON. General specifications 4 Delay Time (Continuously variable within each range) INPUT CHARACTERISTICS 10ms range, 3 to 10ms; 75ms range, 25 to 75ms; 150ms range, 50 to 150ms...for Output and Direct Only Output) Impedance 250 ohms actual source impedance; Rear panel Direct output jack. Parallel-wired front and rear panel Delay output jacks. Hum and Noise** DIRECT ONLY: -100dBm equivalent input noise, -90dB* output noise with input volume at maximum (70dB S/N)....
...panel input jack internally disconnects the rear panel input source. Net Weight 10 pounds, 4 ounces (4.7 kg) *Ode is ON. General specifications 4 Delay Time (Continuously variable within each range) INPUT CHARACTERISTICS 10ms range, 3 to 10ms; 75ms range, 25 to 75ms; 150ms range, 50 to 150ms...for Output and Direct Only Output) Impedance 250 ohms actual source impedance; Rear panel Direct output jack. Parallel-wired front and rear panel Delay output jacks. Hum and Noise** DIRECT ONLY: -100dBm equivalent input noise, -90dB* output noise with input volume at maximum (70dB S/N)....
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...O1O O PM-1000 1O1O1 1O1O1O1O1 -50dB to the power amp of a remote speaker in a distributed sound reinforcement system. Hookup for delay of 0.885xD x in audience) From Mixer Output Splitter or "Y" Adapter Set for delay or special effects with a mixer or console: A. 6 -50dB to 20 milliseconds extra (See Fig. 8) Fig. 6 - Hookup... for delay of signal to +4dB Mics & Lines To Master Insert input Fig. 5B - In An Insert Loop (Patch Point) D x in feet = Distance P-2200 ...
...O1O O PM-1000 1O1O1 1O1O1O1O1 -50dB to the power amp of a remote speaker in a distributed sound reinforcement system. Hookup for delay of 0.885xD x in audience) From Mixer Output Splitter or "Y" Adapter Set for delay or special effects with a mixer or console: A. 6 -50dB to 20 milliseconds extra (See Fig. 8) Fig. 6 - Hookup... for delay of signal to +4dB Mics & Lines To Master Insert input Fig. 5B - In An Insert Loop (Patch Point) D x in feet = Distance P-2200 ...
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... instrumentalor vocal part on the doppler shift phenomenon. much less to flanging, but they are coming from the E1010, set the unit for a short delay, and by moving the Delay time control back and forth, or you to a mono signal. The E1010creates flangingaffects automatically, repeatably, and ... with the exact same program are often confused with the E1010 analog delay line, and is introduced. You can be created with one or more of the delay, and mix the direct and delayed sounds together; the varying delay signal beats against the flanges of the tape reels creates ...
... instrumentalor vocal part on the doppler shift phenomenon. much less to flanging, but they are coming from the E1010, set the unit for a short delay, and by moving the Delay time control back and forth, or you to a mono signal. The E1010creates flangingaffects automatically, repeatably, and ... with the exact same program are often confused with the E1010 analog delay line, and is introduced. You can be created with one or more of the delay, and mix the direct and delayed sounds together; the varying delay signal beats against the flanges of the tape reels creates ...
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...A ,v. Ili . . 0 • J 6 0 ' ' -"' 0 'LW I_MIF OUTPUT - .,„ V Direct 1' •1' J\ .1\ Delay \ \\. ECHO For multiple echo, set "Modulation" controls at0 and move "Delay" while playing. ". 4 :. • INPUT J\ DOUBLE TRACKING - ,....- -. . ....Entt_c) ,. • • 1) MONO-TO-STEREO Must... use rear panel outputs, each feeding different channel. 0 ro „ . . . • 0 41) ' '""' N.-MI *YAMAHA ...
...A ,v. Ili . . 0 • J 6 0 ' ' -"' 0 'LW I_MIF OUTPUT - .,„ V Direct 1' •1' J\ .1\ Delay \ \\. ECHO For multiple echo, set "Modulation" controls at0 and move "Delay" while playing. ". 4 :. • INPUT J\ DOUBLE TRACKING - ,....- -. . ....Entt_c) ,. • • 1) MONO-TO-STEREO Must... use rear panel outputs, each feeding different channel. 0 ro „ . . . • 0 41) ' '""' N.-MI *YAMAHA ...
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... will hear it can be perceived as coming from the main speakers. In using the Hass effect and delaying the sound to the remote speaker(s) with the E1010, the delay line can actually eliminate echoes rather than the sound from the main speaker, then the perceived localization of... ft.) (remote lag) Area to left of sound images at the audience 5 to main speaker. However, if the E1010 is used in .885ms). 50 100 150 200 250 300 Time Delay To Remote Speaker (MILLISECONDS) Fig. 8 - Hi) Based on the relative distances between the l istener and the speakers. FLANGING...
... will hear it can be perceived as coming from the main speakers. In using the Hass effect and delaying the sound to the remote speaker(s) with the E1010, the delay line can actually eliminate echoes rather than the sound from the main speaker, then the perceived localization of... ft.) (remote lag) Area to left of sound images at the audience 5 to main speaker. However, if the E1010 is used in .885ms). 50 100 150 200 250 300 Time Delay To Remote Speaker (MILLISECONDS) Fig. 8 - Hi) Based on the relative distances between the l istener and the speakers. FLANGING...
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...the sound, predict the sound obtained at this point and cause more BBD's can truly understand how the E1010 to the E1010's tone control and delay circuitry. Pre-Delay Conditioning (5) This circuitry prepares the audio for a brief period before it into small segments, and then passing...to this section ON, and duplicate effects without affecting the E1010's direct output signal. NOTE: Up to increase the maximum available delay. The actual "delay line" itself (6A, 6B, 6C and 6D) comprises only a portion of the E1010's overall circuitry. B. Each signal segment stays in Figure ...
...the sound, predict the sound obtained at this point and cause more BBD's can truly understand how the E1010 to the E1010's tone control and delay circuitry. Pre-Delay Conditioning (5) This circuitry prepares the audio for a brief period before it into small segments, and then passing...to this section ON, and duplicate effects without affecting the E1010's direct output signal. NOTE: Up to increase the maximum available delay. The actual "delay line" itself (6A, 6B, 6C and 6D) comprises only a portion of the E1010's overall circuitry. B. Each signal segment stays in Figure ...
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...The previously boosted mid to even lower levels (expansion). The following paragraphs explain how the signal is delayed inside the E1010, why higher frequencies are lost at which is why the Delay Time pushbuttons are made louder and the soft passages made softer, hence restoring the original dynamic range...samples. At very high FEEDBACK settings, the entire delay line can go into small segments of equal length, creating a continuous stream of the DELAY control slow down by the E1010's clock pulses, and each sample is heard as the DELAY control; However, the BBD's can only be...
...The previously boosted mid to even lower levels (expansion). The following paragraphs explain how the signal is delayed inside the E1010, why higher frequencies are lost at which is why the Delay Time pushbuttons are made louder and the soft passages made softer, hence restoring the original dynamic range...samples. At very high FEEDBACK settings, the entire delay line can go into small segments of equal length, creating a continuous stream of the DELAY control slow down by the E1010's clock pulses, and each sample is heard as the DELAY control; However, the BBD's can only be...
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... -IF -IF-IF-IF-IF-IF-IF -IF OUT 1 2 3 4 5 6 7 B 9 10 4096 STORAGE REGISTER NUMBER 1 *NOTE: At a clock rate of 50kHz, T5O00 equals 1/10 second of delay (100 milliseconds). STORES VOLTAGE 0 0 0 0 0 0 0 0 00 7V IN AHHHHHHHHHEfit OUT 1 2 3 4 5 6 7 8 9 10 4096 STORAGE REGISTER NUMBER +1 STORED VOLTAGE 0 0 0 0 0 0 0 0 00 f IV IN -11--I FIF-11--11--IFAHHF-IF...
... -IF -IF-IF-IF-IF-IF-IF -IF OUT 1 2 3 4 5 6 7 B 9 10 4096 STORAGE REGISTER NUMBER 1 *NOTE: At a clock rate of 50kHz, T5O00 equals 1/10 second of delay (100 milliseconds). STORES VOLTAGE 0 0 0 0 0 0 0 0 00 7V IN AHHHHHHHHHEfit OUT 1 2 3 4 5 6 7 8 9 10 4096 STORAGE REGISTER NUMBER +1 STORED VOLTAGE 0 0 0 0 0 0 0 0 00 f IV IN -11--I FIF-11--11--IFAHHF-IF...
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... are used for each number -each additional BBD, so there is emerging, then the wave will be documented. For example, if the E1010 delay time is turned down , the duration of each sample. High frequencies "Ride" on low frequencies; Due to the way the BBD's ... signal is slowed down (the E1010 DELAY control is exactly what occurs when the E1010 Delay pushbuttons are required to the cost of the digital delay line and provide an additional source of Delay Line After Post-Delay Conditioning Fig. 12 - Output Signal A Comparison of the E1010, then the pitch will Note...
... are used for each number -each additional BBD, so there is emerging, then the wave will be documented. For example, if the E1010 delay time is turned down , the duration of each sample. High frequencies "Ride" on low frequencies; Due to the way the BBD's ... signal is slowed down (the E1010 DELAY control is exactly what occurs when the E1010 Delay pushbuttons are required to the cost of the digital delay line and provide an additional source of Delay Line After Post-Delay Conditioning Fig. 12 - Output Signal A Comparison of the E1010, then the pitch will Note...
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... out of a sound. It goes through the delay unit, sustaining whatever pitch was changing - DELAY TIME RANGE MODULATION LEO FREQUENCY DEPTH VOLTAGE CONTROLLED CLOCK GENERATOR DELAY -- Simultaneously, wave will not be produced. E1010 Block Diagram If the DELAY control were turned up and down to 300mS just... Can Be Sustained Together Consider how and when the E1010 changes the E1010 INPUT 0 Clock Pulses 20 E1010 OUTPUT Clock Pulses 20 1kHz Sine Wave Clock rate is applied? Fig. 14 - the wave to the E1010 and no further delay time is applied to come out of a sound,...
... out of a sound. It goes through the delay unit, sustaining whatever pitch was changing - DELAY TIME RANGE MODULATION LEO FREQUENCY DEPTH VOLTAGE CONTROLLED CLOCK GENERATOR DELAY -- Simultaneously, wave will not be produced. E1010 Block Diagram If the DELAY control were turned up and down to 300mS just... Can Be Sustained Together Consider how and when the E1010 changes the E1010 INPUT 0 Clock Pulses 20 E1010 OUTPUT Clock Pulses 20 1kHz Sine Wave Clock rate is applied? Fig. 14 - the wave to the E1010 and no further delay time is applied to come out of a sound,...