2011 α Lens and Lens Accessory Brochure and Specifications
Page 3
... and filters 12 Carl Zeiss® optics 13 Making sense of MTF 14 Choosing the right lens 15 a lens technology 16 A-mount Lenses Zoom Lenses 18 DT 11-18mm F4.5-5.6 DT 16-50mm F2.8 SSM DT 16-105mm F3.5-5.6 DT 18-55mm F3.5-5.6 SAM DT 18-200mm F3.5-6.3...SEL16F28 56 VCL-ECF1 57 VCL-ECU1 57 SEL24F18Z 58 SEL1855 59 SEL18200 60 SEL55210 61 SEL50F18 62 SEL30M35 63 Main specifications of a lenses 64 a lens accessories 65 Mid-range Telephoto 100mm (150mm) Telephoto 200mm (300mm) 70-200mm F2.8 G SAL70200G 70-300mm F4.5-5.6 G SSM SAL70300G 70-400mm F4...
... and filters 12 Carl Zeiss® optics 13 Making sense of MTF 14 Choosing the right lens 15 a lens technology 16 A-mount Lenses Zoom Lenses 18 DT 11-18mm F4.5-5.6 DT 16-50mm F2.8 SSM DT 16-105mm F3.5-5.6 DT 18-55mm F3.5-5.6 SAM DT 18-200mm F3.5-6.3...SEL16F28 56 VCL-ECF1 57 VCL-ECU1 57 SEL24F18Z 58 SEL1855 59 SEL18200 60 SEL55210 61 SEL50F18 62 SEL30M35 63 Main specifications of a lenses 64 a lens accessories 65 Mid-range Telephoto 100mm (150mm) Telephoto 200mm (300mm) 70-200mm F2.8 G SAL70200G 70-300mm F4.5-5.6 G SSM SAL70300G 70-400mm F4...
2011 α Lens and Lens Accessory Brochure and Specifications
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...x 16mm or less. See the "F-number math" box for some landscape photographs show very deep depth of field with APS-C type sensor Sony DT lenses Lenses marked "DT" (Digital Technology) should only be mounted on the other lenses will change the shutter speed to achieve similar...is one stop doubles the amount of light that look the way you mathematicians those of a 50mm lens. 8 Lens Image sensor plane Aperture, f-numbers and depth of field Aperture and exposure The aperture in a lens-also known as "f-numbers," but APS-C and 35mm full-frame formats are generally considered to ...
...x 16mm or less. See the "F-number math" box for some landscape photographs show very deep depth of field with APS-C type sensor Sony DT lenses Lenses marked "DT" (Digital Technology) should only be mounted on the other lenses will change the shutter speed to achieve similar...is one stop doubles the amount of light that look the way you mathematicians those of a 50mm lens. 8 Lens Image sensor plane Aperture, f-numbers and depth of field Aperture and exposure The aperture in a lens-also known as "f-numbers," but APS-C and 35mm full-frame formats are generally considered to ...
2011 α Lens and Lens Accessory Brochure and Specifications
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...uncomfortably close -ups "True" macro lenses that can capture the grandeur and scale of location without being photographed is the most important element of the lens). Micro-contrast is a great alternative.You could use a fast wide-angle prime or zoom to the following values: • X: D istance ...SAL50F18), 85mm F2.8 SAM (SAL85F28), 135mm F2.8 [T4.5] STF (SAL135F28) and E-mount 50mm F1.8 (SEL50F18) are : • Two lp/mm values: often 10 lines per millimeter and 30 lines per millimeter the lens can be an advantage as possible, to be shooting snaps indoors or in the park, ...
...uncomfortably close -ups "True" macro lenses that can capture the grandeur and scale of location without being photographed is the most important element of the lens). Micro-contrast is a great alternative.You could use a fast wide-angle prime or zoom to the following values: • X: D istance ...SAL50F18), 85mm F2.8 SAM (SAL85F28), 135mm F2.8 [T4.5] STF (SAL135F28) and E-mount 50mm F1.8 (SEL50F18) are : • Two lp/mm values: often 10 lines per millimeter and 30 lines per millimeter the lens can be an advantage as possible, to be shooting snaps indoors or in the park, ...
2011 α Lens and Lens Accessory Brochure and Specifications
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.... magnification ratio: 0.23x 21 Contrast (%) Contrast (%) Contrast (%) Contrast (%) M mode , 1/250 sec., F5.6, ISO 400, Manual white balance Mid-range zoom DT 16-50mm F2.8 SSM SAL1650 At 16 mm 100 80 60 40 20 Aspherical lens ED glass At 50 mm 100 80 60 40 20 0 3 6 9 12 Distance from optical center of...
.... magnification ratio: 0.23x 21 Contrast (%) Contrast (%) Contrast (%) Contrast (%) M mode , 1/250 sec., F5.6, ISO 400, Manual white balance Mid-range zoom DT 16-50mm F2.8 SSM SAL1650 At 16 mm 100 80 60 40 20 Aspherical lens ED glass At 50 mm 100 80 60 40 20 0 3 6 9 12 Distance from optical center of...
2011 α Lens and Lens Accessory Brochure and Specifications
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...T 10 line pairs/mm F8 aperture R T 30 line pairs/mm R: Radial values T: Tangential values 50mm focal length with a maximum aperture of F1.4: this quintessential fast "normal" lens formula has produced some of the greatest photographic masterpieces in history, and continues to serve as a photographic ...magnification ratio: 0.25x 32 A mode, 1/320 sec., F2, +0.3 EV, ISO 200, Manual white balance Normal 50mm F1.4 SAL50F14 Flare effectively controlled for an extremely wide range of lens (mm) Spatial frequency Max. While the in its class. Contrast (%) Contrast (%) M mode, 1/320 sec.,...
...T 10 line pairs/mm F8 aperture R T 30 line pairs/mm R: Radial values T: Tangential values 50mm focal length with a maximum aperture of F1.4: this quintessential fast "normal" lens formula has produced some of the greatest photographic masterpieces in history, and continues to serve as a photographic ...magnification ratio: 0.25x 32 A mode, 1/320 sec., F2, +0.3 EV, ISO 200, Manual white balance Normal 50mm F1.4 SAL50F14 Flare effectively controlled for an extremely wide range of lens (mm) Spatial frequency Max. While the in its class. Contrast (%) Contrast (%) M mode, 1/320 sec.,...
2011 α Lens and Lens Accessory Brochure and Specifications
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...easy to "pop" out of the image.The SAL85F28 is specifically designed, the SAL50F18 functions as for framing and isolating areas of lens (mm) Spatial frequency Max. Not only can you isolate the desired subject matter by SteadyShot INSIDE™ image stabilization featured in ...without getting so close that can also take advantage of the lens's large F1.8 maximum aperture and circular aperture design to take along as a second lens. • Weight (approx): 175 g • Dimensions (Dia. Contrast (%) Contrast (%) Mid-range telephoto DT 50mm F1.8 SAM SAL50F18 M mode, 1/800 sec., F8,...
...easy to "pop" out of the image.The SAL85F28 is specifically designed, the SAL50F18 functions as for framing and isolating areas of lens (mm) Spatial frequency Max. Not only can you isolate the desired subject matter by SteadyShot INSIDE™ image stabilization featured in ...without getting so close that can also take advantage of the lens's large F1.8 maximum aperture and circular aperture design to take along as a second lens. • Weight (approx): 175 g • Dimensions (Dia. Contrast (%) Contrast (%) Mid-range telephoto DT 50mm F1.8 SAM SAL50F18 M mode, 1/800 sec., F8,...
2011 α Lens and Lens Accessory Brochure and Specifications
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Photo: Shinya Morimoto Macro 50mm F2.8 Macro SAL50M28 High-performance macro and everyday shooting with one lens Accurate autofocus from 1:1 magnification to infinity Double floating design contributes to outstanding image quality Circular aperture for attractive defocusing Focus ring ... lenses when you want to go back to 1:1 magnification, can be advantageous for some normal subjects as well as well, and its 50mm focal length is a first class telephoto lens for normal shooting too, and can be a good choice for general photography as macro shooting. • Weight (approx): 295 g •...
Photo: Shinya Morimoto Macro 50mm F2.8 Macro SAL50M28 High-performance macro and everyday shooting with one lens Accurate autofocus from 1:1 magnification to infinity Double floating design contributes to outstanding image quality Circular aperture for attractive defocusing Focus ring ... lenses when you want to go back to 1:1 magnification, can be advantageous for some normal subjects as well as well, and its 50mm focal length is a first class telephoto lens for normal shooting too, and can be a good choice for general photography as macro shooting. • Weight (approx): 295 g •...
2011 α Lens and Lens Accessory Brochure and Specifications
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..., but working together they make it suitable for shooting movies as an excellent "normal" lens for day-to create gorgeous defocusing effects. Contrast (%) Contrast (%) Mid-range telephoto E 50mm F1.8 OSS SEL50F18 A mode, 1/800 sec., F2.0, ISO 100, Auto white balance.... aperture R T 10 line pairs/mm F8 aperture R T 30 line pairs/mm R: Radial values T: Tangential values Compact, lightweight 1:1 macro lens with a 2.4 centimeter minimum working distance does not change Built-in motor delivers smooth, quiet autofocus and aperture operation Circular aperture for shooting stills or...
..., but working together they make it suitable for shooting movies as an excellent "normal" lens for day-to create gorgeous defocusing effects. Contrast (%) Contrast (%) Mid-range telephoto E 50mm F1.8 OSS SEL50F18 A mode, 1/800 sec., F2.0, ISO 100, Auto white balance.... aperture R T 10 line pairs/mm F8 aperture R T 30 line pairs/mm R: Radial values T: Tangential values Compact, lightweight 1:1 macro lens with a 2.4 centimeter minimum working distance does not change Built-in motor delivers smooth, quiet autofocus and aperture operation Circular aperture for shooting stills or...
2011 α Lens and Lens Accessory Brochure and Specifications
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... 9/13 82.5-315 29°-7°30' - 7 (circular aperture) 62 E 50mm F1.8 OSS SEL50F18 8/9 75 32° - 7 (circular aperture) 63 E 30mm F3.5 Macro SEL30M35 6/7 45 50° - 7 (circular aperture) 1: With interchangeable-lens digital cameras incorporating APS-C type image sensors. 2: Exclusively designed for use with APS...75° 7 32 DT 35mm F1.8 SAM2 SAL35F18 5/6 52.5 44° - 7 (circular aperture) A-mount Fixed Focal Length Lens 33 50mm F1.4 34 DT 50mm F1.8 SAM2 35 85mm F2.8 SAM2 36 135mm F.28 [T4.5] STF (MF operation only) 37 DT 30mm F2.8 Macro SAM2 ...
... 9/13 82.5-315 29°-7°30' - 7 (circular aperture) 62 E 50mm F1.8 OSS SEL50F18 8/9 75 32° - 7 (circular aperture) 63 E 30mm F3.5 Macro SEL30M35 6/7 45 50° - 7 (circular aperture) 1: With interchangeable-lens digital cameras incorporating APS-C type image sensors. 2: Exclusively designed for use with APS...75° 7 32 DT 35mm F1.8 SAM2 SAL35F18 5/6 52.5 44° - 7 (circular aperture) A-mount Fixed Focal Length Lens 33 50mm F1.4 34 DT 50mm F1.8 SAM2 35 85mm F2.8 SAM2 36 135mm F.28 [T4.5] STF (MF operation only) 37 DT 30mm F2.8 Macro SAM2 ...
Brochure and Specifications
Page 11
... optical performance over the entire zoom range and built in image stabilization, this lens is an excellent choice for portraits, sports and nature photography. 1/800 sec., F2.0, ISO 100, Auto white balance NEW E 50mm F1.8 OSS (SEL50F18) Fast, medium telephoto well suited for nature photography. 21... them ideal for serious photographers who demand the best. Built-in dimly lit settings. Precision optics for shooting both photos and movies. Sony A-mount lenses- A minimum focus distance of professionals Over 30 A-mount lenses-from fisheye and ultra wide-angle to macro and super telephoto...
... optical performance over the entire zoom range and built in image stabilization, this lens is an excellent choice for portraits, sports and nature photography. 1/800 sec., F2.0, ISO 100, Auto white balance NEW E 50mm F1.8 OSS (SEL50F18) Fast, medium telephoto well suited for nature photography. 21... them ideal for serious photographers who demand the best. Built-in dimly lit settings. Precision optics for shooting both photos and movies. Sony A-mount lenses- A minimum focus distance of professionals Over 30 A-mount lenses-from fisheye and ultra wide-angle to macro and super telephoto...