Brochure
Page 2
...uncompromising professional use. Musicians and singers love them because they know they'll never be let down. PA rental companies choose them because they know they love satisfied customers. Sound engineers rely on them because they deserve only the best. And Sennheiser's new ...e 900 series takes sound evolution a step higher - as close to the pinnacle of musical performance. Designed for superior sound solutions. e 900 Introducing the best professional microphones in the world Sennheiser's new e 900 series. A unique ...
...uncompromising professional use. Musicians and singers love them because they know they'll never be let down. PA rental companies choose them because they know they love satisfied customers. Sound engineers rely on them because they deserve only the best. And Sennheiser's new ...e 900 series takes sound evolution a step higher - as close to the pinnacle of musical performance. Designed for superior sound solutions. e 900 Introducing the best professional microphones in the world Sennheiser's new e 900 series. A unique ...
Brochure
Page 3
... MZQ 800 microphone clamp Cat. e 945 Features New, stage-compatible sound design "Gain before feedback" increased by 3-6 dB (compared to e 845) Rugged reinforced metal body Powerful sound with rugged construction and unbeatable feedback rejection. No. 4711 Instruction manual Guarantee certificate Specifications e 945 Transducer principle dynamic Frequency response 40-18,000 Hz Pick-up pattern cardioid Sensitivity (free field, no...
... MZQ 800 microphone clamp Cat. e 945 Features New, stage-compatible sound design "Gain before feedback" increased by 3-6 dB (compared to e 845) Rugged reinforced metal body Powerful sound with rugged construction and unbeatable feedback rejection. No. 4711 Instruction manual Guarantee certificate Specifications e 945 Transducer principle dynamic Frequency response 40-18,000 Hz Pick-up pattern cardioid Sensitivity (free field, no...
Brochure
Page 4
... 1 kHz 200 O Min. The cardioid polar pattern e 902 is a dynamic instrument microphone especially designed for kick drum Slip-free, dampening rubber pad underneath Delivery includes e 901 microphone Pouch Specifications e 902 Transducer principle condenser Frequency response Pick-up pattern cardioid Sensitivity (free field, no load) (at 1 kHz 0.2 mV/Pa Sensitivity (free field, no load) (at 1 kHz Sensitivity Nominal impedance (at...
... 1 kHz 200 O Min. The cardioid polar pattern e 902 is a dynamic instrument microphone especially designed for kick drum Slip-free, dampening rubber pad underneath Delivery includes e 901 microphone Pouch Specifications e 902 Transducer principle condenser Frequency response Pick-up pattern cardioid Sensitivity (free field, no load) (at 1 kHz 0.2 mV/Pa Sensitivity (free field, no load) (at 1 kHz Sensitivity Nominal impedance (at...
Brochure
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...microphone was especially designed for guitar amps, and is a dynamic instrument microphone especially designed for drums. Features Full, impressive, lively sound for drums and percussion Very fast attack Compact body ideal for mounting on toms and snare drum Excellent sound profiling, adapts... (3 levels) Extra-resistant reinforced metal body Delivery includes e 906 microphone MZQ 100 microphone clip Pouch Specifications e 904 Transducer principle dynamic Frequency response 40-18,000 Hz Pick-up pattern supercardioid Sensitivity (free field, no load) (at 1 kHz 2 mV/Pa Nominal impedance...
...microphone was especially designed for guitar amps, and is a dynamic instrument microphone especially designed for drums. Features Full, impressive, lively sound for drums and percussion Very fast attack Compact body ideal for mounting on toms and snare drum Excellent sound profiling, adapts... (3 levels) Extra-resistant reinforced metal body Delivery includes e 906 microphone MZQ 100 microphone clip Pouch Specifications e 904 Transducer principle dynamic Frequency response 40-18,000 Hz Pick-up pattern supercardioid Sensitivity (free field, no load) (at 1 kHz 2 mV/Pa Nominal impedance...
Brochure
Page 6
... e 914 microphone Microphone clip Windshield Pouch The e 914 is a high-grade condenser microphone for highly sophisticated applications like acoustic guitars, cymbals, percussion, overhead, orchestras, and grand pianos. Its outstand- e 914 Features Exceptionally lively, clear sound Easy and flexible set clamp Optimal positioning with long-necked, flexible boom Integrated shock absorber eliminates handling noise Intelligent MZA 900 P pre-amp (cable, phantom power...
... e 914 microphone Microphone clip Windshield Pouch The e 914 is a high-grade condenser microphone for highly sophisticated applications like acoustic guitars, cymbals, percussion, overhead, orchestras, and grand pianos. Its outstand- e 914 Features Exceptionally lively, clear sound Easy and flexible set clamp Optimal positioning with long-necked, flexible boom Integrated shock absorber eliminates handling noise Intelligent MZA 900 P pre-amp (cable, phantom power...
Instructions for use
Page 2
... directivity across the whole frequency range y High maximum sound pressure level y Wide frequency response 11 914 The cardioid 914 is able to 20 kHz, the 914 is a pre-polarised condenser microphone designed for demanding applications which require a wide frequency response, high sound pressure...frequency response of 20 Hz to capture the full sound of the instrument, while its cardioid pick-up pattern isolates the microphone from other on-stage signals. An excellent microphone for cymbals and hi-hat, the 914 is also an ideal choice for home recording, the project studio and live stereo...
... directivity across the whole frequency range y High maximum sound pressure level y Wide frequency response 11 914 The cardioid 914 is able to 20 kHz, the 914 is a pre-polarised condenser microphone designed for demanding applications which require a wide frequency response, high sound pressure...frequency response of 20 Hz to capture the full sound of the instrument, while its cardioid pick-up pattern isolates the microphone from other on-stage signals. An excellent microphone for cymbals and hi-hat, the 914 is also an ideal choice for home recording, the project studio and live stereo...
Instructions for use
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Delivery includes y 914 microphone y Pouch y MZQ 800 microphone clamp y MZW 64 windshield y Instructions for use y Warranty Certificate Note: The microphone head is not compatible with the K6 powering module. 12
Delivery includes y 914 microphone y Pouch y MZQ 800 microphone clamp y MZW 64 windshield y Instructions for use y Warranty Certificate Note: The microphone head is not compatible with the K6 powering module. 12
Instructions for use
Page 4
... latter is recommended when there is equipped with a three-position sensitivity switch (A) and a bass filter switch (B). Sensitivity and bass filter The 914 is a risk that you mute the corresponding microphone channel on the mixing console before connecting and disconnecting the microphone cable, switching on and off the phantom powering or setting the switches (see figure above). 13
... latter is recommended when there is equipped with a three-position sensitivity switch (A) and a bass filter switch (B). Sensitivity and bass filter The 914 is a risk that you mute the corresponding microphone channel on the mixing console before connecting and disconnecting the microphone cable, switching on and off the phantom powering or setting the switches (see figure above). 13
Instructions for use
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... 20 50 100 200 500 1000 2000 5000 10000 20000 Hz 0 dB -10 db -20 db Adjusting the bass filter (B) The 914 has been designed for by 18 dB/octave. Frequency response curves with different filters dBv - 35 - 40 - 45 - 50 - 55 - 60 - 65 - 70 20 50 100 200 500 1000 2000... 5000 10000 20000 Hz bass roll off cut -off filter reduces low-frequency wind noise by the 6 dB/octave roll-off 14 With certain live or close instrument miking applications, an over-emphasis of the low...
... 20 50 100 200 500 1000 2000 5000 10000 20000 Hz 0 dB -10 db -20 db Adjusting the bass filter (B) The 914 has been designed for by 18 dB/octave. Frequency response curves with different filters dBv - 35 - 40 - 45 - 50 - 55 - 60 - 65 - 70 20 50 100 200 500 1000 2000... 5000 10000 20000 Hz bass roll off cut -off filter reduces low-frequency wind noise by the 6 dB/octave roll-off 14 With certain live or close instrument miking applications, an over-emphasis of the low...
Instructions for use
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... to prevent interference due to crosstalk between adjacent sound sources, try to the air current can be attenuated by high pass filtering. If the overhead microphones are only used for live miking applications. Good starting position for picking up the cymbals, unwanted signal portions can occur. Positioning the...
... to prevent interference due to crosstalk between adjacent sound sources, try to the air current can be attenuated by high pass filtering. If the overhead microphones are only used for live miking applications. Good starting position for picking up the cymbals, unwanted signal portions can occur. Positioning the...
Instructions for use
Page 8
...Bass filter linear roll-off 85 Hz, 18 dB/oct. Specifications Transducer principle pre-polarised condenser microphone Frequency response 20-20,000 Hz Pick-up pattern cardioid Phantom powering 48 V/2.2 mA Sensitivity (free field, no load at 1 kHz 137/147/157 dB ...SPL (depending on pre-attenuation) Nominal impedance 100 Ω Min. Max. cut-off 130 Hz, 6 dB/oct. terminating impedance 1 kΩ Connector XLR-3 Dimensions Ø 24 mm, length: 157 mm Weight 198 g (without clamp and cable...
...Bass filter linear roll-off 85 Hz, 18 dB/oct. Specifications Transducer principle pre-polarised condenser microphone Frequency response 20-20,000 Hz Pick-up pattern cardioid Phantom powering 48 V/2.2 mA Sensitivity (free field, no load at 1 kHz 137/147/157 dB ...SPL (depending on pre-attenuation) Nominal impedance 100 Ω Min. Max. cut-off 130 Hz, 6 dB/oct. terminating impedance 1 kΩ Connector XLR-3 Dimensions Ø 24 mm, length: 157 mm Weight 198 g (without clamp and cable...
Instructions for use
Page 9
Overview of microphone applications e901 e902 e904 e905 e906 e908B e908B ew e908D e908T ew e912 e912 S e914 e935/e945 Modell Anwendung Vocals x Choir x x Studio, acoustic instruments x x x Orchestra x Trumpets,Trombones x x x Saxophone x xx Acoustic guitar x Acoustic bass x Guitar amplifiers x Bass amplifiers x Leslie xxxx Piano, grand piano x x Kick Drum xx Snare Drum xxx x Rack toms xxxx x Floor toms xxxx x Congas x xx x Cymbals x Percussion xxxx x x Overhead x Conference table, altar xx Lectern xx Theater stage xx 18
Overview of microphone applications e901 e902 e904 e905 e906 e908B e908B ew e908D e908T ew e912 e912 S e914 e935/e945 Modell Anwendung Vocals x Choir x x Studio, acoustic instruments x x x Orchestra x Trumpets,Trombones x x x Saxophone x xx Acoustic guitar x Acoustic bass x Guitar amplifiers x Bass amplifiers x Leslie xxxx Piano, grand piano x x Kick Drum xx Snare Drum xxx x Rack toms xxxx x Floor toms xxxx x Congas x xx x Cymbals x Percussion xxxx x x Overhead x Conference table, altar xx Lectern xx Theater stage xx 18
Instructions for use
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KG declare that this product at the end of this device is in compliance with the applicable CE standards and regulations. Manufacturer declarations Warranty 2 years Approval Sennheiser electronic GmbH & Co. WEEE Declaration Please dispose of its operational lifetime by bringing it to your local collection point or recycling centre for such equipment. 19
KG declare that this product at the end of this device is in compliance with the applicable CE standards and regulations. Manufacturer declarations Warranty 2 years Approval Sennheiser electronic GmbH & Co. WEEE Declaration Please dispose of its operational lifetime by bringing it to your local collection point or recycling centre for such equipment. 19
Instructions for use
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Sennheiser electronic GmbH & Co. KG 30900 Wedemark, Germany Phone +49 (5130) 600 0 Fax +49 (5130) 600 300 www.sennheiser.com Printed in Germany Publ. 04/07 511911/A01
Sennheiser electronic GmbH & Co. KG 30900 Wedemark, Germany Phone +49 (5130) 600 0 Fax +49 (5130) 600 300 www.sennheiser.com Printed in Germany Publ. 04/07 511911/A01
Product Sheet
Page 1
... -20 db Frequency response curves with pre-attenuation) Equivalent noise level A-weighted (DIN IEC 651 19 dB CCIR-weighted (CCIR 468-3 30 dB Pre-attenuation 0, -10, -20 dB Phantom powering 48 V/2.2 mA Bass filter linear roll-off switch J Very high sound pressure handling capability J Exchangeable microphone capsule J Delivery includes: e 914 microphone Microphone clamp Windscreen Pouch Instructions for highly...
... -20 db Frequency response curves with pre-attenuation) Equivalent noise level A-weighted (DIN IEC 651 19 dB CCIR-weighted (CCIR 468-3 30 dB Pre-attenuation 0, -10, -20 dB Phantom powering 48 V/2.2 mA Bass filter linear roll-off switch J Very high sound pressure handling capability J Exchangeable microphone capsule J Delivery includes: e 914 microphone Microphone clamp Windscreen Pouch Instructions for highly...
