Brochure
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... a world-beating reputation for demanding, uncompromising professional use. Sound engineers rely on them because they know they love satisfied customers. as close to the pinnacle of musical performance. And Sennheiser's new e 900 series takes sound evolution a step higher - e 900 Introducing the best professional microphones in the world Sennheiser's new e 900 series. Musicians and singers...
... a world-beating reputation for demanding, uncompromising professional use. Sound engineers rely on them because they know they love satisfied customers. as close to the pinnacle of musical performance. And Sennheiser's new e 900 series takes sound evolution a step higher - e 900 Introducing the best professional microphones in the world Sennheiser's new e 900 series. Musicians and singers...
Brochure
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..., stage-compatible sound design "Gain before feedback" increased by 3-6 dB (compared to e 835) Sturdy reinforced metal body Powerful sound with presence boost for improved vocal intelligibility Delivery includes e 945 microphone Pouch MZQ 800 microphone clamp Cat. No. 4711 Instruction manual Guarantee certificate Specifications e 945 Transducer principle dynamic Frequency response 40-18,000 Hz Pick-up pattern cardioid Sensitivity (free field...
..., stage-compatible sound design "Gain before feedback" increased by 3-6 dB (compared to e 835) Sturdy reinforced metal body Powerful sound with presence boost for improved vocal intelligibility Delivery includes e 945 microphone Pouch MZQ 800 microphone clamp Cat. No. 4711 Instruction manual Guarantee certificate Specifications e 945 Transducer principle dynamic Frequency response 40-18,000 Hz Pick-up pattern cardioid Sensitivity (free field...
Brochure
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... e 901 microphone Pouch Specifications e 902 Transducer principle condenser Frequency response Pick-up pattern cardioid Sensitivity (free field, no load) (at 1 kHz 0.2 mV/Pa Sensitivity (free field, no load) (at 1 kHz Sensitivity Nominal impedance (at 1 kHz 350 O Min. For further information please refer to www.sennheiser.com. e 901 The half-cardioid boundary layer e 901 is the optimal microphone for deep bass frequencies such...
... e 901 microphone Pouch Specifications e 902 Transducer principle condenser Frequency response Pick-up pattern cardioid Sensitivity (free field, no load) (at 1 kHz 0.2 mV/Pa Sensitivity (free field, no load) (at 1 kHz Sensitivity Nominal impedance (at 1 kHz 350 O Min. For further information please refer to www.sennheiser.com. e 901 The half-cardioid boundary layer e 901 is the optimal microphone for deep bass frequencies such...
Brochure
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...microphone was especially designed for guitar amps, and is a dynamic instrument microphone especially designed for drums. Features Full, impressive, lively sound for drums and percussion Very fast attack Compact body ideal for mounting on toms and snare drum Excellent sound profiling, adapts...filters (3 levels) Extra-resistant reinforced metal body Delivery includes e 906 microphone MZQ 100 microphone clip Pouch Specifications e 904 Transducer principle dynamic Frequency response 40-18,000 Hz Pick-up pattern cardioid Sensitivity (free field, no load) (at 1 kHz 2.6 mV/Pa Nominal impedance...
...microphone was especially designed for guitar amps, and is a dynamic instrument microphone especially designed for drums. Features Full, impressive, lively sound for drums and percussion Very fast attack Compact body ideal for mounting on toms and snare drum Excellent sound profiling, adapts...filters (3 levels) Extra-resistant reinforced metal body Delivery includes e 906 microphone MZQ 100 microphone clip Pouch Specifications e 904 Transducer principle dynamic Frequency response 40-18,000 Hz Pick-up pattern cardioid Sensitivity (free field, no load) (at 1 kHz 2.6 mV/Pa Nominal impedance...
Brochure
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... MZA 900 P pre-amp (cable, phantom power, and level check) included MZA 900 P pre-amp included Delivery includes e 908 D microphone MZH 908 D drum clip In-line pre-amplifier MZA 900 P Windshield Pouch e 908 B The e 908 B condenser instrument microphone was especially designed for drums and...and flexible set clamp Optimal positioning with long-necked, flexible boom Integrated shock absorber eliminates handling noise Intelligent MZA 900 P pre-amp (cable, phantom power, and level check) included MZA 900 P pre-amp included Delivery includes e 908 B microphone MZH 908 B instrument clip In-line...
... MZA 900 P pre-amp (cable, phantom power, and level check) included MZA 900 P pre-amp included Delivery includes e 908 D microphone MZH 908 D drum clip In-line pre-amplifier MZA 900 P Windshield Pouch e 908 B The e 908 B condenser instrument microphone was especially designed for drums and...and flexible set clamp Optimal positioning with long-necked, flexible boom Integrated shock absorber eliminates handling noise Intelligent MZA 900 P pre-amp (cable, phantom power, and level check) included MZA 900 P pre-amp included Delivery includes e 908 B microphone MZH 908 B instrument clip In-line...
Instructions for use
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901 High-quality pre-polarised condenser microphone with kick drums. The extremely thin, high-strength diaphragm delivers a very low bass response and fast transient signals. Features y Frequency response tailored for kick drum miking y Fast attack y Very dry and precise low-bass response... y Extremely rugged sound inlet basket y Rubber damping plate on base y Gold-plated XLR connector y Integrated pre-amplifier Delivery includes y 901 microphone y Pouch y Instructions for use with ...
901 High-quality pre-polarised condenser microphone with kick drums. The extremely thin, high-strength diaphragm delivers a very low bass response and fast transient signals. Features y Frequency response tailored for kick drum miking y Fast attack y Very dry and precise low-bass response... y Extremely rugged sound inlet basket y Rubber damping plate on base y Gold-plated XLR connector y Integrated pre-amplifier Delivery includes y 901 microphone y Pouch y Instructions for use with ...
Instructions for use
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...microphone must be phase-reversed to avoid phasecancellation effects due to position the microphone so that the interfering sound source is used for picking up the attack, the 902 for picking up the fundamental. Positioning the microphone... Kick drums Position Resulting sound Much resonance, much attack Less attack: Turn the microphone..., try to the second microphone being on the other side of the microphone (approx. 180°; ...
...microphone must be phase-reversed to avoid phasecancellation effects due to position the microphone so that the interfering sound source is used for picking up the attack, the 902 for picking up the fundamental. Positioning the microphone... Kick drums Position Resulting sound Much resonance, much attack Less attack: Turn the microphone..., try to the second microphone being on the other side of the microphone (approx. 180°; ...
Instructions for use
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sound pressure level at 1 kHz) Min. Specifications Transducer principle Frequency response Pick-up pattern Sensitivity (free field, no load at 1 kHz) Nominal impedance (at 1 kHz Connector Weight Dimensions pre-polarised condenser microphone 20-20,000 Hz half-cardioid 0.5 mV/Pa < 100 Ω 1 kΩ 48 V / 1.1 mA 154 dB SPL XLR-3 550 g length: 126.5 mm width: 105 mm height: 26.5 mm Pin assignment of XLR-3 connector + +2 1 + 12 3 3 XLR XLR + 21 3 XLR 12 terminating impedance Phantom powering Max.
sound pressure level at 1 kHz) Min. Specifications Transducer principle Frequency response Pick-up pattern Sensitivity (free field, no load at 1 kHz) Nominal impedance (at 1 kHz Connector Weight Dimensions pre-polarised condenser microphone 20-20,000 Hz half-cardioid 0.5 mV/Pa < 100 Ω 1 kΩ 48 V / 1.1 mA 154 dB SPL XLR-3 550 g length: 126.5 mm width: 105 mm height: 26.5 mm Pin assignment of XLR-3 connector + +2 1 + 12 3 3 XLR XLR + 21 3 XLR 12 terminating impedance Phantom powering Max.
Instructions for use
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Overview of microphone applications e901 e902 e904 e905 e906 e908B e908D e914 e935 e945 Variant Application Vocals Choirs Studio, acoustic instruments Orchestra Brass / Saxophone Acoustic guitar Acoustic bass Guitar amplifiers Bass amplifiers Leslie Piano, grand piano Kick drums Snare drums Rack toms Floor toms Congas Cymbals Percussion Overheads xx x x x x xx x x x x x xxxx x xx xxx x xxx x xxxx x x xxx x xxxxxx x 13
Overview of microphone applications e901 e902 e904 e905 e906 e908B e908D e914 e935 e945 Variant Application Vocals Choirs Studio, acoustic instruments Orchestra Brass / Saxophone Acoustic guitar Acoustic bass Guitar amplifiers Bass amplifiers Leslie Piano, grand piano Kick drums Snare drums Rack toms Floor toms Congas Cymbals Percussion Overheads xx x x x x xx x x x x x xxxx x xx xxx x xxx x xxxx x x xxx x xxxxxx x 13
Instructions for use
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Sennheiser electronic GmbH & Co. KG 30900 Wedemark, Germany Phone +49 (5130) 600 0 Fax +49 (5130) 600 300 www.sennheiser.com Printed in Germany Publ. 08/04 094279/A01
Sennheiser electronic GmbH & Co. KG 30900 Wedemark, Germany Phone +49 (5130) 600 0 Fax +49 (5130) 600 300 www.sennheiser.com Printed in Germany Publ. 08/04 094279/A01
Product Sheet
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.... 500198 Technical Data Transducer principle pre-polarised condenser microphone Pick-up pattern half-cardioid Frequency response 20 - 20,000 Hz Sensitivity (free field, no need for special adapter cable J No microphone stand needed for kick drum applications J Handles very high sound pressure levels J Slip-free, dampening rubber pad underneath J Delivery includes: 1 e 901 Pouch Instructions for kick drum J Very fast attack...
.... 500198 Technical Data Transducer principle pre-polarised condenser microphone Pick-up pattern half-cardioid Frequency response 20 - 20,000 Hz Sensitivity (free field, no need for special adapter cable J No microphone stand needed for kick drum applications J Handles very high sound pressure levels J Slip-free, dampening rubber pad underneath J Delivery includes: 1 e 901 Pouch Instructions for kick drum J Very fast attack...