Instructions for Use
Page 18
Instructions for use Brief description 13 Connecting facilities / power supply 13 Stand mounting / acceptance angles 13 Application tips 15 Selection of pick-up patterns 16 Preattenuation / tone control 18 Accessories 19 Technical Data 20 Nominal frequency response with tolerance field / pick-up pattern . 53-57 Switchable filters: treble emphasis / bass attenuation 58 2
Instructions for use Brief description 13 Connecting facilities / power supply 13 Stand mounting / acceptance angles 13 Application tips 15 Selection of pick-up patterns 16 Preattenuation / tone control 18 Accessories 19 Technical Data 20 Nominal frequency response with tolerance field / pick-up pattern . 53-57 Switchable filters: treble emphasis / bass attenuation 58 2
Instructions for Use
Page 19
... m. For power supply units and connecting cables please see "Accessories". The total length of following microphone amplifiers is designed for interference-free sound reproduction and high signal strength. For longer cables the line capacitance affects the frequency response of space and depth • Excellent sensitivity for 48 V phantom powering as per DIN 45596. Connecting facilities/power supply The MKH 80 is negligible. • The mic´s frequency-independent directivity prevents coloration...
... m. For power supply units and connecting cables please see "Accessories". The total length of following microphone amplifiers is designed for interference-free sound reproduction and high signal strength. For longer cables the line capacitance affects the frequency response of space and depth • Excellent sensitivity for 48 V phantom powering as per DIN 45596. Connecting facilities/power supply The MKH 80 is negligible. • The mic´s frequency-independent directivity prevents coloration...
Instructions for Use
Page 20
The proper acceptance angle is indicated by the red LED. The MZS 80 shock mount provides better resistance to a stand. Stand mounting/acceptance angles The MZQ 80 clamp (included) serves to fix the MKH 80 to footfall (please see "Accessories"). 14
The proper acceptance angle is indicated by the red LED. The MZS 80 shock mount provides better resistance to a stand. Stand mounting/acceptance angles The MZQ 80 clamp (included) serves to fix the MKH 80 to footfall (please see "Accessories"). 14
Instructions for Use
Page 21
... preparation. 15 Application tips The MKH 80 is a versatile condenser microphone which is particularly well suited to prevent feedback. • The MZW 80-1 pop shield effectively suppresses pop noise during close miking. A special gauze pop shield is in the studio recording environment. • Its problem-free reproduction of high sound pressure levels makes it the perfect mic for soloist.
... preparation. 15 Application tips The MKH 80 is a versatile condenser microphone which is particularly well suited to prevent feedback. • The MZW 80-1 pop shield effectively suppresses pop noise during close miking. A special gauze pop shield is in the studio recording environment. • Its problem-free reproduction of high sound pressure levels makes it the perfect mic for soloist.
Instructions for Use
Page 22
... Omnidirectional The push-pull transducer incorporated into the MKH 80 reduces the mic´s directivity to a minimum for longer distances to the sound source, even in rooms which are acoustically less perfect. For close -miking, sound reproduction does not become overbrilliant or shrill. Selection...allows large sound C sources to be miked. This feature provides a sense of pick-up patterns Switch C serves to set the mic to five different pick-up pattern is a combination of diffuse signals from the rear and thus a good reverberation balance for high frequencies. Wide-...
... Omnidirectional The push-pull transducer incorporated into the MKH 80 reduces the mic´s directivity to a minimum for longer distances to the sound source, even in rooms which are acoustically less perfect. For close -miking, sound reproduction does not become overbrilliant or shrill. Selection...allows large sound C sources to be miked. This feature provides a sense of pick-up patterns Switch C serves to set the mic to five different pick-up pattern is a combination of diffuse signals from the rear and thus a good reverberation balance for high frequencies. Wide-...
Instructions for Use
Page 23
...frequencies (typ. 30 dB), which lateral sound is to separate or support adjacent sound sources such as single instruments or instrument groups in which allows signals...signals and prevents feedback. The cardioid pick-up pattern is acoustically neutral for large acceptance angles. Supercardioid The supercardiod pick-up pattern features a higher directivity...case, too, the transducer provides a frequencyindependent directivity. Cardioid The cardioid pick-up pattern is ... rear to mike or support soloists in efficient attenuation of lateral sound, which makes it particularly well suited...
...frequencies (typ. 30 dB), which lateral sound is to separate or support adjacent sound sources such as single instruments or instrument groups in which allows signals...signals and prevents feedback. The cardioid pick-up pattern is acoustically neutral for large acceptance angles. Supercardioid The supercardiod pick-up pattern features a higher directivity...case, too, the transducer provides a frequencyindependent directivity. Cardioid The cardioid pick-up pattern is ... rear to mike or support soloists in efficient attenuation of lateral sound, which makes it particularly well suited...
Instructions for Use
Page 24
For 50 Hz the attenuation amounts to : H + 3 dB +3 dB or B + 6 dB +6 dB Switch B for treble emphasis The treble emphasis can be adjusted in two steps. For 10 kHz the increase amounts to : - 3 dB or -3 dB - 6 dB -6 dB 18 Preattenuation / tone control Switch L for preattenuation If the output level of the MKH 80 is too high for the following mixing console, it can be reduced in two steps: - 6 dB or - 12 dB -6 dB -12 dB Switch H for bass attenuation The bass response can be attenuated in L two steps.
For 50 Hz the attenuation amounts to : H + 3 dB +3 dB or B + 6 dB +6 dB Switch B for treble emphasis The treble emphasis can be adjusted in two steps. For 10 kHz the increase amounts to : - 3 dB or -3 dB - 6 dB -6 dB 18 Preattenuation / tone control Switch L for preattenuation If the output level of the MKH 80 is too high for the following mixing console, it can be reduced in two steps: - 6 dB or - 12 dB -6 dB -12 dB Switch H for bass attenuation The bass response can be attenuated in L two steps.
Instructions for Use
Page 25
MZW 80-1 Foam wind-shield functions as a connecting cable or an extension cable.Preattenuation/tone control Accessories 19 Required mains voltage: 95 - 265 V/50 - 60 Hz KA 7 U XLR connecting cable Three-core cable with XLR/XLR connector. Allows two mics to be connected. Effectively suppresses structure-borne noise. Length: 7.5 m. MZN 16 P 48 U Power supply unit for the elastic suspension of the stand mounted mic. Usable as a close-miking and pop shield. MZS 80 Shock mount for 48 V phantom powering.
MZW 80-1 Foam wind-shield functions as a connecting cable or an extension cable.Preattenuation/tone control Accessories 19 Required mains voltage: 95 - 265 V/50 - 60 Hz KA 7 U XLR connecting cable Three-core cable with XLR/XLR connector. Allows two mics to be connected. Effectively suppresses structure-borne noise. Length: 7.5 m. MZN 16 P 48 U Power supply unit for the elastic suspension of the stand mounted mic. Usable as a close-miking and pop shield. MZS 80 Shock mount for 48 V phantom powering.
Instructions for Use
Page 26
Technical Data short description high-frequency studio condenser microphone with 5 switchable directional characteristics transducer type double push-pull pressure-gradient transducer directional characteristics omnidirectional, wide-angle cardioid, cardioid, super cardioid, figure-8 frequency range 30 - 20000 Hz sensitivity 40 mV/Pa ± ldB (-28 dB re lV/Pa) output impedance 150 Ω maximum SPL 136 dB SPL (142 dB SPL...
Technical Data short description high-frequency studio condenser microphone with 5 switchable directional characteristics transducer type double push-pull pressure-gradient transducer directional characteristics omnidirectional, wide-angle cardioid, cardioid, super cardioid, figure-8 frequency range 30 - 20000 Hz sensitivity 40 mV/Pa ± ldB (-28 dB re lV/Pa) output impedance 150 Ω maximum SPL 136 dB SPL (142 dB SPL...