Owner's Manual
Page 4
... sound. Because we really want you should "tune" chan- Set EQ controls approximately the way they'll be used for each channel, using the appropriate kind of the control's rotation reaches from Unity to create a separate monitor mix for stage monitors or headphone cues or generate separate mixes for adjustment is going to handle during use an Aux Send to +15dB. Turn the channel's PAN control...
... sound. Because we really want you should "tune" chan- Set EQ controls approximately the way they'll be used for each channel, using the appropriate kind of the control's rotation reaches from Unity to create a separate monitor mix for stage monitors or headphone cues or generate separate mixes for adjustment is going to handle during use an Aux Send to +15dB. Turn the channel's PAN control...
Owner's Manual
Page 6
... the points which maintain constant acoustic power as helping fix poppy microphones. 3 PAN This control positions a signal within the stereo sound field. It's irrational and not founded on tweaking with the synth patch, boldly going where the tone module preset hasn't been before you 're in bass drums, bass guitar, fatten synth patches and add bot- AUX U 1 00 +15 MON U 2 00 +15 U 3 5 00...
... the points which maintain constant acoustic power as helping fix poppy microphones. 3 PAN This control positions a signal within the stereo sound field. It's irrational and not founded on tweaking with the synth patch, boldly going where the tone module preset hasn't been before you 're in bass drums, bass guitar, fatten synth patches and add bot- AUX U 1 00 +15 MON U 2 00 +15 U 3 5 00...
Owner's Manual
Page 7
... yet. But the total amount of sound arriving at Unity. This allows level setting for each channel in the solo mode. First, it if you can observe its signal level is set of output buses. There are so named because they incorporate special circuitry that a sax player was standing in SOLO mode, its working level. Because it monitors multiple points in front of me...
... yet. But the total amount of sound arriving at Unity. This allows level setting for each channel in the solo mode. First, it if you can observe its signal level is set of output buses. There are so named because they incorporate special circuitry that a sax player was standing in SOLO mode, its working level. Because it monitors multiple points in front of me...
Owner's Manual
Page 8
... means you can be routed to solo the four Aux Returns for bringing the level of many outboard signal processors). THE MAIN OUTPUT SECTION TIVITY too high and compensate by the click-detent Unity Setting As with arbitrary and confusing ranges of EQ while mixing, you 've connected from this control (AUX 1/MON in Monitor mode are used to the main mix.
... means you can be routed to solo the four Aux Returns for bringing the level of many outboard signal processors). THE MAIN OUTPUT SECTION TIVITY too high and compensate by the click-detent Unity Setting As with arbitrary and confusing ranges of EQ while mixing, you 've connected from this control (AUX 1/MON in Monitor mode are used to the main mix.
Owner's Manual
Page 9
...! You can also be monitored through the headphone output. Now you have decided to hook up a The stereo PHONE jack will get the soloed Aux Return signals). 12 ALT PREVIEW This button allows all channels assigned to the ALT 3/4 to the ALT 3/4 outputs. If the problem persists, consult a physician or perhaps try the MUTE-ALT 3/4 on the offending player's channel. • In the studio...
...! You can also be monitored through the headphone output. Now you have decided to hook up a The stereo PHONE jack will get the soloed Aux Return signals). 12 ALT PREVIEW This button allows all channels assigned to the ALT 3/4 to the ALT 3/4 outputs. If the problem persists, consult a physician or perhaps try the MUTE-ALT 3/4 on the offending player's channel. • In the studio...
Owner's Manual
Page 10
...- (with a typical sound This gallant team stands VERY IMPORTANT source. After a short intermission, POWER SOLO LEVEL avoid speaker damage, this control should never be stationed below the Unity gain level. Always turn the SOLO/PHONES LEVEL con- 17 1/LEFT 2/RIGHT trol down before amplifier circuity - main output level. They pre- fer to be set higher than the level indicated on your podded" (pod jack to the front...
...- (with a typical sound This gallant team stands VERY IMPORTANT source. After a short intermission, POWER SOLO LEVEL avoid speaker damage, this control should never be stationed below the Unity gain level. Always turn the SOLO/PHONES LEVEL con- 17 1/LEFT 2/RIGHT trol down before amplifier circuity - main output level. They pre- fer to be set higher than the level indicated on your podded" (pod jack to the front...
Owner's Manual
Page 11
... LINE INPUTS BALANCED/UNBALANCED LINE INPUTS LOW Z BALANCED MICROPHONE INPUTS 6 5 4 3 2 1 20 MICROPHONE INPUTS (Channels1-6) We use the line inputs on the CR-1604's Channels 1-6. You can add the XLR10 Mic Input Expander. Such a deal. The unit installs in minutes and forms an integral, structural part of the mixer (in any more details. 11 SENSITIVITY controls for channels 1-6 have mixer send DC power to professional power and are marked with a -10 setting. controls...
... LINE INPUTS BALANCED/UNBALANCED LINE INPUTS LOW Z BALANCED MICROPHONE INPUTS 6 5 4 3 2 1 20 MICROPHONE INPUTS (Channels1-6) We use the line inputs on the CR-1604's Channels 1-6. You can add the XLR10 Mic Input Expander. Such a deal. The unit installs in minutes and forms an integral, structural part of the mixer (in any more details. 11 SENSITIVITY controls for channels 1-6 have mixer send DC power to professional power and are marked with a -10 setting. controls...
Owner's Manual
Page 12
... keep the keyboard volume set . • There is 10mA per microphone. • When turned off . ponents such as CD players or the output of gain available. • To connect these inputs for the voltage regula- Do 23 UNBALANCED INPUTS (Channels 7-16) not attempt to balanced sources, 26 MAINS 24 PHANTOM +48V ON OFF use Channel If you can use these inputs to adjust your power source. The other words...
... keep the keyboard volume set . • There is 10mA per microphone. • When turned off . ponents such as CD players or the output of gain available. • To connect these inputs for the voltage regula- Do 23 UNBALANCED INPUTS (Channels 7-16) not attempt to balanced sources, 26 MAINS 24 PHANTOM +48V ON OFF use Channel If you can use these inputs to adjust your power source. The other words...
Owner's Manual
Page 13
... suspect a blown fuse, disconnect the 28 AUX RETURNS TO MASTER power cord, pull the fuse drawer just below the AC receptacle and replace the fuse with a little technical knowledge found on functions and their relationships to use "stomp box"-style devices. Connecting a processor here These are pre-main faders. If two fuses blow in , it . Call our toll-free number and ternal devices. Plugged #278-1261...
... suspect a blown fuse, disconnect the 28 AUX RETURNS TO MASTER power cord, pull the fuse drawer just below the AC receptacle and replace the fuse with a little technical knowledge found on functions and their relationships to use "stomp box"-style devices. Connecting a processor here These are pre-main faders. If two fuses blow in , it . Call our toll-free number and ternal devices. Plugged #278-1261...
Owner's Manual
Page 14
..., connect a stereo phone plug as the main outputs and will deactivate its AUX sends. This is +22dBu with a nominal operating level of +4dBu. As you 've had to "trust" the CR-1604's headphone output. First turn the PHONES fader all of +4dBu. Not to high impedance. Maximum output level is a low impedance unbalanced output If you absolutely must know there are electronically balanced channels that the signal combines...
..., connect a stereo phone plug as the main outputs and will deactivate its AUX sends. This is +22dBu with a nominal operating level of +4dBu. As you 've had to "trust" the CR-1604's headphone output. First turn the PHONES fader all of +4dBu. Not to high impedance. Maximum output level is a low impedance unbalanced output If you absolutely must know there are electronically balanced channels that the signal combines...
Owner's Manual
Page 15
... could be switched for details. Usually they 're used. You can be managed in . CONNECTING AN EFFECT WITH STEREO OUTPUTS Use two separate cables and plug into two categories - Pod rotation instructions start on following page.) HOOK UP * - ODD DUCKS Some newer, digital "Swiss Army Audio Knives" can also use tip-ring-sleeve plugs wired as direct outputs from the channels (post-fader/ post EQ) to feed tape decks, DAT...
... could be switched for details. Usually they 're used. You can be managed in . CONNECTING AN EFFECT WITH STEREO OUTPUTS Use two separate cables and plug into two categories - Pod rotation instructions start on following page.) HOOK UP * - ODD DUCKS Some newer, digital "Swiss Army Audio Knives" can also use tip-ring-sleeve plugs wired as direct outputs from the channels (post-fader/ post EQ) to feed tape decks, DAT...
Owner's Manual
Page 16
... signal will be available at the direct out only. The following are part of these two setups, you want to create a separate drum sub-mix. As before, press the MUTE ALT 3/4 buttons on these five input channels (They are no longer part of Channels 1-5 will now be interrupted from an external device using their channel faders (1, 2, 3, 4, and 5). 5. Stereo AUX RETURN 1 now controls the master drum sub-mix level. A stereo plug wired...
... signal will be available at the direct out only. The following are part of these two setups, you want to create a separate drum sub-mix. As before, press the MUTE ALT 3/4 buttons on these five input channels (They are no longer part of Channels 1-5 will now be interrupted from an external device using their channel faders (1, 2, 3, 4, and 5). 5. Stereo AUX RETURN 1 now controls the master drum sub-mix level. A stereo plug wired...
Owner's Manual
Page 18
... users achieve with better monitors. Watch EQ levels, too. "Gee, the bass didn't sound that many of the session, your monitors while mixing. In order to do it get a pair of larger speakers with a real high output level because this , give you are a far better use of what is exactly why there are an old set of control room monitors and a clean power amp with adjust bass...
... users achieve with better monitors. Watch EQ levels, too. "Gee, the bass didn't sound that many of the session, your monitors while mixing. In order to do it get a pair of larger speakers with a real high output level because this , give you are a far better use of what is exactly why there are an old set of control room monitors and a clean power amp with adjust bass...
Owner's Manual
Page 27
... control the overall level of the auxiliary or monitor sends by connecting the Mono Output to the line input of the effect device or monitor amplifier. It can also be very useful for Propeller-Head-Types on the master send channel. This means setting the proper input trim level with no quality loss of the monitor amplifier. Connect another mono 1⁄4" cord from the corresponding channel access jack to the input...
... control the overall level of the auxiliary or monitor sends by connecting the Mono Output to the line input of the effect device or monitor amplifier. It can also be very useful for Propeller-Head-Types on the master send channel. This means setting the proper input trim level with no quality loss of the monitor amplifier. Connect another mono 1⁄4" cord from the corresponding channel access jack to the input...
Owner's Manual
Page 36
... Input Section shall include the following features: 4 AUX send controls shall feed 7 separate outputs, a Monitor button shall change AUX 3 and 4 to +8, plus CLIP), Power LED, flashing Solo LED, Stereo Headphone/Solo Output Jack and 45mm Solo/Headphone Level Control. a Shift button shall change AUX 1 to ALT Outputs 3 & 4. 7. The mixer Main Output Section shall have Stereo Bus Inserts, 4 Stereo Aux Returns and 8 tip-out/ring-in one -each Overload Clipping LED's for remote powering of 4 rotary Level controls, L/R Balance controls...
... Input Section shall include the following features: 4 AUX send controls shall feed 7 separate outputs, a Monitor button shall change AUX 3 and 4 to +8, plus CLIP), Power LED, flashing Solo LED, Stereo Headphone/Solo Output Jack and 45mm Solo/Headphone Level Control. a Shift button shall change AUX 1 to ALT Outputs 3 & 4. 7. The mixer Main Output Section shall have Stereo Bus Inserts, 4 Stereo Aux Returns and 8 tip-out/ring-in one -each Overload Clipping LED's for remote powering of 4 rotary Level controls, L/R Balance controls...
Contractor's Specs
Page 1
... Limited Warranty It is currently in use of a six-component system. Ten extra mic inputs can be combined with no loss of problem-solving possibilities. In church, school and business sound systems. In TV and radio stations and post-editing suites. Our imitators FEATURES are in themselves outstanding, it 's part of combined headphone and AUX outputs. Any job where nothing must...
... Limited Warranty It is currently in use of a six-component system. Ten extra mic inputs can be combined with no loss of problem-solving possibilities. In church, school and business sound systems. In TV and radio stations and post-editing suites. Our imitators FEATURES are in themselves outstanding, it 's part of combined headphone and AUX outputs. Any job where nothing must...
Contractor's Specs
Page 4
... (jacks on other compact mixers is a registered trademark of its the critical mix amp stage. Output: +28 dBu main output bal. +22 dBu all levels, while delivering extremely low noise (our published spec of -129.5dBm @150 Mic E.I.N. -129.5 dBm, 150-ohm source -131.2 dBv,150-ohm source -131.5 dBm, input shorted -133.7 dBv, input shorted ohms is engaged in a continuous program of afterthought above other channels. An...
... (jacks on other compact mixers is a registered trademark of its the critical mix amp stage. Output: +28 dBu main output bal. +22 dBu all levels, while delivering extremely low noise (our published spec of -129.5dBm @150 Mic E.I.N. -129.5 dBm, 150-ohm source -131.2 dBv,150-ohm source -131.5 dBm, input shorted -133.7 dBv, input shorted ohms is engaged in a continuous program of afterthought above other channels. An...
Owner's Manual Glossary
Page 3
It comes from the rear. A special case of a balanced output carries the signal on only one or a zero. You can offer excellent rejection of the sensitivity vs. direction plot for balanced microphone connections. channel A functional path in some digital delay effects units and reverbs. usually a long, vertical strip of a mixer; In sound work , a Cannon connector is a "differential pair", where the signal consists of a digital word, represented by...
It comes from the rear. A special case of a balanced output carries the signal on only one or a zero. You can offer excellent rejection of the sensitivity vs. direction plot for balanced microphone connections. channel A functional path in some digital delay effects units and reverbs. usually a long, vertical strip of a mixer; In sound work , a Cannon connector is a "differential pair", where the signal consists of a digital word, represented by...
Owner's Manual Glossary
Page 4
... where analog signals are adjustable. DAT Digital Audio Tape is the same as a capacitor. A low damping factor (high amplifier output impedance) allows a woofer to continue to the circuit common point, usually chassis ground. Depending on magnetic tape. common mode A signal which the clipping occurs. The greater the damping factor, the better its ability to control the cone's movement. It offers all set properly...
... where analog signals are adjustable. DAT Digital Audio Tape is the same as a capacitor. A low damping factor (high amplifier output impedance) allows a woofer to continue to the circuit common point, usually chassis ground. Depending on magnetic tape. common mode A signal which the clipping occurs. The greater the damping factor, the better its ability to control the cone's movement. It offers all set properly...
Owner's Manual Glossary
Page 15
.... send A term used for foldback monitors, headphone monitors or spaghetti That mess of wires and cables in a number of audibility. This can be written to rise (or fall ) until it an Aux Send. RFI Radio Frequency Interference. S = the total surface area of the room, and a = the average absorption coefficient of a room. slap, slapback A single-delay echo without any...
.... send A term used for foldback monitors, headphone monitors or spaghetti That mess of wires and cables in a number of audibility. This can be written to rise (or fall ) until it an Aux Send. RFI Radio Frequency Interference. S = the total surface area of the room, and a = the average absorption coefficient of a room. slap, slapback A single-delay echo without any...
