Owners Manual
Page 14
...commonly known as "static." Internal computer surfaces, the E-MU 1010 PCIe board and the interfaces are susceptible to your hardware, make sure that the computer is located on the back of the PCIe card...MU 1010 hardware components. Connector Types These connector types are made with the host computer's power off. Electrostatic discharge can ground yourself by its edges only. • Before installing a PCIe card into your system. 14 Creative Professional... Up the Digital Audio System Please read the following sections as they apply to your system as scuffing your system. Try to...
...commonly known as "static." Internal computer surfaces, the E-MU 1010 PCIe board and the interfaces are susceptible to your hardware, make sure that the computer is located on the back of the PCIe card...MU 1010 hardware components. Connector Types These connector types are made with the host computer's power off. Electrostatic discharge can ground yourself by its edges only. • Before installing a PCIe card into your system. 14 Creative Professional... Up the Digital Audio System Please read the following sections as they apply to your system as scuffing your system. Try to...
Owners Manual
Page 34
...digital stream to receive the external data. Output too weak? Use +4 Output setting Creative Professional If an External Clock is approximately 12dB lower than unbalanced cables when used with professional audio gear. in the audio... external sample (ext. balanced or unbalanced?" The PatchMix DSP Mixer The Session The System Settings include the following: • Internal/External Clock Selects between 44.1k 48k...allows you are using a digital interface. Common symptoms of unsynced digital audio include, random clicks or pops in the Appendix for the optimum signal level...
...digital stream to receive the external data. Output too weak? Use +4 Output setting Creative Professional If an External Clock is approximately 12dB lower than unbalanced cables when used with professional audio gear. in the audio... external sample (ext. balanced or unbalanced?" The PatchMix DSP Mixer The Session The System Settings include the following: • Internal/External Clock Selects between 44.1k 48k...allows you are using a digital interface. Common symptoms of unsynced digital audio include, random clicks or pops in the Appendix for the optimum signal level...
Owners Manual
Page 72
... bizarre frequency shifting effects, simply crank up or down for the right channel. 72 Creative Professional Frequency shifting shifts every frequency in the signal. You can also shift pitch up on the other if you wish. The more common pitch shifter, in exact frequencies to creating "musical" harmonies. Comparison between Pitch and Frequency...
... bizarre frequency shifting effects, simply crank up or down for the right channel. 72 Creative Professional Frequency shifting shifts every frequency in the signal. You can also shift pitch up on the other if you wish. The more common pitch shifter, in exact frequencies to creating "musical" harmonies. Comparison between Pitch and Frequency...
Owners Manual
Page 90
... when there is resonance added to both filter sections . Effects Core Effects Descriptions However, when the Highpass Freq parameter is also common to generate the rolloff frequencies for the underlying Lowpass and Highpass filters. Resonance = 0 1182ddBB//6oodccBtt/oct 24dB/oct Band Cut ...Highpass || Lowpass combination appears the same as increased gain above the otherwise flat spectral response. Resonance = 0 121842dddB6BB/d//oBoo/cctcottct 90 Creative Professional 5 - In this mode the rolloff slope on the high and low sides of each High and Low filter can be specified ...
... when there is resonance added to both filter sections . Effects Core Effects Descriptions However, when the Highpass Freq parameter is also common to generate the rolloff frequencies for the underlying Lowpass and Highpass filters. Resonance = 0 1182ddBB//6oodccBtt/oct 24dB/oct Band Cut ...Highpass || Lowpass combination appears the same as increased gain above the otherwise flat spectral response. Resonance = 0 121842dddB6BB/d//oBoo/cctcottct 90 Creative Professional 5 - In this mode the rolloff slope on the high and low sides of each High and Low filter can be specified ...
Owners Manual
Page 98
... Ratio parameter to -1:1 (or lower for a range of foreground sounds. When the Input Mode is set the Input Mode parameter to ... a stereo equalizer ahead of additional input signal level, resulting in the background signal. See page 101. 98 Creative Professional In contrast, the compression ratio of 1:-1 causes a 2dB gain reduction for each 1dB of the compressor in ... detector works on the higher of the two input signal levels, so that is reduced in common or by a parallel sidechain path common to L In/R Sidechain. One example would be completely unrelated, such as -50, so...
... Ratio parameter to -1:1 (or lower for a range of foreground sounds. When the Input Mode is set the Input Mode parameter to ... a stereo equalizer ahead of additional input signal level, resulting in the background signal. See page 101. 98 Creative Professional In contrast, the compression ratio of 1:-1 causes a 2dB gain reduction for each 1dB of the compressor in ... detector works on the higher of the two input signal levels, so that is reduced in common or by a parallel sidechain path common to L In/R Sidechain. One example would be completely unrelated, such as -50, so...
Owners Manual
Page 114
... these digital formats carry an embedded word clock which can be synchronized. You must enable "External Clock" on the PCIe card is connected to digital in Sync Whenever you connect external digital audio devices ...audio to be aware of audio data and an embedded clock. D/A is being used to each other. Unless you need to be the Master and the other a Slave, they are two commonly... even if audio is the Slave. 114 Creative Professional Use the digital I /O on the slave device to receive its word clock signal from the external device. The E-MU Digital Audio System is set ...
... these digital formats carry an embedded word clock which can be synchronized. You must enable "External Clock" on the PCIe card is connected to digital in Sync Whenever you connect external digital audio devices ...audio to be aware of audio data and an embedded clock. D/A is being used to each other. Unless you need to be the Master and the other a Slave, they are two commonly... even if audio is the Slave. 114 Creative Professional Use the digital I /O on the slave device to receive its word clock signal from the external device. The E-MU Digital Audio System is set ...
Owners Manual
Page 117
... to observe this common practice can seriously damage the ribbon element. Under Visual Effects, select Adjust for a second when phantom power is turned on . Click OK. 6 - Some direct boxes also use phantom power. Pins 2 and 3 also carry the audio signal which is ...will improve the screen appearance when moving the mixer around on top of the constant 48 volts DC. Select System. Appendix Useful Information E-MU PCIe Digital Audio Systems 117 Coupling capacitors at the input of a condenser microphone. Since ribbon microphones are fairly specialized and generally expensive...
... to observe this common practice can seriously damage the ribbon element. Under Visual Effects, select Adjust for a second when phantom power is turned on . Click OK. 6 - Some direct boxes also use phantom power. Pins 2 and 3 also carry the audio signal which is ...will improve the screen appearance when moving the mixer around on top of the constant 48 volts DC. Select System. Appendix Useful Information E-MU PCIe Digital Audio Systems 117 Coupling capacitors at the input of a condenser microphone. Since ribbon microphones are fairly specialized and generally expensive...
Owners Manual
Page 118
... 48kHz, 88.2kHz, 96kHz • WDM: 2-in/4-out at 176.4kHz & 192kHz EDI (E-MU Digital Interface) Proprietary 64-channel audio link over CAT-5 cable Anti-Pop Protection Anti-pop speaker protection minimizes noise during power-up ULTRA-...Audio Precision 2) 44.1 kHz Optical Input 795ps MicroDockm Power Use .32A @ +48VDC 15.4 Watts ANALOG LINE INPUTS Type A/D Converter Level (software selectable) Frequency Response Dynamic Range Signal-to-Noise Ratio THD + N Channel Crosstalk Common-mode Rejection Input Impedance (4) Servo-balanced, DC-coupled, low-noise input circuitry AK5394A Professional...
... 48kHz, 88.2kHz, 96kHz • WDM: 2-in/4-out at 176.4kHz & 192kHz EDI (E-MU Digital Interface) Proprietary 64-channel audio link over CAT-5 cable Anti-Pop Protection Anti-pop speaker protection minimizes noise during power-up ULTRA-...Audio Precision 2) 44.1 kHz Optical Input 795ps MicroDockm Power Use .32A @ +48VDC 15.4 Watts ANALOG LINE INPUTS Type A/D Converter Level (software selectable) Frequency Response Dynamic Range Signal-to-Noise Ratio THD + N Channel Crosstalk Common-mode Rejection Input Impedance (4) Servo-balanced, DC-coupled, low-noise input circuitry AK5394A Professional...