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... accompanying PROGRAM TABLE BOOKLET lists all presets and the most commonly used user programs. *Effects may be selected from an external MIDI device (e.g., a DX7 synthesizer) enabling automatic selection of a specified reverberation effect for you , the discerning user. This refined stereo reverberator uses highly complex digital technology to operate. You are now the owner of a state-of-the-art sound processing device that is required: concerts, recording studios, and...
... accompanying PROGRAM TABLE BOOKLET lists all presets and the most commonly used user programs. *Effects may be selected from an external MIDI device (e.g., a DX7 synthesizer) enabling automatic selection of a specified reverberation effect for you , the discerning user. This refined stereo reverberator uses highly complex digital technology to operate. You are now the owner of a state-of-the-art sound processing device that is required: concerts, recording studios, and...
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... DELAY TYPE 14 ECHO TYPE 14 MOD TYPE 15 DESCRIPTION OF PRESETS 17 MIDI SELECTION 19 MIDI MEMORY SETTING 19 CHECKING MIDI MEMORY 20 CLEARING MIDI MEMORY 20 APPLICATION EXAMPLES 21 EARLY REFLECTION MODE CHART 22 ROOM SIZE CHART 24 USER PROGRAMMING TABLE 25 BLOCK DIAGRAM 26 DIMENSIONS 26 SPECIFICATIONS 27 MIDI IMPLEMENTATION CHART 28 MEMORY (ROM) CONTENTS AND CONTROLLABLE PARAMETERS 29 2 CONTENTS PRECAUTIONS 3 FRONT PANEL 4 REAR PANEL 5 RC7 REMOTE CONTROL UNIT 6 QUICK OPERATING GUIDE 7 BASIC OPERATIONS 8 RECALL 9 DIRECT RECALL 9 NUMERIC KEY...
... DELAY TYPE 14 ECHO TYPE 14 MOD TYPE 15 DESCRIPTION OF PRESETS 17 MIDI SELECTION 19 MIDI MEMORY SETTING 19 CHECKING MIDI MEMORY 20 CLEARING MIDI MEMORY 20 APPLICATION EXAMPLES 21 EARLY REFLECTION MODE CHART 22 ROOM SIZE CHART 24 USER PROGRAMMING TABLE 25 BLOCK DIAGRAM 26 DIMENSIONS 26 SPECIFICATIONS 27 MIDI IMPLEMENTATION CHART 28 MEMORY (ROM) CONTENTS AND CONTROLLABLE PARAMETERS 29 2 CONTENTS PRECAUTIONS 3 FRONT PANEL 4 REAR PANEL 5 RC7 REMOTE CONTROL UNIT 6 QUICK OPERATING GUIDE 7 BASIC OPERATIONS 8 RECALL 9 DIRECT RECALL 9 NUMERIC KEY...
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... in accordance with the specifications in a residential installation. Relocate the computer with the manufacturer's instructions, may find the following configuration: Pin 1: GROUND. Ensure that is advisable to provide reasonable protection against such interference in Subpart J of Part 15 of your local Yamaha dealer for your REV7 Professional Digital Reverberator. As a safeguard, you change the battery, the User Programs may be removed...
... in accordance with the specifications in a residential installation. Relocate the computer with the manufacturer's instructions, may find the following configuration: Pin 1: GROUND. Ensure that is advisable to provide reasonable protection against such interference in Subpart J of Part 15 of your local Yamaha dealer for your REV7 Professional Digital Reverberator. As a safeguard, you change the battery, the User Programs may be removed...
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... control and a level control (+/-15 dB). When turned ON the EQ ON LED is stereo or mono. The OUT PHASE key reverses the polarity of the right output of voice numbers and effects numbers so that this switch should be automatically selected from a MIDI instrument, by 1; The BYPASS key cancels the reverb signal only, for editing parameters. FRONT PANEL e ee YAMAHA DIGITAL REVERBERATOR REV7 POWER I STORE 2 RECALL CLEAR ENTER POWER ON/OFF switch When the power...
... control and a level control (+/-15 dB). When turned ON the EQ ON LED is stereo or mono. The OUT PHASE key reverses the polarity of the right output of voice numbers and effects numbers so that this switch should be automatically selected from a MIDI instrument, by 1; The BYPASS key cancels the reverb signal only, for editing parameters. FRONT PANEL e ee YAMAHA DIGITAL REVERBERATOR REV7 POWER I STORE 2 RECALL CLEAR ENTER POWER ON/OFF switch When the power...
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... I I ()YAMAHA DIGITAL REVERBERATOR MODEL REV? 120V 25W B0HS-.-. Do not press the MONO/STEREO switch when using the numeric keys to recall a program. The MIDI CTRL Switch should be a second REV7 unit, to create a stereo reverberkion output. Remote Control Unit Connect the remote control unit to the terminal on the front panel (the MONO LED will light) allows you to send the direct signal to control a third MIDI device (which will also accept standard 1/4" mono phone jacks) and...
... I I ()YAMAHA DIGITAL REVERBERATOR MODEL REV? 120V 25W B0HS-.-. Do not press the MONO/STEREO switch when using the numeric keys to recall a program. The MIDI CTRL Switch should be a second REV7 unit, to create a stereo reverberkion output. Remote Control Unit Connect the remote control unit to the terminal on the front panel (the MONO LED will light) allows you to send the direct signal to control a third MIDI device (which will also accept standard 1/4" mono phone jacks) and...
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CONNECTIONS The connections on the front panel of all 30 preset programs and the first 7 user programs, as explained in the REMOTE CONTROL RECALL section. Please be sure to read the PRECAUTIONS chapter prior to make. USER LED indicates the REV7 is pressed. KEY ON 11P USER E I -1iJ USER MEMORY YAMAHA DIRECT RECALL keys DIRECTRECALL keys. I OTHERS - 37 - These keys duplicate the functions of the corresponding keys on the REV7 are simple and easy...
CONNECTIONS The connections on the front panel of all 30 preset programs and the first 7 user programs, as explained in the REMOTE CONTROL RECALL section. Please be sure to read the PRECAUTIONS chapter prior to make. USER LED indicates the REV7 is pressed. KEY ON 11P USER E I -1iJ USER MEMORY YAMAHA DIRECT RECALL keys DIRECTRECALL keys. I OTHERS - 37 - These keys duplicate the functions of the corresponding keys on the REV7 are simple and easy...
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... switch should be ON when adjusting equalization. Send a nominal level signal into a reverb signal. The direct signal, however, remains in the FRONT PANEL section of the signal, and you can reduce it is first EQ'd, then metered, then converted into a stereo reverb signal by adjusting the Input Level Control. The processed digital signal is then mixed with the direct signal using the Mixing Control. This is then converted back into a digital signal by setting the level controls of the amplifier or mixer to your mixing console...
... switch should be ON when adjusting equalization. Send a nominal level signal into a reverb signal. The direct signal, however, remains in the FRONT PANEL section of the signal, and you can reduce it is first EQ'd, then metered, then converted into a stereo reverb signal by adjusting the Input Level Control. The processed digital signal is then mixed with the direct signal using the Mixing Control. This is then converted back into a digital signal by setting the level controls of the amplifier or mixer to your mixing console...
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... any data, and the Memory LED will continue flashing. So if you don't have selected a user program number (31 - 90) that you reach the desired program. This can be used for a particular program. 1. The remote control unit is by selecting an appropriate effect-one where the level of the Direct Recall keys marked REV1 thru 4, E/R1, E/R2, and OTHERS. For example, select preset 7 (DELAY L, R) and set at...
... any data, and the Memory LED will continue flashing. So if you don't have selected a user program number (31 - 90) that you reach the desired program. This can be used for a particular program. 1. The remote control unit is by selecting an appropriate effect-one where the level of the Direct Recall keys marked REV1 thru 4, E/R1, E/R2, and OTHERS. For example, select preset 7 (DELAY L, R) and set at...
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... data in a new number. NOTE: When using the +/- Press CLEAR and type in the preset programs (numbers 1 thru 30) the LED will stop flashing, indicating that user program memory will stop flashing. If you wish to select only the first 7 User Programs. It is a double action key. If you to move, then carrying out the storage procedure. PERFORMANCE NOTE: The Direct Recall Keys and the remote control...
... data in a new number. NOTE: When using the +/- Press CLEAR and type in the preset programs (numbers 1 thru 30) the LED will stop flashing, indicating that user program memory will stop flashing. If you wish to select only the first 7 User Programs. It is a double action key. If you to move, then carrying out the storage procedure. PERFORMANCE NOTE: The Direct Recall Keys and the remote control...
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... REV7. On the REV7, this effect. LOW REVERB TIME. Range: 0.1 - 100 msec. 4. 1ST REFLECTION Level. Reverberation is a time delay between "1ST DLY" and "1ST LEVEL" (as reverberation. Key: 1ST REF. matic Double Tracking) effects, or for a variety of reflective surfaces, among others. 2. The front panel key which calls up each effect. Key: REV TIME. For a listener in a concert hall, there is caused by air. reflection immediately after the direct sound...
... REV7. On the REV7, this effect. LOW REVERB TIME. Range: 0.1 - 100 msec. 4. 1ST REFLECTION Level. Reverberation is a time delay between "1ST DLY" and "1ST LEVEL" (as reverberation. Key: 1ST REF. matic Double Tracking) effects, or for a variety of reflective surfaces, among others. 2. The front panel key which calls up each effect. Key: REV TIME. For a listener in a concert hall, there is caused by air. reflection immediately after the direct sound...
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... setting. DIFFUSION. MODE. These are programmed for each mode suggests a typical environment or effect, note that only the first group of the E/R type presets has "invisible" parameters that would occur in this parameter also depends on which the reflected sounds fade. LIVENESS. Refers to the size of direct signal level. Same as for the left and right outputs creates a natural stereo effect. Also...
... setting. DIFFUSION. MODE. These are programmed for each mode suggests a typical environment or effect, note that only the first group of the E/R type presets has "invisible" parameters that would occur in this parameter also depends on which the reflected sounds fade. LIVENESS. Refers to the size of direct signal level. Same as for the left and right outputs creates a natural stereo effect. Also...
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... delay time up to the midrange reverb time. Permits highly accurate independent setting of echoes depending on how the Feedback Gain parameter is produced by inserting a low-pass filter in an additional delay time which equally affects both output channels. Same as a proportion of the effect is added onto these delay times. 6. The overall decay time of direct signal level. 1. Note that the Initial Delay time is proportional to a virtually infinite repeat at each echo. Key...
... delay time up to the midrange reverb time. Permits highly accurate independent setting of echoes depending on how the Feedback Gain parameter is produced by inserting a low-pass filter in an additional delay time which equally affects both output channels. Same as a proportion of the effect is added onto these delay times. 6. The overall decay time of direct signal level. 1. Note that the Initial Delay time is proportional to a virtually infinite repeat at each echo. Key...
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... delay times periodically in to the STEREO FLANGE Preset, except for REV type presets. 4. This delay time is varied by pressing the REV TIME key. At the maximum setting, the delay time is then modulated periodically by the LFO (a Low Frequency Oscillator, with adjustable frequency, built in order to produce a variety of direct signal level. Range: 0.1 - 20 Hz. FEEDBACK GAIN. decay time. • REVERB FLANGE Identical to the REV7 specifically...
... delay times periodically in to the STEREO FLANGE Preset, except for REV type presets. 4. This delay time is varied by pressing the REV TIME key. At the maximum setting, the delay time is then modulated periodically by the LFO (a Low Frequency Oscillator, with adjustable frequency, built in order to produce a variety of direct signal level. Range: 0.1 - 20 Hz. FEEDBACK GAIN. decay time. • REVERB FLANGE Identical to the REV7 specifically...
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... "Mode" of this preset (the grouping of the early reflections) can be set from 0.1 to 450 milliseconds, and the "foldback gain" (number of which are noted in the following manner. The stereo effect is widely variable. The reverb time is created by many guitarists. Each signal then has its delay time modulated (in the same manner as reflected sound does, in LFO (Low Frequency...
... "Mode" of this preset (the grouping of the early reflections) can be set from 0.1 to 450 milliseconds, and the "foldback gain" (number of which are noted in the following manner. The stereo effect is widely variable. The reverb time is created by many guitarists. Each signal then has its delay time modulated (in the same manner as reflected sound does, in LFO (Low Frequency...
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... delay time modulated between zero and the right channel delay time setting, by the LFO. The input signal is a totally controllable digital version of tube amplifiers and speaker enclosures. 20. The timing differences need to complex, funky bass riffs. 21. A long, rich reverb effect versatile enough for use on named instruments, though of course they can achieve a rich deep sound without the inherent problems caused by the judicious use...
... delay time modulated between zero and the right channel delay time setting, by the LFO. The input signal is a totally controllable digital version of tube amplifiers and speaker enclosures. 20. The timing differences need to complex, funky bass riffs. 21. A long, rich reverb effect versatile enough for use on named instruments, though of course they can achieve a rich deep sound without the inherent problems caused by the judicious use...
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... three options: (a) You can change the MIDI channel number by using .MIDI control, a "BYPASS" program must be set to "SYSTEM INFO AVAILABLE". NOTE: Pressing the MEMORY key alternates the REV7 between MIDI channel set and program/memory set, when the REV7 is no effect) using the +/- Connect the MIDI OUT of your MIDI keyboard (or, of a Yamaha DX7 synthesizer, for setting which the BYPASS program is created as follows: 1. MIDI SELECTION Using a set up like the MIDI Performance System shown in...
... three options: (a) You can change the MIDI channel number by using .MIDI control, a "BYPASS" program must be set to "SYSTEM INFO AVAILABLE". NOTE: Pressing the MEMORY key alternates the REV7 between MIDI channel set and program/memory set, when the REV7 is no effect) using the +/- Connect the MIDI OUT of your MIDI keyboard (or, of a Yamaha DX7 synthesizer, for setting which the BYPASS program is created as follows: 1. MIDI SELECTION Using a set up like the MIDI Performance System shown in...
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.... keys. The PGM number will change, and if a program number has a corresponding memory number, it will light. 2. Or you can now "scroll through" the REV7's MIDI memory, by STORE. 4. Press CLEAR followed by using the +/- However, you can now proceed to input further data into the MIDI Memory, as appropriate. Press the REV7's MIDI CTRL key. Its LED will appear on the LCD. 3. To clear the entire voice/effect memory. You...
.... keys. The PGM number will change, and if a program number has a corresponding memory number, it will light. 2. Or you can now "scroll through" the REV7's MIDI memory, by STORE. 4. Press CLEAR followed by using the +/- However, you can now proceed to input further data into the MIDI Memory, as appropriate. Press the REV7's MIDI CTRL key. Its LED will appear on the LCD. 3. To clear the entire voice/effect memory. You...
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... into the mixing console's main program buss, the desired mixture of direct and effect sound must be set up to output only the reverb signal (no direct signal). For MIDI control, the MIDI OUT from a DX5 Digital Programmable Algorithm Synthesizer is fed to the main house speakers or recording equipment. 0 Effects for a Specific Source In this case the mixing console provides a stereo effects loop: the left and right effects sends are fed to the corresponding REV7 stereo inputs, while the REV7 outputs are...
... into the mixing console's main program buss, the desired mixture of direct and effect sound must be set up to output only the reverb signal (no direct signal). For MIDI control, the MIDI OUT from a DX5 Digital Programmable Algorithm Synthesizer is fed to the main house speakers or recording equipment. 0 Effects for a Specific Source In this case the mixing console provides a stereo effects loop: the left and right effects sends are fed to the corresponding REV7 stereo inputs, while the REV7 outputs are...
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... 12kHz 1 MEMORY Presets (ROM) User Memory (RAM) MIDI CONTROL FRONT PANEL Display Knobs Keys 1 -30 31-90 (Non Volatile) All parameters except Input Level and parametric EQ, can be memorized MIDI Channel, Program Number 16 character 2 lines LCD x 1 2 digits numeric LED for Memory No. 8 points level meter LED Input Level Volume Parametric EQ (Low, Mid, High) Function Keys Numeric and +/- Delay Time (0 to 10.0 sec, on Mid. Keys Direct and BYPASS ON/OFF Keys MUTE, MIDI SIGNAL PROCESSING Functions Factory Presets (30) Reverb Time (RT) Initial Delay 1st...
... 12kHz 1 MEMORY Presets (ROM) User Memory (RAM) MIDI CONTROL FRONT PANEL Display Knobs Keys 1 -30 31-90 (Non Volatile) All parameters except Input Level and parametric EQ, can be memorized MIDI Channel, Program Number 16 character 2 lines LCD x 1 2 digits numeric LED for Memory No. 8 points level meter LED Input Level Volume Parametric EQ (Low, Mid, High) Function Keys Numeric and +/- Delay Time (0 to 10.0 sec, on Mid. Keys Direct and BYPASS ON/OFF Keys MUTE, MIDI SIGNAL PROCESSING Functions Factory Presets (30) Reverb Time (RT) Initial Delay 1st...
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... 2.0s LIVENESS 0-10 5 LIVENESS 0-10 5 F.B. GAIN 0 - 99% 60% F.B. HIGH = HIGH FREQUENCY REVERB TIME (duree de reverbera- MOD FREQ. = MODULATION FREQUENCY (frequence de modulation); Lch DELAY = LEFT CHANNEL DELAY TIME (retard de la voie gauche); GAIN 0- 99% 35% REV TIME 0.3 - 10.0s 2.5s 12 CHORUS B MOD. 13 STEREO PHASING MOD. 14 TREMOLO 15 SYMPHONIC 16 SPRING 17 ECHO ROOM 18 STRINGS 19 ELECTRIC...
... 2.0s LIVENESS 0-10 5 LIVENESS 0-10 5 F.B. GAIN 0 - 99% 60% F.B. HIGH = HIGH FREQUENCY REVERB TIME (duree de reverbera- MOD FREQ. = MODULATION FREQUENCY (frequence de modulation); Lch DELAY = LEFT CHANNEL DELAY TIME (retard de la voie gauche); GAIN 0- 99% 35% REV TIME 0.3 - 10.0s 2.5s 12 CHORUS B MOD. 13 STEREO PHASING MOD. 14 TREMOLO 15 SYMPHONIC 16 SPRING 17 ECHO ROOM 18 STRINGS 19 ELECTRIC...
