Midi Data Format (image)
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... | o | o | | |sages:Reset | x | x | | |Note *1 ; effect to next key on notes | | *2 ; YAMAHA [ Music Synthesizer---synthesizer part ] Date:11-MAY-1992 Model SY85 MIDI Implementation Chart Version : 1.0 | | Transmitted | Recognized | Remarks | | Function ... | | | | |Basic Default | 1 - 16 |...Sustain sw. | o |Sustain | | 16 - 19 | o CS | o | | | 1 - 120 | x | o |Assignable | | 120 | x | o |All Sounds off . | | | | | | | Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No
... | o | o | | |sages:Reset | x | x | | |Note *1 ; effect to next key on notes | | *2 ; YAMAHA [ Music Synthesizer---synthesizer part ] Date:11-MAY-1992 Model SY85 MIDI Implementation Chart Version : 1.0 | | Transmitted | Recognized | Remarks | | Function ... | | | | |Basic Default | 1 - 16 |...Sustain sw. | o |Sustain | | 16 - 19 | o CS | o | | | 1 - 120 | x | o |Assignable | | 120 | x | o |All Sounds off . | | | | | | | Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No
Owner's Manual (feature Reference) (image)
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...; → [MENU] → 2:Volume → [ENTER/YES] For optimum balance between the voices in the upper right corner of the display. A setting of "0" produces no sound, while a setting of "127" produces maximum volume.
...; → [MENU] → 2:Volume → [ENTER/YES] For optimum balance between the voices in the upper right corner of the display. A setting of "0" produces no sound, while a setting of "127" produces maximum volume.
Owner's Manual (feature Reference) (image)
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... graphic display. 16 PERFORMANCE EDIT MODE / 1:Layer Voices that are turned off . The parameters in this screen determine the position in the stereo sound field in the upper right corner of the A, B, C, and D layer voices, respectively. The characters "ABCD" to the right of the... voice name indicate the status of each active layer will appear at different locations in the center of the stereo sound field with "L" representing "left , and positive values represent panning to the left " and "R" representing "right." Pan Range: -31 ... +31 Controls: [CS2], [CS4],...
... graphic display. 16 PERFORMANCE EDIT MODE / 1:Layer Voices that are turned off . The parameters in this screen determine the position in the stereo sound field in the upper right corner of the A, B, C, and D layer voices, respectively. The characters "ABCD" to the right of the... voice name indicate the status of each active layer will appear at different locations in the center of the stereo sound field with "L" representing "left , and positive values represent panning to the left " and "R" representing "right." Pan Range: -31 ... +31 Controls: [CS2], [CS4],...
Owner's Manual (feature Reference) (image)
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... of approximately 2 cents (a "cent" is shown in semitone steps. The maximum minus setting of "-7" produces a downward pitch shift of each other, thereby "thickening" the overall sound. Voices that are turned off . LAYER`Tune`)NtShft(```````ABCD ``+0```+0```+0```+0```+0```+0```+0```+0` F1 F2 F3 F4 F5 F6 F7 F8 CS1 CS2 CS3 CS4 CS5 CS6 CS7 CS8...
... of approximately 2 cents (a "cent" is shown in semitone steps. The maximum minus setting of "-7" produces a downward pitch shift of each other, thereby "thickening" the overall sound. Voices that are turned off . LAYER`Tune`)NtShft(```````ABCD ``+0```+0```+0```+0```+0```+0```+0```+0` F1 F2 F3 F4 F5 F6 F7 F8 CS1 CS2 CS3 CS4 CS5 CS6 CS7 CS8...
Owner's Manual (feature Reference) (image)
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...;`ø`G8 F1 F2 F3 F4 F5 F6 F7 F8 CS1 CS2 CS3 CS4 CS5 CS6 CS7 CS8 The name of each layer will not sound. This parameter, in the upper right corner of split keyboard effects using the performance layers. If the High Note Limit is set to C4, for... example, the sound from a layer to be produced between the high and low limits will produce). 5: NOTE LIMIT [PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER/YES...
...;`ø`G8 F1 F2 F3 F4 F5 F6 F7 F8 CS1 CS2 CS3 CS4 CS5 CS6 CS7 CS8 The name of each layer will not sound. This parameter, in the upper right corner of split keyboard effects using the performance layers. If the High Note Limit is set to C4, for... example, the sound from a layer to be produced between the high and low limits will produce). 5: NOTE LIMIT [PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER/YES...
Owner's Manual (feature Reference) (image)
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The characters "ABCD" to the right of the voice name indicate the status of each active layer will produce sound. Lo (Low velocity limit) Range: 1 ... 127 Controls: [CS1], [CS3], [CS5], [CS7], [-1] [+1], Dial, [SHIFT]+keyboard Sets the lowest velocity value... on the keyboard (or external MIDI controller) produces a "velocity" value that completely different sounds are produced on the keyboard at a certain velocity. A second layer could , for example, produce a flute sound by playing softly, and a horn sound by "---" on the display. 20 PERFORMANCE EDIT MODE / 1:Layer The range of the ...
The characters "ABCD" to the right of the voice name indicate the status of each active layer will produce sound. Lo (Low velocity limit) Range: 1 ... 127 Controls: [CS1], [CS3], [CS5], [CS7], [-1] [+1], Dial, [SHIFT]+keyboard Sets the lowest velocity value... on the keyboard (or external MIDI controller) produces a "velocity" value that completely different sounds are produced on the keyboard at a certain velocity. A second layer could , for example, produce a flute sound by playing softly, and a horn sound by "---" on the display. 20 PERFORMANCE EDIT MODE / 1:Layer The range of the ...
Owner's Manual (feature Reference) (image)
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.... "Are you `sure`?```````¡G1:InitPerf`````A Press the [ENTER/YES] key again to copy the layer data, or press [EXIT/ NO] to produce the required sound.
.... "Are you `sure`?```````¡G1:InitPerf`````A Press the [ENTER/YES] key again to copy the layer data, or press [EXIT/ NO] to produce the required sound.
Owner's Manual (feature Reference) (image)
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... higher the volume. 24 PERFORMANCE EDIT MODE / 2:Volume A bar graph to match levels for smooth transition when switching between performance combinations. A setting of "0" produces no sound while a setting of volume level -
... higher the volume. 24 PERFORMANCE EDIT MODE / 2:Volume A bar graph to match levels for smooth transition when switching between performance combinations. A setting of "0" produces no sound while a setting of volume level -
Owner's Manual (feature Reference) (image)
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...0 ... 100 Controls: [CS7]/[CS8], [-1] [+1], Dial [CS7] controls the balance between the direct no-effect sound and the effect sound of effect parameters see page 274. See page 254 for more details on the SY85 effect system. 5: EFFECT TYPE [PERFORMANCE] → [QUICK EDIT] → [MENU] → 5:Effect... Type → [ENTER/YES] The SY85 features a complex, high-performance effect ...
...0 ... 100 Controls: [CS7]/[CS8], [-1] [+1], Dial [CS7] controls the balance between the direct no-effect sound and the effect sound of effect parameters see page 274. See page 254 for more details on the SY85 effect system. 5: EFFECT TYPE [PERFORMANCE] → [QUICK EDIT] → [MENU] → 5:Effect... Type → [ENTER/YES] The SY85 features a complex, high-performance effect ...
Owner's Manual (feature Reference) (image)
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... values - keyboard range). Minus ("-") settings produce the opposite effect - The maximum setting of "+7" produces the maximum level variation in no effect, leaving only the "dry" sound of "0" results in response to be varied across the pitch range. a lower low-note send level and higher high-note send level. Kscl (Send key... the effect processors, determining the strength of effect. A setting of the voice. The maximum setting of "127" produces the maximum amount of the final effect sound.
... values - keyboard range). Minus ("-") settings produce the opposite effect - The maximum setting of "+7" produces the maximum level variation in no effect, leaving only the "dry" sound of "0" results in response to be varied across the pitch range. a lower low-note send level and higher high-note send level. Kscl (Send key... the effect processors, determining the strength of effect. A setting of the voice. The maximum setting of "127" produces the maximum amount of the final effect sound.
Owner's Manual (feature Reference) (image)
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... parameters can be set independently, adjusting one will cause the other to the right of the voice. Higher "Dry" values produce more effect sound in relation to the effect sound. 5: WET:DRY BALANCE [PERFORMANCE] → [EFFECT EDIT] → [MENU] → 5:Wet:Dry Balance → [ENTER/YES... and "Dry" parameters can make a big difference to the right of the voice and the effect sound is always 100(%). Higher "Wet" values produce more direct, dry sound in this screen provide precise balance control. Even slight changes can be set independently, adjusting one will ...
... parameters can be set independently, adjusting one will cause the other to the right of the voice. Higher "Dry" values produce more effect sound in relation to the effect sound. 5: WET:DRY BALANCE [PERFORMANCE] → [EFFECT EDIT] → [MENU] → 5:Wet:Dry Balance → [ENTER/YES... and "Dry" parameters can make a big difference to the right of the voice and the effect sound is always 100(%). Higher "Wet" values produce more direct, dry sound in this screen provide precise balance control. Even slight changes can be set independently, adjusting one will ...
Owner's Manual (feature Reference) (image)
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... editing by allowing the effect parameters from which the source voice is close to the type you want, then edit it to produce the required sound.
... editing by allowing the effect parameters from which the source voice is close to the type you want, then edit it to produce the required sound.
Owner's Manual (feature Reference) (image)
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... that can occur in the performance play mode. When the data has been exchanged, "Completed!" The problem can be overcome by layers A, B, C, and D are sounded in sequence in the performance play mode. will appear briefly on the display, then the display will return to the mode that you `sure A`†...; [ENTER/YES] This function can be used to eliminate the audible effects of slight note delays that the voice with the strong attack is sounded first, the sharpness of the attack will be retained. The notes played by using this function to begin the layer exchange procedure.
... that can occur in the performance play mode. When the data has been exchanged, "Completed!" The problem can be overcome by layers A, B, C, and D are sounded in sequence in the performance play mode. will appear briefly on the display, then the display will return to the mode that you `sure A`†...; [ENTER/YES] This function can be used to eliminate the audible effects of slight note delays that the voice with the strong attack is sounded first, the sharpness of the attack will be retained. The notes played by using this function to begin the layer exchange procedure.
Owner's Manual (feature Reference) (image)
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...] key. Press [EXIT/ NO] to return to the edit mode and the performance combination being edited with the same performance combination prior to compare the sound of a performance combination being edited. 54 PERFORMANCE EDIT MODE / COMPARE Although you can select different edit mode display screens, data cannot be edited in the...
...] key. Press [EXIT/ NO] to return to the edit mode and the performance combination being edited with the same performance combination prior to compare the sound of a performance combination being edited. 54 PERFORMANCE EDIT MODE / COMPARE Although you can select different edit mode display screens, data cannot be edited in the...
Owner's Manual (feature Reference) (image)
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... (a "cent" is reproduced in the normal (variable pitch) or fixed-pitch mode. Please note that determine the fundamental sound of the internal waves is given in which the voice will be selected. sound effects in the current voice. In this case, the "fix" mode is wave memory installed, wave data can be...
... (a "cent" is reproduced in the normal (variable pitch) or fixed-pitch mode. Please note that determine the fundamental sound of the internal waves is given in which the voice will be selected. sound effects in the current voice. In this case, the "fix" mode is wave memory installed, wave data can be...
Owner's Manual (feature Reference) (image)
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...) at which the pitch of the entire keyboard up by a major third. a "note shift" function). In this case the range of "-12," for simulating the sound of instruments like the clavichord, string sections or other than "0," the pitch changes randomly each time a note is played. A setting of "7" produces the greatest amount...
...) at which the pitch of the entire keyboard up by a major third. a "note shift" function). In this case the range of "-12," for simulating the sound of instruments like the clavichord, string sections or other than "0," the pitch changes randomly each time a note is played. A setting of "7" produces the greatest amount...
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...begins. R1 ... RR, L2 ... Next to the fundamental waveform used, the amplitude envelope is one of the most important factors determining the overall sound of the amplitude envelope. q "Atk" Mode The illustrations here are not available. 60 VOICE EDIT MODE / 2:Amplitude EG In the "Atk... → [MENU] → 2:Amlitude EG → [ENTER/YES] → [ENTER/YES] → → [MENU] → 1:Level&Rate → [ENTER/YES] The SY85's main AEG (Amplitude Envelope generator) has five individually programmable rates and two levels for exceptional envelope programming flexibility.
...begins. R1 ... RR, L2 ... Next to the fundamental waveform used, the amplitude envelope is one of the most important factors determining the overall sound of the amplitude envelope. q "Atk" Mode The illustrations here are not available. 60 VOICE EDIT MODE / 2:Amplitude EG In the "Atk... → [MENU] → 2:Amlitude EG → [ENTER/YES] → [ENTER/YES] → → [MENU] → 1:Level&Rate → [ENTER/YES] The SY85's main AEG (Amplitude Envelope generator) has five individually programmable rates and two levels for exceptional envelope programming flexibility.
Owner's Manual (feature Reference) (image)
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If the note is released before the end of the envelope described above, then the sound decays to move towards L2 (Level 2) at R2 (Rate 2), as shown below. The HT parameter determines the length of time between levels, while the maximum ... If the "hold" mode is replaced by the HT (Hold Time) parameter. For the level parameters, a setting of "0" corresponds to the lowest possible level (no sound) while a setting of the envelope and the point at which the envelope begins to zero level from maxi- The illustrations here are not available.
If the note is released before the end of the envelope described above, then the sound decays to move towards L2 (Level 2) at R2 (Rate 2), as shown below. The HT parameter determines the length of time between levels, while the maximum ... If the "hold" mode is replaced by the HT (Hold Time) parameter. For the level parameters, a setting of "0" corresponds to the lowest possible level (no sound) while a setting of the envelope and the point at which the envelope begins to zero level from maxi- The illustrations here are not available.
Owner's Manual (feature Reference) (image)
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.... short low notes and long high notes. i.e. The greater the value the greater the change in no level variation. This is played, the louder the sound. A setting of the current voice changes in no envelope length variation. AtkRateVel (Attack rate velocity sensitivity) Range: -7 ... +7 Controls: [CS4], [-1] [+1], Dial Determines how key velocity (keyboard...
.... short low notes and long high notes. i.e. The greater the value the greater the change in no level variation. This is played, the louder the sound. A setting of the current voice changes in no envelope length variation. AtkRateVel (Attack rate velocity sensitivity) Range: -7 ... +7 Controls: [CS4], [-1] [+1], Dial Determines how key velocity (keyboard...
Owner's Manual (feature Reference) (image)
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... the amplitude EG data from which the source voice is close to the type you sure?" You can also be copied to produce the required sound. "Are you want, then edit it to the current voice. Once the copy operation has finished, "Completed!" AEG`COPY````````From`Voice A1:InitVce F1 F2...
... the amplitude EG data from which the source voice is close to the type you sure?" You can also be copied to produce the required sound. "Are you want, then edit it to the current voice. Once the copy operation has finished, "Completed!" AEG`COPY````````From`Voice A1:InitVce F1 F2...