Block Diagram
Page 1
...C SUM GAIN [0~-20dB] CONTROL *STEREO AUX SUB IN and GROUP/AUX SUB IN are not provided on the PM5000-28. ST AUX1 (ST AUX2~12: Same as ST AUX1) ST AUX1 L INSERT OUT [+4dBu] ST ...PHANTOM MASTER LED LED LAMP PANEL LED DIMMER OUTPUT METER DIMMER LAMP DIMMER LAMP-ON 12V LAMP ON PREVIEW PREVIEW PM5000 Level Diagram +30dBu +20dBu PAD: ON (26dB) GAIN: Min. [+16dBu] +10dBu 0dBu -10dBu PAD: OFF ...26dB ) GAIN: Max. [-34dBu] -40dBu -50dBu -60dBu PAD: OFF (0dB ) GAIN: Max. [-60dBu] Clipping Level MONO IN INSERT OUT/IN [+4dBu] ST IN INSERT OUT/IN [+4dBu] MONO IN DIRECT OUT [+4dBu] TALKBACK MIC...
...C SUM GAIN [0~-20dB] CONTROL *STEREO AUX SUB IN and GROUP/AUX SUB IN are not provided on the PM5000-28. ST AUX1 (ST AUX2~12: Same as ST AUX1) ST AUX1 L INSERT OUT [+4dBu] ST ...PHANTOM MASTER LED LED LAMP PANEL LED DIMMER OUTPUT METER DIMMER LAMP DIMMER LAMP-ON 12V LAMP ON PREVIEW PREVIEW PM5000 Level Diagram +30dBu +20dBu PAD: ON (26dB) GAIN: Min. [+16dBu] +10dBu 0dBu -10dBu PAD: OFF ...26dB ) GAIN: Max. [-34dBu] -40dBu -50dBu -60dBu PAD: OFF (0dB ) GAIN: Max. [-60dBu] Clipping Level MONO IN INSERT OUT/IN [+4dBu] ST IN INSERT OUT/IN [+4dBu] MONO IN DIRECT OUT [+4dBu] TALKBACK MIC...
Owner's Manual
Page 4
... the buttons, switches or connectors. Then have qualified Yamaha service personnel replace the backup battery. XLR-type connectors are wired as switches, volume controls, connectors, and fans, deteriorates over time. The performance of time at a high or uncomfortable volume level, since this case, immediately save the data to other devices...
... the buttons, switches or connectors. Then have qualified Yamaha service personnel replace the backup battery. XLR-type connectors are wired as switches, volume controls, connectors, and fans, deteriorates over time. The performance of time at a high or uncomfortable volume level, since this case, immediately save the data to other devices...
Owner's Manual
Page 5
... a lithium battery for Class "B" digital devices. If these requirements provides a reasonable level of assurance that are on virheellisesti asennettu. This equipment generates/uses radio frequencies and, if not installed and used . Utilize power outlets that your authority, granted by Yamaha may cause interference harmful to use only high quality shielded cables. Udskiftning...
... a lithium battery for Class "B" digital devices. If these requirements provides a reasonable level of assurance that are on virheellisesti asennettu. This equipment generates/uses radio frequencies and, if not installed and used . Utilize power outlets that your authority, granted by Yamaha may cause interference harmful to use only high quality shielded cables. Udskiftning...
Owner's Manual
Page 11
...stereo and mono main outputs. The [SUB IN] control located next to the stereo/mono master [SEND LEVEL] control adjusts the level of the [MATRIX SUB IN L&R] signal sent to any of the console's master and matrix sends. ... input section is located at the top of the monitor module, and two on and using the matrix level controls to apply the signal to function as mono sends via a utility mode function, in the master ... headphone jacks (one at the top of the master output section. PM5000 Overview 1 Input Channel Section (page 15) Two types of input channels are set. mono and stereo -
...stereo and mono main outputs. The [SUB IN] control located next to the stereo/mono master [SEND LEVEL] control adjusts the level of the [MATRIX SUB IN L&R] signal sent to any of the console's master and matrix sends. ... input section is located at the top of the monitor module, and two on and using the matrix level controls to apply the signal to function as mono sends via a utility mode function, in the master ... headphone jacks (one at the top of the master output section. PM5000 Overview 1 Input Channel Section (page 15) Two types of input channels are set. mono and stereo -
Owner's Manual
Page 12
PM5000 Overview 7 Mute Master Section (page 21) The 8 [MUTE MASTER] switches can be initialized and used to store scene memory data. The six screws on the sides of final output levels at the end of time it interacts with the monitor control section, the meter ...Whether these switches function in this section is provided to attach a book rest or a talkback cable. Rear Panel PM5000-52C ! ∞ ^% $ PM5000-28 ! # @ ¡º @ ! ∞ ^% $ NOTE All PM5000 inputs and outputs are also provided. One of the main functions of this section. These 8 screws do not...
PM5000 Overview 7 Mute Master Section (page 21) The 8 [MUTE MASTER] switches can be initialized and used to store scene memory data. The six screws on the sides of final output levels at the end of time it interacts with the monitor control section, the meter ...Whether these switches function in this section is provided to attach a book rest or a talkback cable. Rear Panel PM5000-52C ! ∞ ^% $ PM5000-28 ! # @ ¡º @ ! ∞ ^% $ NOTE All PM5000 inputs and outputs are also provided. One of the main functions of this section. These 8 screws do not...
Owner's Manual
Page 15
..., the rear-panel [+48V MASTER] switch must be carried out here. The [+48V MASTER ON] indicator on the left side of the input audio signal level and other parameters can be turned on . 2 [PAD] Switch When this switch to supply +40-volt phantom power to compensate for high...-level source signals. Mono Input Module Stereo Input Module 1 1 4 3 3 2 52 5 1 [+48V] Switch Engage this switch is engaged a 26-db pad is inserted at the channel's input ...
..., the rear-panel [+48V MASTER] switch must be carried out here. The [+48V MASTER ON] indicator on the left side of the input audio signal level and other parameters can be turned on . 2 [PAD] Switch When this switch to supply +40-volt phantom power to compensate for high...-level source signals. Mono Input Module Stereo Input Module 1 1 4 3 3 2 52 5 1 [+48V] Switch Engage this switch is engaged a 26-db pad is inserted at the channel's input ...
Owner's Manual
Page 16
.... 7 7 EQ Controls Two controls are attenuated by 3 dB. 5 [ø] (Phase) Switch Engaging this switch is engaged the stereo input signal is off the input level can be used to adjust the high-pass filter cutoff frequency from +16 dB through 400 Hz. When the [EQ] switch indicator is summed... the control can adversely affect the overall sound. 6 6 [HPF] Switch and Control The filter is bypassed. Input Channel Section 3 [GAIN] Control Adjusts the input level. HIGH HI-MID LO-MID LOW 1 kHz ~ 20 kHz, -15 dB ~ +15 dB (peaking and shelving modes) 400 Hz ~ 8 kHz, -15 dB ~ +15 ...
.... 7 7 EQ Controls Two controls are attenuated by 3 dB. 5 [ø] (Phase) Switch Engaging this switch is engaged the stereo input signal is off the input level can be used to adjust the high-pass filter cutoff frequency from +16 dB through 400 Hz. When the [EQ] switch indicator is summed... the control can adversely affect the overall sound. 6 6 [HPF] Switch and Control The filter is bypassed. Input Channel Section 3 [GAIN] Control Adjusts the input level. HIGH HI-MID LO-MID LOW 1 kHz ~ 20 kHz, -15 dB ~ +15 dB (peaking and shelving modes) 400 Hz ~ 8 kHz, -15 dB ~ +15 ...
Owner's Manual
Page 17
... (when the indicator is lit) the insert is sent to the corresponding aux bus is active. # [PRE] Switch When this block determine the levels at the rear-panel INSERT OUT connector whether the INSERT [ON] switch is inserted into the channel signal path. ) 9 9 Insert [ON] ...Switch Turns channel insert on or off , the post-fader signal is pre-EQ. Send Level and Pan Controls @ (mono modules) # Send Level and Balance Controls (stereo modules) The inner controls adjust send level (0 dB at approximately 2 o'clock), and the outer controls adjust pan for mono modules or balance for...
... (when the indicator is lit) the insert is sent to the corresponding aux bus is active. # [PRE] Switch When this block determine the levels at the rear-panel INSERT OUT connector whether the INSERT [ON] switch is inserted into the channel signal path. ) 9 9 Insert [ON] ...Switch Turns channel insert on or off , the post-fader signal is pre-EQ. Send Level and Pan Controls @ (mono modules) # Send Level and Balance Controls (stereo modules) The inner controls adjust send level (0 dB at approximately 2 o'clock), and the outer controls adjust pan for mono modules or balance for...
Owner's Manual
Page 18
... of the controls will vary depending on page 32 for LCR output. Mono Input Module Stereo Input Module & * ( ( ¡ ¡ º º $ Send Level Controls Adjust send level to the corresponding group/aux bus (0 dB at approximately 2 o'clock). % [ON] Switch When an [ON] switch is engaged the send to the corresponding group...
... of the controls will vary depending on page 32 for LCR output. Mono Input Module Stereo Input Module & * ( ( ¡ ¡ º º $ Send Level Controls Adjust send level to the corresponding group/aux bus (0 dB at approximately 2 o'clock). % [ON] Switch When an [ON] switch is engaged the send to the corresponding group...
Owner's Manual
Page 19
...bus as the [PAN] control approaches center position. 19 The more effective coverage. On mono modules it is useful to provide a center channel, the output level of the stereo and mono buses to achieve this engage the [LCR] switch and use the [PAN] & or [BAL] * control to produce natural ...to the stereo bus. The difference between the left , for LCR operation and the [ST] and [MONO] switches cannot be engaged. L Bus Level R Bus Level MONO(C) Bus Level Outer: CSR Inner: PAN LR CSR CSR Control: LR LR CSR CSR Control: Center LR CSR CSR Control: CSR For example, mono sources ...
...bus as the [PAN] control approaches center position. 19 The more effective coverage. On mono modules it is useful to provide a center channel, the output level of the stereo and mono buses to achieve this engage the [LCR] switch and use the [PAN] & or [BAL] * control to produce natural ...to the stereo bus. The difference between the left , for LCR operation and the [ST] and [MONO] switches cannot be engaged. L Bus Level R Bus Level MONO(C) Bus Level Outer: CSR Inner: PAN LR CSR CSR Control: LR LR CSR CSR Control: Center LR CSR CSR Control: CSR For example, mono sources ...
Owner's Manual
Page 20
... aux and group/aux buses when the [PRE] switches associated with the corresponding sends are off status. The channel faders also affect the signal level sent to the console's master buses, and are of the channel fader. ∞ VCA Indicators 1~12 Indicate the VCA groups to which the...from the corresponding channel. Use the [RECALL SAFE] switch to maintain the master bus assign switch settings, or [FADER SAFE] switch to maintain the level of primary importance in setting up the balance between the various channels in the "Channel Grouping" section. ¶ [CUE] Switch When this switch is...
... aux and group/aux buses when the [PRE] switches associated with the corresponding sends are off status. The channel faders also affect the signal level sent to the console's master buses, and are of the channel fader. ∞ VCA Indicators 1~12 Indicate the VCA groups to which the...from the corresponding channel. Use the [RECALL SAFE] switch to maintain the master bus assign switch settings, or [FADER SAFE] switch to maintain the level of primary importance in setting up the balance between the various channels in the "Channel Grouping" section. ¶ [CUE] Switch When this switch is...
Owner's Manual
Page 21
...Section Mute Master Switches 1 VCA 2 VCA 3 VCA VCA 10 VCA 11 VCA 12 VCA Grouping The PM5000 provides two methods of time it will take the motor faders to directly control the levels and muting of the console's 12 stereo aux or 8 mono group/aux buses and use the bus ... via the VCA master faders or group muting via a single master fader while maintaining the level relationship between the individual channels in the PM3000 console, is initiated by Yamaha's introduction of VCA-controlled groups in the group. The main advantage of this system is that they can be freely assigned...
...Section Mute Master Switches 1 VCA 2 VCA 3 VCA VCA 10 VCA 11 VCA 12 VCA Grouping The PM5000 provides two methods of time it will take the motor faders to directly control the levels and muting of the console's 12 stereo aux or 8 mono group/aux buses and use the bus ... via the VCA master faders or group muting via a single master fader while maintaining the level relationship between the individual channels in the PM3000 console, is initiated by Yamaha's introduction of VCA-controlled groups in the group. The main advantage of this system is that they can be freely assigned...
Owner's Manual
Page 24
... VCA 1 VCA 2 1 2 3 4 5 6 7 Since the VCA 1 fader is set to -20 dB and the VCA 2 fader is set to 0 dB, the final fader levels of channels 1 and 3, which are assigned to both VCA 1 and VCA 2, will correspond exactly to their respective channel fader settings. In the example below input... master switches. The mute master switches, on the VCA master modules function as group mute switches for the assigned input channels, adjusting the output level of all the way down to -∞. In the same way, the [VCA MUTE] switches on the other hand, disengage the channel [ON...
... VCA 1 VCA 2 1 2 3 4 5 6 7 Since the VCA 1 fader is set to -20 dB and the VCA 2 fader is set to 0 dB, the final fader levels of channels 1 and 3, which are assigned to both VCA 1 and VCA 2, will correspond exactly to their respective channel fader settings. In the example below input... master switches. The mute master switches, on the VCA master modules function as group mute switches for the assigned input channels, adjusting the output level of all the way down to -∞. In the same way, the [VCA MUTE] switches on the other hand, disengage the channel [ON...
Owner's Manual
Page 31
... signal. 7 [RECALL SAFE] Switch Engaging this the master [ON] switch must be specified via a utility function (page 65). 8 Master Fader Determines the output level presented at the corresponding master output. $ [CUE] Switch The [CUE] switches are dual configurations, each master. PFL (pre-fader listen) or AFL (after...
... signal. 7 [RECALL SAFE] Switch Engaging this the master [ON] switch must be specified via a utility function (page 65). 8 Master Fader Determines the output level presented at the corresponding master output. $ [CUE] Switch The [CUE] switches are dual configurations, each master. PFL (pre-fader listen) or AFL (after...
Owner's Manual
Page 32
... AUX SUB IN L ST AUX SUB IN R SUM GAIN INSERT ST AUX TO MATRIX MASTER OUT MATRIX 30 NOTE To maintain the proper subjective signal level the left and right channels are independent, it is possible to separately process the left and right outputs even though the source for descriptions of...
... AUX SUB IN L ST AUX SUB IN R SUM GAIN INSERT ST AUX TO MATRIX MASTER OUT MATRIX 30 NOTE To maintain the proper subjective signal level the left and right channels are independent, it is possible to separately process the left and right outputs even though the source for descriptions of...
Owner's Manual
Page 34
...differences between the three G/A bus modes are all dual types that best suits your application. The G/A send block [PRE FADER] switch and [SEND LEVEL] control have no effect. The post-fader mono signal is sent to the odd and even-numbered G/A buses in parallel. The post-fader mono ... post-fader stereo signal is sent to the odd and even-numbered G/A buses (L = odd, R = even). The G/A send block [PRE FADER] switch and [SEND LEVEL] control have no effect. The post-fader stereo signal is shown by VCA fader, [VCA MUTE] switch, and mute master switch operation. 32 The G/A send...
...differences between the three G/A bus modes are all dual types that best suits your application. The G/A send block [PRE FADER] switch and [SEND LEVEL] control have no effect. The post-fader mono signal is sent to the odd and even-numbered G/A buses in parallel. The post-fader mono ... post-fader stereo signal is sent to the odd and even-numbered G/A buses (L = odd, R = even). The G/A send block [PRE FADER] switch and [SEND LEVEL] control have no effect. The post-fader stereo signal is shown by VCA fader, [VCA MUTE] switch, and mute master switch operation. 32 The G/A send...
Owner's Manual
Page 37
... 4 MATRIX 5 MATRIX 6 MATRIX 7 MATRIX 8 The master signals flow vertically. From the hardware standpoint it is a separate section to the matrix inputs and the matrix send levels individually adjusted as required. 35
... 4 MATRIX 5 MATRIX 6 MATRIX 7 MATRIX 8 The master signals flow vertically. From the hardware standpoint it is a separate section to the matrix inputs and the matrix send levels individually adjusted as required. 35
Owner's Manual
Page 38
The ∑·PEAK indicators light when the matrix bus signal reaches 3-dB below clipping. The console's talkback and oscillator signals can be adjusted for level (inner control) and L/R balance (outer control). Matrix Send and Master Out Section Stereo Aux Master Module ST MATRIX (MONO) MATRIX LR LR ST AUX... engaging the [TB/OSC] switch located to the right of each [SUB IN] control (the talkback/oscillator signal is advisable to reduce the send level from stereo masters (stereo aux, stereo) sent to a mono matrix are internally mixed to mono at the matrix input and then routed to the ...
The ∑·PEAK indicators light when the matrix bus signal reaches 3-dB below clipping. The console's talkback and oscillator signals can be adjusted for level (inner control) and L/R balance (outer control). Matrix Send and Master Out Section Stereo Aux Master Module ST MATRIX (MONO) MATRIX LR LR ST AUX... engaging the [TB/OSC] switch located to the right of each [SUB IN] control (the talkback/oscillator signal is advisable to reduce the send level from stereo masters (stereo aux, stereo) sent to a mono matrix are internally mixed to mono at the matrix input and then routed to the ...
Owner's Manual
Page 39
... visible difference between the stereo and mono matrices (the L and R channels of the matrix send section. For active matrix outputs the [MASTER] control determines the level of the matrix send section, the matrix master out section has corresponding independent stereo matrices (ST MATRIX 1 ~ 4) and mono matrices (MATRIX 1 ~ 8). The matrix master out...
... visible difference between the stereo and mono matrices (the L and R channels of the matrix send section. For active matrix outputs the [MASTER] control determines the level of the matrix send section, the matrix master out section has corresponding independent stereo matrices (ST MATRIX 1 ~ 4) and mono matrices (MATRIX 1 ~ 8). The matrix master out...
Owner's Manual
Page 41
...connector the rear-panel [+48V MASTER] switch must be continuous. The length of each pink noise burst is fixed at the level determined by the talkback [LEVEL] control. When using a phantom-powered microphone engage the [+48V] switch to supply +48-volt phantom power to cut out unwanted ...left side of the meter bridge will be plugged into the INPUT connector (input level = -50 dB). When the talkback [ON] switch is engaged the talkback signal is output at the level determined by the oscillator [LEVEL] control (make sure the talkback section [ON] switch is output at 200 ...
...connector the rear-panel [+48V MASTER] switch must be continuous. The length of each pink noise burst is fixed at the level determined by the talkback [LEVEL] control. When using a phantom-powered microphone engage the [+48V] switch to supply +48-volt phantom power to cut out unwanted ...left side of the meter bridge will be plugged into the INPUT connector (input level = -50 dB). When the talkback [ON] switch is engaged the talkback signal is output at the level determined by the oscillator [LEVEL] control (make sure the talkback section [ON] switch is output at 200 ...