Data List
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... 74 117 75 118 76 119 77 120 78 121 79 122 7A 123 7B 124 7C 125 7D 126 7E 127 7F SYNTHESIZER/SEQUENCER PART (1) TRANSMIT FLOW MIDI MIDI Data Format Many MIDI messages listed in the MIDI Data Format section are expressed in hexadecimal or binary numbers.
... 74 117 75 118 76 119 77 120 78 121 79 122 7A 123 7B 124 7C 125 7D 126 7E 127 7F SYNTHESIZER/SEQUENCER PART (1) TRANSMIT FLOW MIDI MIDI Data Format Many MIDI messages listed in the MIDI Data Format section are expressed in hexadecimal or binary numbers.
Data List
Page 59
... ASSIGNABLE CONTROLLER BnH,(00H..5FH) | | RPN | | PITCH BEND SENS. v = 0 - 127 c = 11 EXPRESSION ; v = 0:-64 - 64: 0 - 127:+63 c = 91 REVERB SEND ; v = 0 - 127 *6 The Sequencer Part will be recognized in any mode. v = 0 - 127 ; v = 0 - 127 ; v = 0 - 127 ; v = 0:-64 - 64:0 - 127:+63 ; v = 0:-64 - 64:0 - 127:+63 ; v = 0 -...time it depends on the current mode whether they can designate depending on . v = 0:-64 - 64:0 - 127:+63 ; The effective range may be narrower than the range you can be recorded to the song/pattern. *1 Used only when a value is set using ...
... ASSIGNABLE CONTROLLER BnH,(00H..5FH) | | RPN | | PITCH BEND SENS. v = 0 - 127 c = 11 EXPRESSION ; v = 0:-64 - 64: 0 - 127:+63 c = 91 REVERB SEND ; v = 0 - 127 *6 The Sequencer Part will be recognized in any mode. v = 0 - 127 ; v = 0 - 127 ; v = 0 - 127 ; v = 0:-64 - 64:0 - 127:+63 ; v = 0:-64 - 64:0 - 127:+63 ; v = 0 -...time it depends on the current mode whether they can designate depending on . v = 0:-64 - 64:0 - 127:+63 ; The effective range may be narrower than the range you can be recorded to the song/pattern. *1 Used only when a value is set using ...
Data List
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...selected Type/Memory is called up. Parameter Base Address Parameter Block SYSTEM MODE CHANGE BULK CONTROL MULTIPLE BULK CONTROL MASTER KEYBOARD PERFORMANCE COMMON PERFORMANCE PART NORMAL VOICE COMMON NORMAL VOICE ELEMENT GROUP 1 NORMAL VOICE ELEMENT GROUP 2 NORMAL VOICE ELEMENT GROUP 3 NORMAL VOICE ELEMENT...00 00 37 00 00 37 0F 00 Description System Master EQ for Voice Master Effect for Voice Master Effect Knob Setting Mode Change Header Footer Header Footer Common Zone 1 : Zone 4 Performance Common Part 1 : Part 4 Common 1 Common 2 Reverb Chorus Insertion A Insertion B Controller LFO Extra ee...
...selected Type/Memory is called up. Parameter Base Address Parameter Block SYSTEM MODE CHANGE BULK CONTROL MULTIPLE BULK CONTROL MASTER KEYBOARD PERFORMANCE COMMON PERFORMANCE PART NORMAL VOICE COMMON NORMAL VOICE ELEMENT GROUP 1 NORMAL VOICE ELEMENT GROUP 2 NORMAL VOICE ELEMENT GROUP 3 NORMAL VOICE ELEMENT...00 00 37 00 00 37 0F 00 Description System Master EQ for Voice Master Effect for Voice Master Effect Knob Setting Mode Change Header Footer Header Footer Common Zone 1 : Zone 4 Performance Common Part 1 : Part 4 Common 1 Common 2 Reverb Chorus Insertion A Insertion B Controller LFO Extra ee...
Data List
Page 63
...Bulk Header to MIDI PARAMETER CHANGE TABLE (BULK CONTROL) below. Parameter Block Description Byte Count Dec Hex Top Address HML SYSTEM MASTER KEYBOARD PERFORMANCE COMMON PART VOICE (NORMAL) COMMON ELEMENT 1 ELEMENT 2 ELEMENT 3 ELEMENT 4 System 60 003C 00 00 00 Master EQ (for Voice Mode... Insertion B Controller Oscillator Amplitude Pitch Filter EQ : Oscillator Amplitude Pitch Filter EQ Bulk Footer Bulk Header Common Reverb Chorus Master EQ Master Effect Part 1 : Part 16 Bulk Footer MIDI Data Table Byte Count Dec Hex Top Address HML 0 00 82 0052 8 0008 4 0004 36 0024 37...
...Bulk Header to MIDI PARAMETER CHANGE TABLE (BULK CONTROL) below. Parameter Block Description Byte Count Dec Hex Top Address HML SYSTEM MASTER KEYBOARD PERFORMANCE COMMON PART VOICE (NORMAL) COMMON ELEMENT 1 ELEMENT 2 ELEMENT 3 ELEMENT 4 System 60 003C 00 00 00 Master EQ (for Voice Mode... Insertion B Controller Oscillator Amplitude Pitch Filter EQ : Oscillator Amplitude Pitch Filter EQ Bulk Footer Bulk Header Common Reverb Chorus Master EQ Master Effect Part 1 : Part 16 Bulk Footer MIDI Data Table Byte Count Dec Hex Top Address HML 0 00 82 0052 8 0008 4 0004 36 0024 37...
Data List
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... Send Chorus Send reserved Assign 1 Control Number Assign 2 Control Number BC Control Number FC2 Control Number FC1 Control Number reserved RB Control Number reserved Insertion Part Sw Description -64 - +63 -64 - +63 -64 - +63 -64 - +63 -64 - +63 -64 - +63 0 - 127 -64 - +63 off, on 0 - 127 0 -... 95 off, 1 - 95 off, 1 - 95 off, 1 - 95 off, 1 - 95 off , on Part4 bit 4: reserved bit 5: reserved bit 6: reserved reserved Notes Up to "Effect Parameter List." C - R63 66 Data List Sub3) Depends on ARP Unit Multiply 50%, 66%, 75%, 100%, 133%, 150%, 200% ARP Note Limit Low C-2 - G8 ARP...
... Send Chorus Send reserved Assign 1 Control Number Assign 2 Control Number BC Control Number FC2 Control Number FC1 Control Number reserved RB Control Number reserved Insertion Part Sw Description -64 - +63 -64 - +63 -64 - +63 -64 - +63 -64 - +63 -64 - +63 0 - 127 -64 - +63 off, on 0 - 127 0 -... 95 off, 1 - 95 off, 1 - 95 off, 1 - 95 off, 1 - 95 off , on Part4 bit 4: reserved bit 5: reserved bit 6: reserved reserved Notes Up to "Effect Parameter List." C - R63 66 Data List Sub3) Depends on ARP Unit Multiply 50%, 66%, 75%, 100%, 133%, 150%, 200% ARP Note Limit Low C-2 - G8 ARP...
Data List
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...: No Type 0 = Pan&Send, 1 = Tone, 2 = Assign, 3 = MeqOffset, 4 = MasterEffect, 5 = ARP FX L63 - C - MIDI Data Table MIDI PARAMETER CHANGE TABLE (PERFORMANCE PART) Address Size Data Range (HEX) Parameter Name 31 pp 00 1 00 - 7F Bank Select MSB 01 1 00 - 7F Bank Select LSB 02 1 00 - 7F Program...C-2 - G8 C-2 - G8 C-2 - High Frequency MSB 00FF High Frequency LSB 38 1 20 - 60 High Gain 39 1 00 reserved TOTAL SIZE = 58 3 (HEX) pp = part number 00 - 03 Part 1 - 4 (Normal, Drum) Description Notes 0 - 127 0 - 127 1 - 128 mono, poly 1 - 127 1 - 127 C-2 - ARP Type MSB 20FF ARP Type LSB ...
...: No Type 0 = Pan&Send, 1 = Tone, 2 = Assign, 3 = MeqOffset, 4 = MasterEffect, 5 = ARP FX L63 - C - MIDI Data Table MIDI PARAMETER CHANGE TABLE (PERFORMANCE PART) Address Size Data Range (HEX) Parameter Name 31 pp 00 1 00 - 7F Bank Select MSB 01 1 00 - 7F Bank Select LSB 02 1 00 - 7F Program...C-2 - G8 C-2 - G8 C-2 - High Frequency MSB 00FF High Frequency LSB 38 1 20 - 60 High Gain 39 1 00 reserved TOTAL SIZE = 58 3 (HEX) pp = part number 00 - 03 Part 1 - 4 (Normal, Drum) Description Notes 0 - 127 0 - 127 1 - 128 mono, poly 1 - 127 1 - 127 C-2 - ARP Type MSB 20FF ARP Type LSB ...
Data List
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... Gain Assign 1 Assign 2 reserved reserved reserved reserved Description off, on 1 - 16, kbd-ch 0-1786: Preset, 8192-8447: User off, on sync-off, off , on Part 7 Notes Up to "Effect Parameter List." dB - 0dB - +6dB (0 - 96 - 127) L63 - G8 1 - 127 1 - 127 sort, thru, direct, sort+direct, thru+direct original, thru realtime, measure 32th...
... Gain Assign 1 Assign 2 reserved reserved reserved reserved Description off, on 1 - 16, kbd-ch 0-1786: Preset, 8192-8447: User off, on sync-off, off , on Part 7 Notes Up to "Effect Parameter List." dB - 0dB - +6dB (0 - 96 - 127) L63 - G8 1 - 127 1 - 127 sort, thru, direct, sort+direct, thru+direct original, thru realtime, measure 32th...
Data List
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...) -64 - +63 23 1 00 - 7F AEG Attack Time (EG Attack Time) -64 - +63 24 1 00 - 01 Voice Pan on/off off (7F) 04 1 00 - 01 Part Mode mono, poly 05 1 01 - 7F Velocity Limit Low 1 - 127 06 1 01 - 7F Velocity Limit High 1 - 127 07 1 00 - 7F Note Limit Low C-2 - G8 09... 1 10 - 58 Pitch Bend Range Upper -48 - +24 (PB Part: -24 - +24) 0A 1 10 - 58 Pitch Bend Range Lower -48 - +24 0B 1 00 - 7F Velocity Sense Depth 0 - 127 0C 1 00 - 7F Velocity Sense Offset 0 - 127...
...) -64 - +63 23 1 00 - 7F AEG Attack Time (EG Attack Time) -64 - +63 24 1 00 - 01 Voice Pan on/off off (7F) 04 1 00 - 01 Part Mode mono, poly 05 1 01 - 7F Velocity Limit Low 1 - 127 06 1 01 - 7F Velocity Limit High 1 - 127 07 1 00 - 7F Note Limit Low C-2 - G8 09... 1 10 - 58 Pitch Bend Range Upper -48 - +24 (PB Part: -24 - +24) 0A 1 10 - 58 Pitch Bend Range Lower -48 - +24 0B 1 00 - 7F Velocity Sense Depth 0 - 127 0C 1 00 - 7F Velocity Sense Offset 0 - 127...
Data List
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... is enabled. *2 if MIDI clock out is on. *3 if MIDI Sync is MTC. send MMC (stop, deferred play, locate) if sync mode is MIDI. part] Model MO6/MO8 MIDI Implementation Chart Function... Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY 78 Data List Mode 2 : OMNI ON ,MONO Mode 4 : OMNI OFF,MONO Ø...
... is enabled. *2 if MIDI clock out is on. *3 if MIDI Sync is MTC. send MMC (stop, deferred play, locate) if sync mode is MIDI. part] Model MO6/MO8 MIDI Implementation Chart Function... Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY 78 Data List Mode 2 : OMNI ON ,MONO Mode 4 : OMNI OFF,MONO Ø...
Data List
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... *1 Ø *1 Ø *1 Bank Select Ø *1 Ø *1 Data Entry Ø *1 Sustain Sw Ø *1 Portamento Sw Ø *1 Sostenuto Ø *1 Sound Controller Ø *1 Effect Depth Ø *1 RPN Inc,Dec Ø *1 RPN LSB,MSB Ø *1 Assignable Cntrl Prog Ø 0 - 127 Change : True Ø 0 - 127 0 - 127 System Exclusive Ø &#...: OMNI OFF, POLY Mode 2 : OMNI ON ,MONO Mode 4 : OMNI OFF,MONO Ø : Yes ˛ : No Data List 79 YAMAHA [Music Synthesizer - part] Model MO6/MO8 MIDI Implementation Chart Date :04-AUG-2005 Version : 1.0 Function...
... *1 Ø *1 Ø *1 Bank Select Ø *1 Ø *1 Data Entry Ø *1 Sustain Sw Ø *1 Portamento Sw Ø *1 Sostenuto Ø *1 Sound Controller Ø *1 Effect Depth Ø *1 RPN Inc,Dec Ø *1 RPN LSB,MSB Ø *1 Assignable Cntrl Prog Ø 0 - 127 Change : True Ø 0 - 127 0 - 127 System Exclusive Ø &#...: OMNI OFF, POLY Mode 2 : OMNI ON ,MONO Mode 4 : OMNI OFF,MONO Ø : Yes ˛ : No Data List 79 YAMAHA [Music Synthesizer - part] Model MO6/MO8 MIDI Implementation Chart Date :04-AUG-2005 Version : 1.0 Function...
Owner's Manual
Page 3
...to products distributed by the FCC, to distribute this type of other electronic devices. If this product is found in FCC Regulations, Part 15 for Class "B" digital devices. Apparaten kopplas inte ur växelströmskällan (nätet) så lä...STATEMENT (DECLARATION OF CONFORMITY PROCEDURE) Responsible Party : Yamaha Corporation of America Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620 Telephone : 714-522-9011 Type of Equipment : MUSIC PRODUCTION SYNTHESIZER Model Name : MO6, MO8 This device complies with Part 15 of the following conditions: 1) this device...
...to products distributed by the FCC, to distribute this type of other electronic devices. If this product is found in FCC Regulations, Part 15 for Class "B" digital devices. Apparaten kopplas inte ur växelströmskällan (nätet) så lä...STATEMENT (DECLARATION OF CONFORMITY PROCEDURE) Responsible Party : Yamaha Corporation of America Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620 Telephone : 714-522-9011 Type of Equipment : MUSIC PRODUCTION SYNTHESIZER Model Name : MO6, MO8 This device complies with Part 15 of the following conditions: 1) this device...
Owner's Manual
Page 4
... specified adaptor (PA-5D or an equivalent recommended by qualified Yamaha service personnel. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by Yamaha) only. CAUTION Always follow the basic precautions listed below to the internal components. ...might spill into any openings. • Never insert or remove an electric plug with wet hands. The instrument contains no user-serviceable parts. These precautions include, but are not limited to the instrument or other electric devices. Otherwise, the instrument, TV, or radio may...
... specified adaptor (PA-5D or an equivalent recommended by qualified Yamaha service personnel. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by Yamaha) only. CAUTION Always follow the basic precautions listed below to the internal components. ...might spill into any openings. • Never insert or remove an electric plug with wet hands. The instrument contains no user-serviceable parts. These precautions include, but are not limited to the instrument or other electric devices. Otherwise, the instrument, TV, or radio may...
Owner's Manual
Page 7
... individual elements-which has two blocks (total 116 types), Master Effect (8 types), and a digital equalizer (3-band Part EQ and 5-band Master EQ). Page 84 Page 89 ● Master mode-for using the MO as a master keyboard controller (with independent Zones), and for even greater performance power....simply switch among the Scenes for use Pattern Chain to arrange the pieces in real time to 16) with Yamaha's powerful Voice Editor and Multi Part Editor software-featuring comprehensive, intuitive Page 112 editing of dynamic and authentic voices. These voices can easily and ...
... individual elements-which has two blocks (total 116 types), Master Effect (8 types), and a digital equalizer (3-band Part EQ and 5-band Master EQ). Page 84 Page 89 ● Master mode-for using the MO as a master keyboard controller (with independent Zones), and for even greater performance power....simply switch among the Scenes for use Pattern Chain to arrange the pieces in real time to 16) with Yamaha's powerful Voice Editor and Multi Part Editor software-featuring comprehensive, intuitive Page 112 editing of dynamic and authentic voices. These voices can easily and ...
Owner's Manual
Page 8
.... Setting Up and Playing ...Page 20 Before going on to any other part of all parameters, settings, functions, features, modes and operations in the above...confirmation message (page 37) or Control Function window (page 51) is in playing and using your Yamaha dealer or service center. The Controls & Connectors Page 14 Use this instrument. Quick Guide ...Page 40 In this... from that condition, then execute the instructions as the Voice List, Preset Pattern Phrase List, Effect List, MIDI Data Format, and MIDI Implementation Chart. This section explains all of the main...
.... Setting Up and Playing ...Page 20 Before going on to any other part of all parameters, settings, functions, features, modes and operations in the above...confirmation message (page 37) or Control Function window (page 51) is in playing and using your Yamaha dealer or service center. The Controls & Connectors Page 14 Use this instrument. Quick Guide ...Page 40 In this... from that condition, then execute the instructions as the Voice List, Preset Pattern Phrase List, Effect List, MIDI Data Format, and MIDI Implementation Chart. This section explains all of the main...
Owner's Manual
Page 9
...OTHER → CtrlReset = hold ...Page 206 Owner's Manual 9 Page 209 • Keeping the effect of the controllers ...Pages 50, 69 • Assigning functions to the controllers for Control sliders ... Pages 47 (Performance mode), 125 (Master mode) • Layering two Voices (or Parts) together Pages 46 (Performance mode), 125 (Master mode) Selecting programs and making settings ...8594; [F4] CTL ASN → [SF3] FT SW .......... Page 206 • Splitting the keyboard-Setting upper and lower ranges for knob control .......... Page 209 • Turning Arpeggio playback on the MO...
...OTHER → CtrlReset = hold ...Page 206 Owner's Manual 9 Page 209 • Keeping the effect of the controllers ...Pages 50, 69 • Assigning functions to the controllers for Control sliders ... Pages 47 (Performance mode), 125 (Master mode) • Layering two Voices (or Parts) together Pages 46 (Performance mode), 125 (Master mode) Selecting programs and making settings ...8594; [F4] CTL ASN → [SF3] FT SW .......... Page 206 • Splitting the keyboard-Setting upper and lower ranges for knob control .......... Page 209 • Turning Arpeggio playback on the MO...
Owner's Manual
Page 10
...57 Creating a Mixing Voice especially for a Song or Pattern ...Page 78 • Creating a Performance...Page 63 • Creating a Song Recording your keyboard performance to a Song track (Realtime Recording Page 88 Recording over (replacing) existing material in a Song track-Punch-in Recording [SONG] → [... an already-recorded Pattern PATTERN] → [EDIT] → Track selection Page 90 Editing Pattern Mixing settings, such as the volume of each Part PATTERN] → [MIXING Page 93 Using convenient "Jobs," such as Copy, Clear, Quantize PATTERN] → [JOB] → Job selection...
...57 Creating a Mixing Voice especially for a Song or Pattern ...Page 78 • Creating a Performance...Page 63 • Creating a Song Recording your keyboard performance to a Song track (Realtime Recording Page 88 Recording over (replacing) existing material in a Song track-Punch-in Recording [SONG] → [... an already-recorded Pattern PATTERN] → [EDIT] → Track selection Page 90 Editing Pattern Mixing settings, such as the volume of each Part PATTERN] → [MIXING Page 93 Using convenient "Jobs," such as Copy, Clear, Quantize PATTERN] → [JOB] → Job selection...
Owner's Manual
Page 11
... → [F2] NOTE → Octave Page 216 Finely adjusting the keyboard pitch for each zone of the keyboard UTILITY] → [F1] GENERAL → [SF2] KBD → Octave Page 29 Shifting the note up or down for each Part of the current Song/Pattern [SONG] or [PATTERN] → Song/...Pattern selection→ [MIXING] → [EDIT] → Part selection → [F4] TONE → [...
... → [F2] NOTE → Octave Page 216 Finely adjusting the keyboard pitch for each zone of the keyboard UTILITY] → [F1] GENERAL → [SF2] KBD → Octave Page 29 Shifting the note up or down for each Part of the current Song/Pattern [SONG] or [PATTERN] → Song/...Pattern selection→ [MIXING] → [EDIT] → Part selection → [F4] TONE → [...
Owner's Manual
Page 12
...] → [F3] SEQ → [SF2] FILTER ...Page 207 • Setting the MIDI transmit channel Setting the MIDI transmit channel of the keyboard in the Voice mode/Performance mode [UTILITY] → [F5] MIDI → [SF1] CH → KBDTransCh ...Page 209 Setting the MIDI transmit...SF2] SWITCH → BankSel, PgmChange ...Page 209 [SONG] or [PATTERN] → Song/Pattern selection → [MIXING] → [EDIT] → Part selection→ [F5] RCV SW → BankSel, PgmChange .........Page 192 Setting related parameters so that the MIDI messages produced by the Song/Pattern playback will...
...] → [F3] SEQ → [SF2] FILTER ...Page 207 • Setting the MIDI transmit channel Setting the MIDI transmit channel of the keyboard in the Voice mode/Performance mode [UTILITY] → [F5] MIDI → [SF1] CH → KBDTransCh ...Page 209 Setting the MIDI transmit...SF2] SWITCH → BankSel, PgmChange ...Page 209 [SONG] or [PATTERN] → Song/Pattern selection → [MIXING] → [EDIT] → Part selection→ [F5] RCV SW → BankSel, PgmChange .........Page 192 Setting related parameters so that the MIDI messages produced by the Song/Pattern playback will...
Owner's Manual
Page 15
... 1 PRE 2 PRE 3 PRE 4 USER 1 USER 2 GM - PIANO KEYBOARD ORGAN A B C GUITAR PLUCKED D BASS E STRINGS BRASS REED PIPE F G H DAW REMOTE FILE UTILITY SYN LEAD SYN PAD SYN COMP CHROMATIC DRUM SE MUSICAL FX COMBI CHOIR PERCUSSION PERCUSSION 1 2 3 4 5 6 7 8 TRACK SELECT EDIT DEMO JOB STORE COMMON ELEMENT PERF. PART ZONE 9 10 11 12 13 14 15...
... 1 PRE 2 PRE 3 PRE 4 USER 1 USER 2 GM - PIANO KEYBOARD ORGAN A B C GUITAR PLUCKED D BASS E STRINGS BRASS REED PIPE F G H DAW REMOTE FILE UTILITY SYN LEAD SYN PAD SYN COMP CHROMATIC DRUM SE MUSICAL FX COMBI CHOIR PERCUSSION PERCUSSION 1 2 3 4 5 6 7 8 TRACK SELECT EDIT DEMO JOB STORE COMMON ELEMENT PERF. PART ZONE 9 10 11 12 13 14 15...
Owner's Manual
Page 16
... the display. n Because of the instrument. If the Arpeggio Switch of the selected part is the case, raise all of the keyboard. In the display hierarchy, these buttons to this button has no effect. ! They can also assign other hand, the Control sliders adjust the MIDI volume ...slider Adjusts the volume of the overall sound, as output from the panel controls of its extended keyboard, the MO8 does not have OCTAVE buttons. 3 Pitch bend wheel Page 50 Controls the pitch bend effect. During recording and playback, the indicator flashes at a time, or hold to Song...
... the display. n Because of the instrument. If the Arpeggio Switch of the selected part is the case, raise all of the keyboard. In the display hierarchy, these buttons to this button has no effect. ! They can also assign other hand, the Control sliders adjust the MIDI volume ...slider Adjusts the volume of the overall sound, as output from the panel controls of its extended keyboard, the MO8 does not have OCTAVE buttons. 3 Pitch bend wheel Page 50 Controls the pitch bend effect. During recording and playback, the indicator flashes at a time, or hold to Song...
