Owner's Manual
Page 1
...7 8 9 10 11 12 13 14 15 16 OUT IN PRE GEQ POST GEQ L ST R...16 A B PAD 20dB PEAK SIGNAL -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16... GAIN -60 80 -16...
...7 8 9 10 11 12 13 14 15 16 OUT IN PRE GEQ POST GEQ L ST R...16 A B PAD 20dB PEAK SIGNAL -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16... GAIN -60 80 -16...
Owner's Manual
Page 2
... monitor outputs, and a level control for later reference. We urge you to get the best performance out of condenser microphones. and 16-channel models, each channel has dual EFFECT controls and a MONITOR control that make possible convenient incorporation of selectable CD IN jacks that ...deck, and a level control for convenient powering of the mixer's many features and controls. CONGRATULATIONS! Your Yamaha EMX3500 Powered Mixer is one of the highlights of each channel, the EMX3500 offers both pre-GEQ and post-GEQ line insertion to line-insert I/O jacks for medium-scale PA ...
... monitor outputs, and a level control for later reference. We urge you to get the best performance out of condenser microphones. and 16-channel models, each channel has dual EFFECT controls and a MONITOR control that make possible convenient incorporation of selectable CD IN jacks that ...deck, and a level control for convenient powering of the mixer's many features and controls. CONGRATULATIONS! Your Yamaha EMX3500 Powered Mixer is one of the highlights of each channel, the EMX3500 offers both pre-GEQ and post-GEQ line insertion to line-insert I/O jacks for medium-scale PA ...
Owner's Manual
Page 4
CONTENTS PRECAUTIONS ...3 CONTROLS AND CONNECTORS 4 Front Panel: Input Channel Controls 4 Front Panel: Master Control Section 6 Top Panel ...8 Rear Panel ...10 OPERATING TIPS ...11 Cautions for Connected Sources 11 Matching Input Levels 11 Setting Channel and Master Faders 11 Using the Channel Equalizers 12 Using the Digital Signal Processor 12 Using the Graphic Equalizer 13 Connecting Speakers 13 CONNECTION EXAMPLE 14 SPECIFICATIONS ...15 Input Characteristics 16 Output Characteristics 16 Console Dimensions 17 BLOCK AND LEVEL DIAGRAMS 18 2
CONTENTS PRECAUTIONS ...3 CONTROLS AND CONNECTORS 4 Front Panel: Input Channel Controls 4 Front Panel: Master Control Section 6 Top Panel ...8 Rear Panel ...10 OPERATING TIPS ...11 Cautions for Connected Sources 11 Matching Input Levels 11 Setting Channel and Master Faders 11 Using the Channel Equalizers 12 Using the Digital Signal Processor 12 Using the Graphic Equalizer 13 Connecting Speakers 13 CONNECTION EXAMPLE 14 SPECIFICATIONS ...15 Input Characteristics 16 Output Characteristics 16 Console Dimensions 17 BLOCK AND LEVEL DIAGRAMS 18 2
Owner's Manual
Page 6
... any microphone or line source. 5 HPF switch This switch causes the channel to the channel. CONTROLS AND CONNECTORS Front Panel: Input Channel Controls 16 A B PAD 20dB PEAK SIGNAL -16 -60 GAIN 80 -15 HIGH +15 250 5k MID FREQ -15 MID +15 -15 LOW +15 0 10 MONITOR 0 10 EFFECT 1 0 10... EFFECT 2 L R PAN ON 1 2 3 4 5 6 7 8 9 0 A 0 5 10 15 20 30 40 50 60 16 B 4 1 Input selector switch This switch selects the input connector via which the source is useful for reducing low-frequency noise such as an AC mains...
... any microphone or line source. 5 HPF switch This switch causes the channel to the channel. CONTROLS AND CONNECTORS Front Panel: Input Channel Controls 16 A B PAD 20dB PEAK SIGNAL -16 -60 GAIN 80 -15 HIGH +15 250 5k MID FREQ -15 MID +15 -15 LOW +15 0 10 MONITOR 0 10 EFFECT 1 0 10... EFFECT 2 L R PAN ON 1 2 3 4 5 6 7 8 9 0 A 0 5 10 15 20 30 40 50 60 16 B 4 1 Input selector switch This switch selects the input connector via which the source is useful for reducing low-frequency noise such as an AC mains...
Owner's Manual
Page 8
... equalizer on the rear panel). This section has nine linear controls, corresponding to restore the DSP factory settings. E STEREO GRAPHIC EQUALIZER section The EMX3500's internal stereo graphic equalizer (GEQ) allows fine response shaping of 12 dB. The ON switch selects between input from the internal DSP and input...the RESET switch can be used to center frequencies of 63 Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz, and 16 kHz. Each control permits a maximum boost or cut of the main program output. The three-digit seven-segment LED display shows the value of the...
... equalizer on the rear panel). This section has nine linear controls, corresponding to restore the DSP factory settings. E STEREO GRAPHIC EQUALIZER section The EMX3500's internal stereo graphic equalizer (GEQ) allows fine response shaping of 12 dB. The ON switch selects between input from the internal DSP and input...the RESET switch can be used to center frequencies of 63 Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz, and 16 kHz. Each control permits a maximum boost or cut of the main program output. The three-digit seven-segment LED display shows the value of the...
Owner's Manual
Page 13
... the lowest possible sensitivity for later adjustments. In fact, this range. Once the input level of each channel you set the GAIN control to -16, and slide the channel fader to between "10" and "5" on , it is between about the optimum input sensitivity setting. The optimum range... them just enough to achieve optimum matching. When you should light somewhere in mind when setting channel levels. The master faders can damage the EMX3500 or connected equipment. • TURN THE MIXER ON LAST Always turn the POWER switch off , and gradually increase the GAIN setting again....
... the lowest possible sensitivity for later adjustments. In fact, this range. Once the input level of each channel you set the GAIN control to -16, and slide the channel fader to between "10" and "5" on , it is between about the optimum input sensitivity setting. The optimum range... them just enough to achieve optimum matching. When you should light somewhere in mind when setting channel levels. The master faders can damage the EMX3500 or connected equipment. • TURN THE MIXER ON LAST Always turn the POWER switch off , and gradually increase the GAIN setting again....
Owner's Manual
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...the internal DSP settings to control feedback. Please note that two 8-ohm speaker systems connected in the rear-panel SPEAKER jacks of the EMX3500, causing a potential fire hazard. This places some reduction in the middle of an important performance. Like the channel equalizers, the GEQ ... response in graphic equalizer (GEQ) has two main uses: compensation for the parameter. Although a higher total load impedance than the recommended 16 ohms will compromise the overall frequency response of the program, but this range.) This solution will only result in a loss of squealing ...
...the internal DSP settings to control feedback. Please note that two 8-ohm speaker systems connected in the rear-panel SPEAKER jacks of the EMX3500, causing a potential fire hazard. This places some reduction in the middle of an important performance. Like the channel equalizers, the GEQ ... response in graphic equalizer (GEQ) has two main uses: compensation for the parameter. Although a higher total load impedance than the recommended 16 ohms will compromise the overall frequency response of the program, but this range.) This solution will only result in a loss of squealing ...
Owner's Manual
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... 20dB PEAK SIGNAL 12 A B PAD 20dB PEAK SIGNAL -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -15 +15 HIGH -15 +15 HIGH...
... 20dB PEAK SIGNAL 12 A B PAD 20dB PEAK SIGNAL -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -16 GAIN -60 80 -15 +15 HIGH -15 +15 HIGH...
Owner's Manual
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... level is full power, the PHONES OUT level is 12mW. Input Characteristics Input Terminals Gain Actual PAD Load Trim Impedance CH Input A, B 0 -60 0 -16 4kΩ 20 -16 EFFECT RETURN (1, 2) 10kΩ CH INSERT IN 5kΩ CD IN TAPE IN 10kΩ 10kΩ LINE INSERT IN (Pre-GEQ) 10kΩ... Clip Connectors on Mixer Phone Jack Phone Jack (TRS)2 Phone Jack (TRS)2 Phone Jack Phone Jack RCA Pin Jack Phone Jack (TRS)2 Stereo Phone Jack 16
... level is full power, the PHONES OUT level is 12mW. Input Characteristics Input Terminals Gain Actual PAD Load Trim Impedance CH Input A, B 0 -60 0 -16 4kΩ 20 -16 EFFECT RETURN (1, 2) 10kΩ CH INSERT IN 5kΩ CD IN TAPE IN 10kΩ 10kΩ LINE INSERT IN (Pre-GEQ) 10kΩ... Clip Connectors on Mixer Phone Jack Phone Jack (TRS)2 Phone Jack (TRS)2 Phone Jack Phone Jack RCA Pin Jack Phone Jack (TRS)2 Stereo Phone Jack 16
Owner's Manual
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LOW MID MID FREQ HIGH MONITOR EFFECT BLOCK AND LEVEL DIAGRAMS 18 INPUT A BALANCED 1-12 B 1-16 (PHANTOM) PHANTOM OFF ON (+48V) PEAK SIGNAL A PAD HA B 3 BAND PEQ HPF ON 80 PAD 20dB GAIN CH INSERT I/O 0dB L A R CD IN -6dB L B R A B CD IN L ...
LOW MID MID FREQ HIGH MONITOR EFFECT BLOCK AND LEVEL DIAGRAMS 18 INPUT A BALANCED 1-12 B 1-16 (PHANTOM) PHANTOM OFF ON (+48V) PEAK SIGNAL A PAD HA B 3 BAND PEQ HPF ON 80 PAD 20dB GAIN CH INSERT I/O 0dB L A R CD IN -6dB L B R A B CD IN L ...