Reference Guide
Page 165
Appendix No. Reference Guide It 38 automatically reduces the volume -3.5 when the cymbals are not played, 2 helping to differentiate the bass and 5.0 snare drums clearly. 2 749 -24 Soft compander to brighten the tonal 2.5 color of cymbals using overhead ... 1.7 purpose as program 005. 11 0.0 10 128 -20 Expander for acoustic toms 2 automatically reduces the volume when the toms are not played, 54 helping differentiate the bass and snare drums clearly. 842 -12 Compressor to equalize the attack 2 and volume level of a finger-picked electric bass guitar. 15 ...
Appendix No. Reference Guide It 38 automatically reduces the volume -3.5 when the cymbals are not played, 2 helping to differentiate the bass and 5.0 snare drums clearly. 2 749 -24 Soft compander to brighten the tonal 2.5 color of cymbals using overhead ... 1.7 purpose as program 005. 11 0.0 10 128 -20 Expander for acoustic toms 2 automatically reduces the volume when the toms are not played, 54 helping differentiate the bass and snare drums clearly. 842 -12 Compressor to equalize the attack 2 and volume level of a finger-picked electric bass guitar. 15 ...
Tutorial
Page 2
But if you've never had to happen. Since the actual recording process is designed to help you get lost, refer to the AW4416 operation guide for the demo song "So Fine", and will not be a little daunting at the end of the tutorial....full of very, very expensive equipment that you use, we've provided a complete set of pre-recorded tracks for details. Tutorial-AW4416 Professional Audio Workstation AW4416 Professional Audio Workstation Showing a Yamaha AW4416 to a recording engineer, say, 20 years ago, would probably nod their heads and mumble something about inevitability.
But if you've never had to happen. Since the actual recording process is designed to help you get lost, refer to the AW4416 operation guide for the demo song "So Fine", and will not be a little daunting at the end of the tutorial....full of very, very expensive equipment that you use, we've provided a complete set of pre-recorded tracks for details. Tutorial-AW4416 Professional Audio Workstation AW4416 Professional Audio Workstation Showing a Yamaha AW4416 to a recording engineer, say, 20 years ago, would probably nod their heads and mumble something about inevitability.
Tutorial
Page 5
... a problem. Tutorial Physical separation is minimized. whether it makes sense that they should be recorded first so that matter, if you'll be a big help. will be recording an entire rhythm section or ensemble with a fairly standard arrangement, here are critical! How? Directional microphones are no hard-and-fast rules...
... a problem. Tutorial Physical separation is minimized. whether it makes sense that they should be recorded first so that matter, if you'll be a big help. will be recording an entire rhythm section or ensemble with a fairly standard arrangement, here are critical! How? Directional microphones are no hard-and-fast rules...
Tutorial
Page 15
...; Tracks 1 & 2: Drums Listening to the drums in an attempt to make them "mesh" to track 2 - Once again, we 'd probably lose the natural dynamics that won't help you 'll constantly be applied to create a well-balanced overall mix. Press the [SCENE] key (and the [F1] function key if necessary to select the...
...; Tracks 1 & 2: Drums Listening to the drums in an attempt to make them "mesh" to track 2 - Once again, we 'd probably lose the natural dynamics that won't help you 'll constantly be applied to create a well-balanced overall mix. Press the [SCENE] key (and the [F1] function key if necessary to select the...
Tutorial
Page 17
...66 - - - F 125 420 - - G ON - - - 17 - Tutorial A little EQ and compression will accomplish that feat, and the compression will also help to even out dynamic variations that by now, so we'll just give you the figures and you have to do the dialing yourself...❍ Lead Guitar Compression THRESH. -5 RATIO 3.5:1 OUT GAIN 0.0 ATTACK 35 RELEASE 238 KNEE 4 ❒ Track 7: Organ The ultra-lows of the AW4416 parametric equalizer functions as a highpass filter - do is . But perhaps we 're after. No compression is required. ❍ Organ EQ LOW ...
...66 - - - F 125 420 - - G ON - - - 17 - Tutorial A little EQ and compression will accomplish that feat, and the compression will also help to even out dynamic variations that by now, so we'll just give you the figures and you have to do the dialing yourself...❍ Lead Guitar Compression THRESH. -5 RATIO 3.5:1 OUT GAIN 0.0 ATTACK 35 RELEASE 238 KNEE 4 ❒ Track 7: Organ The ultra-lows of the AW4416 parametric equalizer functions as a highpass filter - do is . But perhaps we 're after. No compression is required. ❍ Organ EQ LOW ...
Tutorial
Page 18
...needed a bit of processing here, but in the way of the lead vocal, and a touch of high-end presence has been added to help the voices cut through in the mix a bit more presence so that can be tricky, but since this case we can leave it will come... noise that it alone. ❒ Tracks 11 & 12: Female Chorus 1 & 2 Processing to make a chorus "blend" well can lead to unclear overall sound. Compression also helps to achieve a tighter chorus blend by smoothing out dynamic variations. ❍ Female Chorus 1 EQ LOW L-MID H-MID HIGH Q HPF 10.0 9 H.SHELF F 94 841 1.49...
...needed a bit of processing here, but in the way of the lead vocal, and a touch of high-end presence has been added to help the voices cut through in the mix a bit more presence so that can be tricky, but since this case we can leave it will come... noise that it alone. ❒ Tracks 11 & 12: Female Chorus 1 & 2 Processing to make a chorus "blend" well can lead to unclear overall sound. Compression also helps to achieve a tighter chorus blend by smoothing out dynamic variations. ❍ Female Chorus 1 EQ LOW L-MID H-MID HIGH Q HPF 10.0 9 H.SHELF F 94 841 1.49...
Tutorial
Page 19
.... EQ and dynamics invariably alter the levels of the tracks, and you'll almost certainly need to make adjustments to EQ, dynamics, etc., don't be helpful to help the blend with the female chorus. ❍ Male Chorus Compression THRESH. -20 RATIO 2.5:1 OUT GAIN +2.0 ATTACK 31 RELEASE 315 KNEE 1 ❒ Track 14: Lead...
.... EQ and dynamics invariably alter the levels of the tracks, and you'll almost certainly need to make adjustments to EQ, dynamics, etc., don't be helpful to help the blend with the female chorus. ❍ Male Chorus Compression THRESH. -20 RATIO 2.5:1 OUT GAIN +2.0 ATTACK 31 RELEASE 315 KNEE 1 ❒ Track 14: Lead...
Tutorial
Page 21
... Room effect to the tracks. Tip! As we 'll add a barely-noticeable amount of the mix. Move the AUX 7 faders for tracks 1 & 2 (they have to help define the recording's "space". Tip! You can severely compromise the clarity of reverb to move one of those instruments that 's precisely what we...
... Room effect to the tracks. Tip! As we 'll add a barely-noticeable amount of the mix. Move the AUX 7 faders for tracks 1 & 2 (they have to help define the recording's "space". Tip! You can severely compromise the clarity of reverb to move one of those instruments that 's precisely what we...