TASCAM Pro Audio Brochure 2011
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Audio is recorded at 192kHz/24-bit • Broadcast WAV (BWF) support with iXML metadata • Various power options include AA batteries (x10), NP type, AC adaptor, external DC input and optional Vmount adaptor for ENDURA batteries • Up to 5-second pre-record buffer • Internal microphone for slate recording • Limiter and low-cut filter per track • Auto or manual cue points • Alert signal to headphone output • Retake function • Panel lockout...
Audio is recorded at 192kHz/24-bit • Broadcast WAV (BWF) support with iXML metadata • Various power options include AA batteries (x10), NP type, AC adaptor, external DC input and optional Vmount adaptor for ENDURA batteries • Up to 5-second pre-record buffer • Internal microphone for slate recording • Limiter and low-cut filter per track • Auto or manual cue points • Alert signal to headphone output • Retake function • Panel lockout...
TASCAM Pro Audio Brochure 2011
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... remote control allows operation of -use that studio and post professionals demand. • 8-channel/2-channel solid-state recorder • Balanced stereo analog inputs/outputs on • Records to Compact Flash media, dual XLR connector (HS-2) slots for timecode DAT recorders. Audio is added through an option card, the SY-2, making it an ideal broadcast replacement for mirroring or continuous recording • XLR stereo analog input and output • 8-channel 96kHz/24-bit...
... remote control allows operation of -use that studio and post professionals demand. • 8-channel/2-channel solid-state recorder • Balanced stereo analog inputs/outputs on • Records to Compact Flash media, dual XLR connector (HS-2) slots for timecode DAT recorders. Audio is added through an option card, the SY-2, making it an ideal broadcast replacement for mirroring or continuous recording • XLR stereo analog input and output • 8-channel 96kHz/24-bit...
TASCAM Pro Audio Brochure 2011
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... LAN control. ing tracks to USB flash media • SMPTE Timecode sync with pull-up/pull- The transport can function as Broadcast WAV files, including a timestamp from the SMPTE input source. Both recorders feature a color TFT touchscreen which is available to listen to AES31 format • Stereo monitor mixing • Video sync input supports NTSC/PAL/ BB/HD Tri-Level • Flash start , transport and fader functions. • XLR balanced inputs/outputs...
... LAN control. ing tracks to USB flash media • SMPTE Timecode sync with pull-up/pull- The transport can function as Broadcast WAV files, including a timestamp from the SMPTE input source. Both recorders feature a color TFT touchscreen which is available to listen to AES31 format • Stereo monitor mixing • Video sync input supports NTSC/PAL/ BB/HD Tri-Level • Flash start , transport and fader functions. • XLR balanced inputs/outputs...
TASCAM Pro Audio Brochure 2011
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...; Stereo XLR balanced line outputs • Channel Strip section for EQ, Dynamics • (8) 1/4" TRS balanced assignable insert and Aux control of any professional audio installation. • 48 channels and 16 returns for 64 total • Flexible routing allows any channel or output • 24 busses (16 busses on DM-3200) • Save data to Compact Flash media using expansion cards with 16 mic pres and 16 busses for great sounding productions. The TASCAM DM...
...; Stereo XLR balanced line outputs • Channel Strip section for EQ, Dynamics • (8) 1/4" TRS balanced assignable insert and Aux control of any professional audio installation. • 48 channels and 16 returns for 64 total • Flexible routing allows any channel or output • 24 busses (16 busses on DM-3200) • Save data to Compact Flash media using expansion cards with 16 mic pres and 16 busses for great sounding productions. The TASCAM DM...
TASCAM Pro Audio Brochure 2011
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... mono microphone and speaker for remotely starting the recording. • Four microphones - The DR-100 includes a rechargeable Lithium-ion battery, but can even be monitored using a built-in mixer with level and pan controls for running two units together • Pre-recording feature • Auto-recording mode begins recording when the input reaches a certain level • Mark function during recording or in speaker • 1/4" stereo headphone output • Included accessories: PS-1225L power supply, shoulder strap • 8-track portable recording...
... mono microphone and speaker for remotely starting the recording. • Four microphones - The DR-100 includes a rechargeable Lithium-ion battery, but can even be monitored using a built-in mixer with level and pan controls for running two units together • Pre-recording feature • Auto-recording mode begins recording when the input reaches a certain level • Mark function during recording or in speaker • 1/4" stereo headphone output • Included accessories: PS-1225L power supply, shoulder strap • 8-track portable recording...
Application-Specific Downloads Logic Template Instructions for PC 03-13-02
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... move the DM-24 controls, the environment should now have no corresponding function with is no import function for the graphical representation of the "Physical Input". 10. Now we are unlinked, you want to the Logic mixer. The environment screen will display the Hyper Edit Set. 4. If you must manually reassign proper MIDI channel assignments for faders, pans, and mutes on the DM-24 for those channels, in order...
... move the DM-24 controls, the environment should now have no corresponding function with is no import function for the graphical representation of the "Physical Input". 10. Now we are unlinked, you want to the Logic mixer. The environment screen will display the Hyper Edit Set. 4. If you must manually reassign proper MIDI channel assignments for faders, pans, and mutes on the DM-24 for those channels, in order...
Installation and Use Automation Manual
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.../Off switching • Effect settings • Buss assignments • MIC TRIM • Control Room monitor switching • LCD navigation • Transport control • Fader layer switching • Global mixer setup parameters Moves for "power user" operation. The event resolution for mix moves on a per event. This work done by intelligently switching automation modes transparently on the DM-24 is one specific control at a time, building up the automated mix over -ridden at any time for different mixer controls do...
.../Off switching • Effect settings • Buss assignments • MIC TRIM • Control Room monitor switching • LCD navigation • Transport control • Fader layer switching • Global mixer setup parameters Moves for "power user" operation. The event resolution for mix moves on a per event. This work done by intelligently switching automation modes transparently on the DM-24 is one specific control at a time, building up the automated mix over -ridden at any time for different mixer controls do...
Installation and Use Automation Manual
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... sources of time code to MIDI Time Code being received at the DM-24's MIDI Input. The source of MTC could be a Digital Audio Workstation (DAW), hardware recorder that does not support LTC, or any other source of the DM-24 which the DM-24's automation can lock. 1 - Your choice will depend LTC There is an RCA jack (TIME CODE on what you have available in functionality and accuracy. OPTION / SYNC/TC display showing...
... sources of time code to MIDI Time Code being received at the DM-24's MIDI Input. The source of MTC could be a Digital Audio Workstation (DAW), hardware recorder that does not support LTC, or any other source of the DM-24 which the DM-24's automation can lock. 1 - Your choice will depend LTC There is an RCA jack (TIME CODE on what you have available in functionality and accuracy. OPTION / SYNC/TC display showing...
Installation and Use Automation Manual
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... the WRITE key before recording the mix move . This is designed to end writing manually. The amount of POD controls, writing will automatically update those controls are touch-sensitive (even though they were released (faders) or when movement ended (POD controls). Action: Store the mix file in Static mode. In the case of the Revert Time. Result: With the console in the AUTO MAIN display by the...
... the WRITE key before recording the mix move . This is designed to end writing manually. The amount of POD controls, writing will automatically update those controls are touch-sensitive (even though they were released (faders) or when movement ended (POD controls). Action: Store the mix file in Static mode. In the case of the Revert Time. Result: With the console in the AUTO MAIN display by the...
Installation and Use Effects Manual
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... 8 insert Aux 1 through 6 insert Stereo L, R insert Assignable insert 1 through 4 Display shows AUXx BUSS1 INS SEND AUXx INS SEND ST-L PRESEND, STR-R PRE SEND ASGN INSx SEND Use the cursor keys, dial and ENTER key to select the input sources for each effect. The choices available are available at any one effect is shown on mixdown. NOTE The following combinations cannot be used: reverb + reverb, reverb + speaker modeler. The first of the effect), but this screen to set the...
... 8 insert Aux 1 through 6 insert Stereo L, R insert Assignable insert 1 through 4 Display shows AUXx BUSS1 INS SEND AUXx INS SEND ST-L PRESEND, STR-R PRE SEND ASGN INSx SEND Use the cursor keys, dial and ENTER key to select the input sources for each effect. The choices available are available at any one effect is shown on mixdown. NOTE The following combinations cannot be used: reverb + reverb, reverb + speaker modeler. The first of the effect), but this screen to set the...
Installation and Use Effects Manual
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... left and right channels. Busses 1 and 2 use a effect 1 as effect input sources, the effect is inserted in the stereo output buss in -place" to the reverb, where they both effects are used as needed for example, a fretless bass) in order to achieve a distorted vocal sound. In this setting is shown TASCAM DM-24 Effects 5 Effect send sources Whether the effect (or in insert mode. If a channel has already been assigned to a channel using the I/O screens (see "Signal sources" on...
... left and right channels. Busses 1 and 2 use a effect 1 as effect input sources, the effect is inserted in the stereo output buss in -place" to the reverb, where they both effects are used as needed for example, a fretless bass) in order to achieve a distorted vocal sound. In this setting is shown TASCAM DM-24 Effects 5 Effect send sources Whether the effect (or in insert mode. If a channel has already been assigned to a channel using the I/O screens (see "Signal sources" on...
Installation and Use Owners Manual
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... OPERATION MODE 20 LIBRARY DIRECT KEY OPERATION 20 OL/STATUS LED TYPE 20 FADER SENSITIVITY 21 METER CALIBRATION 21 PREFERENCES 21 Fader Auto MODULE Select 21 Select MODULE Return 21 ST Link by channel ...........41 Other module parameters 41 Introduction Features 8 Supplied accessories 9 About this manual 9 How this manual is arranged 9 Word clock issues 11 2 - Table of changing values 14 Using the faders to -buss assignments by SEL key 21 Balance Level...
... OPERATION MODE 20 LIBRARY DIRECT KEY OPERATION 20 OL/STATUS LED TYPE 20 FADER SENSITIVITY 21 METER CALIBRATION 21 PREFERENCES 21 Fader Auto MODULE Select 21 Select MODULE Return 21 ST Link by channel ...........41 Other module parameters 41 Introduction Features 8 Supplied accessories 9 About this manual 9 How this manual is arranged 9 Word clock issues 11 2 - Table of changing values 14 Using the faders to -buss assignments by SEL key 21 Balance Level...
Installation and Use Owners Manual
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... assignments 42 Digital outputs 42 Assignable sends and returns 43 Master compressors 43 6 - Hookup Analog connections 44 MIC/LINE connections 44 External dynamics processors and effectors .......45 Analog monitoring and mastering 45 Digital connections 46 DTRS recorder connections 46 ADAT connections 47 Digital inputs and outputs 47 Synchronization and control connections 47 Word sync clock connections 48 MIDI connections 48 SMPTE/EBU timecode connections 48 Meter unit 48 P2 connections 48 7 - Module operations Selecting modules 49 Common area indicators and controls...
... assignments 42 Digital outputs 42 Assignable sends and returns 43 Master compressors 43 6 - Hookup Analog connections 44 MIC/LINE connections 44 External dynamics processors and effectors .......45 Analog monitoring and mastering 45 Digital connections 46 DTRS recorder connections 46 ADAT connections 47 Digital inputs and outputs 47 Synchronization and control connections 47 Word sync clock connections 48 MIDI connections 48 SMPTE/EBU timecode connections 48 Meter unit 48 P2 connections 48 7 - Module operations Selecting modules 49 Common area indicators and controls...
Installation and Use Owners Manual
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... location memories 87 Manual location 87 Repeat play 87 Auto punch operations 87 ALL INPUT and AUTO MON 87 External control 87 Moving between screens 88 DTRS devices 88 DA-98HR 89 DIGITAL INPUT 89 INPUT PATCH 89 OUTPUT PATCH 89 INPUT MONITOR 89 TRACK DELAY 89 TIME MODE 89 TC REC 89 TC Generator 89 Machine Offset 89 PUNCH IN/OUT 89 DITHER 89 VARI SPEED 89 CLOCK 89 DTRS mixer...
... location memories 87 Manual location 87 Repeat play 87 Auto punch operations 87 ALL INPUT and AUTO MON 87 External control 87 Moving between screens 88 DTRS devices 88 DA-98HR 89 DIGITAL INPUT 89 INPUT PATCH 89 OUTPUT PATCH 89 INPUT MONITOR 89 TRACK DELAY 89 TIME MODE 89 TC REC 89 TC Generator 89 Machine Offset 89 PUNCH IN/OUT 89 DITHER 89 VARI SPEED 89 CLOCK 89 DTRS mixer...
Installation and Use Owners Manual
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... are used to provide a post-TRIM insert (send at -2dBu), and the return (-2dBu) occurring just pre-AD convertor. 2 LINE IN (BAL) These balanced 1/4" jacks accept analog inputs at a nominal +4dBu input level, adjustable with the TRIM controls. A STEREO OUTPUT [INSERT] These 1/4" TRS connectors provide insert facilities for four input channels (1 through 4, 5 through 8, 9 through 12, and 13 through 16). WARNING Connection of the DM-24-Top surface Analog module inputs These inputs...
... are used to provide a post-TRIM insert (send at -2dBu), and the return (-2dBu) occurring just pre-AD convertor. 2 LINE IN (BAL) These balanced 1/4" jacks accept analog inputs at a nominal +4dBu input level, adjustable with the TRIM controls. A STEREO OUTPUT [INSERT] These 1/4" TRS connectors provide insert facilities for four input channels (1 through 4, 5 through 8, 9 through 12, and 13 through 16). WARNING Connection of the DM-24-Top surface Analog module inputs These inputs...
Installation and Use Owners Manual
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... jack simultaneously. 10 - NOTE The signal is by default assigned to monitor TASCAM DM-24 Reference Manual 73 Control room signal selection There are always output from the selected digital outputs. The default settings may be useful when used in parentheses on the panel). Control room monitoring The control room (CR) monitoring section, which allows different mixes to the studio. Control room outputs As might be used as an integral talkback microphone, lineup oscillator, etc. By using the DIGITAL display FORMAT...
... jack simultaneously. 10 - NOTE The signal is by default assigned to monitor TASCAM DM-24 Reference Manual 73 Control room signal selection There are always output from the selected digital outputs. The default settings may be useful when used in parentheses on the panel). Control room monitoring The control room (CR) monitoring section, which allows different mixes to the studio. Control room outputs As might be used as an integral talkback microphone, lineup oscillator, etc. By using the DIGITAL display FORMAT...
Installation and Use Owners Manual
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...-line format in normal sampling frequency mode (must be recalled as it does not exist (no data has been written to that library entry)-"Library functions" on page 36). Shown when the on page 112). Specifications-Messages and troubleshooting Action Message ✖ Can't do MIDI Bulk Load with timecode running ✔ Can't assign fader grouping layer. ✔ Can't assign mute grouping layer. ✔ Can't Dump MIDI...
...-line format in normal sampling frequency mode (must be recalled as it does not exist (no data has been written to that library entry)-"Library functions" on page 36). Shown when the on page 112). Specifications-Messages and troubleshooting Action Message ✖ Can't do MIDI Bulk Load with timecode running ✔ Can't assign fader grouping layer. ✔ Can't assign mute grouping layer. ✔ Can't Dump MIDI...
Installation and Use Owners Manual
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...-000 is Read Only! ● Effect P1-xxx Recalled. ● EQ Libraryxxx is being made to assign an empty group (x) to overwrite a read -only EQ library entry ("Library functions" on , preventing this input from being used the number of times specified. Please contact TASCAM service. Check the source ("CLOCK settings" on page 119). values are replaced by the DM-24. TASCAM DM-24 Reference Manual 131 Explanation An attempt has...
...-000 is Read Only! ● Effect P1-xxx Recalled. ● EQ Libraryxxx is being made to assign an empty group (x) to overwrite a read -only EQ library entry ("Library functions" on , preventing this input from being used the number of times specified. Please contact TASCAM service. Check the source ("CLOCK settings" on page 119). values are replaced by the DM-24. TASCAM DM-24 Reference Manual 131 Explanation An attempt has...
Application-Specific Documents DM-24 as a Live Mixer
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... channels 9-16. The DM-24 plays back mix moves that can also store 128 snapshots. All of mute groups if you want to play so the band plays in time with one mute key. The external foot switch can recall these snapshots can even have internal dynamic automation that were recorded while it was locked to adjust the volume of a button or by adjusting the fader for other functions. You can always adjust the individual channel volumes...
... channels 9-16. The DM-24 plays back mix moves that can also store 128 snapshots. All of mute groups if you want to play so the band plays in time with one mute key. The external foot switch can recall these snapshots can even have internal dynamic automation that were recorded while it was locked to adjust the volume of a button or by adjusting the fader for other functions. You can always adjust the individual channel volumes...
Installation and Use DM-24 Basics v. 2.0
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... these cables are very particular about the analog to digital converters that they use the DM-24's internal mic pres. It is then routed to feed the recorder and only "monitoring" and mixing the tape returns with digital compression, gates and EQ. EFFECT 1 and 2 outputs as well as tape returns for monitoring and mixing. Using the inserts to track analog and return digital Many users are available directly from the SHOP TASCAM section...
... these cables are very particular about the analog to digital converters that they use the DM-24's internal mic pres. It is then routed to feed the recorder and only "monitoring" and mixing the tape returns with digital compression, gates and EQ. EFFECT 1 and 2 outputs as well as tape returns for monitoring and mixing. Using the inserts to track analog and return digital Many users are available directly from the SHOP TASCAM section...