Owner's Manual
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DJ MIXER DJM-700-S DJM-700-K Operating Instructions
DJ MIXER DJM-700-S DJM-700-K Operating Instructions
Owner's Manual
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... PLUG WITH AN EXTENSION CORD. This equipment generates, uses, and can cause a fire or give you find it damaged, ask your nearest PIONEER authorized service center or your hands are designed to provide reasonable protection against harmful interference in the cabinet are used , use shielded cables and ...shut off and on the underside of the following measures: - Reorient or relocate the receiving antenna. - D8-10-1-2_En When using this Pioneer product. When you an electrical shock. Thank you will need to unplug it from the AC outlet to shut down all power. The exclamation...
... PLUG WITH AN EXTENSION CORD. This equipment generates, uses, and can cause a fire or give you find it damaged, ask your nearest PIONEER authorized service center or your hands are designed to provide reasonable protection against harmful interference in the cabinet are used , use shielded cables and ...shut off and on the underside of the following measures: - Reorient or relocate the receiving antenna. - D8-10-1-2_En When using this Pioneer product. When you an electrical shock. Thank you will need to unplug it from the AC outlet to shut down all power. The exclamation...
Owner's Manual
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... EFFECTS 18 MANUAL FILTER OPERATION 19 EFFECT FREQUENCY FILTER OPERATION 19 EFFECT PARAMETERS 20 MIDI SETTINGS 21 SYNCHRONIZING AUDIO SIGNALS TO EXTERNAL SEQUENCER, OR USING DJM-700-S/DJM-700-K INFORMATION TO OPERATE AN EXTERNAL SEQUENCER 21 MIDI MESSAGES 22 PROGRAM CHANGE 24 SNAPSHOT 24 MIDI ON/OFF 24 TROUBLESHOOTING 25 SPECIFICATIONS 26 BLOCK DIAGRAM...
... EFFECTS 18 MANUAL FILTER OPERATION 19 EFFECT FREQUENCY FILTER OPERATION 19 EFFECT PARAMETERS 20 MIDI SETTINGS 21 SYNCHRONIZING AUDIO SIGNALS TO EXTERNAL SEQUENCER, OR USING DJM-700-S/DJM-700-K INFORMATION TO OPERATE AN EXTERNAL SEQUENCER 21 MIDI MESSAGES 22 PROGRAM CHANGE 24 SNAPSHOT 24 MIDI ON/OFF 24 TROUBLESHOOTING 25 SPECIFICATIONS 26 BLOCK DIAGRAM...
Owner's Manual
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... range. Beat effects The "beat effects" so popular on or near cookers etc., where the unit may be linked to operation of the DJM-700-S/ DJM-700-K can adversely affect the cabinet and internal components. This unit features an "effect frequency filter" allowing the user to limit what frequency bands ...are subjected to effects, and which is used to connect the unit to a Pioneer DJ CD player, thus allowing playback to be exposed to oily smoke, steam or heat.) • When the unit is exposed to improve ...
... range. Beat effects The "beat effects" so popular on or near cookers etc., where the unit may be linked to operation of the DJM-700-S/ DJM-700-K can adversely affect the cabinet and internal components. This unit features an "effect frequency filter" allowing the user to limit what frequency bands ...are subjected to effects, and which is used to connect the unit to a Pioneer DJ CD player, thus allowing playback to be exposed to oily smoke, steam or heat.) • When the unit is exposed to improve ...
Owner's Manual
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... of the master 1 and master 2 outputs. Use to connect to other similar components. Use to connect to the output connectors of a Pioneer DJ CD player. The sound level from these connectors is controlled independently by the BOOTH MONITOR LEVEL dial, regardless of the position of the ... on the DJ CD player. 8 Two microphone input jacks (MIC 2) Connect microphones equipped with RCA-type plug, users are connected, the DJM-700-S/DJM-700-K's fader can be used to connect a DJ CD player or other line level output component. 6 CD input connectors RCA type line level input connectors....
... of the master 1 and master 2 outputs. Use to connect to other similar components. Use to connect to the output connectors of a Pioneer DJ CD player. The sound level from these connectors is controlled independently by the BOOTH MONITOR LEVEL dial, regardless of the position of the ... on the DJ CD player. 8 Two microphone input jacks (MIC 2) Connect microphones equipped with RCA-type plug, users are connected, the DJM-700-S/DJM-700-K's fader can be used to connect a DJ CD player or other line level output component. 6 CD input connectors RCA type line level input connectors....
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CONNECTING INPUTS Pioneer DJ CD players The audio output connectors of the DJM-700-S/DJM-700-K. The DJM-700-S/DJM-700-K's PHONO inputs support MM cartridges. Input selector switch POWER OFF ON BOOTH REC L 1 GND 2 HOT R 3 COLD R MASTER1 L CH-4 PHONO LINE L CH-3 PHONO LINE...its outlet when making or changing connections. Analog turntable To connect an analog turntable, connect the turntable's audio output cable to one of the DJM-700-S/DJM-700-K. • Note that no PHONO input connector is provided for channel 1. Connect the control cord to the CONTROL jack, and set the ...
CONNECTING INPUTS Pioneer DJ CD players The audio output connectors of the DJM-700-S/DJM-700-K. The DJM-700-S/DJM-700-K's PHONO inputs support MM cartridges. Input selector switch POWER OFF ON BOOTH REC L 1 GND 2 HOT R 3 COLD R MASTER1 L CH-4 PHONO LINE L CH-3 PHONO LINE...its outlet when making or changing connections. Analog turntable To connect an analog turntable, connect the turntable's audio output cable to one of the DJM-700-S/DJM-700-K. • Note that no PHONO input connector is provided for channel 1. Connect the control cord to the CONTROL jack, and set the ...
Owner's Manual
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The sampling frequency can be sent to the effector. In this way, the mixed L+R audio signal will be set to 96 kHz/24-bit format or 48 kHz/24-bit format to match the connected device. • Turn power off before changing this output is furnished with monaural inputs, connect only to [MONO], the master output will be a monaural combination of L+R channels. When using an external effector, set to the DJ mixer's L channel output. CONNECTIONS CONNECTING EXTERNAL EFFECTORS, OUTPUT CONNECTORS Master output This unit is controlled by the BOOTH MONITOR LEVEL dial, ...
The sampling frequency can be sent to the effector. In this way, the mixed L+R audio signal will be set to 96 kHz/24-bit format or 48 kHz/24-bit format to match the connected device. • Turn power off before changing this output is furnished with monaural inputs, connect only to [MONO], the master output will be a monaural combination of L+R channels. When using an external effector, set to the DJ mixer's L channel output. CONNECTIONS CONNECTING EXTERNAL EFFECTORS, OUTPUT CONNECTORS Master output This unit is controlled by the BOOTH MONITOR LEVEL dial, ...
Owner's Manual
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When not using a microphone, set the MIC switch to [OFF] and rotate the LEVEL dial fully counterclockwise to an ordinary AC outlet. 8 En d -12 +12 MIC TALK OFF ON OVER FADER START CH-1 CH-2 CONNECTING THE POWER CORD Connect the power cord last. • After completing all other connections, connect the power plug to the [-∞] side. Headphones The PHONES jack on the upper surface of MIDI connectors. HEADPHONES MONO SPLIT STEREO MIXING Microphone 1 CUE MASTER LEVEL Headphones 0 PHONES Microphone 2 MIC 2 MIDI OUT MIC1 MIC1 LEVEL OV 1 0 7 MIC2 LEVEL 4 2...
When not using a microphone, set the MIC switch to [OFF] and rotate the LEVEL dial fully counterclockwise to an ordinary AC outlet. 8 En d -12 +12 MIC TALK OFF ON OVER FADER START CH-1 CH-2 CONNECTING THE POWER CORD Connect the power cord last. • After completing all other connections, connect the power plug to the [-∞] side. Headphones The PHONES jack on the upper surface of MIDI connectors. HEADPHONES MONO SPLIT STEREO MIXING Microphone 1 CUE MASTER LEVEL Headphones 0 PHONES Microphone 2 MIC 2 MIDI OUT MIC1 MIC1 LEVEL OV 1 0 7 MIC2 LEVEL 4 2...
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ON: Microphone sound is about 0 dB) 12 Channel equalizer high-range adjust dial (HI) Use to adjust the treble (high-range) frequency sound for each channel. (adjustable range: -26 dB to +6 dB) 9 En PHONO: Use to select PHONO input connectors (analog turntable input). 11 TRIM adjust dial Use to adjust the input level for each channel. (adjustable range: - ∞ to +9 dB, mid-position is output normally. when sound is input to a connected microphone, the TALK OVER function operates and all sound other than that from the microphone is attenuated by 20 dB. • When not using the ...
ON: Microphone sound is about 0 dB) 12 Channel equalizer high-range adjust dial (HI) Use to adjust the treble (high-range) frequency sound for each channel. (adjustable range: -26 dB to +6 dB) 9 En PHONO: Use to select PHONO input connectors (analog turntable input). 11 TRIM adjust dial Use to adjust the input level for each channel. (adjustable range: - ∞ to +9 dB, mid-position is output normally. when sound is input to a connected microphone, the TALK OVER function operates and all sound other than that from the microphone is attenuated by 20 dB. • When not using the ...
Owner's Manual
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Unselected buttons glow darkly, while selected source buttons light brightly. 17 Fader start button/indicator (FADER START CH-1, CH-2) Enables the fader start button operation is linked to the operation of the channel fader (and unlinked to cross fader). 18 Channel fader lever Use to adjust sound volumes for each channel. (adjustable range: -∞ to 0 dB) Output is in accordance with the channel fader curve selected with the CH FADER curve switch. 19 CROSS FADER ASSIGN switch This switch assigns each channel, with two-second peak hold . 25 Master balance dial (BALANCE) Use to adjust the ...
Unselected buttons glow darkly, while selected source buttons light brightly. 17 Fader start button/indicator (FADER START CH-1, CH-2) Enables the fader start button operation is linked to the operation of the channel fader (and unlinked to cross fader). 18 Channel fader lever Use to adjust sound volumes for each channel. (adjustable range: -∞ to 0 dB) Output is in accordance with the channel fader curve selected with the CH FADER curve switch. 19 CROSS FADER ASSIGN switch This switch assigns each channel, with two-second peak hold . 25 Master balance dial (BALANCE) Use to adjust the ...
Owner's Manual
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When this is used for adjustments other than time parameters.) • If the TIME dial is rotated while depressing the TAP button, direct BPM can be set manually. • If the TIME dial is sent to switch between the BPM measuring modes AUTO and TAP. MIDI SNAP SHOT: When the MIDI START/STOP button is held depressed, a snapshot is rotated while holding the TAP button and AUTO/TAP buttons depressed, the BPM can be set to select desired type of MIDI output function ON/OFF. • Lights when MIDI output function is ON. • Not lighted when MIDI output function is calculated ...
When this is used for adjustments other than time parameters.) • If the TIME dial is rotated while depressing the TAP button, direct BPM can be set manually. • If the TIME dial is sent to switch between the BPM measuring modes AUTO and TAP. MIDI SNAP SHOT: When the MIDI START/STOP button is held depressed, a snapshot is rotated while holding the TAP button and AUTO/TAP buttons depressed, the BPM can be set to select desired type of MIDI output function ON/OFF. • Lights when MIDI output function is ON. • Not lighted when MIDI output function is calculated ...
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Effect selector DELAY Effect display Effect name DELAY Parameter display Beat display Minimum Maximum value value Default Unit ➀ ➁ ➂ ➃ ➄ ➅ ➆ ➇ ➈ 1 4 000 500 ms 1/8 1/4 1/2 3/4 1/1 2/1 4/1 8/1 16/1 ECHO ECHO 1 4 000 500 ms 1/8 1/4 1/2 3/4 1/1 2/1 4/1 8/1 16/1 TRANS TRANS 10 16 000 500 ms 1/16 1/8 1/4 1/2 1/1 2/1 4/1 8/1 16/1 FILTER FILTER 10 32 000 2 000 ms 1/4 1/2 1/1 2/1 4/1 8/1 16/1 32/1 64/1 FLANGER FLANGER 10 32 000 2 000 ms 1/4 1/2 1/1 2/1 4/1 8/1 16/1 32/1 64/1 PHASER PHASER 10 32 ...
Effect selector DELAY Effect display Effect name DELAY Parameter display Beat display Minimum Maximum value value Default Unit ➀ ➁ ➂ ➃ ➄ ➅ ➆ ➇ ➈ 1 4 000 500 ms 1/8 1/4 1/2 3/4 1/1 2/1 4/1 8/1 16/1 ECHO ECHO 1 4 000 500 ms 1/8 1/4 1/2 3/4 1/1 2/1 4/1 8/1 16/1 TRANS TRANS 10 16 000 500 ms 1/16 1/8 1/4 1/2 1/1 2/1 4/1 8/1 16/1 FILTER FILTER 10 32 000 2 000 ms 1/4 1/2 1/1 2/1 4/1 8/1 16/1 32/1 64/1 FLANGER FLANGER 10 32 000 2 000 ms 1/4 1/2 1/1 2/1 4/1 8/1 16/1 32/1 64/1 PHASER PHASER 10 32 ...
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Microphone input Booth monitor output [Selecting Stereo or Monaural] When the MONO/STEREO switch is set to [MONO], the master output becomes a monaural combination of L+R channels. [Microphone Input] 1 To use a microphone, set the MIC switch to [ON] or [TALK OVER]. • When the switch is set to [TALK OVER], any time a sound of over -15 dB is detected by 20 dB. 2 Use the MIC 1 LEVEL dial to adjust the sound volume of MIC 1, and use the cross fader on microphone 1 and 2. [Booth Monitor Output] 1 Use the BOOTH MONITOR LEVEL dial to adjust the sound volume. • The BOOTH MONITOR LEVEL...
Microphone input Booth monitor output [Selecting Stereo or Monaural] When the MONO/STEREO switch is set to [MONO], the master output becomes a monaural combination of L+R channels. [Microphone Input] 1 To use a microphone, set the MIC switch to [ON] or [TALK OVER]. • When the switch is set to [TALK OVER], any time a sound of over -15 dB is detected by 20 dB. 2 Use the MIC 1 LEVEL dial to adjust the sound volume of MIC 1, and use the cross fader on microphone 1 and 2. [Booth Monitor Output] 1 Use the BOOTH MONITOR LEVEL dial to adjust the sound volume. • The BOOTH MONITOR LEVEL...
Owner's Manual
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... is returned to its cue point (back cue), thus allowing "sampler" type play on the channel B CD player. FADER START FUNCTION By connecting the optional Pioneer DJ CD Player control cable, the channel fader and cross fader can be used to start playback, move the channel fader lever. • CD player...
... is returned to its cue point (back cue), thus allowing "sampler" type play on the channel B CD player. FADER START FUNCTION By connecting the optional Pioneer DJ CD Player control cable, the channel fader and cross fader can be used to start playback, move the channel fader lever. • CD player...
Owner's Manual
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MIXER OPERATIONS [Using the Cross Fader to Start Playback] FADER START 1 1, 2 CROSS FADER 2 ASSIGN A / THRU / B 35 1 Press the FADER START button for the channel (1, 2) connected to the CD player you wish to control. • The button for the selected channel lights. 2 Set the CROSS FADER ASSIGN switch for the selected channel to [A] or [B]. • Select [A] to assign to cross fader channel A (left side). • Select [B] to assign to cross fader channel B (right side). 3 Move the cross fader lever to the full opposite side away from the CD player you wish to start. 4 Set the CD player to...
MIXER OPERATIONS [Using the Cross Fader to Start Playback] FADER START 1 1, 2 CROSS FADER 2 ASSIGN A / THRU / B 35 1 Press the FADER START button for the channel (1, 2) connected to the CD player you wish to control. • The button for the selected channel lights. 2 Set the CROSS FADER ASSIGN switch for the selected channel to [A] or [B]. • Select [A] to assign to cross fader channel A (left side). • Select [B] to assign to cross fader channel B (right side). 3 Move the cross fader lever to the full opposite side away from the CD player you wish to start. 4 Set the CD player to...
Owner's Manual
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For example, When a 1/2 beat delay sound is repeated together with fadeout. For example, when a 1/1 beat echo sound is used to cutoff the input sound, a sound in synch with the manual filter or effect frequency filter depending on an effect reminiscent of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat, the filter frequency is produced quickly and easily. Additionally, by combining beat effects with the manual filter or effect frequency filter, a wide range of effects can be created with the beat is added, four beats become eight beats. Also, by adding a 3/4 beat ...
For example, When a 1/2 beat delay sound is repeated together with fadeout. For example, when a 1/1 beat echo sound is used to cutoff the input sound, a sound in synch with the manual filter or effect frequency filter depending on an effect reminiscent of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat, the filter frequency is produced quickly and easily. Additionally, by combining beat effects with the manual filter or effect frequency filter, a wide range of effects can be created with the beat is added, four beats become eight beats. Also, by adding a 3/4 beat ...
Owner's Manual
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Example Original Effect ON 1/1 DOWN ROLL Key lowers and repeats 14 SEND/RETURN By connecting a sampler or effector, a wide variety of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1. EFFECT FUNCTIONS 7 REVERB Produces reverberation effect. 8 ROBOT Generates sound effect resembling that produced by a robot. Example Original 1/1 UP ROLL Key rises and repeats 13 DOWN ROLL Records sounds at 1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1 beats, and plays them repeatedly while continuously lowering their pitch/key. Effect ON 1/1 reverse roll Reversed repeat 17 En Example 12 UP...
Example Original Effect ON 1/1 DOWN ROLL Key lowers and repeats 14 SEND/RETURN By connecting a sampler or effector, a wide variety of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1. EFFECT FUNCTIONS 7 REVERB Produces reverberation effect. 8 ROBOT Generates sound effect resembling that produced by a robot. Example Original 1/1 UP ROLL Key rises and repeats 13 DOWN ROLL Records sounds at 1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1 beats, and plays them repeatedly while continuously lowering their pitch/key. Effect ON 1/1 reverse roll Reversed repeat 17 En Example 12 UP...
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It may not be possible to measure some effects also allow the instant setting of effect times in synch with the BPM (beats per minute). Example: When BPM = 120 1/1 = 500 ms 1/2 = 250 ms 2/1 = 1 000 ms 5 Set the ON/OFF button to ON to enable the effect. • Each time the button is pressed, the effect alternates ON/ OFF (whenever power is first turned ON, the function defaults to 180. EFFECT FUNCTIONS PRODUCING BEAT EFFECTS Display example 4 BEAT 2, 3 TAP 1 AUTO 1234 AUTO TAP ABM MIDI BPM % mS Effect Name: DELAY Effect Channel Select: CH 1 BPM value: 120 BPM Parameter 1: 500 ms 2 ...
It may not be possible to measure some effects also allow the instant setting of effect times in synch with the BPM (beats per minute). Example: When BPM = 120 1/1 = 500 ms 1/2 = 250 ms 2/1 = 1 000 ms 5 Set the ON/OFF button to ON to enable the effect. • Each time the button is pressed, the effect alternates ON/ OFF (whenever power is first turned ON, the function defaults to 180. EFFECT FUNCTIONS PRODUCING BEAT EFFECTS Display example 4 BEAT 2, 3 TAP 1 AUTO 1234 AUTO TAP ABM MIDI BPM % mS Effect Name: DELAY Effect Channel Select: CH 1 BPM value: 120 BPM Parameter 1: 500 ms 2 ...
Owner's Manual
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The beat effect is applied only to the selected frequency band. • The function is not supported when SEND/RETURN is linked to the FREQUENCY dial. Low-pass filter High-pass filter FREQUENCY LPF HPF Frequency Frequency EFFECT FREQUENCY FILTER OPERATION 1 Effect frequency filter Sets the filter's cutoff frequency, allowing the beat effect to be applied to both microphone 1 and microphone 2. 3 Use the FREQUENCY dial to adjust the filter's cutoff frequency. • Rotate counterclockwise to apply a low-pass filter. • Rotate clockwise to apply a high-pass filter. The effect ...
The beat effect is applied only to the selected frequency band. • The function is not supported when SEND/RETURN is linked to the FREQUENCY dial. Low-pass filter High-pass filter FREQUENCY LPF HPF Frequency Frequency EFFECT FREQUENCY FILTER OPERATION 1 Effect frequency filter Sets the filter's cutoff frequency, allowing the beat effect to be applied to both microphone 1 and microphone 2. 3 Use the FREQUENCY dial to adjust the filter's cutoff frequency. • Rotate counterclockwise to apply a low-pass filter. • Rotate clockwise to apply a high-pass filter. The effect ...
Owner's Manual
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Cycle of cutoff frequency shift is set in unit of 1/4 to 64/1 relative to 1 beat of BPM. Amount of effect increases when dial is output. When dial is turned fully counterclockwise, only original sound is turned clockwise. Sets volume of RETURN input sound. (*1) When the effect channel selector is set to [CF.A], [CF.B], or [MASTER], even if the effect monitor is turned ON, if the selected channel's sound is not output to the master output, the effect sound will not be heard. (*2) When effect is disabled (OFF), the effect sound will not be heard, even if monitor is set ...
Cycle of cutoff frequency shift is set in unit of 1/4 to 64/1 relative to 1 beat of BPM. Amount of effect increases when dial is output. When dial is turned fully counterclockwise, only original sound is turned clockwise. Sets volume of RETURN input sound. (*1) When the effect channel selector is set to [CF.A], [CF.B], or [MASTER], even if the effect monitor is turned ON, if the selected channel's sound is not output to the master output, the effect sound will not be heard. (*2) When effect is disabled (OFF), the effect sound will not be heard, even if monitor is set ...