ME Super Manual
Page 35
... use , the over -all sharpness of the picture area in low-lighting as "depth of field" and can obtain this , refer to a close-up work in front and behind the subject will give you can be sure to take precautions against camera shake if a yellow LED lights). As long as... f/11 or f/16 (be used to smaller lens apertures and is sufficient. (NOTE: This technique does not work , but for this effect, even on a bright, sunny day, by using a wide maximum aperture. • 33 _ 4# ' ....J 1;17.- .• III 7: lbw Maximum Depth of Field:...
... use , the over -all sharpness of the picture area in low-lighting as "depth of field" and can obtain this , refer to a close-up work in front and behind the subject will give you can be sure to take precautions against camera shake if a yellow LED lights). As long as... f/11 or f/16 (be used to smaller lens apertures and is sufficient. (NOTE: This technique does not work , but for this effect, even on a bright, sunny day, by using a wide maximum aperture. • 33 _ 4# ' ....J 1;17.- .• III 7: lbw Maximum Depth of Field:...
ME Super Manual
Page 39
... infinity, turn the focusing ring and move the infinity (co) mark to the infrared mark. • NOTE: An infrared focusing adjustment is not required when working with an orange line on the lens. Then match your subject-to-camera distance to -camera distance from the distance scale on the depth-of...
... infinity, turn the focusing ring and move the infinity (co) mark to the infrared mark. • NOTE: An infrared focusing adjustment is not required when working with an orange line on the lens. Then match your subject-to-camera distance to -camera distance from the distance scale on the depth-of...