SR244 Specifications
Page 1
...•4-VLZ PRO has 20 mono mic/line input chan- With its own switchable low-cut filters on mic channels Mute, solo, signal present and OL LEDs on every channel 6 aux send masters with individual solos 4 stereo aux returns with EFX monitor Separate Talkback section with mic preamp Double-bused sub outs for rugged, 24-hour-a-day use. Impact-resistant knobs are impedance...
...•4-VLZ PRO has 20 mono mic/line input chan- With its own switchable low-cut filters on mic channels Mute, solo, signal present and OL LEDs on every channel 6 aux send masters with individual solos 4 stereo aux returns with EFX monitor Separate Talkback section with mic preamp Double-bused sub outs for rugged, 24-hour-a-day use. Impact-resistant knobs are impedance...
SR244 Specifications
Page 2
SR24•4-VLZ PRO MIXER SR24•4-VLZ PRO 24-Channel Sound Reinforcement Console Specifications Noise (20 Hz to 20 kHz bandwidth, Line inputs to Main L/R outputs, all channels assigned, panned L/R): Master fader down -94.7 dBu Master fader @ unity, Ch. gains down , Ch. gains @ unity -83.5 dBu Total Harmonic Distortion (1 kHz @ +14 dBu, 20 Hz-20 kHz): Mic input insert output Other outputs gains down -87.4 dBu Master fader @ unity, Ch.
SR24•4-VLZ PRO MIXER SR24•4-VLZ PRO 24-Channel Sound Reinforcement Console Specifications Noise (20 Hz to 20 kHz bandwidth, Line inputs to Main L/R outputs, all channels assigned, panned L/R): Master fader down -94.7 dBu Master fader @ unity, Ch. gains down , Ch. gains @ unity -83.5 dBu Total Harmonic Distortion (1 kHz @ +14 dBu, 20 Hz-20 kHz): Mic input insert output Other outputs gains down -87.4 dBu Master fader @ unity, Ch.
SR244 Specifications
Page 4
...REPLACE WITH THE SAME TYPE FUSE AND RATING. DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE SERIAL NUMBER MANUFACTURING DATE 24-Channel Sound Reinforcement Console SR24•4-VLZ PRO SR24•4-VLZ PRO Rear Panel DO NOT REMOVE COVER. CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE... OR MOISTURE. NO USER SERVICEABLE PARTS INSIDE. 4 OF 8 PAGES MAIN OUTS (BAL OR UNBAL) 1 L AUX SENDS (BAL OR UNBAL) STEREO AUX RETURNS (BAL OR UNBAL) 4R 1 L1 SUB OUTS (BAL OR UNBAL) SUB INSERTS (BAL OR ...
...REPLACE WITH THE SAME TYPE FUSE AND RATING. DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE SERIAL NUMBER MANUFACTURING DATE 24-Channel Sound Reinforcement Console SR24•4-VLZ PRO SR24•4-VLZ PRO Rear Panel DO NOT REMOVE COVER. CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE... OR MOISTURE. NO USER SERVICEABLE PARTS INSIDE. 4 OF 8 PAGES MAIN OUTS (BAL OR UNBAL) 1 L AUX SENDS (BAL OR UNBAL) STEREO AUX RETURNS (BAL OR UNBAL) 4R 1 L1 SUB OUTS (BAL OR UNBAL) SUB INSERTS (BAL OR ...
SR244 Specifications
Page 7
... following impedance balanced line-level connections, appearing as a male XLR-3 type connector on the rear panel: submix bus outputs 1-4, also wired in parallel respectively to adjust the main monaural output level. 8. The monaural input channels shall be fitted with a stereo equalization function. and a bus access insert jack. INPUT CHANNEL AUXILIARY SENDS. The equalizer shall have a free-standing frame fitted with a preamplifier gain control, a solo switch, a mute switch, three bus assignment 24-Channel Sound Reinforcement Console switches, and a stereo pan control...
... following impedance balanced line-level connections, appearing as a male XLR-3 type connector on the rear panel: submix bus outputs 1-4, also wired in parallel respectively to adjust the main monaural output level. 8. The monaural input channels shall be fitted with a stereo equalization function. and a bus access insert jack. INPUT CHANNEL AUXILIARY SENDS. The equalizer shall have a free-standing frame fitted with a preamplifier gain control, a solo switch, a mute switch, three bus assignment 24-Channel Sound Reinforcement Console switches, and a stereo pan control...
SR244 Specifications
Page 8
... CONNECTIONS. PHYSICAL CONFIGURATION. OUTPUT AND MONITORING CONTROLS AND SWITCHES. All rights reserved. Mackie and the "Running Man" figure are introduced into existing products without notice as 1/4" TRS phone jacks. 12. or, the soloed input channel signals when the solo switch is depressed; In addition to Noise ratio, ref +4 dBu operating level, 90 dB; Input impedance, microphone inputs, 1.5 kΩ; The mixer shall include 4 stereo auxiliary return inputs. The SR24•4-VLZ PRO...
... CONNECTIONS. PHYSICAL CONFIGURATION. OUTPUT AND MONITORING CONTROLS AND SWITCHES. All rights reserved. Mackie and the "Running Man" figure are introduced into existing products without notice as 1/4" TRS phone jacks. 12. or, the soloed input channel signals when the solo switch is depressed; In addition to Noise ratio, ref +4 dBu operating level, 90 dB; Input impedance, microphone inputs, 1.5 kΩ; The mixer shall include 4 stereo auxiliary return inputs. The SR24•4-VLZ PRO...
SR324 Specifications
Page 1
... Balanced stereo TRS & XLR main outputs Balanced XLR mono output with level control (continued on page 2) RELATED PRODUCTS SR24•4-VLZ PRO Applications Live sound mixing Multi-track recording 1 OF 8 PAGES All mono channels have TRS insert jacks (tip = send, ring = return). or low-impedance load. A 60 mm fader provides output gain for each channel has its multiple input/ output configurations, true 4-bus architecture, 6 aux sends...
... Balanced stereo TRS & XLR main outputs Balanced XLR mono output with level control (continued on page 2) RELATED PRODUCTS SR24•4-VLZ PRO Applications Live sound mixing Multi-track recording 1 OF 8 PAGES All mono channels have TRS insert jacks (tip = send, ring = return). or low-impedance load. A 60 mm fader provides output gain for each channel has its multiple input/ output configurations, true 4-bus architecture, 6 aux sends...
SR324 Specifications
Page 2
SR32•4-VLZ PRO MIXER SR32•4-VLZ PRO 32-Channel Sound Reinforcement Console Specifications Noise (20 Hz to 20 kHz bandwidth, Line inputs to Main L/R outputs, all channels assigned, panned L/R): Master fader down -87.4 dBu Master fader @ unity, Ch. gains down , Ch. gains down -94.7 dBu Master fader @ unity, Ch. gains @ unity -83.5 dBu Total Harmonic Distortion (1 kHz @ +14 dBu, 20 Hz-20 kHz): Mic input insert output Other outputs
SR32•4-VLZ PRO MIXER SR32•4-VLZ PRO 32-Channel Sound Reinforcement Console Specifications Noise (20 Hz to 20 kHz bandwidth, Line inputs to Main L/R outputs, all channels assigned, panned L/R): Master fader down -87.4 dBu Master fader @ unity, Ch. gains down , Ch. gains down -94.7 dBu Master fader @ unity, Ch. gains @ unity -83.5 dBu Total Harmonic Distortion (1 kHz @ +14 dBu, 20 Hz-20 kHz): Mic input insert output Other outputs
SR324 Specifications
Page 4
... PATENT NUMBER Des. 380,760 COPYRIGHT ©2000 XDRTM EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS INC. AVIS: RISQUE DE CHOC ELECTRIQUE - NO USER SERVICEABLE PARTS INSIDE. NE PAS OUVRIR REPLACE WITH THE SAME TYPE FUSE AND RATING. DO NOT REMOVE COVER. DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. SR32•4-VLZ PRO...
... PATENT NUMBER Des. 380,760 COPYRIGHT ©2000 XDRTM EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS INC. AVIS: RISQUE DE CHOC ELECTRIQUE - NO USER SERVICEABLE PARTS INSIDE. NE PAS OUVRIR REPLACE WITH THE SAME TYPE FUSE AND RATING. DO NOT REMOVE COVER. DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. SR32•4-VLZ PRO...
SR324 Specifications
Page 7
... phono jacks on the rear panel. Further, there shall be globally controlled via a rotary Trim control. Additionally, the mixer shall include a pre-fader/post fader solo function, a main monaural output with the knee set at 80 Hz and a range of +15 dB; The mixer shall have a free-standing frame fitted with the knee set at 12 kHz and a range of stereo tape monitor inputs. 2. INPUT CHANNEL EQUALIZATION. solo, mute and bus assign switches...
... phono jacks on the rear panel. Further, there shall be globally controlled via a rotary Trim control. Additionally, the mixer shall include a pre-fader/post fader solo function, a main monaural output with the knee set at 80 Hz and a range of +15 dB; The mixer shall have a free-standing frame fitted with the knee set at 12 kHz and a range of stereo tape monitor inputs. 2. INPUT CHANNEL EQUALIZATION. solo, mute and bus assign switches...
SR324 Specifications
Page 8
... either the main L/R outputs or the signal at : www.mackie.com/installed This Specification Sheet Owner/Operator's Manual SR32VLZPRO_SS.PDF SRVLZPRO_OM.PDF LOUD Technologies continually engages in place) operation. 10. Channel Insert return, 2.5 kΩ; Output impedance, Tape Out, 1.1 kΩ; SR32•4-VLZ PRO MIXER SR32•4-VLZ PRO 32-Channel Sound Reinforcement Console 9. OUTPUT AND MONITORING CONTROLS AND SWITCHES. For this product available at the tape inputs as a routine expression of between PFL (pre-fader listen) and AFL...
... either the main L/R outputs or the signal at : www.mackie.com/installed This Specification Sheet Owner/Operator's Manual SR32VLZPRO_SS.PDF SRVLZPRO_OM.PDF LOUD Technologies continually engages in place) operation. 10. Channel Insert return, 2.5 kΩ; Output impedance, Tape Out, 1.1 kΩ; SR32•4-VLZ PRO MIXER SR32•4-VLZ PRO 32-Channel Sound Reinforcement Console 9. OUTPUT AND MONITORING CONTROLS AND SWITCHES. For this product available at the tape inputs as a routine expression of between PFL (pre-fader listen) and AFL...
VLZ Pro Owner's Manual
Page 4
... U 1 +15 U OO OO OO +20 U +20 U 2 2 +15 TO AUX 3 SEND 1-2 (EFX TO MONITOR) U 4 +20 +20 TAPE RETURN ASSIGN TO SUB 1-2 3-4 SUB STEREO AUX RETURNS GLOBAL AUX RETURN SOLO TRACK 3 • 7 5 TRACK 4 • 8 5 CLIP 28 10 7 4 2 0 2 4 7 10 20 30 40 LEVEL SET LEFT RIGHT OPERATING LEVEL 0dB = 0dBu RUDE SOLO LIGHT U POWER MODE +15 LEVEL SOLO PRE FADER IN PLACE AFL AUX SUB OO OO 0 +10 AIR 16kHz SOLO 0 +10 AIR...
... U 1 +15 U OO OO OO +20 U +20 U 2 2 +15 TO AUX 3 SEND 1-2 (EFX TO MONITOR) U 4 +20 +20 TAPE RETURN ASSIGN TO SUB 1-2 3-4 SUB STEREO AUX RETURNS GLOBAL AUX RETURN SOLO TRACK 3 • 7 5 TRACK 4 • 8 5 CLIP 28 10 7 4 2 0 2 4 7 10 20 30 40 LEVEL SET LEFT RIGHT OPERATING LEVEL 0dB = 0dBu RUDE SOLO LIGHT U POWER MODE +15 LEVEL SOLO PRE FADER IN PLACE AFL AUX SUB OO OO 0 +10 AIR 16kHz SOLO 0 +10 AIR...
VLZ Pro Owner's Manual
Page 8
... powered speakers, such as the Mackie SRM 450 active monitors). 3. When powering up, turn the amp's power off before feedback, and gives improved system reliability. Make sure your mix. Leave the amplifier's power switch for the remaining active channels. 9. While making connections to see how it at your microphones and instruments to the mixer: Connect balanced microphones to the mono channel MIC (1) jacks. (For condenser microphones, engage the PHANTOM (19) switch.) Connect line-level...
... powered speakers, such as the Mackie SRM 450 active monitors). 3. When powering up, turn the amp's power off before feedback, and gives improved system reliability. Make sure your mix. Leave the amplifier's power switch for the remaining active channels. 9. While making connections to see how it at your microphones and instruments to the mixer: Connect balanced microphones to the mono channel MIC (1) jacks. (For condenser microphones, engage the PHANTOM (19) switch.) Connect line-level...
VLZ Pro Owner's Manual
Page 16
... MIC PRE LINE IN (BAL OR UNBAL) MIC 14 XDR MIC PRE TALK BACK MIC RIGHT MAIN OUT LEFT MAIN OUT OUTPUT LEVEL +6 MONO MAIN OUT MAIN BALANCED OUTPUTS PIN 2 = HOT PIN 3 = COLD OO 5. TAPE IN Patch the outputs of the main mix, via the SUBGROUP FADERs (60). When connecting a mono device (just one cord), use a "Y-splitter" RCA adapter. SUB INSERTS With nothing plugged into two cords; Use these jacks...
... MIC PRE LINE IN (BAL OR UNBAL) MIC 14 XDR MIC PRE TALK BACK MIC RIGHT MAIN OUT LEFT MAIN OUT OUTPUT LEVEL +6 MONO MAIN OUT MAIN BALANCED OUTPUTS PIN 2 = HOT PIN 3 = COLD OO 5. TAPE IN Patch the outputs of the main mix, via the SUBGROUP FADERs (60). When connecting a mono device (just one cord), use a "Y-splitter" RCA adapter. SUB INSERTS With nothing plugged into two cords; Use these jacks...
VLZ Pro Owner's Manual
Page 17
... turned fully up. Its level is independently controlled by that found in "pre" mode, patch these jacks into stage monitor amplifier inputs. MAIN OUTS (TRS) and 16. MAIN OUT (XLR) Available in "post" mode, patch these jacks into the inputs of the left and right signals at 3 o'clock, and there is engaged. These accept 1/4" TRS balanced or 1/4" TS unbalanced plugs, see page 14. 15. Use these jacks...
... turned fully up. Its level is independently controlled by that found in "pre" mode, patch these jacks into stage monitor amplifier inputs. MAIN OUTS (TRS) and 16. MAIN OUT (XLR) Available in "post" mode, patch these jacks into the inputs of the left and right signals at 3 o'clock, and there is engaged. These accept 1/4" TRS balanced or 1/4" TS unbalanced plugs, see page 14. 15. Use these jacks...
VLZ Pro Owner's Manual
Page 18
... power cord before operating this IEC socket to provide AC power to pins 2 and 3 of the switch to operate most dynamic mics. Caution: Turn all the MIC (1) input jacks. AC RECEPTACLE Connect the supplied AC linecord into a suitable AC outlet; TRS stereo wiring: Tip = left, ring = right, sleeve = shield 19. For dynamic, ribbon or tube mics that device. If unsure, check the microphone's user manual. FUSE INSIDE An AC power fuse...
... power cord before operating this IEC socket to provide AC power to pins 2 and 3 of the switch to operate most dynamic mics. Caution: Turn all the MIC (1) input jacks. AC RECEPTACLE Connect the supplied AC linecord into a suitable AC outlet; TRS stereo wiring: Tip = left, ring = right, sleeve = shield 19. For dynamic, ribbon or tube mics that device. If unsure, check the microphone's user manual. FUSE INSIDE An AC power fuse...
VLZ Pro Owner's Manual
Page 19
... AUX SENDS (10) jacks, to an amp & speakers for stage monitors or to an effects device for monitors or effects. In this switch, can be pre- Through the stereo channel's STEREO LINE IN (4) TRS inputs, there is 15dB of attenuation fully down and 20dB of an illustration from the outside world to be set to feed that channel's mono AUX send knobs. 27. Each AUX knob's level ranges...
... AUX SENDS (10) jacks, to an amp & speakers for stage monitors or to an effects device for monitors or effects. In this switch, can be pre- Through the stereo channel's STEREO LINE IN (4) TRS inputs, there is 15dB of attenuation fully down and 20dB of an illustration from the outside world to be set to feed that channel's mono AUX send knobs. 27. Each AUX knob's level ranges...
VLZ Pro Owner's Manual
Page 22
... U 1 +15 U OO OO OO +20 U +20 U 2 2 +15 TO AUX 3 SEND 1-2 (EFX TO MONITOR) U 4 +20 +20 TAPE RETURN ASSIGN TO SUB 1-2 3-4 SUB STEREO AUX RETURNS GLOBAL AUX RETURN SOLO TRACK 3 • 7 5 TRACK 4 • 8 5 CLIP 28 10 7 4 2 0 2 4 7 10 20 30 40 LEVEL SET LEFT RIGHT OPERATING LEVEL 0dB = 0dBu RUDE SOLO LIGHT U POWER MODE +15 LEVEL SOLO PRE FADER IN PLACE AFL AUX SUB OO OO 0 +10 AIR 16kHz SOLO 0 +10 AIR...
... U 1 +15 U OO OO OO +20 U +20 U 2 2 +15 TO AUX 3 SEND 1-2 (EFX TO MONITOR) U 4 +20 +20 TAPE RETURN ASSIGN TO SUB 1-2 3-4 SUB STEREO AUX RETURNS GLOBAL AUX RETURN SOLO TRACK 3 • 7 5 TRACK 4 • 8 5 CLIP 28 10 7 4 2 0 2 4 7 10 20 30 40 LEVEL SET LEFT RIGHT OPERATING LEVEL 0dB = 0dBu RUDE SOLO LIGHT U POWER MODE +15 LEVEL SOLO PRE FADER IN PLACE AFL AUX SUB OO OO 0 +10 AIR 16kHz SOLO 0 +10 AIR...
VLZ Pro Owner's Manual
Page 23
... feed aux send 1; If a "+4" output is off . Turned fully up, these knobs, aux return 1 combines its meters. but are controlled by one or two subgroup faders. Remember that confusion, Mackie's compact mixers use SUB (51) to the main mix. These knobs are the "wet" signals, to be sent to the PFL mix. 53. STEREO AUX RETURNS Having entered through the TAPE IN (6) jacks, tape returns...
... feed aux send 1; If a "+4" output is off . Turned fully up, these knobs, aux return 1 combines its meters. but are controlled by one or two subgroup faders. Remember that confusion, Mackie's compact mixers use SUB (51) to the main mix. These knobs are the "wet" signals, to be sent to the PFL mix. 53. STEREO AUX RETURNS Having entered through the TAPE IN (6) jacks, tape returns...
VLZ Pro Owner's Manual
Page 25
... the MODE (63) switch. The solo signal will blink obnoxiously. SUB LED Along with stereo signal from the TAPE IN (6) jacks, via L/R ASSIGN (59). SUBGROUP FADERS These faders provide 10dB of individual or multiple channels. 64. TAPE RETURN TO PHONES/C-R Ordinarily, the main mix (or solo) stereo signal is tapped (mono) before a circuit's associated level control (except aux return SOLO (52)). PFL is popu- 65. RUDE SOLO LIGHT...
... the MODE (63) switch. The solo signal will blink obnoxiously. SUB LED Along with stereo signal from the TAPE IN (6) jacks, via L/R ASSIGN (59). SUBGROUP FADERS These faders provide 10dB of individual or multiple channels. 64. TAPE RETURN TO PHONES/C-R Ordinarily, the main mix (or solo) stereo signal is tapped (mono) before a circuit's associated level control (except aux return SOLO (52)). PFL is popu- 65. RUDE SOLO LIGHT...
VLZ Pro Owner's Manual
Page 30
..., switch the left output is very important. SERVICE INFORMATION TROUBLESHOOTING If you think your Mackie product has a problem, please do everything back prepaid using three-day shipping. Doing so might save you from the wall, unplug the power cord and check the fuse (22). 30 REPAIR Service for the 24•4-VLZ PRO and the 32•4-VLZ PRO is not responsible for service. If the problem goes...
..., switch the left output is very important. SERVICE INFORMATION TROUBLESHOOTING If you think your Mackie product has a problem, please do everything back prepaid using three-day shipping. Doing so might save you from the wall, unplug the power cord and check the fuse (22). 30 REPAIR Service for the 24•4-VLZ PRO and the 32•4-VLZ PRO is not responsible for service. If the problem goes...