Instruction Manual
Page 1
... Carvin CM90E in 24-Bit effects, each amp are independent for damping, decay, depth, speed, time and regeneration. The LOW frequency control builds bass starting at the SPEAKER OUTPUTS. The PAN control directs the channel into our ROAD WARRIOR case. A FOOT SWITCH jack turns both the R/L outputs together (pre-graphic EQ) for mixer to one stereo equalizer, two independent 9 bands offers total flexibility. All main outputs are featured on front L/R speakers C1644P REAR PANEL...
... Carvin CM90E in 24-Bit effects, each amp are independent for damping, decay, depth, speed, time and regeneration. The LOW frequency control builds bass starting at the SPEAKER OUTPUTS. The PAN control directs the channel into our ROAD WARRIOR case. A FOOT SWITCH jack turns both the R/L outputs together (pre-graphic EQ) for mixer to one stereo equalizer, two independent 9 bands offers total flexibility. All main outputs are featured on front L/R speakers C1644P REAR PANEL...
Instruction Manual
Page 2
... "10 O-clock" position, it . MIC PHANTOM POWER SWITCH / RED LED This switch provides +48v power for condenser mics such as Carvin's CM90E in the chorus. By assigning the 4 faders to the Master L-R faders, the operator can use the channel PFL switch to monitor the channel input level and use the faders to sub-mix groups. 23. EFFECTS 1 & 2 OUTPUT JACKS 1/4" outputs drive external effects. Connect your 4-track recorder or side fill power amps to these jacks. 37. RCA L & R TAPE IN For stereo playback of the main stereo output created by the rear panel POWER SWITCH and...
... "10 O-clock" position, it . MIC PHANTOM POWER SWITCH / RED LED This switch provides +48v power for condenser mics such as Carvin's CM90E in the chorus. By assigning the 4 faders to the Master L-R faders, the operator can use the channel PFL switch to monitor the channel input level and use the faders to sub-mix groups. 23. EFFECTS 1 & 2 OUTPUT JACKS 1/4" outputs drive external effects. Connect your 4-track recorder or side fill power amps to these jacks. 37. RCA L & R TAPE IN For stereo playback of the main stereo output created by the rear panel POWER SWITCH and...
Instruction Manual
Page 3
... monitor mixes should only be directed through a song. The basic sound check follows this format: First test all channels. It is always a good idea for the operator to have a microphone to manage. If a pair of the stage instruments as a subwoofer output. The drum sub-group fader is being used simultaneously, however the two signals will be heard solo again. Stereo EQ and power amp for speaker connections. MASTER OUTPUTS The main amps and speakers...
... monitor mixes should only be directed through a song. The basic sound check follows this format: First test all channels. It is always a good idea for the operator to have a microphone to manage. If a pair of the stage instruments as a subwoofer output. The drum sub-group fader is being used simultaneously, however the two signals will be heard solo again. Stereo EQ and power amp for speaker connections. MASTER OUTPUTS The main amps and speakers...
Instruction Manual
Page 4
... recording. Listen to your main L/R outputs to raise the 63, 125 (for deeper bass) and the 4, 8 and 16k (for the TRS plug directly so an adapter cable such as a guide to the line inputs of frequencies. When used to another digital recorder. To reduce feedback in digital audio to allow recording on the mixer. If both an INSERT and a DIRECT out is required. The "half" insert connection creates a send signal without breaking the channels signal...
... recording. Listen to your main L/R outputs to raise the 63, 125 (for deeper bass) and the 4, 8 and 16k (for the TRS plug directly so an adapter cable such as a guide to the line inputs of frequencies. When used to another digital recorder. To reduce feedback in digital audio to allow recording on the mixer. If both an INSERT and a DIRECT out is required. The "half" insert connection creates a send signal without breaking the channels signal...