User Manual
Page 2
... not use this apparatus near any way, such as radiators, heat registers, stoves, or other . The wide blade or the third prong are provided for your outlet, consult an electrician for replacement of the polarized or grounding-type plug. These service instructions are qualified to do not remove the top cover (or the rear section). EURORACK UB1222FX-PRO...
... not use this apparatus near any way, such as radiators, heat registers, stoves, or other . The wide blade or the third prong are provided for your outlet, consult an electrician for replacement of the polarized or grounding-type plug. These service instructions are qualified to do not remove the top cover (or the rear section). EURORACK UB1222FX-PRO...
User Manual
Page 3
... control s Inserts on each mono channel for flexible connection of -the-art 4580 operational amplifiers provide lowest noise and distortionbetter than 4560 op amps s 2 aux sends per channel: 1 pre fader for monitoring, 1 post fader (for internal FX and/or as external send) s Switchable +48 V phantom power for condenser microphones s Balanced main mix outputs with gold-plated XLR connectors, headphone/control room output and stereo tape outputs s Clip indication and gain level set LEDs plus mute switches for each channel allow fast and accurate level setting; 2 multi-functional stereo aux...
... control s Inserts on each mono channel for flexible connection of -the-art 4580 operational amplifiers provide lowest noise and distortionbetter than 4560 op amps s 2 aux sends per channel: 1 pre fader for monitoring, 1 post fader (for internal FX and/or as external send) s Switchable +48 V phantom power for condenser microphones s Balanced main mix outputs with gold-plated XLR connectors, headphone/control room output and stereo tape outputs s Clip indication and gain level set LEDs plus mute switches for each channel allow fast and accurate level setting; 2 multi-functional stereo aux...
User Manual
Page 4
... mixing console functions 5 1.2 The users manual 5 1.3 Before you immediately recognize and eliminate feedback frequencies. This ingenious circuitry lets you get started 5 1.3.1 Shipment 5 1.3.2 Initial operation 6 1.3.3 Online registration 6 2. Your new UB mixing console is one of UB1222FX-PRO 11 3. CONTROL ELEMENTS AND CONNECTORS 6 2.1 Mono channels 6 2.1.1 Microphone and line inputs 6 2.1.2 Equalizer 6 2.1.3 Aux sends (MON and FX 7 2.1.4 Pan, mute switch and channel fader 7 2.2 Stereo channels 8 2.2.1 Channel inputs 8 2.2.2 Equalizer stereo channels 8 2.2.3 Aux...
... mixing console functions 5 1.2 The users manual 5 1.3 Before you immediately recognize and eliminate feedback frequencies. This ingenious circuitry lets you get started 5 1.3.1 Shipment 5 1.3.2 Initial operation 6 1.3.3 Online registration 6 2. Your new UB mixing console is one of UB1222FX-PRO 11 3. CONTROL ELEMENTS AND CONNECTORS 6 2.1 Mono channels 6 2.1.1 Microphone and line inputs 6 2.1.2 Equalizer 6 2.1.3 Aux sends (MON and FX 7 2.1.4 Pan, mute switch and channel fader 7 2.2 Stereo channels 8 2.2.1 Channel inputs 8 2.2.2 Equalizer stereo channels 8 2.2.3 Aux...
User Manual
Page 5
..., integrated switch-mode power supply. If you understand the links between 100 and 240 volts automatically. Nevertheless, we have to be adjusted to use them. Turn the MAIN MIX faders and the PHIONES control in a loudspeaker. Effects mixing In addition to its many possibilities. 1.3 Before you ll soon be granted. 1. The mix for recording equipment, power amplifiers, headphones and 2-track outputs can simply, quickly and effectively adjust the way a signal sounds. The interface of BEHRINGER mixing consoles is...
..., integrated switch-mode power supply. If you understand the links between 100 and 240 volts automatically. Nevertheless, we have to be adjusted to use them. Turn the MAIN MIX faders and the PHIONES control in a loudspeaker. Effects mixing In addition to its many possibilities. 1.3 Before you ll soon be granted. 1. The mix for recording equipment, power amplifiers, headphones and 2-track outputs can simply, quickly and effectively adjust the way a signal sounds. The interface of BEHRINGER mixing consoles is...
User Manual
Page 6
... as radiators or power amps. The console meets the required safety standards. Blown fuses must only be replaced by visiting www.behringer.com (alternatively www.behringer.de) and kindly read the terms and conditions of UB1222FX-PRO. For your loudspeakers. During installation and operation, the user must be found in detail. 2.1 Mono channels 2.1.1 Microphone and line inputs MIC Each mono input channel offers a balanced microphone input via the supplied power cable. Should your BEHRINGER product malfunction...
... as radiators or power amps. The console meets the required safety standards. Blown fuses must only be replaced by visiting www.behringer.com (alternatively www.behringer.de) and kindly read the terms and conditions of UB1222FX-PRO. For your loudspeakers. During installation and operation, the user must be found in detail. 2.1 Mono channels 2.1.1 Microphone and line inputs MIC Each mono input channel offers a balanced microphone input via the supplied power cable. Should your BEHRINGER product malfunction...
User Manual
Page 7
... CLIP LED lights up when the input signal is turned to the left (-oo). For example, lower the mids and the highs somewhat to mute the channel. g. The channel fader determines the level of the channel signal in the main mix. + Attention: Since the aux path for feeding external effects devices and is configured as a peak filter with a center frequency of the channel fader. EURORACK UB1222FX-PRO 2.1.4 Pan, mute switch and channel fader Fig. 2.2: The...
... CLIP LED lights up when the input signal is turned to the left (-oo). For example, lower the mids and the highs somewhat to mute the channel. g. The channel fader determines the level of the channel signal in the main mix. + Attention: Since the aux path for feeding external effects devices and is configured as a peak filter with a center frequency of the channel fader. EURORACK UB1222FX-PRO 2.1.4 Pan, mute switch and channel fader Fig. 2.2: The...
User Manual
Page 8
... of the mic signal; You can also be open . Both external effects processors (via the MON SEND connector and that can use this , your monitor mix. CONTROL ELEMENTS AND CONNECTORS EURORACK UB1222FX-PRO 2.2 Stereo channels 2.2.1 Channel inputs 2.3 Connector panel and main section Whereas it reaches the aux bus. 2.2.4 Balance, mute switch and channel fader BAL The function of the BAL(ANCE) control corresponds to the PAN control in the mono channels. All stereo channel strips have a TRIM control for microphones with balanced...
... of the mic signal; You can also be open . Both external effects processors (via the MON SEND connector and that can use this , your monitor mix. CONTROL ELEMENTS AND CONNECTORS EURORACK UB1222FX-PRO 2.2 Stereo channels 2.2.1 Channel inputs 2.3 Connector panel and main section Whereas it reaches the aux bus. 2.2.4 Balance, mute switch and channel fader BAL The function of the BAL(ANCE) control corresponds to the PAN control in the mono channels. All stereo channel strips have a TRIM control for microphones with balanced...
User Manual
Page 9
... faders for the effects mix generated using the channels MON controls. To bring in mono. + You can play music from the individual channels using a complete playback from a tape player or a CD, thus minimizing rehearsal time. CONTROL ELEMENTS AND CONNECTORS 9 FX SEND The FX SEND connector outputs the signal you can also use the CD/tape inputs, stereo input channels 9 to the input of a recording. If these connectors as an effects return should be used , the aux return...
... faders for the effects mix generated using the channels MON controls. To bring in mono. + You can play music from the individual channels using a complete playback from a tape player or a CD, thus minimizing rehearsal time. CONTROL ELEMENTS AND CONNECTORS 9 FX SEND The FX SEND connector outputs the signal you can also use the CD/tape inputs, stereo input channels 9 to the input of a recording. If these connectors as an effects return should be used , the aux return...
User Manual
Page 10
... can connect headphones to this purpose, the signal is taken directly before it to the dynamic range of the recording equipment you can be used as stereo line input. For this 1/4" TRS connector. DAT recorder) or also a CD player. The signal is passed on . +48 V The red +48 V LED lights up when the phantom power supply is activated using . Turn the MAIN MIX faders and the PHONES control in your mixer...
... can connect headphones to this purpose, the signal is taken directly before it to the dynamic range of the recording equipment you can be used as stereo line input. For this 1/4" TRS connector. DAT recorder) or also a CD player. The signal is passed on . +48 V The red +48 V LED lights up when the phantom power supply is activated using . Turn the MAIN MIX faders and the PHONES control in your mixer...
User Manual
Page 11
... not connect microphones to allow for feedback to a digital device, the recorders peak meter should be muted before you activate the phantom power supply. kick drum). FBQ FEEDBACK DETECTION The switch turns on , wait approx. EQ IN Use this function. + Logically, at least one minute to display too low a signal level at all! With the switch up when phantom power is active in the monitor bus (see MAIN MIX/MONITOR). The red +48 V LED lights...
... not connect microphones to allow for feedback to a digital device, the recorders peak meter should be muted before you activate the phantom power supply. kick drum). FBQ FEEDBACK DETECTION The switch turns on , wait approx. EQ IN Use this function. + Logically, at least one minute to display too low a signal level at all! With the switch up when phantom power is active in the monitor bus (see MAIN MIX/MONITOR). The red +48 V LED lights...
User Manual
Page 12
... or power amps, so as reverb, chorus, flanger, delay and various combination effects. EURORACK UB1222FX-PRO 3. This also goes for the footswitch FOOTSWITCH Connect a standard footswitch to be installed on the effects module should display a sufficiently high level. Of course, a signal has to the footswitch connector; INSTALLATION 4.1 Rack mounting The packaging of the console. To recall the selected preset, press the button; This built-in those channel strips whose signals...
... or power amps, so as reverb, chorus, flanger, delay and various combination effects. EURORACK UB1222FX-PRO 3. This also goes for the footswitch FOOTSWITCH Connect a standard footswitch to be installed on the effects module should display a sufficiently high level. Of course, a signal has to the footswitch connector; INSTALLATION 4.1 Rack mounting The packaging of the console. To recall the selected preset, press the button; This built-in those channel strips whose signals...
User Manual
Page 13
Fig. 4.5: Insert send return 1/4" TRS connector Fig. 4.2: XLR connections Fig. 4.6: 1/4" TRS connector for headphones Fig. 4.3: 1/4" TS connector Fig. 4.4: 1/4" TRS connector 4. EURORACK UB1222FX-PRO 4.2.1 Audio connections Please use commercial RCA cables to use unbalanced XLR connectors (pins 1 and 3 connected) on the MIC inputs if you intend to wire the 2-track inputs and outputs. Use either mono plugs, or ensure that ring and sleeve are bridged inside the stereo plug (or pins 1 & 3 in the case...
Fig. 4.5: Insert send return 1/4" TRS connector Fig. 4.2: XLR connections Fig. 4.6: 1/4" TRS connector for headphones Fig. 4.3: 1/4" TS connector Fig. 4.4: 1/4" TRS connector 4. EURORACK UB1222FX-PRO 4.2.1 Audio connections Please use commercial RCA cables to use unbalanced XLR connectors (pins 1 and 3 connected) on the MIC inputs if you intend to wire the 2-track inputs and outputs. Use either mono plugs, or ensure that ring and sleeve are bridged inside the stereo plug (or pins 1 & 3 in the case...
User Manual
Page 14
SPECIFICATIONS Mono inputs Microphone inputs (IMP Invisible Mic Preamp) Type XLR, electronically balanced, discrete input circuitry Mic E.I.N. (20 Hz - 20 kHz) @ 0 W source resistance @ 50 W source resistance @ 150 W source resistance -134 dB / 135.7 dB A-weighted -131 dB / 133.5 dB A-weighted -129 dB / 130.5 dB A-weighted Frequency response EURORACK UB1222FX-PRO 5.
SPECIFICATIONS Mono inputs Microphone inputs (IMP Invisible Mic Preamp) Type XLR, electronically balanced, discrete input circuitry Mic E.I.N. (20 Hz - 20 kHz) @ 0 W source resistance @ 50 W source resistance @ 150 W source resistance -134 dB / 135.7 dB A-weighted -131 dB / 133.5 dB A-weighted -129 dB / 130.5 dB A-weighted Frequency response EURORACK UB1222FX-PRO 5.
User Manual
Page 15
... parts are registered trademarks of the problem. s connection or operation of the unit in question is used which may vary slightly from this warranty, BEHRINGER shall not be repaired or replaced. 2. If an inspection of BEHRINGER Spezielle Studiotechnik GmbH. In no liability for any defects within 6 weeks after your repair claims quicker and more efficiently. Technical specifications and appearance subject to change...
... parts are registered trademarks of the problem. s connection or operation of the unit in question is used which may vary slightly from this warranty, BEHRINGER shall not be repaired or replaced. 2. If an inspection of BEHRINGER Spezielle Studiotechnik GmbH. In no liability for any defects within 6 weeks after your repair claims quicker and more efficiently. Technical specifications and appearance subject to change...