Midi Data Format (image)
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... OFF| x | o | | |Mes- :Active Sense | o | o | | |sages:Reset | x | x | | |Note *1 ; YAMAHA [ Music Synthesizer---synthesizer part ] Date:11-MAY-1992 Model SY85 MIDI Implementation Chart Version : 1.0 | | Transmitted | Recognized | Remarks | | Function ... | | | | |Basic Default | 1 - 16 | ...Sustain sw. | o |Sustain | | 16 - 19 | o CS | o | | | 1 - 120 | x | o |Assignable | | 120 | x | o |All Sounds off . | | | | | | | Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No
... OFF| x | o | | |Mes- :Active Sense | o | o | | |sages:Reset | x | x | | |Note *1 ; YAMAHA [ Music Synthesizer---synthesizer part ] Date:11-MAY-1992 Model SY85 MIDI Implementation Chart Version : 1.0 | | Transmitted | Recognized | Remarks | | Function ... | | | | |Basic Default | 1 - 16 | ...Sustain sw. | o |Sustain | | 16 - 19 | o CS | o | | | 1 - 120 | x | o |Assignable | | 120 | x | o |All Sounds off . | | | | | | | Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No
Owner's Manual (feature Reference) (image)
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... characters "ABCD" to adjust the volume levels of the A, B, C, and D layer voices, respectively. the longer the bar the higher the volume. A setting of "0" produces no sound, while a setting of volume levels - The vertical bar graphs next to be adjusted individually. LAYER`Volume InitVce`>ABCD ``````127ƒ``````127ƒ``````127ƒ``````127...
... characters "ABCD" to adjust the volume levels of the A, B, C, and D layer voices, respectively. the longer the bar the higher the volume. A setting of "0" produces no sound, while a setting of volume levels - The vertical bar graphs next to be adjusted individually. LAYER`Volume InitVce`>ABCD ``````127ƒ``````127ƒ``````127ƒ``````127...
Owner's Manual (feature Reference) (image)
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...by placing the output from each voice: a capital letter if the voice is shown in the stereo sound field. The upper line of the display also shows a graphic representation of the stereo sound field with "L" representing "left , and positive values represent panning to adjust the pan positions of the ...display. The parameters in this screen determine the position in the stereo sound field in the center of the selected layer in which the sound from different layers at the corresponding position on , a lower-case letter if the voice is muted, and ...
...by placing the output from each voice: a capital letter if the voice is shown in the stereo sound field. The upper line of the display also shows a graphic representation of the stereo sound field with "L" representing "left , and positive values represent panning to adjust the pan positions of the ...display. The parameters in this screen determine the position in the stereo sound field in the center of the selected layer in which the sound from different layers at the corresponding position on , a lower-case letter if the voice is muted, and ...
Owner's Manual (feature Reference) (image)
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... ``+0```+0```+0```+0```+0```+0```+0```+0` F1 F2 F3 F4 F5 F6 F7 F8 CS1 CS2 CS3 CS4 CS5 CS6 CS7 CS8 The name of each other, thereby "thickening" the overall sound. The maximum minus setting of "-7" produces a downward pitch shift of approximately 2 cents (a "cent" is shown in a performance combination to be used to transpose a voice to...
... ``+0```+0```+0```+0```+0```+0```+0```+0` F1 F2 F3 F4 F5 F6 F7 F8 CS1 CS2 CS3 CS4 CS5 CS6 CS7 CS8 The name of each other, thereby "thickening" the overall sound. The maximum minus setting of "-7" produces a downward pitch shift of approximately 2 cents (a "cent" is shown in a performance combination to be used to transpose a voice to...
Owner's Manual (feature Reference) (image)
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... the same layer is also possible to be produced between C3 and C4 - If the Low Note Limit is set to C4, for example, the sound from a layer to press the desired note on the display. 18 PERFORMANCE EDIT MODE / 1:Layer The characters "ABCD" to create a range of the display. If... is muted, and a dash if the voice is set the low note limits of each layer will produce). The C-2 to a note that layer will not sound. This parameter, in the upper right corner of split keyboard effects using the performance layers. Lo (Low note limit) Range: C-2 ... You could have two layers...
... the same layer is also possible to be produced between C3 and C4 - If the Low Note Limit is set to C4, for example, the sound from a layer to press the desired note on the display. 18 PERFORMANCE EDIT MODE / 1:Layer The characters "ABCD" to create a range of the display. If... is muted, and a dash if the voice is set the low note limits of each layer will produce). The C-2 to a note that layer will not sound. This parameter, in the upper right corner of split keyboard effects using the performance layers. Lo (Low note limit) Range: C-2 ... You could have two layers...
Owner's Manual (feature Reference) (image)
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..., makes it possible to produce a range of "velocity switching" effects in which different layers of a performance combination are set up to produce sound only when the keyboard is off are indicated by playing harder. when a fairly loud note is shown in conjunction with the High Velocity Limit ...parameter described below 60 are received, so that are turned off . Voices that completely different sounds are produced on the keyboard at a certain velocity. Use the [CS1], [CS3], [CS5], and [CS7] sliders to set the low velocity...
..., makes it possible to produce a range of "velocity switching" effects in which different layers of a performance combination are set up to produce sound only when the keyboard is off are indicated by playing harder. when a fairly loud note is shown in conjunction with the High Velocity Limit ...parameter described below 60 are received, so that are turned off . Voices that completely different sounds are produced on the keyboard at a certain velocity. Use the [CS1], [CS3], [CS5], and [CS7] sliders to set the low velocity...
Owner's Manual (feature Reference) (image)
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... on the display. Once the copy operation has finished, "Completed!" LAYER`COPY``````From`Performance```Layer Are`you want, then edit it to produce the required sound. PERFORMANCE EDIT MODE / 1:Layer 23 Use the [CS8] slider to select the source performance number. Once the source performance and layer has been selected, press...
... on the display. Once the copy operation has finished, "Completed!" LAYER`COPY``````From`Performance```Layer Are`you want, then edit it to produce the required sound. PERFORMANCE EDIT MODE / 1:Layer 23 Use the [CS8] slider to select the source performance number. Once the source performance and layer has been selected, press...
Owner's Manual (feature Reference) (image)
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... CS3 CS4 CS5 CS6 CS7 CS8 Total Level Range: 0 ... 127 Controls: [CS4], [-1] [+1], Dial Adjusts the volume of "127" produces maximum volume. A setting of "0" produces no sound while a setting of the current performance.
... CS3 CS4 CS5 CS6 CS7 CS8 Total Level Range: 0 ... 127 Controls: [CS4], [-1] [+1], Dial Adjusts the volume of "127" produces maximum volume. A setting of "0" produces no sound while a setting of the current performance.
Owner's Manual (feature Reference) (image)
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... [-1] [+1], Dial [CS7] controls the balance between the direct no-effect sound and the effect sound of the SY85's 90 effect types for the EFFECT 1 processor, and [CS4] does the same for more details... on the SY85 effect system. ... [-1] [+1], Dial [CS1] selects any of the EFFECT 1 processor, while [CS8] does the same for more details on the SY85 effect system. For a complete list of effect parameters see page 274. 5: EFFECT TYPE [PERFORMANCE] → [QUICK EDIT] ...
... [-1] [+1], Dial [CS7] controls the balance between the direct no-effect sound and the effect sound of the SY85's 90 effect types for the EFFECT 1 processor, and [CS4] does the same for more details... on the SY85 effect system. ... [-1] [+1], Dial [CS1] selects any of the EFFECT 1 processor, while [CS8] does the same for more details on the SY85 effect system. For a complete list of effect parameters see page 274. 5: EFFECT TYPE [PERFORMANCE] → [QUICK EDIT] ...
Owner's Manual (feature Reference) (image)
Page 40
... to velocity changes. Minus "-" settings produce the opposite effect: lower send level in response to the effect processors, determining the strength of the final effect sound. A setting of "+0" results in no send level variation. PERFORMANCE EDIT MODE / EFFECT EDIT 39 Send (Send level) Range: 0 ... 127 Controls: [CS6], [-1] [+1], Dial This parameter ...the send level from the selected layer is affected by velocity changes (e.g. Plus "+" settings produce higher send levels in no effect, leaving only the "dry" sound of effect. Minus ("-") settings produce the opposite effect -
... to velocity changes. Minus "-" settings produce the opposite effect: lower send level in response to the effect processors, determining the strength of the final effect sound. A setting of "+0" results in no send level variation. PERFORMANCE EDIT MODE / EFFECT EDIT 39 Send (Send level) Range: 0 ... 127 Controls: [CS6], [-1] [+1], Dial This parameter ...the send level from the selected layer is affected by velocity changes (e.g. Plus "+" settings produce higher send levels in no effect, leaving only the "dry" sound of effect. Minus ("-") settings produce the opposite effect -
Owner's Manual (feature Reference) (image)
Page 43
... [+1], Dial These parameters and the corresponding "Out1 Dry" and "Out2 Dry" parameters, below, work together to the right of the voice and the effect sound is always 100(%). If a controller is assigned to the "Out1 Dry" or "Out2 Dry" parameter (page 45), an inverse "c" will cause the other... to the effect sound. Although the "Wet" and "Dry" parameters can be set independently, adjusting one will appear to balance the effect ("wet") and direct ("dry") signals ...
... [+1], Dial These parameters and the corresponding "Out1 Dry" and "Out2 Dry" parameters, below, work together to the right of the voice and the effect sound is always 100(%). If a controller is assigned to the "Out1 Dry" or "Out2 Dry" parameter (page 45), an inverse "c" will cause the other... to the effect sound. Although the "Wet" and "Dry" parameters can be set independently, adjusting one will appear to balance the effect ("wet") and direct ("dry") signals ...
Owner's Manual (feature Reference) (image)
Page 49
... editing by allowing the effect parameters from which the source voice is close to the type you want, then edit it to produce the required sound. Use the GROUP keys to select the source voice bank, then use the PROGRAM keys to be selected. "Are you `sure`?``PFM``¡A1:InitPerf...
... editing by allowing the effect parameters from which the source voice is close to the type you want, then edit it to produce the required sound. Use the GROUP keys to select the source voice bank, then use the PROGRAM keys to be selected. "Are you `sure`?``PFM``¡A1:InitPerf...
Owner's Manual (feature Reference) (image)
Page 52
The problem can be overcome by layers A, B, C, and D are sounded in sequence in the performance play mode. The following confirmation display will appear: PERFORMANCE`JOB`Layer`Exchange Are`you`sure A`†¥`A Press [ENTER/YES] ... the display, then the display will be retained. The notes played by using this function to exchange layers A and D, for example, so that it is sounded first, the sharpness of the attack will return to the mode that can occur in the performance play mode. Normally the delay is so slight...
The problem can be overcome by layers A, B, C, and D are sounded in sequence in the performance play mode. The following confirmation display will appear: PERFORMANCE`JOB`Layer`Exchange Are`you`sure A`†¥`A Press [ENTER/YES] ... the display, then the display will be retained. The notes played by using this function to exchange layers A and D, for example, so that it is sounded first, the sharpness of the attack will return to the mode that can occur in the performance play mode. Normally the delay is so slight...
Owner's Manual (feature Reference) (image)
Page 55
... available. Press [EXIT/ NO] to return to the edit mode and the performance combination being edited with the same performance combination prior to compare the sound of a performance combination being edited. 54 PERFORMANCE EDIT MODE / COMPARE
... available. Press [EXIT/ NO] to return to the edit mode and the performance combination being edited with the same performance combination prior to compare the sound of a performance combination being edited. 54 PERFORMANCE EDIT MODE / COMPARE
Owner's Manual (feature Reference) (image)
Page 59
... CS5 CS6 CS7 CS8 Wave Range: P001 ... Use the [INTERNAL 1], [INTERNAL 2], and [CARD] keys to be based. sound effects in the normal (variable pitch) or fixed-pitch mode. Please note that determine the fundamental sound of the internal waves is given in which case the "norm" mode should be selected. A complete listing...
... CS5 CS6 CS7 CS8 Wave Range: P001 ... Use the [INTERNAL 1], [INTERNAL 2], and [CARD] keys to be based. sound effects in the normal (variable pitch) or fixed-pitch mode. Please note that determine the fundamental sound of the internal waves is given in which case the "norm" mode should be selected. A complete listing...
Owner's Manual (feature Reference) (image)
Page 60
... is turned "on," the selected wave is played in the UTILITY mode. In this parameter covers a full 10-1/2 octaves. A setting of "-12," for simulating the sound of instruments like the clavichord, string sections or other than "0," the pitch changes randomly each time a note is played. Rvs (Reverse) Range: off ." a "note shift...
... is turned "on," the selected wave is played in the UTILITY mode. In this parameter covers a full 10-1/2 octaves. A setting of "-12," for simulating the sound of instruments like the clavichord, string sections or other than "0," the pitch changes randomly each time a note is played. Rvs (Reverse) Range: off ." a "note shift...
Owner's Manual (feature Reference) (image)
Page 61
...Range: 0 ... 63 Controls: [CS2] ... [CS8], [-1] [+1], Dial The following diagrams illustrate how the AEG rate and level parameters determine the overall shape of the sound, determining how the amplitude envelope begins. RR, L2 ... 1: AEG LEVEL & RATE [VOICE] → [EDIT] → [MENU] → 2:Amlitude EG →...; [ENTER/YES] → [ENTER/YES] → → [MENU] → 1:Level&Rate → [ENTER/YES] The SY85's main AEG (Amplitude Envelope generator) has five individually programmable rates and two levels for exceptional envelope programming flexibility.
...Range: 0 ... 63 Controls: [CS2] ... [CS8], [-1] [+1], Dial The following diagrams illustrate how the AEG rate and level parameters determine the overall shape of the sound, determining how the amplitude envelope begins. RR, L2 ... 1: AEG LEVEL & RATE [VOICE] → [EDIT] → [MENU] → 2:Amlitude EG →...; [ENTER/YES] → [ENTER/YES] → → [MENU] → 1:Level&Rate → [ENTER/YES] The SY85's main AEG (Amplitude Envelope generator) has five individually programmable rates and two levels for exceptional envelope programming flexibility.
Owner's Manual (feature Reference) (image)
Page 62
...shown below. The illustrations here are not available. mum AWM level, allowing the fast attack transients of waveforms to the lowest possible level (no sound) while a setting of 63 produces the highest output level. q "Hld" Mode If the "hold" mode is released before the end ...The illustrations here are not available. A "0" rate parameter setting produces the slowest rate between the beginning of the envelope described above, then the sound decays to zero level from maxi- For the level parameters, a setting of "63" produces the fastest (almost instantaneous) change. In this ...
...shown below. The illustrations here are not available. mum AWM level, allowing the fast attack transients of waveforms to the lowest possible level (no sound) while a setting of 63 produces the highest output level. q "Hld" Mode If the "hold" mode is released before the end ...The illustrations here are not available. A "0" rate parameter setting produces the slowest rate between the beginning of the envelope described above, then the sound decays to zero level from maxi- For the level parameters, a setting of "63" produces the fastest (almost instantaneous) change. In this ...
Owner's Manual (feature Reference) (image)
Page 64
.... The greater the value the greater the change in which the low notes take much longer to higher velocity. This is played, the louder the sound. The maximum "+7" setting produces the greatest envelope length variation across the entire pitch range. Minus "-" settings produce the opposite effect: lower level in no envelope...
.... The greater the value the greater the change in which the low notes take much longer to higher velocity. This is played, the louder the sound. The maximum "+7" setting produces the greatest envelope length variation across the entire pitch range. Minus "-" settings produce the opposite effect: lower level in no envelope...
Owner's Manual (feature Reference) (image)
Page 65
... by allowing the amplitude EG data from which the source voice is close to the type you want, then edit it to produce the required sound. Use the GROUP keys to select the source voice bank, then use the PROGRAM keys to be used to select the source voice bank and...
... by allowing the amplitude EG data from which the source voice is close to the type you want, then edit it to produce the required sound. Use the GROUP keys to select the source voice bank, then use the PROGRAM keys to be used to select the source voice bank and...