SPX900 Owners Manual Image
Page 3
... ■ 36. MULTI(ECH&REV) 2 ■ 40. MULTI(SYM+REV) 1 ■ 44. MULTI(EXC&REV) 2 DUAL EFFECT PROGRAMS ■ 48. REVERSE GATE 13 ■ 17. SYMPHONIC 15 NOISE GATE PROGRAM 16 ■ 27. PITCH CHANGE 1 ■ 29. MULTI(ECH&REV) 1 ■ 39. REV3 ROOM 1 10 ■ 4. STEREO FLANGE 15 ■ 22...
... ■ 36. MULTI(ECH&REV) 2 ■ 40. MULTI(SYM+REV) 1 ■ 44. MULTI(EXC&REV) 2 DUAL EFFECT PROGRAMS ■ 48. REVERSE GATE 13 ■ 17. SYMPHONIC 15 NOISE GATE PROGRAM 16 ■ 27. PITCH CHANGE 1 ■ 29. MULTI(ECH&REV) 1 ■ 39. REV3 ROOM 1 10 ■ 4. STEREO FLANGE 15 ■ 22...
SPX900 Owners Manual Image
Page 8
...LED memory number display is OFF). When the desired memory location/effect has been selected, press the RECALL key. An optional Yamaha FC5 Footswitch can be written to turn off the BYPASS Key LED and turn the effect back ON. the effect is flashing,... currently selected memory location will vary according the type of program. 2: GENERAL OPERATION MEMORY CONFIGURATION The SPX900 has a total of parameters which can be engaged. REVERSE GATE 17. DELAY L, C, R 20. CHORUS 2 24. SYMPHONIC 27. PITCH CHANGE 2 30. MULTI (SYM+REV) 3 46. blink - ACCESSING & EDITING ...
...LED memory number display is OFF). When the desired memory location/effect has been selected, press the RECALL key. An optional Yamaha FC5 Footswitch can be written to turn off the BYPASS Key LED and turn the effect back ON. the effect is flashing,... currently selected memory location will vary according the type of program. 2: GENERAL OPERATION MEMORY CONFIGURATION The SPX900 has a total of parameters which can be engaged. REVERSE GATE 17. DELAY L, C, R 20. CHORUS 2 24. SYMPHONIC 27. PITCH CHANGE 2 30. MULTI (SYM+REV) 3 46. blink - ACCESSING & EDITING ...
SPX900 Owners Manual Image
Page 17
... OFF when set the time between two identical signals, thus producing a complex varying "comb filter" effect. SYMPHONIC The stereo flange effects produce a pleasant "swirling" sound which can effectively thicken and add warmth to THRU. The symphonic effect adds richness and life to THRU. The highfrequency feedback is reduced as the flange effect...
... OFF when set the time between two identical signals, thus producing a complex varying "comb filter" effect. SYMPHONIC The stereo flange effects produce a pleasant "swirling" sound which can effectively thicken and add warmth to THRU. The symphonic effect adds richness and life to THRU. The highfrequency feedback is reduced as the flange effect...
SPX900 Owners Manual Image
Page 18
...): 0 - 100% Determines the level at which the gate is delayed so that STEREO PHASING does not have the F.B GAIN parameter listed below, while TREMOLO and SYMPHONIC have only the MOD FRQ and MOD DEPTH parameters. The LPF is also possible to beginning of the reverb signal above the set to THRU...
...): 0 - 100% Determines the level at which the gate is delayed so that STEREO PHASING does not have the F.B GAIN parameter listed below, while TREMOLO and SYMPHONIC have only the MOD FRQ and MOD DEPTH parameters. The LPF is also possible to beginning of the reverb signal above the set to THRU...
SPX900 Owners Manual Image
Page 26
... amount by which the delay time of the input signal is varied in relation to DISTORTION on page 16. DLY): 0.1 - 800.0 ms, Refer to SYMPHONIC on page 23. MULTI(SYM+REV) 1 ■ 44. MULTI(SYM+REV) 2 ■ 45. DEPTH): Refer to ,REVI HALL on page 23...DI. Compressor Threshold (CO. Distortion Mid Gain (DI. Release Time (Release) : Refer to COMPRESSOR on page 16. Initial Delay (EC. HIGH): Refer to SYMPHONIC on page 22. MULTI(CHO&REV) 3 DISTORTION CHORUS REVERB 0 L OR COMPRESSOR EQ/ Dinamic Filter I HALL on page 11. Reverb Mix Level (RV....
... amount by which the delay time of the input signal is varied in relation to DISTORTION on page 16. DLY): 0.1 - 800.0 ms, Refer to SYMPHONIC on page 23. MULTI(SYM+REV) 1 ■ 44. MULTI(SYM+REV) 2 ■ 45. DEPTH): Refer to ,REVI HALL on page 23...DI. Compressor Threshold (CO. Distortion Mid Gain (DI. Release Time (Release) : Refer to COMPRESSOR on page 16. Initial Delay (EC. HIGH): Refer to SYMPHONIC on page 22. MULTI(CHO&REV) 3 DISTORTION CHORUS REVERB 0 L OR COMPRESSOR EQ/ Dinamic Filter I HALL on page 11. Reverb Mix Level (RV....
SPX900 Owners Manual Image
Page 43
... _ DECAY LVL HOLD _ RELEASE MODI TRG. f 0.0 -100 % 0.0 - 200 ' 100% 100% *1: THRU, 32 Hz- 1.0 kHz * 2: 1.0 - 16 kHz, THRU CTRL No. FRO. PARAMETER NAME MIN - Key 1 2 3 26 SYMPHONIC MOD. DEPTH BALANCE 0.0 - 100 % 0.0 - 200 % o.o - 100.0 % 0.0-100.0% Z / 100% 100% 27 ADR-NOISE TRG. MOD. GATE PARAM 0 - 100 -100.0-+100.0ms 3 - 24000 ms 3 - 24000 ms 3 - 24000...
... _ DECAY LVL HOLD _ RELEASE MODI TRG. f 0.0 -100 % 0.0 - 200 ' 100% 100% *1: THRU, 32 Hz- 1.0 kHz * 2: 1.0 - 16 kHz, THRU CTRL No. FRO. PARAMETER NAME MIN - Key 1 2 3 26 SYMPHONIC MOD. DEPTH BALANCE 0.0 - 100 % 0.0 - 200 % o.o - 100.0 % 0.0-100.0% Z / 100% 100% 27 ADR-NOISE TRG. MOD. GATE PARAM 0 - 100 -100.0-+100.0ms 3 - 24000 ms 3 - 24000 ms 3 - 24000...