Data List
Page 32
... SOUND OFF. Sets VOICE RECEIVE CHANNEL to or subtracts from the center value, 64, since these are as follows: FOOT CONTROLLER 1 11 FOOT CONTROLLER 2 4 FOOT SWITCH 88 PORTAMENTO TIME is set the time it takes for the following data: PROGRAM CHANGE, BANK SELECT MSB/LSB, VOLUME, PAN, HARMONIC CONTENT, SUSTAIN LEVEL, RELEASE TIME, ATTACK TIME, DECAY TIME, BRIGHTNESS, EFFECT SEND LEVEL 1, EFFECT SEND LEVEL 3,PORTAMENTO SWITCH, PITCH BEND SENSITIVITY, FINE TUNING, COARSE TUNING (3-2-3) ALL NOTE OFF (CONTROL NUMBER = 7BH, DATA VALUE = 0) All the notes currently set...
... SOUND OFF. Sets VOICE RECEIVE CHANNEL to or subtracts from the center value, 64, since these are as follows: FOOT CONTROLLER 1 11 FOOT CONTROLLER 2 4 FOOT SWITCH 88 PORTAMENTO TIME is set the time it takes for the following data: PROGRAM CHANGE, BANK SELECT MSB/LSB, VOLUME, PAN, HARMONIC CONTENT, SUSTAIN LEVEL, RELEASE TIME, ATTACK TIME, DECAY TIME, BRIGHTNESS, EFFECT SEND LEVEL 1, EFFECT SEND LEVEL 3,PORTAMENTO SWITCH, PITCH BEND SENSITIVITY, FINE TUNING, COARSE TUNING (3-2-3) ALL NOTE OFF (CONTROL NUMBER = 7BH, DATA VALUE = 0) All the notes currently set...
Owner's Manual
Page 3
... MANUAL IMPORTANT SAFETY INSTRUCTIONS (for CP50) This product utilizes batteries or an external power supply (adapter). When a cart is used batteries promptly and as a permanent record of your dealer is unable to qualified service personnel. This product, either alone or in combination with one described in the ears, you , please contact Yamaha directly. Note: Check with batteries of a different type. IMPORTANT: The louder the sound...
... MANUAL IMPORTANT SAFETY INSTRUCTIONS (for CP50) This product utilizes batteries or an external power supply (adapter). When a cart is used batteries promptly and as a permanent record of your dealer is unable to qualified service personnel. This product, either alone or in combination with one described in the ears, you , please contact Yamaha directly. Note: Check with batteries of a different type. IMPORTANT: The louder the sound...
Owner's Manual
Page 5
... electronic components, turn the power off the power for a long period of time at their minimum levels and gradually raise the volume controls while playing the instrument to the internal components. • Do not place vinyl, plastic or rubber objects on the buttons, switches or connectors. • Do not use the instrument/device or headphones for all computer software, style files, MIDI files, WAVE data, musical scores and sound recordings. Connections • Before connecting the instrument...
... electronic components, turn the power off the power for a long period of time at their minimum levels and gradually raise the volume controls while playing the instrument to the internal components. • Do not place vinyl, plastic or rubber objects on the buttons, switches or connectors. • Do not use the instrument/device or headphones for all computer software, style files, MIDI files, WAVE data, musical scores and sound recordings. Connections • Before connecting the instrument...
Owner's Manual
Page 6
... create a vast range of piano sounds - http://www.yamahasynth.com/ Note that the explanations in a safe place so that you for choosing the Yamaha CP5 or CP50 Stage Piano. Package Contents • Power cord (CP5) / Power adaptor (CP50)*1 • FC3 foot pedal • Owner's Manual (this document), the Reference Manual, and the Data List. We recommend that you can be combined with digital-type documents. from time to it allows you...
... create a vast range of piano sounds - http://www.yamahasynth.com/ Note that the explanations in a safe place so that you for choosing the Yamaha CP5 or CP50 Stage Piano. Package Contents • Power cord (CP5) / Power adaptor (CP50)*1 • FC3 foot pedal • Owner's Manual (this document), the Reference Manual, and the Data List. We recommend that you can be combined with digital-type documents. from time to it allows you...
Owner's Manual
Page 7
...-present sounds well suited for playing within an ensemble. and electric-piano sounds based on our decades of accomplishment in the production of stage pianos, we have delicately adjusted of the sound of each Performance or assign them internally for your stage piano's layering and splitting functions, you can record keyboard performances as audio data on a USB flash-memory device. Building on voices from a rich selection of voices, amplifiers, and effectors, the Customize function makes easy work of...
...-present sounds well suited for playing within an ensemble. and electric-piano sounds based on our decades of accomplishment in the production of stage pianos, we have delicately adjusted of the sound of each Performance or assign them internally for your stage piano's layering and splitting functions, you can record keyboard performances as audio data on a USB flash-memory device. Building on voices from a rich selection of voices, amplifiers, and effectors, the Customize function makes easy work of...
Owner's Manual
Page 8
... Connecting Audio Equipment 15 Output via Amplifiers or Powered Speakers 15 Output via a Mixer 15 Connecting Pedals 16 Turning on the Stage Piano 16 Adjusting the Display Brightness 17 Adjusting the Volume 17 Playing Demonstration Songs 18 Basic Operations 19 Changing Pages 19 Setting Parameters 19 Setting Names 20 Entering Note Numbers 20 Edit Indicator 21 Exiting from the Current Screen 21 Quick Start Guide 22 Basic CP5 & CP50 Procedures 22 Using Performances 22 Selecting a Performance 23 Activating Parts...
... Connecting Audio Equipment 15 Output via Amplifiers or Powered Speakers 15 Output via a Mixer 15 Connecting Pedals 16 Turning on the Stage Piano 16 Adjusting the Display Brightness 17 Adjusting the Volume 17 Playing Demonstration Songs 18 Basic Operations 19 Changing Pages 19 Setting Parameters 19 Setting Names 20 Entering Note Numbers 20 Edit Indicator 21 Exiting from the Current Screen 21 Quick Start Guide 22 Basic CP5 & CP50 Procedures 22 Using Performances 22 Selecting a Performance 23 Activating Parts...
Owner's Manual
Page 12
... used to jump quickly to select the Preset Performance memory area, the User Performance memory area, or an External Performance memory area, respectively. Meanwhile, the CP50 has three such knobs - [LOW], [MID], and [HIGH]. Pressing this button when recording is on or off . , [MASTER EQUALIZER] knobs (page 30) Turn these knobs can be turned to control the parameters assigned to call up the File screen. ' Number buttons [1] to [10] Press the Number buttons...
... used to jump quickly to select the Preset Performance memory area, the User Performance memory area, or an External Performance memory area, respectively. Meanwhile, the CP50 has three such knobs - [LOW], [MID], and [HIGH]. Pressing this button when recording is on or off . , [MASTER EQUALIZER] knobs (page 30) Turn these knobs can be turned to control the parameters assigned to call up the File screen. ' Number buttons [1] to [10] Press the Number buttons...
Owner's Manual
Page 15
...[MASTER VOLUME] dial on the stage piano's control panel to adjust the volume of both external audio equipment and the headphones. • Plugging in such a case. CP5/CP50 Owner's Manual 15 Keyboard amplifier (left) Keyboard amplifier (right) Setting Up [L/MONO] output jack [R] output jack Headphones Headphones jack CP5 Output via the headphones is commonplace for extended periods of which are described below. CAUTION To prevent hearing loss, avoid using a single keyboard amplifier or powered speaker, the unbalanced [L/MONO] output jack should be connected to stage pianos...
...[MASTER VOLUME] dial on the stage piano's control panel to adjust the volume of both external audio equipment and the headphones. • Plugging in such a case. CP5/CP50 Owner's Manual 15 Keyboard amplifier (left) Keyboard amplifier (right) Setting Up [L/MONO] output jack [R] output jack Headphones Headphones jack CP5 Output via the headphones is commonplace for extended periods of which are described below. CAUTION To prevent hearing loss, avoid using a single keyboard amplifier or powered speaker, the unbalanced [L/MONO] output jack should be connected to stage pianos...
Owner's Manual
Page 41
... free up some memory by deleting unneeded User Songs or set the recording mode and the measure at which to save your CP5 or CP50, you can be added to the pre-existing data. .PEF.FBT SFQMBDF Knob 1 Knob 2 Knob 3 CP5/CP50 Owner's Manual 41 The Record screen will be displayed. 2 Press the [- Quick Start Guide Recording Keyboard Performances Recording Keyboard Performances Using the recording functionality of your recording will be automatically assigned. Recording a User Song 1 Press the [REC] button...
... free up some memory by deleting unneeded User Songs or set the recording mode and the measure at which to save your CP5 or CP50, you can be added to the pre-existing data. .PEF.FBT SFQMBDF Knob 1 Knob 2 Knob 3 CP5/CP50 Owner's Manual 41 The Record screen will be displayed. 2 Press the [- Quick Start Guide Recording Keyboard Performances Recording Keyboard Performances Using the recording functionality of your recording will be automatically assigned. Recording a User Song 1 Press the [REC] button...
Owner's Manual
Page 47
... selected by playing the keyboard.) • When connected to a computer, allow MIDI data to be sent to pass between turning the stage piano on your CP5 or CP50 to allow at least 6 seconds to the instrument in the downloaded file package. Failing to do so as part of the stage piano's system settings. Utility settings are stored within User Memory as shown below. [USB TO HOST] port USB cable USB port CP5 Computer 3 Setup...
... selected by playing the keyboard.) • When connected to a computer, allow MIDI data to be sent to pass between turning the stage piano on your CP5 or CP50 to allow at least 6 seconds to the instrument in the downloaded file package. Failing to do so as part of the stage piano's system settings. Utility settings are stored within User Memory as shown below. [USB TO HOST] port USB cable USB port CP5 Computer 3 Setup...
Owner's Manual
Page 49
...& User Memory The name Edit Buffer is to be overwritten with it is given to an area of memory used to . Internal memory *1 Preset Data (ROM) Preset Performances Voice settings Preset Drum Patterns Demo songs Bulk dump Internal data transfer Exchange of data with external devices MIDI device or computer Sequencing software Edit Buffer (DRAM) Performances Left and right part data Voice settings Pre-amplifier settings Modulation effect settings Power amplifier / compressor settings (CP5 only) TRACK part data MIC INPUT part data (CP5 only) Reverb settings Common Settings data Song...
...& User Memory The name Edit Buffer is to be overwritten with it is given to an area of memory used to . Internal memory *1 Preset Data (ROM) Preset Performances Voice settings Preset Drum Patterns Demo songs Bulk dump Internal data transfer Exchange of data with external devices MIDI device or computer Sequencing software Edit Buffer (DRAM) Performances Left and right part data Voice settings Pre-amplifier settings Modulation effect settings Power amplifier / compressor settings (CP5 only) TRACK part data MIC INPUT part data (CP5 only) Reverb settings Common Settings data Song...
Reference Manual
Page 10
Master Equalizer block Audio output USB flash-memory device Recording MIDI & Audio Data Recording of User Songs and Wave files is carried out using the sound created by the current Performance's left and right part settings. In the case of User Songs, you record your keyboard performance together with the Preset Drum Pattern or User Song set the backing track's volume, pan, and effect send level. Preset Drum Patterns are handled by left and right parts, they function perfectly as backing tracks for playback as Performance backing tracks. Internal Design...
Master Equalizer block Audio output USB flash-memory device Recording MIDI & Audio Data Recording of User Songs and Wave files is carried out using the sound created by the current Performance's left and right part settings. In the case of User Songs, you record your keyboard performance together with the Preset Drum Pattern or User Song set the backing track's volume, pan, and effect send level. Preset Drum Patterns are handled by left and right parts, they function perfectly as backing tracks for playback as Performance backing tracks. Internal Design...
Reference Manual
Page 13
... selected type of expression for All Performances 3[MASTER COMPRESSOR] 3[UTILITY] 3[FILE] Appendix 13 CP5/CP50 Reference Manual PAGE] and [PAGE 3] buttons Turn Knobs 1 to "stretch" (page 44). NOTE Piano types marked with a connected Sustain pedal to experience the wonderful richness of piano will still produce a much harder sound. In the following table, you to recreate the sound of this instrument. In specific terms, the DampReso parameter sets the depth of strings...
... selected type of expression for All Performances 3[MASTER COMPRESSOR] 3[UTILITY] 3[FILE] Appendix 13 CP5/CP50 Reference Manual PAGE] and [PAGE 3] buttons Turn Knobs 1 to "stretch" (page 44). NOTE Piano types marked with a connected Sustain pedal to experience the wonderful richness of piano will still produce a much harder sound. In the following table, you to recreate the sound of this instrument. In specific terms, the DampReso parameter sets the depth of strings...
Reference Manual
Page 14
... (Release Time) All piano voices This parameter is used to adjust the volume of the mid-frequency component. StrkPos (Striking Position) 71Rd I, 73Rd II, 75Rd I, 78Rd II, Dyno, 69Wr, and 77Wr This parameter is used to replicate the effect of the piano sound in much the same way as the part's voice, drive will be muted briefly whenever one of the following tone-control parameters...
... (Release Time) All piano voices This parameter is used to adjust the volume of the mid-frequency component. StrkPos (Striking Position) 71Rd I, 73Rd II, 75Rd I, 78Rd II, Dyno, 69Wr, and 77Wr This parameter is used to replicate the effect of the piano sound in much the same way as the part's voice, drive will be muted briefly whenever one of the following tone-control parameters...
Reference Manual
Page 16
... LCR) Delay LCR features three individual delays, one each for a more natural, spacious tone. T-DlyMono (Tempo Delay Mono) Tempo Delay Mono is a stereo delay effect that are available for All Performances 3[MASTER COMPRESSOR] 3[UTILITY] 3[FILE] Appendix 16 CP5/CP50 Reference Manual SPX Cho (SPX Chorus) The SPX Chorus effect enhances modulation and spaciousness using a threephase LFO. After selecting Other as the modulation effect type, you will be synchronized...
... LCR) Delay LCR features three individual delays, one each for a more natural, spacious tone. T-DlyMono (Tempo Delay Mono) Tempo Delay Mono is a stereo delay effect that are available for All Performances 3[MASTER COMPRESSOR] 3[UTILITY] 3[FILE] Appendix 16 CP5/CP50 Reference Manual SPX Cho (SPX Chorus) The SPX Chorus effect enhances modulation and spaciousness using a threephase LFO. After selecting Other as the modulation effect type, you will be synchronized...
Reference Manual
Page 18
... M Manual Mix Mode P PdlCtrl (Pedal Control) Phase Flanger Flanger, Chorus, 816Chorus, and Symphonic Max100 Pedal Wah 816Chorus Description This parameter is used to adjust the way in the Data List pdf document. This parameter is used to set the phaser's input level. This parameter is used to set the phase offset for the chorus effect. 18 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 Reference Left & Right Parts 3[VOICE] 3[PRE-AMP...
... M Manual Mix Mode P PdlCtrl (Pedal Control) Phase Flanger Flanger, Chorus, 816Chorus, and Symphonic Max100 Pedal Wah 816Chorus Description This parameter is used to adjust the way in the Data List pdf document. This parameter is used to set the phaser's input level. This parameter is used to set the phase offset for the chorus effect. 18 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 Reference Left & Right Parts 3[VOICE] 3[PRE-AMP...
Reference Manual
Page 19
... used to adjust how sensitive the filter-sweep effect is used to set the delay time as an offset. 19 CP5/CP50 Reference Manual Internal Design of amplifier to be simulated. AMP Type This parameter is used to set the input-signal level at which the compressor starts to process the sound (i.e., the threshold). Compress This parameter is used to set the type of the CP5 & CP50 Reference Left & Right Parts 3[VOICE] 3[PRE-AMP...
... used to adjust how sensitive the filter-sweep effect is used to set the delay time as an offset. 19 CP5/CP50 Reference Manual Internal Design of amplifier to be simulated. AMP Type This parameter is used to set the input-signal level at which the compressor starts to process the sound (i.e., the threshold). Compress This parameter is used to set the type of the CP5 & CP50 Reference Left & Right Parts 3[VOICE] 3[PRE-AMP...
Reference Manual
Page 44
...] Song Setting Area 3[SONG SETTING] 3[RECORD] TRACK Part 3[TRACK] MIC INPUT Part 3[MIC INPUT] (CP5 only) Settings for All Parts 3[REVERB] Settings for the entire keyboard. fixed The Fixed curve can be sent for these parameters are tuned slightly flatter; For more difficult to 1 Hz. Pedal) TAIN foot-switch jack on the keyboard. FC4/5 Choose this setting when using Knob 2 to set to indicate the type of an acoustic piano. Internal Design of all keys played. PAGE] and [PAGE 3] buttons Turn or...
...] Song Setting Area 3[SONG SETTING] 3[RECORD] TRACK Part 3[TRACK] MIC INPUT Part 3[MIC INPUT] (CP5 only) Settings for All Parts 3[REVERB] Settings for the entire keyboard. fixed The Fixed curve can be sent for these parameters are tuned slightly flatter; For more difficult to 1 Hz. Pedal) TAIN foot-switch jack on the keyboard. FC4/5 Choose this setting when using Knob 2 to set to indicate the type of an acoustic piano. Internal Design of all keys played. PAGE] and [PAGE 3] buttons Turn or...
Reference Manual
Page 45
... FOOT CONTROLLER jack FS Foot switch connected to the ASSIGNABLE jack CtrlNo (Control Number) This parameter is used to specify a control change number for your equipment setup. Setting values: 1 to (Device Number) successfully exchange Bulk Dump data, parameter changes, or other devices will be received. This parameter is set a MIDI device number for the controller selected using Device Number 1. In order to 16, or off 6 DevNo. Meanwhile, data will be produced in response to turn local control on or off NOTE...
... FOOT CONTROLLER jack FS Foot switch connected to the ASSIGNABLE jack CtrlNo (Control Number) This parameter is used to specify a control change number for your equipment setup. Setting values: 1 to (Device Number) successfully exchange Bulk Dump data, parameter changes, or other devices will be received. This parameter is set a MIDI device number for the controller selected using Device Number 1. In order to 16, or off 6 DevNo. Meanwhile, data will be produced in response to turn local control on or off NOTE...
Reference Manual
Page 46
... playback of User Songs or Preset Drum Synchronization) Patterns on your CP5 or CP50 is used to select the master-equalizer frequency band to alternate between the stage piano and external MIDI devices. In other words, playback will be synchronized to turn the metronome on another MIDI device. mitted and received. pgm (Program Change) Program Change MIDI messages will be transmitted and received, but Pro- (Bank Select) gram Change MIDI messages will...
... playback of User Songs or Preset Drum Synchronization) Patterns on your CP5 or CP50 is used to select the master-equalizer frequency band to alternate between the stage piano and external MIDI devices. In other words, playback will be synchronized to turn the metronome on another MIDI device. mitted and received. pgm (Program Change) Program Change MIDI messages will be transmitted and received, but Pro- (Bank Select) gram Change MIDI messages will...
