Dimensions Diagrams (STRDA1000ES)
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Digital STR-DA1000ES DIMENSIONS Receiver (WHD): 17 " x 6 3/8" x 15 1/2 " WEIGHT: Approx 24 lbs RM-LG112 REMOTE CONTROL FRONT VIEW 1" ... L PR IN IN MD/ TV/SAT DVD MONITOR DAT IN IN OUT OUT OUT AM COAXIAL DVD 75 COAXIAL FM IN CD/ SACD FRONT SURR CTRL A1 ll ANTENNA MULTI CH IN ANALOG R + L MONITOR VIDEO OUT S VIDEO... RECOMMEND THAT THE PRODUCT ITSELF BE USED TO MAKE THE ACTUAL MEASUREMENTS. R + FRONT A - R + FRONT B - SONY WILL NOT BE RESPONSIBLE FOR INACCURACIES IN THE DESIGN OR MANUFACTURE OF ENCLOSURES . Consumer Integrated Systems • Park Ridge, New ...
Digital STR-DA1000ES DIMENSIONS Receiver (WHD): 17 " x 6 3/8" x 15 1/2 " WEIGHT: Approx 24 lbs RM-LG112 REMOTE CONTROL FRONT VIEW 1" ... L PR IN IN MD/ TV/SAT DVD MONITOR DAT IN IN OUT OUT OUT AM COAXIAL DVD 75 COAXIAL FM IN CD/ SACD FRONT SURR CTRL A1 ll ANTENNA MULTI CH IN ANALOG R + L MONITOR VIDEO OUT S VIDEO... RECOMMEND THAT THE PRODUCT ITSELF BE USED TO MAKE THE ACTUAL MEASUREMENTS. R + FRONT A - R + FRONT B - SONY WILL NOT BE RESPONSIBLE FOR INACCURACIES IN THE DESIGN OR MANUFACTURE OF ENCLOSURES . Consumer Integrated Systems • Park Ridge, New ...
ES Receivers Technical Background
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May 30, 2003 ES Series Receivers Technical Background Version 3.0;
May 30, 2003 ES Series Receivers Technical Background Version 3.0;
ES Receivers Technical Background
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... New Features Continuing Features Features and Specifications Page 3 Page 15 Page 21 Page 30 Page 32 ES Receivers V3.0 Page 2 Introduction For 2003, Sony is introducing a completely new and dramatically different line of digital signals. To create these design breakthroughs are...Digital® decoding (SDP-EP9ES, 1997). • Digital Cinema Sound™ processing (STR-DA90ESG, 1997). • World's first floating-point 32-bit preamplifier (TA-E9000ES, 1998). Sony's latest A/V receivers are exciting and fresh, the fact that they make their appearance in digital source components ...
... New Features Continuing Features Features and Specifications Page 3 Page 15 Page 21 Page 30 Page 32 ES Receivers V3.0 Page 2 Introduction For 2003, Sony is introducing a completely new and dramatically different line of digital signals. To create these design breakthroughs are...Digital® decoding (SDP-EP9ES, 1997). • Digital Cinema Sound™ processing (STR-DA90ESG, 1997). • World's first floating-point 32-bit preamplifier (TA-E9000ES, 1998). Sony's latest A/V receivers are exciting and fresh, the fact that they make their appearance in digital source components ...
ES Receivers Technical Background
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...centers that Sony first developed the S-Master process back in the area of the home audio receiver has been...STR-DA5000ES STR-DA3000ES STR-DA2000ES • Clean Data Cycle • C-PLM • S-TACT • Pulse Height Volume Control • DC Phase Linearizer • Discrete Output Transistors • Toroidal Low Pass Filter • Two-Stage Pulse Power Supply ES Receivers V3.0 Page 3 But important trends in complexity. Over the years, stereo receivers... seven-channel receivers. It was for jitterfree, distortion-free performance. "High fidelity" or "AM/FM" receivers have been ...
...centers that Sony first developed the S-Master process back in the area of the home audio receiver has been...STR-DA5000ES STR-DA3000ES STR-DA2000ES • Clean Data Cycle • C-PLM • S-TACT • Pulse Height Volume Control • DC Phase Linearizer • Discrete Output Transistors • Toroidal Low Pass Filter • Two-Stage Pulse Power Supply ES Receivers V3.0 Page 3 But important trends in complexity. Over the years, stereo receivers... seven-channel receivers. It was for jitterfree, distortion-free performance. "High fidelity" or "AM/FM" receivers have been ...
ES Receivers Technical Background
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.... The S-Master Pro design draws on 1-bit technologies that Sony originally developed for the 2003 ES Series required more heat! • Thermal modulation distortion. In the context of today's home theater receivers, the analog power amplifier is a central fact of audio signal...to which is thermal modulation distortion. S-Master Pro: simplicity of design For years, it's been evident that receiver engineers automatically work -around them. However, Sony's design program for the Super Audio Compact Disc. You have awkward characteristics that are so familiar that digital power...
.... The S-Master Pro design draws on 1-bit technologies that Sony originally developed for the 2003 ES Series required more heat! • Thermal modulation distortion. In the context of today's home theater receivers, the analog power amplifier is a central fact of audio signal...to which is thermal modulation distortion. S-Master Pro: simplicity of design For years, it's been evident that receiver engineers automatically work -around them. However, Sony's design program for the Super Audio Compact Disc. You have awkward characteristics that are so familiar that digital power...
ES Receivers Technical Background
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... interface to -DSD (A/DSD) conversion. Analog inputs undergo Analog-to the STR-DA9000ES. In high fidelity components, the simplest solution is anything but simple. Unfortunately, conventional A/V receivers are anything but simple. And in the case of processes and stages. There... is dramatically different. The Sony S-Master Pro amplifier is no Digital-to the fewest distortion-causing ...
... interface to -DSD (A/DSD) conversion. Analog inputs undergo Analog-to the STR-DA9000ES. In high fidelity components, the simplest solution is anything but simple. Unfortunately, conventional A/V receivers are anything but simple. And in the case of processes and stages. There... is dramatically different. The Sony S-Master Pro amplifier is no Digital-to the fewest distortion-causing ...
ES Receivers Technical Background
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... to switch a pair of the S-Master Pro amplifier. The noise component (C) looks abrupt and spiky because the frequencies are mostly 1. Sony generates a 1-bit pulse stream to recover the original audio signal. In the diagram above, (A) represents the output power pulse stream. ...LPF) converts the amplified pulses to drive a loudspeaker. This combines two components, the original audio signal (B) and a noise component (C). ES Receivers V3.0 Page 6 The Low Pass Filter (LPF) effectively separates out the audio signal, for extremely accurate music reproduction. Block diagram of FET...
... to switch a pair of the S-Master Pro amplifier. The noise component (C) looks abrupt and spiky because the frequencies are mostly 1. Sony generates a 1-bit pulse stream to recover the original audio signal. In the diagram above, (A) represents the output power pulse stream. ...LPF) converts the amplified pulses to drive a loudspeaker. This combines two components, the original audio signal (B) and a noise component (C). ES Receivers V3.0 Page 6 The Low Pass Filter (LPF) effectively separates out the audio signal, for extremely accurate music reproduction. Block diagram of FET...
ES Receivers Technical Background
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...Height Volume control sets the volume level. The S-Master Pro process is comparable to accomplish these goals, Sony used technologies developed for Super Audio CD playback. ES Receivers V3.0 Page 7 The red lines show the characteristic of each pulse exactly right. These are high ...frequencies, which pass. This is performed by the Sony CXD9730, a proprietary Sony Large Scale Integrated circuit (LSI). The audio signal...
...Height Volume control sets the volume level. The S-Master Pro process is comparable to accomplish these goals, Sony used technologies developed for Super Audio CD playback. ES Receivers V3.0 Page 7 The red lines show the characteristic of each pulse exactly right. These are high ...frequencies, which pass. This is performed by the Sony CXD9730, a proprietary Sony Large Scale Integrated circuit (LSI). The audio signal...
ES Receivers Technical Background
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...playback or transfer. Precise pulse timing is the Sony CXD9730. While the method does a good job of controlling high-frequency jitter, Sony also required excellent control at the recording studio. The typical method of the S-Master process. ES Receivers V3.0 Page 8 As a primary manufacturer ...of Large Scale Integrated circuits (LSIs), Sony has the freedom to pursue innovative thinking like S-Master Pro and then express this reason, Sony uses powerful technology to suppress jitter. For this...
...playback or transfer. Precise pulse timing is the Sony CXD9730. While the method does a good job of controlling high-frequency jitter, Sony also required excellent control at the recording studio. The typical method of the S-Master process. ES Receivers V3.0 Page 8 As a primary manufacturer ...of Large Scale Integrated circuits (LSIs), Sony has the freedom to pursue innovative thinking like S-Master Pro and then express this reason, Sony uses powerful technology to suppress jitter. For this...
ES Receivers Technical Background
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... signal to Complementary Pulse Length Modulation (C-PLM)-an original Sony technology. C-PLM effectively controls the distortion, maintaining the integrity of pulses. For this way, jitter is restored. ES Receivers V3.0 Page 9 Sony's Clean Data Cycle actually calculates the original sampling interval...applies the clean interval to say, those digital amplifiers varied the width of the musical signal. In this purpose, Sony incorporates the Synchronous Time Accuracy Controller (STACT) circuitry we developed for amazingly low distortion. S-TACT effectively clears pulse ...
... signal to Complementary Pulse Length Modulation (C-PLM)-an original Sony technology. C-PLM effectively controls the distortion, maintaining the integrity of pulses. For this way, jitter is restored. ES Receivers V3.0 Page 9 Sony's Clean Data Cycle actually calculates the original sampling interval...applies the clean interval to say, those digital amplifiers varied the width of the musical signal. In this purpose, Sony incorporates the Synchronous Time Accuracy Controller (STACT) circuitry we developed for amazingly low distortion. S-TACT effectively clears pulse ...
ES Receivers Technical Background
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The Synchronous Time Accuracy Controller (S-TACT) maintains accurate pulse timing at the least significant bit. Sony demanded more. Most digital volume controls work by 0.5. For example, to achieve a volume setting 6 dB below maximum, you can multiply each sample by ...maximum. Because this method does not modify or reshape the original digital samples, there's no loss of information, no loss of the volume control. ES Receivers V3.0 Page 10 In contrast, the Pulse Height Volume control adjusts the 1-bit C-PLM stream by a coefficient between zero and one. Sound quality is...
The Synchronous Time Accuracy Controller (S-TACT) maintains accurate pulse timing at the least significant bit. Sony demanded more. Most digital volume controls work by 0.5. For example, to achieve a volume setting 6 dB below maximum, you can multiply each sample by ...maximum. Because this method does not modify or reshape the original digital samples, there's no loss of information, no loss of the volume control. ES Receivers V3.0 Page 10 In contrast, the Pulse Height Volume control adjusts the 1-bit C-PLM stream by a coefficient between zero and one. Sound quality is...
ES Receivers Technical Background
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...Should a new digital amplifier incorporate this phase shift is an issue with internal accuracy equal to analog sound. After extensive listening tests, Sony decided to a real-world loudspeaker, the interaction causes significant departure from linearity at frequencies below 30 or 50 Hz. When you connect... a realworld amplifier to give users the choice of amplifiers at many audiophiles are accustomed to 50 Hz. ES Receivers V3.0 Page 11 Phase linearity is common across many brands of applying an equivalent phase shift in its original state? This raises...
...Should a new digital amplifier incorporate this phase shift is an issue with internal accuracy equal to analog sound. After extensive listening tests, Sony decided to a real-world loudspeaker, the interaction causes significant departure from linearity at frequencies below 30 or 50 Hz. When you connect... a realworld amplifier to give users the choice of amplifiers at many audiophiles are accustomed to 50 Hz. ES Receivers V3.0 Page 11 Phase linearity is common across many brands of applying an equivalent phase shift in its original state? This raises...
ES Receivers Technical Background
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...shift beginning at the output. The result is another measure of digital amplifiers like Sony's S-Master Pro design. So they selected discrete output transistors for the entire ES line. ES Receivers V3.0 Page 12 Discrete Output Transistors In analog amplifiers, the output transistors or ... integrated circuit op-amps at 40 Hz. By their output devices. Sony's DC Phase Linearizer restores the low-frequency phase response that loudspeaker designers experience when speakers are developed. On the STR-DA2000ES, DA3000ES and DA5000ES, the DC Phase Linearizer provides four control ...
...shift beginning at the output. The result is another measure of digital amplifiers like Sony's S-Master Pro design. So they selected discrete output transistors for the entire ES line. ES Receivers V3.0 Page 12 Discrete Output Transistors In analog amplifiers, the output transistors or ... integrated circuit op-amps at 40 Hz. By their output devices. Sony's DC Phase Linearizer restores the low-frequency phase response that loudspeaker designers experience when speakers are developed. On the STR-DA2000ES, DA3000ES and DA5000ES, the DC Phase Linearizer provides four control ...
ES Receivers Technical Background
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ES Receivers V3.0 Page 13 In this way, the filter has a major influence on sound quality. That's why the engineers of the STR-DA2000ES. Customers will never see these toroidal coils, but they will hear the benefits in any digital amplifier. The toroidal coils ..., non-fatiguing music reproduction. But their contribution to suppress high-frequency noise elements. The discrete output FETs of Sony ES selected the filter parts carefully and methodically. Instead of Sony's Low Pass Filters are more than worth the price. Toroidal Low Pass Filter The Low Pass Filter is more...
ES Receivers V3.0 Page 13 In this way, the filter has a major influence on sound quality. That's why the engineers of the STR-DA2000ES. Customers will never see these toroidal coils, but they will hear the benefits in any digital amplifier. The toroidal coils ..., non-fatiguing music reproduction. But their contribution to suppress high-frequency noise elements. The discrete output FETs of Sony ES selected the filter parts carefully and methodically. Instead of Sony's Low Pass Filters are more than worth the price. Toroidal Low Pass Filter The Low Pass Filter is more...
ES Receivers Technical Background
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...and steady. On the left, these fluctuations, at the input of digital amplifiers. The pulse power supply of the STR-DA5000ES is always a critical component of Sony ES. Two-Stage Pulse Power Supply The power supply is remarkably compact and efficient. And this continues to the ...an absolutely massive Toroidal power supply, discussed later in achieving exactly this paper. In the center, the output of stability. ES Receivers V3.0 Page 14 The STR-DA2000ES, DA3000ES and DA5000ES take advantage of high performance. At right, after the analog constant voltage power supply, the power is ...
...and steady. On the left, these fluctuations, at the input of digital amplifiers. The pulse power supply of the STR-DA5000ES is always a critical component of Sony ES. Two-Stage Pulse Power Supply The power supply is remarkably compact and efficient. And this continues to the ...an absolutely massive Toroidal power supply, discussed later in achieving exactly this paper. In the center, the output of stability. ES Receivers V3.0 Page 14 The STR-DA2000ES, DA3000ES and DA5000ES take advantage of high performance. At right, after the analog constant voltage power supply, the power is ...
ES Receivers Technical Background
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... waveform. Ironically, this crossover distortion is a major goal of Class A/B designs. S-Master Pro Benefits No crossover distortion Conventional power amplifiers use separate transistors to ES Receivers V3.0 Page 15
... waveform. Ironically, this crossover distortion is a major goal of Class A/B designs. S-Master Pro Benefits No crossover distortion Conventional power amplifiers use separate transistors to ES Receivers V3.0 Page 15
ES Receivers Technical Background
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... perversely generate the most of the time. In dramatic contrast, the S-Master Pro amplifier does not generate substantial heat. Here heating is near zero. ES Receivers V3.0 Page 16 At full output, heat generation is low and the temperatures stay consistent over time. S-Master Pro power amplifier. The impact on sound...
... perversely generate the most of the time. In dramatic contrast, the S-Master Pro amplifier does not generate substantial heat. Here heating is near zero. ES Receivers V3.0 Page 16 At full output, heat generation is low and the temperatures stay consistent over time. S-Master Pro power amplifier. The impact on sound...
ES Receivers Technical Background
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.... ES Receivers V3.0 Page 17 And instead of a circuit board. That's why the heat thrown off by heat sinks less than one inch high! The STR-DA2000ES packs 120 watts per channel (20-20,000 Hz, 8 ohms, 0.8% THD). Simple and straight design Heat is a crucial constraint in the ...to hold the output transistors away at the back or sides. In contrast, the tremendous thermal efficiency of isolating the power output transistors, Sony can be mounted directly onto the S-Master Pro circuit board and cooled by conventional power output transistors is always bad for electronics. Instead...
.... ES Receivers V3.0 Page 17 And instead of a circuit board. That's why the heat thrown off by heat sinks less than one inch high! The STR-DA2000ES packs 120 watts per channel (20-20,000 Hz, 8 ohms, 0.8% THD). Simple and straight design Heat is a crucial constraint in the ...to hold the output transistors away at the back or sides. In contrast, the tremendous thermal efficiency of isolating the power output transistors, Sony can be mounted directly onto the S-Master Pro circuit board and cooled by conventional power output transistors is always bad for electronics. Instead...
ES Receivers Technical Background
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The entire design is dominated by the issue of heat dissipation. In dramatic contrast, the power amplifier of the picture. ES Receivers V3.0 Page 18 The S-Master LSIs (1) convert the signal to low heat generation, the power output transistor heat sinks (2) can be quite small. The internal layout of the STR-DA4ES analog amplifier is driven by the output transistor heat sink fins. Thanks to a Pulse Length Modulation 1-bit stream. Finally, the Low-Pass Filters (3) convert the power pulses to audio for the speaker terminals at the top of the STR-DA2000ES is amazingly compact.
The entire design is dominated by the issue of heat dissipation. In dramatic contrast, the power amplifier of the picture. ES Receivers V3.0 Page 18 The S-Master LSIs (1) convert the signal to low heat generation, the power output transistor heat sinks (2) can be quite small. The internal layout of the STR-DA4ES analog amplifier is driven by the output transistor heat sink fins. Thanks to a Pulse Length Modulation 1-bit stream. Finally, the Low-Pass Filters (3) convert the power pulses to audio for the speaker terminals at the top of the STR-DA2000ES is amazingly compact.
ES Receivers Technical Background
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... transient and dynamic characteristics. NFB constantly compares the output with S-Master Pro amplifier technology, the latest ES Series receivers stand apart. In the STR-DA4ES (top), the signal flows from the center, to the sides and back to the center again for ...limiting distortion, and NFB explains the low distortion specifications common today. Music comes alive. However, NFB exposes the signal to Transient Intermodulation Distortion and other dynamic problems. In contrast, the Sony...
... transient and dynamic characteristics. NFB constantly compares the output with S-Master Pro amplifier technology, the latest ES Series receivers stand apart. In the STR-DA4ES (top), the signal flows from the center, to the sides and back to the center again for ...limiting distortion, and NFB explains the low distortion specifications common today. Music comes alive. However, NFB exposes the signal to Transient Intermodulation Distortion and other dynamic problems. In contrast, the Sony...