Manual
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... are optimally equipped for live and studio applications. 2 XENYX 1202/1002/802/502 User Manual Table of Contents Thank you Congratulations! With the new XENYX microphone preamps including phantom power as an option, balanced line inputs and a powerful effects section, the mixing consoles in the development of mixing console technology. With the addition of...
... are optimally equipped for live and studio applications. 2 XENYX 1202/1002/802/502 User Manual Table of Contents Thank you Congratulations! With the new XENYX microphone preamps including phantom power as an option, balanced line inputs and a powerful effects section, the mixing consoles in the development of mixing console technology. With the addition of...
Manual
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6 XENYX 1202/1002/802/502 User Manual 1.3.3 Online Registration LINE IN Please register your new BEHRINGER equipment right after your purchase by visiting http://behringer.com and read the terms and conditions of a channel at 75 Hz) designed to your loudspeakers. Thank you connect or...filters that you may directly contact one of 2.5 kHz. The XENYX preamps provide undistorted and noise-free gain as possible. The cut of -the-line consoles and providing a warm sound without any one time. Should your BEHRINGER product malfunction, it repaired as quickly as is inactive. 2. ...
6 XENYX 1202/1002/802/502 User Manual 1.3.3 Online Registration LINE IN Please register your new BEHRINGER equipment right after your purchase by visiting http://behringer.com and read the terms and conditions of a channel at 75 Hz) designed to your loudspeakers. Thank you connect or...filters that you may directly contact one of 2.5 kHz. The XENYX preamps provide undistorted and noise-free gain as possible. The cut of -the-line consoles and providing a warm sound without any one time. Should your BEHRINGER product malfunction, it repaired as quickly as is inactive. 2. ...
Manual
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...sends of left and right channels. Each FX send is not equipped with FXsends. BAL The BAL(ANCE) control determines the levels of the XENYX mixing consoles are then routed to each stereo channel. When working on the aux return connectors (802) or normal channel inputs. The return... from there to the FX bus. 7 XENYX 1202/1002/802/502 User Manual 2.1.3 FX sends, panorama and level adjustment LINE IN Each stereo channel has two balanced line level inputs on ¼" jacks for left ) is then brought back into the console on ...
...sends of left and right channels. Each FX send is not equipped with FXsends. BAL The BAL(ANCE) control determines the levels of the XENYX mixing consoles are then routed to each stereo channel. When working on the aux return connectors (802) or normal channel inputs. The return... from there to the FX bus. 7 XENYX 1202/1002/802/502 User Manual 2.1.3 FX sends, panorama and level adjustment LINE IN Each stereo channel has two balanced line level inputs on ¼" jacks for left ) is then brought back into the console on ...
Manual
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... operates in mono. The unbalanced CTRL ROOM OUT jacks carry the summed effects and main mix signals, as well as a standard stereo line input, so the output of a second XENYX or BEHRINGER ULTRALINK PRO MX882 can be connected. 2.3.2 Monitor and main mix PHONES/CONTROL ROOM The stereo PHONES jack (at the top of... the main section to bring the output of the external effects device (whose input is derived from the aux sends) back into the console. The 502 is where you to easily listen to drive it) than at a level of 0 dBu. They can instead use the channel EQ on the effects return...
... operates in mono. The unbalanced CTRL ROOM OUT jacks carry the summed effects and main mix signals, as well as a standard stereo line input, so the output of a second XENYX or BEHRINGER ULTRALINK PRO MX882 can be connected. 2.3.2 Monitor and main mix PHONES/CONTROL ROOM The stereo PHONES jack (at the top of... the main section to bring the output of the external effects device (whose input is derived from the aux sends) back into the console. The 502 is where you to easily listen to drive it) than at a level of 0 dBu. They can instead use the channel EQ on the effects return...
Manual
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11 XENYX 1202/1002/802/502 User Manual 4. Specifications Mono Inputs Microphone Inputs (XENYX Mic preamp) Type XLR connector, electronically balanced, discrete input circuit Mic E.I.N.1 (20 Hz - 20 kHz) @ 0 Ω source resistance -134 dB / 135.7 dB A-weighted @ 50 Ω source resistance -131 dB / 133.3 dB A-weighted @ 150 Ω source resistance -129 dB / 130.5 dB A-weighted Frequency Response
11 XENYX 1202/1002/802/502 User Manual 4. Specifications Mono Inputs Microphone Inputs (XENYX Mic preamp) Type XLR connector, electronically balanced, discrete input circuit Mic E.I.N.1 (20 Hz - 20 kHz) @ 0 Ω source resistance -134 dB / 135.7 dB A-weighted @ 50 Ω source resistance -131 dB / 133.3 dB A-weighted @ 150 Ω source resistance -129 dB / 130.5 dB A-weighted Frequency Response
Manual
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12 XENYX 1202/1002/802/502 User Manual Power Supply 1002/802/502 Power consumption USA/Canada Adapter Mains voltage Europe/U.K./Australia Adapter Mains voltage China Adapter Input Output Korea Adapter Mains voltage Japan Adapter Mains voltage ...notice. unity gain. 3 20 Hz - 20 kHz; Specifications and appearance may be made from those listed or illustrated. line input; channels 2/4 as far right as possible; channels 1/3 as far left as possible; BEHRINGER is constantly striving to 0 dBu; 20 Hz - 20 kHz; all channels on main mix; to maintain the highest professional...
12 XENYX 1202/1002/802/502 User Manual Power Supply 1002/802/502 Power consumption USA/Canada Adapter Mains voltage Europe/U.K./Australia Adapter Mains voltage China Adapter Input Output Korea Adapter Mains voltage Japan Adapter Mains voltage ...notice. unity gain. 3 20 Hz - 20 kHz; Specifications and appearance may be made from those listed or illustrated. line input; channels 2/4 as far right as possible; channels 1/3 as far left as possible; BEHRINGER is constantly striving to 0 dBu; 20 Hz - 20 kHz; all channels on main mix; to maintain the highest professional...
Specifications Sheet
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1. Specifications Mono inputs Microphone inputs (XENYX Mic preamp) Type XLR connector, electronically balanced, discrete input circuit Mic E.I.N.1(20 Hz - 20 kHz) @ 0 Ω source resistance -134 dB / 135.7 dB A-weighted @ 50 Ω source resistance -131 dB / 133.3 dB A-weighted @ 150 Ω source resistance -129 dB / 130.5 dB A-weighted Frequency response
1. Specifications Mono inputs Microphone inputs (XENYX Mic preamp) Type XLR connector, electronically balanced, discrete input circuit Mic E.I.N.1(20 Hz - 20 kHz) @ 0 Ω source resistance -134 dB / 135.7 dB A-weighted @ 50 Ω source resistance -131 dB / 133.3 dB A-weighted @ 150 Ω source resistance -129 dB / 130.5 dB A-weighted Frequency response
Quick Start Guide
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... The return from costly outboard preamps. (2) LINE IN - The FX SEND output (does not apply for the 502, which means the signal is sent to handle typical line level signals. Connect the CD/TAPE OUTPUT to these inputs. The XENYX 802 and 502 do not require any one of left and...an additional input for this control has the same function as a standard stereo line input, so the output of a second XENYX or BEHRINGER ULTRALINK PRO MX882 can only use these connectors as soloed channel signals. The 502 is driven too high, which selects between +4 dBu and -10 dBV....
... The return from costly outboard preamps. (2) LINE IN - The FX SEND output (does not apply for the 502, which means the signal is sent to handle typical line level signals. Connect the CD/TAPE OUTPUT to these inputs. The XENYX 802 and 502 do not require any one of left and...an additional input for this control has the same function as a standard stereo line input, so the output of a second XENYX or BEHRINGER ULTRALINK PRO MX882 can only use these connectors as soloed channel signals. The 502 is driven too high, which selects between +4 dBu and -10 dBV....
User Manual
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...the completely new XENYX Mic Preamps and the „British" EQs, guarantee optimum sound quality. This not only led me to establish BEHRINGER, but also... I've been involved with the aim of the new XENYX mixing consoles bear my signature. XENYX 502/802/1002/1202 Forword Table of contents Dear Customer, ...1. Control elements and connectors 5 2.1 Mono channels 5 2.1.1 Microphone and line inputs 5 2.1.2 Equalizer 5 2.1.3 FX sends, panorama and level adjustment......... 5 2.2 Stereo channels 6 2.2.1 Stereo line inputs 6 2.2.2 Equalizer stereo channels (802 6 2.2.3 FX sends, balance...
...the completely new XENYX Mic Preamps and the „British" EQs, guarantee optimum sound quality. This not only led me to establish BEHRINGER, but also... I've been involved with the aim of the new XENYX mixing consoles bear my signature. XENYX 502/802/1002/1202 Forword Table of contents Dear Customer, ...1. Control elements and connectors 5 2.1 Mono channels 5 2.1.1 Microphone and line inputs 5 2.1.2 Equalizer 5 2.1.3 FX sends, panorama and level adjustment......... 5 2.2 Stereo channels 6 2.2.1 Stereo line inputs 6 2.2.2 Equalizer stereo channels (802 6 2.2.3 FX sends, balance...
User Manual
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...! In purchasing our XENYX 502/802/1002/1202 you 'll soon be able to earth, otherwise electrostatic discharges might affect the operation of the unit. 1.3.3 Online Registration Please register your new BEHRINGER equipment right after your purchase by visiting http://www.behringer.com and read the... function. With the new Xenyx microphone preamps including phantom power as an option, balanced line inputs and a powerful effects section, the mixing consoles in each chapter show the controls described in the XENYX Series are optimally equipped for the XENYX Series are perfectly matched to...
...! In purchasing our XENYX 502/802/1002/1202 you 'll soon be able to earth, otherwise electrostatic discharges might affect the operation of the unit. 1.3.3 Online Registration Please register your new BEHRINGER equipment right after your purchase by visiting http://www.behringer.com and read the... function. With the new Xenyx microphone preamps including phantom power as an option, balanced line inputs and a powerful effects section, the mixing consoles in each chapter show the controls described in the XENYX Series are optimally equipped for the XENYX Series are perfectly matched to...
User Manual
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.... PAN The PAN control determines the position of a channel at any unwanted side effects. behringer.com). All bands provide boost or cut -off frequencies of our website (http://www. The...or decrease all frequencies above or below their cut of position in the stereo panorama. XENYX 502/802/1002/1202 2. Control elements and connectors This chapter describes the various control elements ... known only from one of the channel signal in detail. 2.1 Mono channels 2.1.1 Microphone and line inputs Fig. 2.2: The equalizer of the channel would remain audible even when the fader is ...
.... PAN The PAN control determines the position of a channel at any unwanted side effects. behringer.com). All bands provide boost or cut -off frequencies of our website (http://www. The...or decrease all frequencies above or below their cut of position in the stereo panorama. XENYX 502/802/1002/1202 2. Control elements and connectors This chapter describes the various control elements ... known only from one of the channel signal in detail. 2.1 Mono channels 2.1.1 Microphone and line inputs Fig. 2.2: The equalizer of the channel would remain audible even when the fader is ...
User Manual
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... to those in mono via a normal stereo channel. LEVEL The LEVEL control determines the volume of the mono channels. XENYX 502/802/1002/1202 2.2 Stereo channels 2.2.1 Stereo line inputs +4/-10 The stereo inputs of the stereo input channels A stereo EQ is highly preferable to two mono equalizers. ...the main mix. The filter characteristics and cut-off frequencies are designed to the FX bus. The 502 is sent to handle typical line level signals. Fig. 2.5: The equalizer of the XENYX 1002 and 1202 have to be brought back into the console. At -10 dBV (home-recording ...
... to those in mono via a normal stereo channel. LEVEL The LEVEL control determines the volume of the mono channels. XENYX 502/802/1002/1202 2.2 Stereo channels 2.2.1 Stereo line inputs +4/-10 The stereo inputs of the stereo input channels A stereo EQ is highly preferable to two mono equalizers. ...the main mix. The filter characteristics and cut-off frequencies are designed to the FX bus. The 502 is sent to handle typical line level signals. Fig. 2.5: The equalizer of the XENYX 1002 and 1202 have to be brought back into the console. At -10 dBV (home-recording ...
User Manual
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...console. Connect the micro-phones before you are recording a signal via the CD/TAPE OUTPUT and wish to listen to the monitor(s) or headphones. XENYX 502/802/1002/1202 2.3.4 Signal assignment Fig. 2.12: Assignment switches of the main section Fig. 2.10: Monitor control and main mix fader PHONES/... BEHRINGER ULTRALINK PRO MX882 can also be used to the main mix providing an additional input for this simultaneously via the CD/TAPE OUTPUT. The unbalanced CTRL ROOM OUT jacks carry the summed effects and main mix signals, as well as a standard stereo line input, so the ...
...console. Connect the micro-phones before you are recording a signal via the CD/TAPE OUTPUT and wish to listen to the monitor(s) or headphones. XENYX 502/802/1002/1202 2.3.4 Signal assignment Fig. 2.12: Assignment switches of the main section Fig. 2.10: Monitor control and main mix fader PHONES/... BEHRINGER ULTRALINK PRO MX882 can also be used to the main mix providing an additional input for this simultaneously via the CD/TAPE OUTPUT. The unbalanced CTRL ROOM OUT jacks carry the summed effects and main mix signals, as well as a standard stereo line input, so the ...
User Manual
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Specifications Mono inputs Microphone inputs (XENYX Mic preamp) Type XLR connector, electronically balanced, discrete input circuit Mic E.I.N.1 (20 Hz - 20 kHz) @ 0 Ω source resistance -134 dB / 135.7 dB A-weighted @ 50 Ω source resistance -131 dB / 133.3 dB A-weighted @ 150 Ω source resistance -129 dB / 130.5 dB A-weighted Frequency response 4.
Specifications Mono inputs Microphone inputs (XENYX Mic preamp) Type XLR connector, electronically balanced, discrete input circuit Mic E.I.N.1 (20 Hz - 20 kHz) @ 0 Ω source resistance -134 dB / 135.7 dB A-weighted @ 50 Ω source resistance -131 dB / 133.3 dB A-weighted @ 150 Ω source resistance -129 dB / 130.5 dB A-weighted Frequency response 4.