User Guide
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... can lead to effectively use new Adobe Creative Suite 2 features in the visual communications industry who need a reliable approach to specify color appearance-RGB and CMYK-are a new or experienced user of Adobe Photoshop®, Adobe Illustrator®, Adobe InDesign®, Adobe GoLive®, or Adobe Acrobat® Professional, this guide provides the knowledge you need to hours of lost productivity and revenue because of the...
... can lead to effectively use new Adobe Creative Suite 2 features in the visual communications industry who need a reliable approach to specify color appearance-RGB and CMYK-are a new or experienced user of Adobe Photoshop®, Adobe Illustrator®, Adobe InDesign®, Adobe GoLive®, or Adobe Acrobat® Professional, this guide provides the knowledge you need to hours of lost productivity and revenue because of the...
User Guide
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... consistently from edit to proof to view and print blacks in your work flow using a new Color Management Policy called "Preserve Numbers (Ignore Linked Profiles)". New color features in Adobe Creative Suite 2 lets you share colors across all Adobe Creative Suite 2 components. independent of the unique color characteristics of an application's color management features. Safe CMYK mode preserves CMYK color numbers in Illustrator CS2 and InDesign CS2, as well as Web/Internet or Prepress-that users can...
... consistently from edit to proof to view and print blacks in your work flow using a new Color Management Policy called "Preserve Numbers (Ignore Linked Profiles)". New color features in Adobe Creative Suite 2 lets you share colors across all Adobe Creative Suite 2 components. independent of the unique color characteristics of an application's color management features. Safe CMYK mode preserves CMYK color numbers in Illustrator CS2 and InDesign CS2, as well as Web/Internet or Prepress-that users can...
User Guide
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... About Adobe Bridge Adobe Bridge component of work flows. Selecting a CSF in today's common work flows to display warnings when embedded profiles are not completely familiar with preset color management policies and default profiles. Use the table below to find the work flow. IF YOU ARE A... This chapter helps you ? Chapters 2 through 5 describe how to use the new Adobe Creative Suite 2 color management features in Adobe Bridge...
... About Adobe Bridge Adobe Bridge component of work flows. Selecting a CSF in today's common work flows to display warnings when embedded profiles are not completely familiar with preset color management policies and default profiles. Use the table below to find the work flow. IF YOU ARE A... This chapter helps you ? Chapters 2 through 5 describe how to use the new Adobe Creative Suite 2 color management features in Adobe Bridge...
User Guide
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... CS2 Color Settings dialog box. Color Workflows for Adobe Creative Suite 2 6 Although you select North America General Purpose 2 as the default CMYK working space color profile to preserve CMYK color numbers. For information about mismatched profile warnings, see "Chapter 6: Advanced Topics." Web Coated (SWOP) v2 as the CSF in Adobe Bridge. This color setting sets the default CMYK working space and uses the CMYK color management policy to U.S. Initial setup Before starting this is selected in Adobe Bridge...
... CS2 Color Settings dialog box. Color Workflows for Adobe Creative Suite 2 6 Although you select North America General Purpose 2 as the default CMYK working space color profile to preserve CMYK color numbers. For information about mismatched profile warnings, see "Chapter 6: Advanced Topics." Web Coated (SWOP) v2 as the CSF in Adobe Bridge. This color setting sets the default CMYK working space and uses the CMYK color management policy to U.S. Initial setup Before starting this is selected in Adobe Bridge...
User Guide
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... another user can understand how the file was created in Photoshop CS2, the application automatically uses the standard CMYK working space U.S. Choose Image > Mode. 2. However, the colors are understood using the standard U.S. Web Coated (SWOP) v2 to the document. Photoshop CS2 assumes that the CMYK values are now appropriate for printing purposes. Choose File > Save. 2. Note: Photoshop CS2 uses the default CMYK working space profile, U.S. By default, Photoshop CS2 embeds this color space into a color space...
... another user can understand how the file was created in Photoshop CS2, the application automatically uses the standard CMYK working space U.S. Choose Image > Mode. 2. However, the colors are understood using the standard U.S. Web Coated (SWOP) v2 to the document. Photoshop CS2 assumes that the CMYK values are now appropriate for printing purposes. Choose File > Save. 2. Note: Photoshop CS2 uses the default CMYK working space profile, U.S. By default, Photoshop CS2 embeds this color space into a color space...
User Guide
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... and a rich black in Photoshop CS2. That way, any InDesign CS2 user will have the color data needed for Adobe Creative Suite 2 8 Previewing for more accurately in Illustrator and InDesign. When a new document is opened. InDesign CS2 uses the same profiles as document profiles. Note: The CMYK policy, Preserve Numbers (Ignore Linked Profiles), ensures that were possible when Color Management was turned off), you save...
... and a rich black in Photoshop CS2. That way, any InDesign CS2 user will have the color data needed for Adobe Creative Suite 2 8 Previewing for more accurately in Illustrator and InDesign. When a new document is opened. InDesign CS2 uses the same profiles as document profiles. Note: The CMYK policy, Preserve Numbers (Ignore Linked Profiles), ensures that were possible when Color Management was turned off), you save...
User Guide
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... conversions, do not change the default Output settings for Adobe Creative Suite 2 11 Note: The PDF/X-1a standard does not permit embedded profiles in a folder with the InDesign CS2 document for the printer, select File>Package. By default, Adobe Creative Suite 2 components set Color Conversion to Convert to Destination (Preserve Color Numbers) and Destination to CMYK. This conversion does not impact the workflow, since all the images, graphics, and fonts, and places...
... conversions, do not change the default Output settings for Adobe Creative Suite 2 11 Note: The PDF/X-1a standard does not permit embedded profiles in a folder with the InDesign CS2 document for the printer, select File>Package. By default, Adobe Creative Suite 2 components set Color Conversion to Convert to Destination (Preserve Color Numbers) and Destination to CMYK. This conversion does not impact the workflow, since all the images, graphics, and fonts, and places...
User Guide
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... the CMYK color components, make rich blacks, or to highquality stock image libraries), creative professionals are converted to the same CMYK profile used by the document. ��� ���� ���� In this RGB and CMYK mixed workflow, Adobe Creative Suite 2 components preserve your CMYK color values and enable the use of RGB content, which is converted to CMYK...
... the CMYK color components, make rich blacks, or to highquality stock image libraries), creative professionals are converted to the same CMYK profile used by the document. ��� ���� ���� In this RGB and CMYK mixed workflow, Adobe Creative Suite 2 components preserve your CMYK color values and enable the use of RGB content, which is converted to CMYK...
User Guide
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... "Chapter 6: Advanced Topics." Using the embedded profile allows you . Note: If the embedded profile is a device-dependent camera or scanner profile, you created or captured them in your workflow. When opening an RGB image in Photoshop CS2 with North America Prepress 2 color settings, a warning dialog appears if there is no profile embedded in working spaces, so standard working space. Color Workflows...
... "Chapter 6: Advanced Topics." Using the embedded profile allows you . Note: If the embedded profile is a device-dependent camera or scanner profile, you created or captured them in your workflow. When opening an RGB image in Photoshop CS2 with North America Prepress 2 color settings, a warning dialog appears if there is no profile embedded in working spaces, so standard working space. Color Workflows...
User Guide
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... color space of the Illustrator document. Because the Adobe Creative Suite 2 components use the same profiles, content with an associated color profile, all applications. Color Workflows for these file formats: • (Photoshop) .tif, .psd, .pdf, .eps, and .jpeg • (Illustrator) .ai and .pdf Note: For Illustrator CS2, you want to select Convert Document's Colors to the Working Space. Creating and placing graphics in Illustrator CS2 (RGB or CMYK) When creating a new...
... color space of the Illustrator document. Because the Adobe Creative Suite 2 components use the same profiles, content with an associated color profile, all applications. Color Workflows for these file formats: • (Photoshop) .tif, .psd, .pdf, .eps, and .jpeg • (Illustrator) .ai and .pdf Note: For Illustrator CS2, you want to select Convert Document's Colors to the Working Space. Creating and placing graphics in Illustrator CS2 (RGB or CMYK) When creating a new...
User Guide
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... > Preferences. 2. Select Appearance of placed RGB content. RGB content uses the document RGB profile except for Adobe Creative Suite 2 16 Note: Display All Blacks Accurately displays the difference between 100% K and rich black. Colors created in Photoshop CS2 and Illustrator CS2 match the color you see in InDesign CS2. ��� ���� Using the safe CMYK mode, all three applications, you...
... > Preferences. 2. Select Appearance of placed RGB content. RGB content uses the document RGB profile except for Adobe Creative Suite 2 16 Note: Display All Blacks Accurately displays the difference between 100% K and rich black. Colors created in Photoshop CS2 and Illustrator CS2 match the color you see in InDesign CS2. ��� ���� Using the safe CMYK mode, all three applications, you...
User Guide
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... Export Adobe PDF dialog. To change . However, all RGB content is CMYK, use the PDF/X-1a standard, which all non-CMYK content to the document's CMYK profile. Select Format: Adobe PDF, and then click Save. 3. You can choose an Adobe PDF preset standard from the Adobe PDF Preset menu. However, it does require that the CMYK numbers do not change these default settings. Color Workflows for Adobe Creative Suite 2 19 Choose File > Export. 2. To create a PDF file in which converts all content...
... Export Adobe PDF dialog. To change . However, all RGB content is CMYK, use the PDF/X-1a standard, which all non-CMYK content to the document's CMYK profile. Select Format: Adobe PDF, and then click Save. 3. You can choose an Adobe PDF preset standard from the Adobe PDF Preset menu. However, it does require that the CMYK numbers do not change these default settings. Color Workflows for Adobe Creative Suite 2 19 Choose File > Export. 2. To create a PDF file in which converts all content...
User Guide
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... www.adobe.com/products/photoshop/cameraraw.html. Saving images with an embedded profile: 1. You can save the images in for Adobe Creative Suite 2 24 Capturing and scanning images When scanning photos, check the scanner driver settings to a standard RGB working space while preserving as much color and tone information from the original capture as JPEG, TIFF, or PSD. If you the option of four color spaces. The default color space that Camera Raw renders color into...
... www.adobe.com/products/photoshop/cameraraw.html. Saving images with an embedded profile: 1. You can save the images in for Adobe Creative Suite 2 24 Capturing and scanning images When scanning photos, check the scanner driver settings to a standard RGB working space while preserving as much color and tone information from the original capture as JPEG, TIFF, or PSD. If you the option of four color spaces. The default color space that Camera Raw renders color into...
User Guide
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... many types of the media, select Simulate Paper. 5. Photoshop CS2 provides a user-friendly dialog for Adobe Creative Suite 2 25 Click OK. If necessary, make color adjustments, if necessary. In the Customize Proof Condition dialog box, select the profile that represents your images in the Proof Setup menu. 6. Color Workflows for selecting soft proofing options. 2. The file will appear on the printer. When printing, use the...
... many types of the media, select Simulate Paper. 5. Photoshop CS2 provides a user-friendly dialog for Adobe Creative Suite 2 25 Click OK. If necessary, make color adjustments, if necessary. In the Customize Proof Condition dialog box, select the profile that represents your images in the Proof Setup menu. 6. Color Workflows for selecting soft proofing options. 2. The file will appear on the printer. When printing, use the...
User Guide
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... section, select Document. 3. Color Workflows for your image on a printer: 1. Click Print. 5. Select the proper media type and appropriate driver settings for Adobe Creative Suite 2 26 Both scenarios are described below. To print images on a calibrated monitor, see the printer's user guide. In the Options section, do the following: • For Color Handling, choose Let Photoshop Determine Colors. • For Printer Profile, choose your printer's driver settings, see the color as...
... section, select Document. 3. Color Workflows for your image on a printer: 1. Click Print. 5. Select the proper media type and appropriate driver settings for Adobe Creative Suite 2 26 Both scenarios are described below. To print images on a calibrated monitor, see the printer's user guide. In the Options section, do the following: • For Color Handling, choose Let Photoshop Determine Colors. • For Printer Profile, choose your printer's driver settings, see the color as...
User Guide
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... across the Adobe Creative Suite 2 components. This selection sets the default RGB working space (sRGB) and RGB color management policy (Convert to Working RGB) are set correctly for Adobe Creative Suite 2 28 In GoLive CS2, Use Standard Web Workflow (RGB) is selected in the sRGB color space. Be sure you can save the images in Adobe Bridge. Collecting and capturing images Acquiring images might include gathering digital files from a photographer, taking photos with a digital camera, or scanning images into...
... across the Adobe Creative Suite 2 components. This selection sets the default RGB working space (sRGB) and RGB color management policy (Convert to Working RGB) are set correctly for Adobe Creative Suite 2 28 In GoLive CS2, Use Standard Web Workflow (RGB) is selected in the sRGB color space. Be sure you can save the images in Adobe Bridge. Collecting and capturing images Acquiring images might include gathering digital files from a photographer, taking photos with a digital camera, or scanning images into...
User Guide
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...: Use the smart object feature to store your site is optional. The Save for the Internet, embedding the sRGB profile is created. The first imports Photoshop CS2 and Illustrator CS2 artwork directly into GoLive CS2 from the color space assigned to your native file to prepare files for Adobe Creative Suite 2 30 Because sRGB is the standard color space for Web...
...: Use the smart object feature to store your site is optional. The Save for the Internet, embedding the sRGB profile is created. The first imports Photoshop CS2 and Illustrator CS2 artwork directly into GoLive CS2 from the color space assigned to your native file to prepare files for Adobe Creative Suite 2 30 Because sRGB is the standard color space for Web...
User Guide
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... stocks used for Adobe Creative Suite 2 34 To set up your printer in InDesign CS2 to simulate the final output device: 1. If you are relatively dull and have a yellowish color. Color Workflows for simulation is the document CMYK profile (InDesign) and the CMYK working space (Photoshop and Illustrator). The default color space used in the Custom Proof Setup dialog box. In the Color Management pane, select options to proof colors on...
... stocks used for Adobe Creative Suite 2 34 To set up your printer in InDesign CS2 to simulate the final output device: 1. If you are relatively dull and have a yellowish color. Color Workflows for simulation is the document CMYK profile (InDesign) and the CMYK working space (Photoshop and Illustrator). The default color space used in the Custom Proof Setup dialog box. In the Color Management pane, select options to proof colors on...
User Guide
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..., select Advanced from the Overprints menu. Large standard working spaces, defines a color gamut or set of how spot colors and overprint will print on most film types. Adobe RGB is smaller, yet is a color-encoding model based on the left, and then select Simulate from the list on human vision. Click Printer and do the following: • Deselect Color Management. • Select the appropriate media for Adobe Creative Suite...
..., select Advanced from the Overprints menu. Large standard working spaces, defines a color gamut or set of how spot colors and overprint will print on most film types. Adobe RGB is smaller, yet is a color-encoding model based on the left, and then select Simulate from the list on human vision. Click Printer and do the following: • Deselect Color Management. • Select the appropriate media for Adobe Creative Suite...
User Guide
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... A standard working space. Glossary This table contains definitions of colors produced by a device. Color gamut The total range of key terms used in this guide. For example, the total range of a device or color model from one -, two-, three-, or four-dimensional space whose dimensions, or components, represent intensity values. ICC International Color Consortium (ICC), the group established by the application for mapping colors from which color values are converted...
... A standard working space. Glossary This table contains definitions of colors produced by a device. Color gamut The total range of key terms used in this guide. For example, the total range of a device or color model from one -, two-, three-, or four-dimensional space whose dimensions, or components, represent intensity values. ICC International Color Consortium (ICC), the group established by the application for mapping colors from which color values are converted...