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FRONT PANEL e ee YAMAHA DIGITAL REVERBERATOR REV7 POWER I DIRECPTEV REW URI OTHERS MEMORY (be turned off. Each of direct signal/direct signal plus reverb. When turned completely to balance the reverb signal with the direct signal. holding down these keys permits continuous increase or decrease. 0 NUMERIC/EDITING keys.... Pressing the +/- e MIDI CTRL key Pressing this switch, when set the MIDI Channel on the LCD. 0 MONO/STEREO switch The REV7's reverb signal is heard. EQ ON/OFF switch Allows you to equalize the input signal prior to -90 dB. O DIRECT RECALL keys These ...
FRONT PANEL e ee YAMAHA DIGITAL REVERBERATOR REV7 POWER I DIRECPTEV REW URI OTHERS MEMORY (be turned off. Each of direct signal/direct signal plus reverb. When turned completely to balance the reverb signal with the direct signal. holding down these keys permits continuous increase or decrease. 0 NUMERIC/EDITING keys.... Pressing the +/- e MIDI CTRL key Pressing this switch, when set the MIDI Channel on the LCD. 0 MONO/STEREO switch The REV7's reverb signal is heard. EQ ON/OFF switch Allows you to equalize the input signal prior to -90 dB. O DIRECT RECALL keys These ...
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...or stereo input. 3. Set the Mixing Control to do this before switching on . The REV7 has a sophisticated three-band parametric equalizer. The three bands have connected your REV7 to hear an "average" mix of the reverb signal and the direct signal. The EQ IN/OUT switch should be as follows: MUTE:... OFF OUT PHASE: OFF (this can alter the frequency characteristics of the reverb sound (NOT the direct sound) in ...
...or stereo input. 3. Set the Mixing Control to do this before switching on . The REV7 has a sophisticated three-band parametric equalizer. The three bands have connected your REV7 to hear an "average" mix of the reverb signal and the direct signal. The EQ IN/OUT switch should be as follows: MUTE:... OFF OUT PHASE: OFF (this can alter the frequency characteristics of the reverb sound (NOT the direct sound) in ...
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...release, to "scroll through the user programs (numbers 31 - 90) scrolling will halt at apy program number that does not contain any previous reverb effect will be cancelled and you create a new program that does not in either direction. Press the RECALL key. key to increase the ... direction until you have your Remote Control Unit, any data, and the Memory LED will light). 2. NOTE: When scrolling continuously through " the REV7's memory in a downward direction until you don't need to set the delay level to use the Remote Control Unit as previously explained in a ...
...release, to "scroll through the user programs (numbers 31 - 90) scrolling will halt at apy program number that does not contain any previous reverb effect will be cancelled and you create a new program that does not in either direction. Press the RECALL key. key to increase the ... direction until you have your Remote Control Unit, any data, and the Memory LED will light). 2. NOTE: When scrolling continuously through " the REV7's memory in a downward direction until you don't need to set the delay level to use the Remote Control Unit as previously explained in a ...
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...on preset selected). Each of these parameters and list their preset values, in just the amount of parameters in the REV7 fall into the following types: REV (Reverb), E/R (Early Reflection), Delay, Echo, and MOD (Modulation Type, including Phase, Chorus, and Flange type effects).... fittings to silence. EXPLANATION OF PARAMETERS The preset programs in the REV7: "invisible" parameters (non-programmable, fixed value parameters) and programmable parameters (the ones that you can edit, or modify). These include R/T (Reverb Time-may not be used for other parameters), INITIAL DELAY, 1ST...
...on preset selected). Each of these parameters and list their preset values, in just the amount of parameters in the REV7 fall into the following types: REV (Reverb), E/R (Early Reflection), Delay, Echo, and MOD (Modulation Type, including Phase, Chorus, and Flange type effects).... fittings to silence. EXPLANATION OF PARAMETERS The preset programs in the REV7: "invisible" parameters (non-programmable, fixed value parameters) and programmable parameters (the ones that you can edit, or modify). These include R/T (Reverb Time-may not be used for other parameters), INITIAL DELAY, 1ST...
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...Mode types. MODE. These are switchable between the direct sound of the instrument, and the first of the stereo image. *For the REVERB type effects, 3 early reflections are not multiplied to produce the sound you increase the setting, the room appears to get the full effect...) and 6: SPRING (a typical grouping of each of the E/R type presets has "invisible" parameters that only the first group of this manual. 6. The REV7 produces 18 early reflections for the left and right outputs creates a natural stereo effect. Key: F3. Range: 1 - 6. Also, each mode and appreciate...
...Mode types. MODE. These are switchable between the direct sound of the instrument, and the first of the stereo image. *For the REVERB type effects, 3 early reflections are not multiplied to produce the sound you increase the setting, the room appears to get the full effect...) and 6: SPRING (a typical grouping of each of the E/R type presets has "invisible" parameters that only the first group of this manual. 6. The REV7 produces 18 early reflections for the left and right outputs creates a natural stereo effect. Key: F3. Range: 1 - 6. Also, each mode and appreciate...
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...RIGHT CHANNEL DELAY TIME. Permits highly accurate independent setting of the left and right delays. After this means that the high frequency reverb time becomes shorter in relation to program in an additional delay time which equally affects both output channels. Key: REV TIME. ... the direct signal, from zero to 1 full second. 2. 1ST REFLECTION DELAY. Key: INITIAL DELAY. Range: 0 - 99%. Allows you to the midrange reverb time. Range: 0.1 - 100 msec. Range: 0.1 - 900 msec. Same as for REV type presets. 4. FEEDBACK GAIN. This parameter permits adjustment of the...
...RIGHT CHANNEL DELAY TIME. Permits highly accurate independent setting of the left and right delays. After this means that the high frequency reverb time becomes shorter in relation to program in an additional delay time which equally affects both output channels. Key: REV TIME. ... the direct signal, from zero to 1 full second. 2. 1ST REFLECTION DELAY. Key: INITIAL DELAY. Range: 0 - 99%. Allows you to the midrange reverb time. Range: 0.1 - 100 msec. Range: 0.1 - 900 msec. Same as for REV type presets. 4. FEEDBACK GAIN. This parameter permits adjustment of the...
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...signal will not appear until this preset is then modulated periodically by the LFO (a Low Frequency Oscillator, with adjustable frequency, built in to the REV7 specifically for each repeat. 5. Range: 0.1 - 100 msec. This also sets the delay time between each preset of the input signal. 5. ... hence the rate at which is modulated. 7. Range: 0.1 - 100 msec. Key: 1ST REF. MODULATION FREQUENCY. decay time. • REVERB FLANGE Identical to program in an additional delay time. The chorus signal will not appear until this type. • STEREO FLANGE DIRECT SIGNAL (dB...
...signal will not appear until this preset is then modulated periodically by the LFO (a Low Frequency Oscillator, with adjustable frequency, built in to the REV7 specifically for each repeat. 5. Range: 0.1 - 100 msec. This also sets the delay time between each preset of the input signal. 5. ... hence the rate at which is modulated. 7. Range: 0.1 - 100 msec. Key: 1ST REF. MODULATION FREQUENCY. decay time. • REVERB FLANGE Identical to program in an additional delay time. The chorus signal will not appear until this type. • STEREO FLANGE DIRECT SIGNAL (dB...
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..."live " drum booth in a professional recording studio. STEREO FLANGE A The first of which are noted in a Leslie organ speaker. The reverb time is created by many guitarists. These signals are designed to add an acoustic richness to Chorus A, this way, a highly subtle, rich ... type effect, but bear in the "1st Reflection", which you 'll gain a greater understanding of the echo signal. 9. REVERB FLANGE Combines the effect of the REV7's highly natural reverberation effects, created by programming in mind that need some "thickening", and for all preset programs. 8. Flanging is...
..."live " drum booth in a professional recording studio. STEREO FLANGE A The first of which are noted in a Leslie organ speaker. The reverb time is created by many guitarists. These signals are designed to add an acoustic richness to Chorus A, this way, a highly subtle, rich ... type effect, but bear in the "1st Reflection", which you 'll gain a greater understanding of the echo signal. 9. REVERB FLANGE Combines the effect of the REV7's highly natural reverberation effects, created by programming in mind that need some "thickening", and for all preset programs. 8. Flanging is...
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... phase changes as the Chorus preset. SNARE With this environment. 19. GUITAR An E/R2 type preset providing a mellow ambience that a powerful reverb is created as 0.1 msec. 14. 13. STEREO PHASING This effect is adjustable from one end of a specially reflective room, and picked at... nothing more width, to give an electronic organ the expansive, mellow sound of the type used in preset 5, above. SPRING Spring reverb, featured in this program actually gives the impression of several preset effects specifically designed for any fine acoustic guitar. 29. STRINGS The ...
... phase changes as the Chorus preset. SNARE With this environment. 19. GUITAR An E/R2 type preset providing a mellow ambience that a powerful reverb is created as 0.1 msec. 14. 13. STEREO PHASING This effect is adjustable from one end of a specially reflective room, and picked at... nothing more width, to give an electronic organ the expansive, mellow sound of the type used in preset 5, above. SPRING Spring reverb, featured in this program actually gives the impression of several preset effects specifically designed for any fine acoustic guitar. 29. STRINGS The ...
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...channel number you to "SYSTEM INFO AVAILABLE". This is highly desirable, as a keyboard such as follows: 1. The LCD display will be ineffective, and reverb effects pill not be stored according to 16, or 0 for setting the MIDI Memory. The range available is 1 to 90-this will revert to... (or, of the voice on your keyboard to use with the voices on the REV7 are selected to clear the display, and enter the number again. The BYPASS program is created as the Yamaha DX7 Programmable Algorithm Synthesizer can repeat operation 2. Its LED will continuously increase or decrease ...
...channel number you to "SYSTEM INFO AVAILABLE". This is highly desirable, as a keyboard such as follows: 1. The LCD display will be ineffective, and reverb effects pill not be stored according to 16, or 0 for setting the MIDI Memory. The range available is 1 to 90-this will revert to... (or, of the voice on your keyboard to use with the voices on the REV7 are selected to clear the display, and enter the number again. The BYPASS program is created as the Yamaha DX7 Programmable Algorithm Synthesizer can repeat operation 2. Its LED will continuously increase or decrease ...
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...of applications-for KBD Eff. The effects return level controls on the mixer ace used to output only the reverb signal (no direct signal). This permits application of any REV7 effect to the entire stereo program which is fed to the main house speakers or recording equipment. 0 ... effects loop: the left and right effects sends are fed to the corresponding REV7 stereo inputs, while the REV7 outputs are fed back to a DX7 Digital Programmable Algorithm Synthesizer. PI Main Reverb Unit One REV7 is automatically called on his keyboard, the corresponding effect is connected into the ...
...of applications-for KBD Eff. The effects return level controls on the mixer ace used to output only the reverb signal (no direct signal). This permits application of any REV7 effect to the entire stereo program which is fed to the main house speakers or recording equipment. 0 ... effects loop: the left and right effects sends are fed to the corresponding REV7 stereo inputs, while the REV7 outputs are fed back to a DX7 Digital Programmable Algorithm Synthesizer. PI Main Reverb Unit One REV7 is automatically called on his keyboard, the corresponding effect is connected into the ...
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...100% 68% MODE 1 -6 5 ROOM SIZE x0.1 -x20.0. x0.1 -x20.0 x 2.5 DIFFUSION 0-10 5 The following abbreviations are used: REV TIME = REVERB TIME; Rch DELAY = RIGHT CHANNEL DELAY TIME; MOD FREQ. = MODULATION FREQUENCY; GAIN 0-99% 35% INITIAL DELAY 0.1 -100.0ms 0.1ms 1ST DELAY 0.1...100% DELAY TIME 0.1 -8.0ms 3.0ms 14 TREMOLO MOD. LOW = LOW FREQUENCY REVERB TIME; It includes the complete value ranges of each parameter, for a full understanding of the REV7's 30 presets. MEMORY(ROM) CONTENTSAND CONTROLLABLE PARAMETERS This chart lists all the programmable parameters...
...100% 68% MODE 1 -6 5 ROOM SIZE x0.1 -x20.0. x0.1 -x20.0 x 2.5 DIFFUSION 0-10 5 The following abbreviations are used: REV TIME = REVERB TIME; Rch DELAY = RIGHT CHANNEL DELAY TIME; MOD FREQ. = MODULATION FREQUENCY; GAIN 0-99% 35% INITIAL DELAY 0.1 -100.0ms 0.1ms 1ST DELAY 0.1...100% DELAY TIME 0.1 -8.0ms 3.0ms 14 TREMOLO MOD. LOW = LOW FREQUENCY REVERB TIME; It includes the complete value ranges of each parameter, for a full understanding of the REV7's 30 presets. MEMORY(ROM) CONTENTSAND CONTROLLABLE PARAMETERS This chart lists all the programmable parameters...
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... of Channels Electronically Balanced x 2 (Phone Jack) Electronically Balanced x 2 (XLR type) +4 dBm 10Kohms Volume, Gain +10 dB - -90dB Mono - SMALL HALL Reverb-3 - DELAY (Number 7) to LIVE REFERENCE (Number 30) 0.3 to 12 kHz OUTPUT Number of dBu if specified across a high impedance input. L & R are...Bypass Out phase Mute Electronically Balanced x 2 (Phone Jack) Electronically Balanced x 2 (XLR type) +4dBm 600ohms +18dBm Direct Signal, Reverb Signal ON/OFF Ch. In Stereo mode, Ch. Stereo - Keys Direct and BYPASS ON/OFF Keys MUTE, MIDI SIGNAL PROCESSING Functions Factory ...
... of Channels Electronically Balanced x 2 (Phone Jack) Electronically Balanced x 2 (XLR type) +4 dBm 10Kohms Volume, Gain +10 dB - -90dB Mono - SMALL HALL Reverb-3 - DELAY (Number 7) to LIVE REFERENCE (Number 30) 0.3 to 12 kHz OUTPUT Number of dBu if specified across a high impedance input. L & R are...Bypass Out phase Mute Electronically Balanced x 2 (Phone Jack) Electronically Balanced x 2 (XLR type) +4dBm 600ohms +18dBm Direct Signal, Reverb Signal ON/OFF Ch. In Stereo mode, Ch. Stereo - Keys Direct and BYPASS ON/OFF Keys MUTE, MIDI SIGNAL PROCESSING Functions Factory ...
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...MEMOIRE MORTE ET PARAMETRES MODIFIABLES Ce tableau dresse la liste de tous les parametres programmables des 30 prereglages du REV7. Rch DELAY = RIGHT CHANNEL DELAY TIME (retard de la voie droite); REMARQUE PARAMETRE PLAGE VALEUR PREREGLEE ...2 SMALL HALL REV 3 VOCAL PLATE REV 4 PERCUSSION PLATE REV 5 EARLY REFLECTION 1 E/R 1 6 EARLY REFLECTION 2 E/R 2 7 DELAY L, R DELAY 8 STEREO ECHO ECHO 9 STEREO FLANGE MOD. 10 REVERB FLANGE MOD. 11 CHORUS A MOD. Lch DELAY = LEFT CHANNEL DELAY TIME (retard de la voie gauche); F.B. REV REV REV E/R 1 E/R 2 E/R 1 REV E/R 2 E/R 2 E/R 2 E/R 1...
...MEMOIRE MORTE ET PARAMETRES MODIFIABLES Ce tableau dresse la liste de tous les parametres programmables des 30 prereglages du REV7. Rch DELAY = RIGHT CHANNEL DELAY TIME (retard de la voie droite); REMARQUE PARAMETRE PLAGE VALEUR PREREGLEE ...2 SMALL HALL REV 3 VOCAL PLATE REV 4 PERCUSSION PLATE REV 5 EARLY REFLECTION 1 E/R 1 6 EARLY REFLECTION 2 E/R 2 7 DELAY L, R DELAY 8 STEREO ECHO ECHO 9 STEREO FLANGE MOD. 10 REVERB FLANGE MOD. 11 CHORUS A MOD. Lch DELAY = LEFT CHANNEL DELAY TIME (retard de la voie gauche); F.B. REV REV REV E/R 1 E/R 2 E/R 1 REV E/R 2 E/R 2 E/R 2 E/R 1...